CHAPTER VI--THE DESIRE FOR SILVER

The blazing door was locked. Richard called, shouted shouted again.

There was no answer, but in the extraordinary outer silence he could

still hear the industrious shovelling of silver.

‘Well,’ he said to himself, ‘they’re bound to find out pretty soon that

the show’s on fire.’

He threw himself against the door angrily, and, to his surprise, it

yielded, and he fell over the river of flame into the interior of

the shed. The noise at last startled Raphael and Teresa out of the

preoccupation of their task.

‘Haven’t you perceived that the place is being burned down?’ he

exclaimed drily.

At the same instant he sprang towards Teresa. The stream of burning

petrol had found its way into the central runnel of the stone floor, and

so had suddenly reached the hem of Teresa’s dress, which already showed

a small blaze. Fortunately, it was a serge travelling frock; had it

been of light summer material, Teresa would probably have been burnt to

death. Richard dragged her fiercely from the region of the runnel, and

extinguished the smouldering serge between his hands, which showed the

scars of that timely action for a fortnight afterwards. He glanced round

quickly, saw a pile of empty sacks in a corner--had they been used as

money-bags? he wondered--and, seizing several of them, laid them fiat

on the burning petrol and against the door. His unhesitating celerity no

doubt prevented a magnificent conflagration. The petrol, it is true, had

nearly burnt itself out, but the woodwork of the door was, in fireman’s

phrase, ‘well alight,’ and, being aged and rotten, it formed a quick

fuel.

When the flames had been conquered, the three occupants of the shed

looked at each other without a word. Strange to say, under the steady

gaze of Raphael Craig, Richard’s eyes blinked, and he glanced in another

direction--up at the little window in the opposite wall where he had

seen the face of Micky, but where the face of Micky was no longer on

view. Then he looked again at Raphael Craig, whose dark orbs seemed to

ask accusingly: ‘What are you doing here?’ And, despite the fact that he

had in all probability been the means of saving Teresa’s life, he could

not avoid the absurd sensation of having been caught in a misdeed.

He felt as if he must explain his presence to Raphael Craig. At that

juncture, we are obliged to confess, his imperturbability deserted him

for a space.

‘I--I happened to be passing the end of the road,’ he said lamely, ‘and

I saw what I took to be a flame, so I ran along--and found--this, I’m

glad it’s no worse.’

‘So am I,’ said Raphael Craig, with cold gravity.

Teresa was silent.

‘I’m glad I was in time,’ said Richard, as awkwardly as a boy.

‘I’m glad you were,’ Mr. Craig agreed.

‘It is possible that my daughter owes her life to you. I cannot imagine

how I could have been so careless with that petrol. It was inexcusable.

We thank you, Mr. Redgrave, for your services so admirably rendered.’

‘Don’t mention it,’ said Richard; ‘that’s nothing at all.’

The whole interview was becoming too utterly ridiculous. But what could

be said or done? It was the heaps of silver coins lying about that

rendered the situation so extremely difficult. Useless for Raphael Craig

to pretend that he and Teresa had been engaged in some perfectly usual

and common-place task. Useless for Richard, notwithstanding his lame

explanation, to pretend that he had not been spying. The heaps of

silver made all parties excessively self-conscious, and when you are

self-conscious you can never say the right thing in the right manner.

It was Raphael Craig who first, so to speak, came to himself.

‘As you are here, Mr. Redgrave,’ he said, ‘as you have already laid us

under one obligation, perhaps you will consent to lay us under another.

Perhaps you will help us to finish off these few coins. Afterwards I

will beg the honour of a few words with you in private.’

It was magnificent, thought Richard, this audacious manouvre of the old

man’s. It took the bull by the horns in a very determined fashion. It

disarmed Richard instantly. What course, save that of complying with so

calm and courteous a request, could he pursue? He divined that Raphael

Craig was not a man moulded to the ordinary pattern of bank managers,

‘With pleasure,’ he replied, and thereupon the heaps of silver seemed

less bizarre, less confusing, less productive of a general awkwardness.

By a fiction unanimously agreed to, all three began to behave as if

shovelling thousands of new silver coins at dead of night in a disused

stable was a daily affair with them.

Still without uttering a word, Teresa handed her galvanized iron bucket

to Richard. He noticed a little uncertainty in the motion of her hand as

she did so. The next moment there was a thud on the floor of the stable.

Teresa had fainted. She lay extended on the stone floor. Richard ran to

pick up that fair frame. He had lifted the girl’s head when the old man

interposed.

‘Never raise the head of a person who has lost consciousness,’ he said

coldly; ‘it is dangerous. Teresa will recover in a few minutes. This

swoon is due only to the shock and strain of the last few minutes. In

the meantime, will you open the door?’

Richard, having complied, stood inactive, anxious to do something, yet

finding nothing to do.

‘Shall I fetch some water from the house?’ he asked. ‘Swoons are

sometimes very serious if they last too long.’

‘Are they, my friend?’ said Raphael, with the trace of a smile. ‘This

one is already over--see?’

Teresa opened her eyes.

‘What are you two staring at?’ she inquired curiously, and then sighed

as one fatigued.

Her father raised her head in his arm and held it so for a few moments.

‘Now, my chuck,’ he said, ‘try if you can stand. Mr. Redgrave, will you

assist me?’

Mr. Redgrave assisted with joy. The girl at length stood up, supported

on one side by Raphael Craig and on the other by the emissary of Simon

Lock. With a glance at Richard, she said she could walk. Outside stood

the motor-car.

‘Shall we take her round to the front-door on this?’ Richard suggested.

‘Are you mad?’ exclaimed Raphael Craig, with sudden disapproval. ‘Teresa

will walk.’

He locked the charred door of the stable with a padlock which he took

from his pocket, and they proceeded to the house.

Bridget stood at the front-door, seeming to expect them.

‘You’re not well, mavourneen,’ she said, glancing at Teresa’s face, and

led the girl away.

During the whole of the time spent by him at Queen’s Farm nothing

impressed Richard more than the impassive yet affectionate demeanour of

Mrs. Bridget, that mysterious old servant, on this occasion.

The two men were left together in the hall. Mrs. Bridget and Teresa had

gone upstairs.

‘Mike!’ Raphael Craig called.

‘Yes, sorr,’ answered Mike, appearing from a small butler’s pantry under

the staircase.

‘Bring whisky into the drawing-room.’

‘That I will, sorr.’

Richard admired Micky’s sangfroid, which was certainly tremendous, and

he determined to have an interview with the man before many hours were

past, in order to see whether he could not break that sangfroid down.

‘Come into the drawing-room, will you?’, said Raphael Craig.

‘Thanks,’ said Richard.

The drawing-room proved to be the room into which Mr. Craig had vanished

on the _previous_ night. It presented, to his surprise, no unusual

feature whatever. It had the customary quantities of chairs, occasional

tables, photographs, knicknacks, and cosy corners. It was lighted by a

single lamp suspended from the middle of the ceiling. The only article

of furniture that by any stretch of fancy could be termed extraordinary

in a drawing-room was a rather slim grandfather’s clock in an inlaid

case of the Sheraton period. This clock struck one as they went into the

room.

Micky arrived with the whisky.

‘You will join me?’ asked Raphael, lifting the decanter.

‘Thanks,’ said Richard.

‘That will do, Mike.’

Mike departed. The two men ignited cigars and drank. Each was seated in

a large easy-chair.

‘Now for it,’ said Richard to himself.

Mr. Raphael Craig coughed.

‘I dare say, Mr. Redgrave,’ the bank manager began, ‘that certain things

which you have seen this evening will have struck you as being somewhat

strange.’

‘I am happy to have been of any help,’ said Richard.

Raphael bowed.

‘I will not disguise from you,’ he continued, that when you arrived here

in such a peculiar manner last night I had my suspicious of your good

faith. I even thought for a moment--it was very foolish of me--that you

were from Scotland Yard. I don’t know why I should have thought that,

but I did think it.’

‘Really,’ said Richard, ‘I have not the least connection with Scotland

Yard. I told you my business.’

‘I believe you,’ said Raphael. ‘I merely mention the course of my

thoughts concerning you. I am fully convinced now that, despite certain

unusual items connected with your visit, you are exactly what you said

you were, and for my doubts I now offer apology. To tell you the truth,

I inquired from the Williamson Company this morning as to you, and was

quite reassured by what they said. But,’ Mr. Craig went on, with a

very pronounced ‘but,’ interrupting Richard, who had embarked on some

protest--‘but I have at the same time been forced to the conclusion, Mr.

Redgrave, that my household, such as it is, and my ways, such as

they are, have roused in you a curiosity which is scarcely worthy

of yourself. I am a fairly good judge of character, and I know by

infallible signs that you have a nature far above idle curiosity.’

‘Thanks for your good opinion,’ said Richard; ‘but, to deal with your

suspicions in their order, may I ask why you thought at first that I was

an agent of Scotland Yard? Were you expecting Scotland Yard at Queen’s

Farm?’

He could not avoid a faint ironic smile.

Mr. Craig threw his cigar into the fireplace.

‘I was,’ said Raphael briefly, ‘and I will tell you why. Some time ago

an uncle of mine died, at a great age, and left me a huge fortune. My

uncle, Mr. Redgrave, was mad. For fifty years he had put all his savings

into silver coins. He had once been in a Mexican silver-mine, and the

experience in some mysterious way had affected his brain. Perhaps his

brain was already affected. He lived for silver, and in half a century

he collected more than half a million separate silver coins--all

English, all current, all unused. This fortune he bequeathed to me. I

was, in fact, his sole relative.’

‘A strange old fellow he must have been,’ Richard remarked.

‘Yes,’ said Raphael. ‘But I am equally strange. I have said that

my uncle had a mania. I, too, have that mania, for I tell you, Mr.

Redgrave, that I cannot bring myself to part with those coins. I have

the same madness for silver that my uncle had. Away from the silver, I

can see myself steadily, can admit frankly to myself that on that one

point my brain is, if you like the term, “touched.” In the presence of

the silver I exist solely for it, and can think of nothing else.’

‘Nevertheless,’ said Richard dispassionately, ‘I was told in the village

to-day that you paid for everything in silver. If you are so attached

to silver, how can you bring yourself to part with it? Why not pay in

gold?’

‘Because,’ Raphael replied, ‘I never handle gold save in my professional

capacity as bank manager. I take my salary in silver. I cannot help it.

The weight frequently proves a difficulty, but I cannot help it. Silver

I must have. It is in my blood, the desire for silver. True, I pay away

silver--simply because I have no other coins available.’

‘I see,’ said Richard.

He scarcely knew what to think of his strange companion. The man seemed

absolutely sane, absolutely in possession of every sense and faculty,

yet, behold him accusing himself of madness!

‘Let me finish,’ said Raphael Craig. ‘When I came into my uncle’s

fortune I was at a loss what to do with it. The small house which I then

had over at Sewell, near Chalk Hill, had no accommodation for such a

valuable and ponderous collection. I made a confidante of my daughter.

She sympathized with me, and suggested that, at any rate for a time, I

should conceal the hoard in a disused chalk-pit which lay a few hundred

yards from our house. The idea, at first sight rather wild, grew upon

me. I adopted it. Then I took this house, and gradually I have removed

my silver from the chalk-pit to Queen’s Farm. It is hidden in various

quarters of the place. We brought the last load to-night.’

‘This is very interesting,’ said Richard, who had nothing else to say.

‘I have told you this,’ the old man concluded, ‘in order to account to

you for what you saw to-night in that stable. It is but just that you

should know. I thank you again for your prompt services in the matter

of the fire, and I ask you, Mr. Redgrave, to pity the infirmity--the

harmless infirmity--of an old man.’

Raphael Craig stood up and gazed at Richard with his deep-set melancholy

eyes.

‘It is an infirmity which draws suspicion upon this house as a magnet

draws iron. Once already I have had the local police up here making

stupid inquiries. I put them off as well as I could. Daily I am

expecting that the directors of the bank will call me up to explain my

conduct. Yet I cannot do otherwise.’

‘Why,’ said Richard, ‘if you are rich, do you still care to serve the

bank? Pardon my impertinence, but, surely, if you left the bank one

source of your apprehensions would be stopped?’

‘I cannot leave the bank,’ said Raphael Craig, with solemn pathos; ‘it

would break my heart.’

With these words he sank back into a chair, and appeared to be lost in

thought So the two sat for some time. Then Richard rose and went quietly

towards the door.

‘You are the only person, save Teresa, who knows my secret. Remember

that, Mr. Redgrave.’

The manager’s voice sounded weak and distant. Richard bowed and stole

from the room. He sucked at his cigar, but it had gone out.

Teresa of Watling Street: A Fantasia on Modern Themes · 第 6 / 17 章