“So many heartbroken girls have asked my advice on how to achieve an

artistic destiny on the stage, that a frank word or two, on such a

theme, may not be amiss. To begin with, girls should remember that the

wishes and tastes of their audience have to be considered--before

everything. An artistic standard that does not meet with popular

approval must, of necessity, be a false standard to work by. Take my

little bit, for instance, in the third act of ‘Houp-La.’ I tried to

interest my audience in my wonderful imitations of the Allied statesmen.

But, try as I would, I left them cold. Then, my manager, one of the best

dramatic critics I have ever met, drew my attention to what he deemed a

radical defect in my performance. The subjects of my imitations, he

said, were all too _restful_! Not one of them was associated, in the

public mind, with movement--especially with the movement which we know

as Kicking. So I changed my repertoire to include impersonations of

Nijinski, and Miassine, with the result that my act has been a veritable

_riot_.

“So, remember, girls, consider your audience.”

[Illustration]

REMEMBER YOUR MOTHER

“I want to insist upon the importance--in an artiste--of listening to

the counsel of a good manager. Only last night, for instance, after the

ring-down in my triumphal screen scene in ‘A Woman at Bay,’ (the one in

which the screen, behind which I am dressing, is knocked over by the

maid), my manager joined me, in the Ritz grill, and gave me the most

wonderful advice in the world. He showed me how I could kill the star’s

act by laughing in the middle of it; how I could steal the leading man’s

entrance; how I could get the spot for a whole act--by giving the

spotlight operator a Tecla pearl pin; how I could centre the publicity

man’s interest in little me (merely by kindness) and how I could get my

name up, in gas, merely by asking a dear friend of mine--(who is the

President of a steel company) to invest some money in a musical comedy

which my manager is going to put on. He has also given me advice about

my dear mother. He thinks that the city air is disagreeing with her, and

he suggests that, in the country, he could engage a single room for

her--with the use of a bath--where she could pass the winter very

comfortably. So there is _another_ thing to remember, girls: ‘Always be

good to your mother!’”

[Illustration]

TRY TO BE KIND TO THE CRITICS

“And now, girls, here is one more point. Remember that critics are

Human. They never seem so, of course, when you read their stuff, but my

experience has been that they are susceptible to little kindnesses.

Martha, my maid,--she has been with me since I left the convent--always

asks Izzy Stern--he is my personal press representative--to invite the

critics back to my little dressing-room, after every first performance.

I have a few bon-bons, or cigarettes, or new stories, or orchids there,

which I distribute among them, along with a smile, a laughing word,

and--on rare occasions--a little kiss, on the tips of their funny old

noses. So, girls, there’s _another_ lesson! Always be kind to the

critics.”

[Illustration]

THE BEAUTY OF MODERATION

“And now, I have only one more word to say. Try always to be regular in

your habits. Half of the failures on the stage--among feminine artistes,

at least--are due to the fact that actresses do not observe a _regular_

mode of living. I have only one rule! Be Regular! For instance, I never

dream of taking a pint of champagne for supper on Monday, and then three

pints on Tuesday. No, I always take two pints every night in the week,

including Sunday. I keep my cigarettes down, in the same way, to two

boxes a day. One headache powder in the morning! One trional powder at

night! One bouquet from each admirer, every evening. Never any more:

never any less! So girls this is my parting word to you all: Be

Moderate; be Regular; be Good. Moderation always pays--in the long

run.”

Sports for the Summer

_The Increasingly Feminine Tone of Outdoor Diversions_

[Illustration]

MOTORING

It has been a busy Summer for our lusty young athletes. Golf

tournaments, tennis championships; polo, sparring, sea bathing, (see

opposite page). Then there was also motoring, canoodling, dancing, and

working at the office in order to pay income taxes. This picture shows

the most dangerous of all the smart Summer sports--motoring. Indeed it

may be said that a lad is never safe in a motor--when there is a lady

about. Oh, and gentle Reader,--do you believe in signs?

[Illustration]

CANOODLING

Canoeing is practically the safest of all our Summer sports. Safest

because little _attachments_ are virtually impossible while indulging in

it. A sentimental chap, when canoeing, may drown, to be sure, but he is

safe from the menace of having a lady drape herself around his neck like

a constrictor, an occurrence which is quite possible in motoring. When

you propose in a canoe, don’t be afraid of shocking the silly

birds--they are used to it.

[Illustration]

SLAVING

What with the eighteen different kinds of taxes which the late Emperor

William is causing us to pay into the Treasury, a chap had to slave away

at the office last Summer, or else force his wife and children to go

without the luxuries of life, that is, motor cars, sugar, diamonds, and

eggs.

[Illustration]

DANCING

Dancing, this past Summer, was just about as enlivening as taking a cup

of camomile tea with two titled women in a cathedral close. This is a

little scene at a fashionable house-party. Note that the only youthful

cavalier in sight is just home from school, and has been dancing with

Lady Muriel Pitt Powyss (his mother’s distinguished guest) until he is

fed up with it to the point of the tonsils.

[Illustration]

SEA BATHING HAS BECOME THE KING OF ALL THE DRY SPORTS

Fashionable Débutantes may sometimes safely sojourn by the sea, but it

is a good rule never actually to immerse one’s body in the fluid.

The Strategy and Finesse of Proposing

_Advance Leaves from 1921 Handbook of Courtship_

[Illustration]

THE PROPOSAL BY LETTER

A faint-hearted method--not at all recommended. Letters are all very

well in their way, but, if a wooer wishes to get absolutely sure

results, he ought, in person, to be on hand when the terrible moment

arrives. Letters of proposal have any number of drawbacks. For instance:

(1) They may miscarry and be delivered to the wrong candidate--some lady

who leaves you cold. Or (2) the dear girl may accept you--by a somewhat

precipitate telegram--before you have had time to think the thing over,

in which case you will find yourself in the cart. (3) Letters sound so

deucedly silly when the attorneys get up to read them in the courtroom

for the benefit of the press. Finally (4), a letter never has the force

of a good face-to-face recitation. The pen, though mighty, is hardly to

be compared in efficacy with the three great aids to wooing: the

capacious sofa, the soft-shaded lamp, and the smouldering fire. So,

dismiss the page-boy and step around to Irene’s yourself.

THE PROPOSAL TERPSICHOREAN

There is only one certain way of making the modern débutante--like

Muriel, for instance--capitulate, and that is to dance her into complete

submission. Just accept every single engraved invitation that comes to

you at your club--so long as it mentions dancing--and then go and

dedicate yourself to the job of keeping Muriel turning. Remember, that,

nowadays, hearts and thrones are oftenest won by revolutions. Remember

that it is only in dancing, that a man inspires in a woman that close

feeling of confidence so essential to bliss and felicity in the married

state. So, if a maiden is even a little wary of your advances, or in any

way disposed to fight you off, just get some willing friend to strafe

the piano for you, then lift the diffident child out of her chair, give

her position A, and launch out with her upon the whirlpools of the

dance.

[Illustration]

[Illustration]

THE PROPOSAL, A LA PASHA

If you think it demeaning and ignoble to be loved for your pelf alone,

try to remember that no girl accustomed to the sort of things which she

is forever seeing advertised, is going to marry a man who never gives

her anything but roses, and, here and there, a chocolate or two. In

giving presents to the little dear, try always to stick to jewels. True

love thrives best in a young lady’s bosom, on a diet of pearls, rubies,

emeralds, sapphires and diamonds. Oh, and another thing! If she marries

you, you have a half equity in the stones. If she _doesn’t_ marry you,

you can force her mother to return them. Flowers fade! Bonbons vanish.

But good diamonds _shine on forever_.

THE PROPOSAL BY TELEPHONE

In a great progressive city like ours, especially with stocks jumping up

about five points a day--you can’t very well expect a chap to leave the

stock-ticker in his club or in his café, trot up to the social zone and

loaf round a girl’s house all day. And that merely to propose to her as

soon as she has--at the end of an hour or so--consented to dress and

give her hair and complexion the careful treatment which she always has

to give them when she receives visitors. This is a very busy little

world and a proposal over the wire often saves an immense amount of

time--and sometimes two or three points margin at your brokers’. So,

wherever she is, telephone! Don’t waste time. Call her up anywhere, even

in her bedroom. This little sketch shows the delightfully intimate

relationship which is sometimes established between the dining-room at a

man’s Club and the bathing pavilion contiguous to a lady’s sleeping

room. It was a scene such as this that inspired the composer who in a

moment of supreme inspiration, wrote that lyrical gem entitled “Hullo,

Central, Give Me Heaven.” In proposing by telephone, it is of course

just as well to get the right girl on the wire. A friend of ours

recently became a trifle confused--after being accepted by a female

voice, to learn that the houri at the other end of the telephone was no

less a dignitary than his lady-love’s maiden aunt.

[Illustration]

[Illustration]

THE PROPOSAL BY PHONOGRAPH

Our new, exclusive, patented, and correct model for diffident bachelors.

No more plucking of marguerites (she loves me, she loves my car, etc.).

No more tortured proposals on the knees (ruining the fit of the new

trousers). If she accepts, she writes to you. If she refuses, she files

the record along with her latest Hawaiian Aloha song. In buying your

proposal records, insist on having the phonograph people insert your

name and hers on the discs,--_without charge_. The names can be added in

less than ten minutes’ time. If you are a busy man, you can of course

order your records by the dozen--merely cautioning the makers to use the

names of as many girls as you happen to be wooing at the time. You can

then distribute the records to the girls and await developments. In case

you should happen to receive two or more acceptances, the simplest

method is to toss a coin.

[Illustration: “She Loves Me, She Loves Me Not”]

[Illustration]

LANDED AT LAST

The artist has mercifully drawn a veil over the hero in this scene. This

is always the way you finish. You try out your proposals on different

girls and find yourself landed at last with a big, masterful sort of

sparring partner, a girl who grabbed you when you weren’t looking and

marched you up the aisle with the Lohengrin record turned on at third

speed. And, behind you and your big masterful girl, there stalks that

dreadful mother of hers, and her soul-blighting Uncle Cyril, and her

dreadful little twin brothers, and then--walking with a man whom you

happen to hate--the bride’s sister Gertie, the bright little girl whom

you _really meant to marry_.

[Illustration]

THE NEWLY RICH ELEMENT

Heroic little bands like this annually advance upon the fashionable

resorts, to make an overt attack upon society. These invaders come from

the heart of the wilds, where the head of the family (merely a courtesy

title) is known locally as the Gravel Roof King. Little family groups of

this sort are not considered complete without four daughters, at least,

each more painfully unmarried than the rest.

[Illustration]

Palmy Days at the Seaside

_Sights at the Bathing Resorts When the Season for Salt Water is

Declared On_

[Illustration]

FOND MEMORIES

There is, alas, but little of this sort of thing, these days. The

spectacle of a venerable waiter, working himself into a healthy glow

over the wholesome indoor exercise of bottle-opening is becoming rarer

every day. A corkscrew, once the national emblem, will soon be but a

relic for a civic museum.

[Illustration]

ON THE SIDE LINES

It is such little groups as these that lend a really homelike air to the

seaside resorts. These pillars of society know the entire history of the

resort by heart; they are specialists on dates, social standing, if any,

and previous conditions of matrimony. They are a complete Guide to the

closet skeletons of all the married and unmarried guests in the hotel.

THE CINEMA VAMP

This year the movie vampire is on the promenade resting from the outdoor

scenes of her new picture, “The Super-Sin,” which will barely get by the

national board of censorship. The cinema vampire is highly unpopular

with the débutantes at the seaside resort. They seem always to resent

professional competition.

[Illustration]

THE TENNIS HOUNDS

Any day you may see the tennis hounds assembling at the court for a set

of mixed--hopelessly mixed--doubles. The curious thing about most of

these strange creatures is that no living-eye has ever beheld them

actually playing; they appear on the court with much ceremony, carrying

all the properties, and wearing the most technically correct costumes,

but that is as far as most of these sartorial creatures ever seem to

go.

[Illustration]

MIXED FOURSOMES

There is always a liberal assortment of these foursomes scattered over

the seaside golf course. They are the slowest-moving bodies known to

science; there is a wait of twenty minutes on every tee, while an

argument rages as to whether it took Ethel fifteen or seventeen to get

out of the rough, every argument, for and against, being carefully

considered. Any other players who happen to be golfing on the course at

the time, have just about as much chance of passing as the Germans had

at Verdun.

[Illustration]

[Illustration]

THE RECENTLY RICH

The little gatherings of those to whom wealth has all the refreshing

charm of novelty are a familiar and well-loved sight in the seaside

resorts. They have done nicely for themselves in munitions stocks, and

expect to devote the years of peace to well-earned spending.

THE LURE OF THE STAGE

It is simply wonderful how the drama has helped our resorts along. It’s

surprising how much a pair of friendly young actresses can add to the

charm of a place. The male half of the visitors are unanimous in

declaring that the drama is the greatest institution of the age.

SEASIDE PANORAMA

Ask any experienced traveler what impressed him most about the seaside,

and he will immediately answer that the welcome committee, which met him

at the portals of the hotel, and which bade him a tender farewell, is

the memory which he will cherish longest,--even to his dying day.

[Illustration]

[Illustration]

GLIMPSES WITHIN

How little we know of the “vie intime” of the fashionable stage idols,

twinkling stars in the dramatic firmament, far-removed from the

orchestra astronomers. It has been our recent privilege to interview, at

close range, lovely Angeline Etoille, the famous dancer of two

continents, whose throbbing reactions to the simple things of life are

indeed a revelation. Her enthusiasm for her art is inspiring. Her whole

life, for that matter, may be said to be a lesson in adorable

enthusiasms.

An Interview with A Great Dancer

_Privileged Peeps into the Soul of Mlle. Angeline, of Paris_

BARKING BLOSSOMS

“Animals! I adore them,” cried la Belle Etoille. “I could not exist

without them. Only see my three canine graces, Rose, Violet, and Lily.

My maid sprays each one of them with its name-perfume every morning.”

ALONG THE BEACH

“There is only one word,” said Mlle. A., “which describes the ocean in

all its moods of calm and storm, fickle as a lover, rising and falling

like the stock-market, as changeable in color as the fashion in hair. It

is ‘adorable.’”

[Illustration]

[Illustration]

[Illustration]

THE MOTHER INSTINCT

When we spoke of children, the lovely dancer’s face took on a

madonna-like expression. “I adore them,” she faltered. “I often borrow

my sister’s twins, for photographic purposes. It is my crown of sorrow

that I have none of my own, but, as I am young and unmarried; what would

you?”

[Illustration]

[Illustration]

BUCOLIC BEAUTIES

“One of the most adorable things in an adorable world,” said the dainty

danseuse, “is the country. The lowing kine, the bleating lambs, the

bosky dells, all within season-ticket distance. It is my dream. I

constantly see myself as a shepherdess, strolling through the meadows,

whispering my little secrets to the bees and birds.”

THE FLORAL TRIBUTE

“How can I express my love of flowers except by saying that I adore

them?” questioned the exquisite Angeline. “They are, with me, a passion,

and, do you know, I can gauge a man’s devotion by the way he sends me

flowers. If he spends more than his salary--he loves me. If he spends

_only_ his salary, I know that he is cold.”

[Illustration]

ANGELINE’S ADORABLE ADIEU

It was with real regret that our interviewer rose to take his leave of

the dancing idol. The great diva, reclining on the great divan, had

given us such a charming close-up of her soul that, for a moment, we

felt specially privileged. And then, a fatal moment! we noted, behind

the arras, and protruding beyond the lower right-hand cushion, a smartly

shod male foot--a well-rounded male knee, and we realized instinctively

that others beside ourselves had found Mlle. Etoille--adorable.

[Illustration]

Transcriber’s Notes

The chapter titles do not always occur at the top of the respective

chapters.

Inconsistencies in spelling, lay-out, use of accents, etc. have been

retained; only some minor obvious typographical errors have been

corrected silently. Errors in non-English words have not been

corrected.

High society · 第 4 / 4 段