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TALES FOR FIFTEEN
BY JAMES FENIMORE COOPER
(1823)
A FACSIMILE REPRODUCTION
WITH AN INTRODUCTION
BY JAMES FRANKLIN BEARD
_Clark University_
GAINESVILLE, FLORIDA
SCHOLARS' FACSIMILES & REPRINTS
1959
SCHOLARS' FACSIMILES & REPRINTS
118 N.W. 26TH STREET
GAINESVILLE, FLORIDA, U.S.A.
HARRY R. WARFEL, GENERAL EDITOR
REPRODUCED FROM A COPY IN
AND WITH THE PERMISSION OF
YALE UNIVERSITY LIBRARY
L.C. CATALOG CARD NUMBER: 59-6525
MANUFACTURED IN THE U.S.A.
LETTERPRESS BY J. N. ANZEL, INC.
PHOTOLITHOGRAPHY BY EDWARDS BROTHERS
BINDING BY UNIVERSAL-DIXIE BINDERY
INTRODUCTION
On 1 February 1823 Charles Wiley published in New York _The Pioneers_, a
new book by the author of _The Spy_; by noon he had sold 3,500 copies--a
record-making sale by the bookselling standards of the time. On 26 June,
almost five months later, Wiley quietly offered, as we know from a
notice in The Patriot, a New York newspaper, "_Tales for Fifteen, or
Imagination and Heart_, an original work in one volume, by Jane Morgan,
price 75c." The actual author was the author of _The Spy_; and the two
stories, "Imagination" and "Heart," were obviously imitations of Mrs.
Amelia Opie's popular moral tales, published, as the paper cover noted,
when _The Spy_ was in its fourth edition, _The Pioneers_ in its third,
and _The Pilot_ in press. The sale was so small that only four copies
are known to be extant. Why, one may ask, did James Cooper, who was in
1823 a writer of national and international reputation, publish this
volume of imitative stories for adolescent girls, even though his
identity was carefully concealed?
According to Cooper's own account, _Tales for Fifteen_ was written and
given to Charles Wiley as a gesture of friendship to help the publisher
out of financial difficulties. This explanation was echoed by the
novelist's daughter Susan in a letter reprinted from the Cooperstown
_Freeman's Journal_ in _The Critic_ on 12 October 1889. It is true that
Wiley was having financial troubles in 1823, and Cooper undoubtedly gave
him the proceeds from _Tales for Fifteen_; but to suppose, as full
acceptance of this explanation requires, that Cooper reverted, even
momentarily, to the repudiated literary models of his first book
_Precaution_ after the phenomenal success of _The Spy_ would be to infer
in him an almost total want of critical judgment and common sense. The
real explanation, which Cooper might have been embarrassed to furnish
and which the chronology of publication has obscured, lies in a hitherto
unsuspected phase of the curious story of Cooper's entrance to
authorship.
Cooper wrote Andrew Thompson Goodrich, his first publisher, on 31 May
1820, that _Precaution_ had been preceded by an experimental effort to
write a short moral tale. Mrs. Opie's _Simple Tales_ (1807) and _Tales
of Real Life_ (1813) would have been among the obvious models. Finding
the tale "swell to a rather unwieldy size," Cooper explained, "I
destroy'd the manuscript and changed it to a novel." _Precaution_, which
was completed on 12 June 1820, was probably written within a month; and
before the novel had begun its tortuous way through the press, Cooper
commenced the writing of _The Spy_. By 28 June he had completed "about
sixty pages," presumably manuscript pages; and as the writing proceeded
and his enthusiasm for the new work mounted, his expectations for the
success of _Precaution_ diminished. He wrote Goodrich on 12 July: "The
'Spy' goes on slowly and will not be finish'd until late in the fall--I
take more pains with it--as it is to be an American novel professedly."
In fact, The Spy was completed only a short time before its publication
in New York on 22 December 1821.
During the eighteen months between the inception and publication of _The
Spy_ Cooper saw _Precaution_ through the press, joined the New York
literary circle which frequented Charles Wiley's bookshop, transferred
his publishing business to Wiley, wrote three or four long book reviews
for his friend Charles K. Gardner's _Literary and Scientific
Repository_, finished _The Spy_, and commenced _The Pioneers_. While the
period was, thus, not devoid of literary activity, it was, as the 1831
Preface to _The Spy_ confessed, a period of acute uncertainty. Having
discovered his literary talent, Cooper had yet to discover how to use it
profitably, had indeed to be reassured of its true direction. He could
not afford to write at all unless he could make his new profession pay
handsomely. _Precaution_ had been a deliberate attempt to produce a
bestseller, and it succeeded only moderately. As the Preface to the
first edition of _The Spy_ indicates, Cooper experienced severe
self-doubts and self-questionings about this experiment. For an extended
period, most probably during the first six months of 1821, he abandoned
work on _The Spy_, which had been noticed as in press in the January
issue of the _Repository_, fearing that the book could not succeed. It
was almost certainly during this time that he conceived and partly
executed another literary project of which _Tales for Fifteen_ is the
abortive remains.
As Cooper's hopes for _The Spy_ faded, his confidence in the viability
of the type of imitative writing he had attempted in _Precaution_
appears to have revived. _Precaution_ was reviewed in a most laudatory
manner in the _Repository_ for January 1821, and the comment
accompanying the notice of publication in the _Repository_ was: "We only
regret that the scene of this novel was not laid in America." Whether
Cooper persuaded himself or allowed himself to be persuaded by Wiley,
Gardner, and other friends, he seems to have decided that his mistake in
_Precaution_ was not so much the choice of models as the choice of
setting. Why not employ an American setting and continue his imitation
of the British women? During 1820 Wiley, Goodrich, and William B. Gilley
had jointly published a collection of Mrs. Opie's stories called _Tales
of the Heart_; apparently they found it profitable. Accordingly, Cooper
planned a series of stories which Wiley noticed as in press in the
_Repository_ for May 1822 and which he described as "_American Tales_,
by a Lady, viz. Imagination--Heart--Matter--Manner--Matter and Manner. 2
vols. 18 mo. Wiley and Halsted, New York." A briefer announcement had
appeared earlier, in the October 1821 issue of the _Repository_,
although _The Spy_, which was certainly in press, was not noticed. In
his letter of 7 January 1822 congratulating Cooper on the great success
of _The Spy_, Wiley observed: "You speak of being engaged about 'the
Pioneer.'--Have you forgotten 'the American Tales,' which were commenced
by a certain lady a long time ago?"
What happened, evidently, was that Cooper's interest in _The Spy_ had
revived with such force that he had gone on to complete that book and to
begin _The Pioneers_. Wiley's problem was then to persuade his reluctant
author to complete a work in which he had lost interest but which was in
press. Wiley was not successful. The three final tales, "Manner,"
"Matter," and "Manner and Matter," were never written. Eventually the
publisher prevailed on Cooper to bring "Heart," the second of the
stories, to a hurried conclusion. The author, probably happy to settle
the matter, then wrote a coy Preface alluding mysteriously to
"unforeseen circumstances" which had prevented the completion of the
series, and gave the two stories to Wiley on the condition that their
authorship be concealed. Thus _The American Tales_ became _Tales for
Fifteen_. A more eloquent criticism by the author could hardly be
wished.
When Cooper permitted "Imagination" and "Heart" to be reprinted in 1841,
he was again conferring a favor on a publisher. Towards the close of
1840 George Roberts, publisher and proprietor of the _Boston Notion_,
subtitled without exaggeration "The Mammoth Sheet of the World," sent
Cooper a circular letter in the hand of a clerk to request a short
contribution suitable for his new publication, _Roberts' Semi-Monthly
Magazine_. Normally, Cooper refused all such requests: but he was under
the erroneous impression that Roberts had forwarded to him some Danish
translations of his works which Longfellow had sent to America for him a
few years before. Remembering these early stories, he replied to Roberts
on 2 January 1841: "Some fifteen or twenty years since my publisher
became embarrassed, and I wrote two short tales to aid him. He printed
them, under the title of _Tales for Fifteen_, by Jane Morgan. One of
these stories, rather a feeble one I fear, was called Heart--the other
Imagination. This tale was written one rainy day, half asleep and half
awake, but I retain rather a favorable impression of it. If you can find
a copy of the book, you might think Imagination worth reprinting, and I
suppose there can _now_ be no objection to it. It would have the
freshness of novelty, and would be American enough, Heaven knows. It
would fill three or four of your columns."
Cooper owned no copy of _Tales for Fifteen_; but the resourceful
publisher found a copy in New York, and "Imagination" filled almost the
whole of the front page (approximately 60 by 34-1/2 inches) of the
_Boston Notion_ on 30 January 1841. It was reprinted in what was
apparently a second edition of _Roberts' Semi-Monthly Magazine_ for 1
and 15 February 1841 and in London in William Hazlitt's _Romanticist and
Novelist's Library_. A subsequent request brought permission for the
reprinting of "Heart," which appeared in the _Boston Notion_ for 13 and
20 March 1841 and in _Roberts' Semi-Monthly Magazine_ for 1 and 15 April
1841. Roberts expressed his gratitude by defending Cooper in his paper
from the charge of aristocratic bias which some New York journalists had
brought against _Home As Found_. Doubtless the publisher would have been
pleased to find other American writers sufficiently democratic to
provide free copy.
_Tales for Fifteen_ owes most of its interest today to its crucial
position in the Cooper canon. The literary value of "Imagination" and
"Heart," as their author realized, is slight. They were essentially
experiments in which he sought to deploy indigenous materials within the
conventions of British domestic fiction. "Imagination," with its
sprightly observation of American middle-class vulgarities, betrays a
satiric awareness that Cooper did later develop; but "Heart" is a forced
sentimental indulgence of a sort he never permitted by preference in
later works, though he sometimes tolerated it as a concession to
feminine readers. For Cooper the chief significance of these stories was
that they demonstrated forcibly, if demonstration was necessary, that
neither the characteristic materials nor the characteristic forms
employed by the British women were congenial to his imagination. His
failure was altogether fortunate; for had _The American Tales_ been
completed and published instead of _The Spy_, Cooper's career and the
course of much of American literature might have been different.
First editions of _Tales for Fifteen_ are the rarest of all Cooper
"firsts." The four copies presently known are in the Cooper Collection
of the Yale University Library, the American Antiquarian Society, the J.
K. Lilly Collection of Indiana University, and the New York Society
Library.
JAMES FRANKLIN BEARD
_Clark University_
TALES FOR FIFTEEN:
OR
IMAGINATION AND HEART.
BY JANE MORGAN.
NEW-YORK
C. WILEY, 3 WALL STREET
J. Seymour, printer
1823
_Southern District of New-York._
Be it remembered, That on the thirteenth day of June, in the
forty-seventh year of the Independence of the United States of
America, Charles Wiley, of the said District, hath deposited in this
office the title of a Book, the right whereof he claims as
proprietor, in the words and figures following, to wit:
"Tales for Fifteen; or Imagination and Heart.
By Jane Morgan."
In conformity to the Act of Congress of the United States entitled,
"An Act for the encouragement of Learning, by securing the copies of
Maps, Charts, and Books, to the authors and proprietors of such
copies, during the times therein mentioned." And also to an Act,
entitled "an Act, supplementary to an Act, entitled an Act for the
encouragement of Learning, by securing the copies of Maps, Charts,
and Books, to the authors and proprietors of such copies, during the
times therein mentioned, and extending the benefits thereof to the
arts of designing, engraving, and etching historical and other
prints."
JAMES DILL,
_Clerk of the Southern District of New-York_
PREFACE.
When the author of these little tales commenced them, it was her
intention to form a short series of such stories as, it was hoped, might
not be entirely without moral advantage; but unforeseen circumstances
have prevented their completion, and, unwilling to delay the publication
any longer, she commits them to the world in their present unfinished
state, without any flattering anticipations of their reception. They are
intended for the perusal of young women, at that tender age when the
feelings of their nature begin to act on them most insidiously, and when
their minds are least prepared by reason and experience to contend with
their passions.
"Heart" was intended for a much longer tale, and is unavoidably
incomplete; but it is unnecessary to point out defects that even the
juvenile reader will soon detect. The author only hopes that if they do
no good, her tales will, at least, do no harm.
IMAGINATION.
I pray thee, gentle mortal, sing again:
Mine ear is much enamoured of thy note,
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me,
On the first view, to say, to swear, I love thee.
MIDSUMMER NIGHT'S DREAM.
"Do--do write to me often, my dear Anna!" said the weeping Julia Warren,
on parting, for the first time since their acquaintance, with the young
lady whom she had honoured with the highest place in her affections.
"Think how dreadfully solitary and miserable I shall be here, without a
single companion, or a soul to converse with, now you are to be removed
two hundred miles into the wilderness."
"Oh! trust me, my love, I shall not forget you now or ever," replied her
friend, embracing the other slightly, and, perhaps, rather hastily for
so tender an adieu; at the same time glancing her eye on the figure of a
youth, who stood in silent contemplation of the scene. "And doubt not
but I shall soon tire you with my correspondence, especially as I more
than suspect it will be subjected to the criticisms of Mr. Charles
Weston." As she concluded, the young lady curtisied to the youth in a
manner that contradicted, by its flattery, the forced irony of her
remark.
"Never, my dear girl!" exclaimed Miss Warren with extreme fervour. "The
confidence of our friendship is sacred with me, and nothing, no,
nothing, could ever tempt me to violate such a trust. Charles is very
kind and very indulgent to all my whims, but he never could obtain such
an influence over me as to become the depositary of my secrets. Nothing
but a friend, like yourself, can do that, my dear Anna."
"Never! Miss Warren," said the youth with a lip that betrayed by its
tremulous motion the interest he took in her speech--"never includes a
long period of time. But," he added with a smile of good-humoured
pleasantry, "if admitted to such a distinction, I should not feel myself
competent to the task of commenting on so much innocence and purity, as
I know I should find in your correspondence."
"Yes," said Anna, with a little of the energy of her friend's manner,
"you may with truth say so, Mr. Weston. The imagination of my Julia is
as pure as--as----" but turning her eyes from the countenance of Julia
to that of the youth, rather suddenly, the animated pleasure she saw
delineated in his expressive, though plain features, drove the remainder
of the speech from her recollection.
"As her heart!" cried Charles Weston with emphasis.
"As her heart, Sir," repeated the young lady coldly.
The last adieus were hastily exchanged, and Anna Miller was handed into
her father's gig by Charles Weston in profound silence. Miss Emmerson,
the maiden aunt of Julia, withdrew from the door, where she had been
conversing with Mr. Miller, and the travellers departed. Julia followed
the vehicle with her eyes until it was hid by the trees and shrubbery
that covered the lawn, and then withdrew to her room to give vent to a
sorrow that had sensibly touched her affectionate heart, and in no
trifling degree haunted her lively imagination.
As Miss Emmerson by no means held the good qualities of the guest, who
had just left them, in so high an estimation as did her niece, she
proceeded quietly and with great composure in the exercise of her daily
duties; not in the least suspecting the real distress that, from a
variety of causes, this sudden separation had caused to her ward.
The only sister of this good lady had died in giving birth to a female
infant, and the fever of 1805 had, within a very few years of the death
of the mother, deprived the youthful orphan of her remaining parent. Her
father was a merchant, just commencing the foundations of what would, in
time, have been a large estate; and as both Miss Emmerson and her sister
were possessed of genteel independencies, and the aunt had long declared
her intention of remaining single, the fortune of Julia, if not
brilliant, was thought rather large than otherwise. Miss Emmerson had
been educated immediately after the war of the revolution, and at a time
when the intellect of the women of this country by no means received
that attention it is thought necessary to bestow on the minds of the
future mothers of our families at the present hour; and when, indeed,
the country itself required too much of the care of her rulers and
patriots to admit of the consideration of lesser objects. With the best
of hearts and affections devoted to the welfare of her niece, Miss
Emmerson had early discovered her own incompetency to the labour of
fitting Julia for the world in which she was to live, and shrunk with
timid modesty from the arduous task of preparing herself, by application
and study, for this sacred duty. The fashions of the day were rapidly
running into the attainment of accomplishments among the young of her
own sex, and the piano forte was already sending forth its sonorous
harmony from one end of the Union to the other, while the glittering
usefulness of the tambour-frame was discarded for the pallet and brush.
The walls of our mansions were beginning to groan with the sickly green
of imaginary fields, that caricatured the beauties of nature; and skies
of sunny brightness, that mocked the golden hues of even an American
sun. The experience of Miss Emmerson went no further than the simple
evolutions of the country dance, or the deliberate and dignified
procession of the minuet. No wonder, therefore, that her faculties were
bewildered by the complex movements of the cotillion: and, in short, as
the good lady daily contemplated the improvements of the female youth
around her, she became each hour more convinced of her own inability to
control, or in any manner to superintend, the education of her orphan
niece. Julia was, consequently, entrusted to the government of a select
boarding-school; and, as even the morals of the day were, in some
degree, tinctured with the existing fashions, her mind as well as her
manners were absolutely submitted to the discretion of an hireling.
Notwithstanding this willing concession of power on the part of Miss
Emmerson, there was no deficiency in ability to judge between right and
wrong in her character; but the homely nature of her good sense,
unassisted by any confidence in her own powers, was unable to compete
with the dazzling display of accomplishments which met her in every
house where she visited; and if she sometimes thought that she could not
always discover much of the useful amid this excess of the agreeable,
she rather attributed the deficiency to her own ignorance than to any
error in the new system of instruction. From the age of six to that of
sixteen, Julia had no other communications with Miss Emmerson than those
endearments which neither could suppress, and a constant and assiduous
attention on the part of the aunt to the health and attire of her niece.
Miss Emmerson had a brother residing in the city of New-York, who was a
man of eminence at the bar, and who, having been educated fifty years
ago, was, from that circumstance, just so much superior to his
successors of his own sex by twenty years, as his sisters were the
losers from the same cause. The family of Mr. Emmerson was large, and,
besides several sons, he had two daughters, one of whom remained still
unmarried in the house of her father. Katherine Emmerson was but
eighteen months the senior of Julia Warren; but her father had adopted
a different course from that which was ordinarily pursued with girls of
her expectations. He had married a woman of sense, and now reaped the
richest blessing of such a connexion in her ability to superintend the
education of her daughter. A mother's care was employed to correct
errors that a mother's tenderness could only discover; and in the place
of general systems, and comprehensive theories, was substituted the
close and rigorous watchfulness which adapted the remedy to the disease;
which studied the disposition; and which knew the failings or merits of
the pupil, and could best tell when to reward, and how to punish. The
consequences were easily to be seen in the manners and character of
their daughter. Her accomplishments, even where a master had been
employed in their attainment, were naturally displayed, and suited to
her powers. Her manners, instead of the artificial movements of
prescribed rules, exhibited the chaste and delicate modesty of
refinement, mingled with good principles--such as were not worn in order
to be in character as a woman and a lady, but were deeply seated, and
formed part, not only of her habits, but, if we may use the expression,
of her nature also. Miss Emmerson had good sense enough to perceive the
value of such an acquaintance for her ward; but, unfortunately for her
wish to establish an intimacy between her nieces, Julia had already
formed a friendship at school, and did not conceive her heart was large
enough to admit two at the same time to its sanctuary. How much Julia
was mistaken the sequel of our tale will show.
So long as Anna Miller was the inmate of the school, Julia was satisfied
to remain also, but the father of Anna having determined to remove to an
estate in the interior of the country, his daughter was taken from
school; and while the arrangements were making for the reception of the
family on the banks of the Gennessee, Anna was permitted to taste, for a
short time, the pleasures of the world, at the residence of Miss
Emmerson on the banks of the Hudson.
Charles Weston was a distant relative of the good aunt, and was, like
Julia, an orphan, who was moderately endowed with the goods of fortune.
He was a student in the office of her uncle, and being a great favourite
with Miss Emmerson, spent many of his leisure hours, during the heats of
the summer, in the retirement of her country residence.
Whatever might be the composure of the maiden aunt, while Julia was
weeping in her chamber over the long separation that was now to exist
between herself and her friend, young Weston by no means displayed the
same philosophic indifference. He paced the hall of the building with
rapid steps, cast many a longing glance at the door of his cousin's
room, and then seated himself with an apparent intention to read the
volume he held in his hands; nor did he in any degree recover his
composure until Julia re-appeared on the landing of the stairs, moving
slowly towards their bottom, when, taking one long look at her lovely
face, which was glowing with youthful beauty, and if possible more
charming from the traces of tears in her eyes, he coolly pursued his
studies. Julia had recovered her composure, and Charles Weston felt
satisfied. Miss Emmerson and her niece took their seats quietly with
their work at an open window of the parlour, and order appeared to be
restored in some measure to the mansion. After pursuing their several
occupations for some minutes with a silence that had lately been a
stranger to them, the aunt observed--
"You appear to have something new in hand, my love. Surely you must
abound with trimmings, and yet you are working another already?"
"It is for Anna Miller," said Julia with a flush of feeling.
"I was in hopes you would perform your promise to your cousin Katherine,
now Miss Miller is gone, and make your portion of the garments for the
Orphan Asylum," returned Miss Emmerson gravely.
"Oh! cousin Katherine must wait. I promised this trimming to Anna to
remember me by, and I would not disappoint the dear girl for the world."
"It is not your cousin Katherine, but the Orphans, who will have to
wait; and surely a promise to a relation is as sacred as one to an
acquaintance."
"Acquaintance, aunt!" echoed the niece with displeasure. "Do not, I
entreat you, call Anna an acquaintance merely. She is my friend--my very
best friend, and I love her as such."
"Thank you, my dear," said the aunt dryly.
"Oh! I mean nothing disrespectful to yourself, dear aunt," continued
Julia. "You know how much I owe to you, and ought to know that I love
you as a mother."
"And would you prefer Miss Miller to a mother, then?"
"Surely not in respect, in gratitude, in obedience; but still I may love
her, you know. Indeed, the feelings are so very different, that they do
not at all interfere with each other--in my heart at least."
"No!" said Miss Emmerson, with a little curiosity--"I wish you would try
and explain this difference to me, that I may comprehend the
distinctions that you are fond of making."
"Why, nothing is easier, dear aunt!" said Julia with animation. "You I
love because you are kind to me, attentive to my wants, considerate for
my good; affectionate, and--and--from habit--and you are my aunt, and
take care of me."
"Admirable reasons!" exclaimed Charles Weston, who had laid aside his
book to listen to this conversation.
"They are forcible ones I must admit," said Miss Emmerson, smiling
affectionately on her niece; "but now for the other kind of love."
"Why, Anna is my friend, you know," cried Julia, with eyes sparkling
with enthusiasm. "I love her, because she has feelings congenial with my
own; she has so much wit, is so amusing, so frank, so like a girl of
talents--so like--like every thing I admire myself."
"It is a pity that one so highly gifted cannot furnish herself with
frocks," said the aunt, with a little more than her ordinary dryness of
manner, "and suffer you to work for those who want them more."
"You forget it is in order to remember me," said Julia, in a manner that
spoke her own ideas of the value of the gift.
"One would think such a friendship would not require any thing to remind
one of its existence," returned the aunt.
"Why! it is not that she will forget me without it, but that she may
have something by her to remind her of me----" said Julia rapidly, but
pausing as the contradiction struck even herself.
"I understand you perfectly, my child," interrupted the aunt, "merely as
an unnecessary security, you mean."
"To make assurance doubly sure," cried Charles Weston with a laugh.
"Oh! you laugh, Mr. Weston," said Julia with a little anger; "but I have
often said, you were incapable of friendship."
"Try me!" exclaimed the youth fervently. "Do not condemn me without a
trial."
"How can I?" said Julia, laughing in her turn. "You are not a girl."
"Can girls then only feel friendship?" inquired Charles, taking the seat
which Miss Emmerson had relinquished.
"I sometimes think so," said Julia, with her own good-humoured smile.
"You are too gross--too envious--in short, you never see such
friendships between men as exist between women."
"Between girls, I will readily admit," returned the youth. "But let us
examine this question after the manner of the courts--"
"Nay, if you talk law I shall quit you," interrupted the young lady
gaily.
"Certainly one so learned in the subject need not dread a
cross-examination," cried the youth, in her own manner.
"Well, proceed," cried the lady. "I have driven aunt Margaret from the
field, and you will fare no better, I can assure you."
"Men, you say, are too gross to feel a pure friendship; in the first
place, please to explain yourself on this point."
"Why I mean, that your friendships are generally interested; that it
requires services and good offices to support it."
"While that of women depends on--"
"Feeling alone."
"But what excites this feeling?" asked Charles with a smile.
"What? why sympathy--and a knowledge of each other's good qualities."
"Then you think Miss Miller has more good qualities than Katherine
Emmerson," said Weston.
"When did I ever say so?" cried Julia in surprise.
"I infer it from your loving her better, merely," returned the young man
with a little of Miss Emmerson's dryness.
"It would be difficult to compare them," said Julia after a moment's
pause. "Katherine is in the world, and has had an opportunity of showing
her merit; that Anna has never enjoyed. Katherine is certainly a most
excellent girl, and I like her very much; but there is no reason to
think that Anna will not prove as fine a young woman as Katherine, when
put to the trial."
"Pray," said the young lawyer with great gravity, "how many of these
bosom, these confidential friends can a young woman have at the same
time?"
"One, only one--any more than she could have two lovers," cried Julia
quickly.
"Why then did you find it necessary to take that one from a set, that
was untried in the practice of well-doing, when so excellent a subject
as your cousin Katherine offered?"
"But Anna I know, I feel, is every thing that is good and sincere, and
our sympathies drew us together. Katherine I loved naturally."
"How naturally?"
"Is it not natural to love your relatives?" said Julia in surprise.
"No," was the brief answer.
"Surely, Charles Weston, you think me a simpleton. Does not every parent
love its child by natural instinct?"
"No: no more than you love any of your amusements from instinct. If the
parent was present with a child that he did not know to be his own,
would instinct, think you, discover their vicinity?"
"Certainly not, if they had never met before; but then, as soon as he
knew it to be his, he would love it from nature."
"It is a complicated question, and one that involves a thousand
connected feelings," said Charles. "But all love, at least all love of
the heart, springs from the causes you mentioned to your aunt--good
offices, a dependence on each other, and habit."
"Yes, and nature too," said the young lady rather positively; "and I
contend, that natural love, and love from sympathy, are two distinct
things."
"Very different, I allow," said Charles; "only I very much doubt the
durability of that affection which has no better foundation than fancy."
"You use such queer terms, Charles, that you do not treat the subject
fairly. Calling innate evidence of worth by the name of fancy, is not
candid."
"Now, indeed, your own terms puzzle me," said Charles, smiling. "What is
innate evidence of worth?"
"Why, a conviction that another possesses all that you esteem yourself,
and is discovered by congenial feelings and natural sympathies."
"Upon my word, Julia, you are quite a casuist on this subject. Does
love, then, between the sexes depend on this congenial sympathy and
innate evidence?"
"Now you talk on a subject that I do not understand," said Julia,
blushing; and, catching up the highly prized work, she ran to her own
room, leaving the young man in a state of mingled admiration and pity.
CHAPTER II.
An anxious fortnight was passed by Julia Warren, after this
conversation, without bringing any tidings from her friend. She watched,
with feverish restlessness, each steam-boat that passed the door on its
busy way towards the metropolis, and met the servant each day at the
gate of the lawn on his return from the city; but it was only to receive
added disappointments. At length Charles Weston good-naturedly offered
his own services, laughingly declaring, that his luck was never known to
fail. Julia herself had written several long epistles to Anna, and it
was now the proper time that some of these should be answered,
independently of the thousand promises from her friend of writing
regularly from every post-office that she might pass on her route to the
Gennessee. But the happy moment had arrived when disappointments were to
cease. As usual, Julia was waiting with eager impatience at the gate,
her lovely form occasionally gliding from the shrubbery to catch a
glimpse of the passengers on the highway, when Charles appeared riding
at a full gallop towards the house; his whole manner announced success,
and Julia sprang into the middle of the road to take the letter which he
extended towards her.
"I knew I should be successful, and it gives me almost as much pleasure
as yourself that I have been so," said the youth, dismounting from his
horse and opening the gate that his companion might pass.
"Thank you--thank you, dear Charles," said Julia kindly. "I never can
forget how good you are to me--how much you love to oblige not only me,
but every one around you. Excuse me now. I have this dear letter to
read: another time, I will thank you as I ought."
So saying, Julia ran into the summer-house, and fastening its door, gave
herself up to the pleasure of reading a first letter. Notes and short
epistles from her aunt, with divers letters from Anna written slyly in
the school-room and slipped into her lap, she was already well
acquainted with; but of real, genuine letters, stamped by the
post-office, rumpled by the mail-bags, consecrated by the steam-boat,
this was certainly the first. This, indeed, was a real letter: rivers
rolled, and vast tracts of country lay, between herself and its writer,
and that writer was a friend selected on the testimony of innate
evidence. It was necessary for Julia to pause and breathe before she
could open her letter; and by the time this was done, her busy fancy had
clothed both epistle and writer with so much excellence, that she was
prepared to peruse the contents with a respect bordering on enthusiasm:
every word must be true--every idea purity itself. That our readers may
know how accurately sixteen and a brilliant fancy had qualified her to
judge, we shall give them the letter entire.
My dearest love,
"Oh, Julia! here I am, and such a place!--no town, no churches, no
Broadway, nothing that can make life desirable; and, I may add, no
friend--nobody to see and talk with, but papa and mamma, and a
house full of brothers and sisters. You can't think how I miss you,
every minute more and more; but I am not without hopes of
persuading pa to let me spend the winter with your aunt in town. I
declare it makes me sick every time I think of her sweet house in
Park-place. If ever I marry, and be sure I will, it shall be a man
who lives in the city, and next door to my Julia. Oh! how charming
that would be. Each of us to have one of those delightful new
houses, with the new-fashioned basement stories; we would run in
and out at all hours of the day, and it would be so convenient to
lend and borrow each other's things. I do think there is no
pleasure under heaven equal to that of wearing things that belong
to your friend. Don't you remember how fond I was of wearing your
clothes at school, though you were not so fond of changing as
myself; but that was no wonder, for pa's stinginess kept me so
shabbily dressed, that I was ashamed to let you be seen in them.
Oh, Julia! I shall never forget those happy hours; nor you neither.
Apropos--I hope you have not forgot the frock you promised to work
for me, to remember you by. I long for it dreadfully, and hope you
will send it before the river shuts. I suppose you and Charles
Weston do nothing but ride round among those beautiful villas on
the island, and take comfort. I do envy you your happiness, I can
tell you; for I think any beau better than none, though Mr. Weston
is not to my taste. I am going to write you six sheets of paper,
for there is nothing that I so delight in as communing with a
friend at a distance, especially situated as I am without a soul to
say a word to, unless it be my own sisters. Adieu, my ever, ever
beloved Julia--be to me as I am to you, a friend indeed, one tried
and not found wanting. In haste, your
"ANNA.
"Gennessee, June 15, 1816.
"P. S. Don't forget to jog aunt Emmerson's memory about asking me
to Park-place.
"P. S. June 25th. Not having yet sent my letter, although I am sure
you must be dying with anxiety to hear how we get on, I must add,
that we have a companion here that would delight you--a Mr. Edward
Stanley. What a delightful name! and he is as delightful as his
name: his eye, his nose, his whole countenance, are perfect. In
short, Julia, he is just such a man as we used to draw in our
conversation at school. He is rich, and brave, and sensible, and I
do nothing but talk to him of you. He says, he longs to see you;
knows you must be handsome; is sure you are sensible; and feels
that you are good. Oh! he is worth a dozen Charles Westons. But you
may give my compliments to Mr. Weston, though I don't suppose he
ever thinks it worth his while to remember such a chick as me. I
should like to hear what he says about me, and I will tell you all
Edward Stanley says of you. Once more, adieu. Your letters got here
safe and in due season. I let Edward take a peep at them."
The first time Julia read this letter she was certainly disappointed. It
contained no descriptions of the lovely scenery of the west. The moon
had risen and the sun had set on the lakes of the interior, and Anna had
said not one word of either. But the third and fourth time of reading
began to afford more pleasure, and at the thirteenth perusal she
pronounced it charming. There was evidently much to be understood;
vacuums that the fancy could easily fill; and, before Julia had left the
summer-house, the letter was extended, in her imagination, to the
promised six sheets. She walked slowly through the shrubbery towards the
house, musing on the contents of her letter, or rather what it might be
supposed to contain, and unconsciously repeating to herself in a low
tone--
"Young, handsome, rich, and sensible--just as we used to paint in our
conversation. Oh, how delightful!"
"Delightful indeed, to possess all those fine qualities; and who is the
happy individual that is so blessed?" asked Charles Weston, who had been
lingering in the walks with an umbrella to shield her on her return from
an approaching shower.
"Oh!" said Julia, starting, "I did not know you were near me. I have
been reading Anna's sweet letter," pressing the paper to her bosom as
she spoke.
"Doubtless you must be done by this time, Julia, and," pointing to the
clouds, "you had better hasten to the house. I knew you would be
terrified at the lightning all alone by yourself in that summer-house,
so I came to protect you."
"You are very good, Charles, but does it lighten?" said Julia in terror,
and hastening her retreat to the dwelling.
"Your letter must have interested you deeply not to have noticed the
thunder--you, who are so timid and fearful of the flashes."
"Foolishly fearful, you would say, if you were not afraid of hurting my
feelings, I know," said Julia.
"It is a natural dread, and therefore not to be laughed at," answered
Charles mildly.
"Then there is natural fear, but no natural love, Mr. Charles; now you
are finely caught," cried Julia exultingly.
"Well, be it so. With me fear is very natural, and I can almost persuade
myself love also."
"I hope you are not a coward, Charles Weston. A cowardly man is very
despicable. I could never love a cowardly man," said Julia, laughing.
"I don't know whether I am what you call a coward," said Charles
gravely; "but when in danger I am always afraid."
The words were hardly uttered before a flash of lightning, followed
instantly by a tremendously heavy clap of thunder, nearly stupified them
both. The suddenness of the shock had, for a moment, paralyzed the
energy of the youth, while Julia was nearly insensible. Soon recovering
himself, however, Charles drew her after him into the house, in time to
escape a torrent of rain. The storm was soon over, and their natural
fear and surprise were a source of mirth for Julia. Women are seldom
ashamed of their fears, for their fright is thought to be feminine and
attractive; but men are less easy under the imputation of terror, as it
is thought to indicate an absence of manly qualities.
"Oh! you will never make a hero, Charles," cried Julia, laughing
heartily. "It is well you chose the law instead of the army as a
profession."
"I don't know," said the youth, a little nettled, "I think I could
muster courage to face a bullet."
"But remember, that you shut your eyes, and bent nearly double at the
flash--now you owned all this yourself."
"At least he was candid, and acknowledged his infirmities," said Miss
Emmerson, who had been listening.
"I think most men would have done as I did, at so heavy and so sudden a
clap of thunder, and so very near too," said Charles, striving to
conceal the uneasiness he felt.
"When apprehension for Julia must have increased your terror," said the
aunt kindly.
"Why, no--I rather believe I thought only of myself at the moment,"
returned Charles; "but then, Julia, you must do me the justice to say,
that instantly I thought of the danger of your taking cold and drew you
into the house."
"Oh! you ran from another clap," said Julia, laughing till her dark eyes
flashed with pleasure, and shaking her head until her glossy hair fell
in ringlets over her shoulders; "you will never make a hero, Charles."
"Do you know any one who would have behaved better, Miss Warren?" said
the young man angrily.
"Yes--why--I don't know. Yes, I have heard of such an one, I think,"
answered Julia, slightly colouring; "but, dear Charles, excuse my
laughter," she continued, holding out her hand; "if you are not a hero,
you are very, very, good."
But Charles Weston, at the moment, would rather be thought a hero than
very, very, good; he, therefore, rose, and affecting a smile,
endeavoured to say something trifling as he retired.
"You have mortified Charles," said Miss Emmerson, so soon as he was out
of hearing.
"I am sure I hope not," said Julia, with a good deal of anxiety; "he is
the last person I would wish to offend, he is so very kind."
"No young man of twenty is pleased with being thought no hero," returned
the aunt.
"And yet all are not so," said Julia.
"I hardly know what you mean by a hero; if you mean such men as
Washington, Greene, or Warren, all are surely not so. These were heroes
in deeds, but others may be equally brave."
"I mean by a hero, a man whose character is unstained by any low or
degenerate vices, or even feelings," said Julia, with a little more than
her ordinary enthusiasm; "whose courage is as natural as it is daring;
who is above fear, except of doing wrong; whose person is an index of
his mind, and whose mind is filled with images of glory; that's what I
call a hero, aunt."
"Then he must be handsome as well as valiant," said Miss Emmerson, with
a smile that was hardly perceptible.
"Why that is--is--not absolutely material," replied Julia, blushing;
"but one would wish to have him handsome too."
"Oh! by all means; it would render his virtues more striking. But I
think you intimated that you knew such a being," returned Miss Emmerson,
fixing her mild eyes on Julia in a manner that denoted great interest.
"Did I," said Julia, colouring scarlet; "I am sure--I have forgotten--it
must be a mistake, surely, dear aunt."
"Very possibly I misunderstood you, my dear," said Miss Emmerson, rising
and withdrawing from the room, in apparent indifference to the subject.
Julia continued musing on the dialogue which had passed, and soon had
recourse to the letter of her friend, the postscript of which was all,
however, that she thought necessary to read: on this she dwelt until the
periods were lengthened into paragraphs, each syllable into words, and
each letter into syllables. Anna Miller had furnished the outlines of a
picture, that the imagination of Julia had completed. The name of Edward
Stanley was repeated internally so often that she thought it the
sweetest name she had ever heard. His eyes, his nose, his countenance,
were avowed to be handsome; and her fancy soon gave a colour and form to
each. He was sensible; how sensible, her friend had not expressly
stated; but then the powers of Anna, great as they undoubtedly were,
could not compass the mighty extent of so gigantic a mind. Brave, too,
Anna had called him. This she must have learnt from acts of desperate
courage that he had performed in the war which had so recently
terminated; or perhaps he might have even distinguished himself in the
presence of Anna, by some exploit of cool and determined daring. Her
heart burned to know all the particulars, but how was she to inquire
them. Anna, dear, indiscreet girl, had already shown her letters, and
her delicacy shrunk from the exposure of her curiosity to its object.
After a multitude of expedients had been adopted and rejected as
impracticable, Julia resorted to the course of committing her inquiries
to paper, most solemnly enjoining her friend never to expose her
weakness to Mr. Stanley. This, thought Julia, she never could do; it
would be unjust to me, and indelicate in her. So Julia wrote as follows,
first seeking her own apartment, and carefully locking the door, that
she might devote her whole attention to friendship, and her letter.
"Dearest Anna,
"Your kind letter reach'd me after many an anxious hour spent in
expectation, and repays me ten-fold for all my uneasiness. Surely,
Anna, there is no one that can write half so agreeably as yourself.
I know there must be a long--long--epistle for me on the road,
containing those descriptions and incidents you promised to favour
me with: how I long to read them, and to show them to my aunt
Margaret, who, I believe, does not suspect you to be capable of
doing that which I know, or rather feel, you can. Knowing from any
thing but feeling and the innate evidence of our sympathies, seems
to me something like heresy in friendship. Oh, Anna! how could you
be so cruel as to show my letters to any one, and that to a
gentleman and a stranger? I never would have served you so, not
even to good Charles Weston, whom I esteem so highly, and who
really wants neither judgment nor good nature, though he is
dreadfully deficient in fancy. Yet Charles is a most excellent
young man, and I gave him the compliments you desired; he was so
much flattered by your notice that he could make no reply, though I
doubt not he prized the honour as he ought. We are all very happy
here, only for the absence of my Anna; but so long as miles of
weary roads and endless rivers run between us, perfect happiness
can never reign in the breast of your Julia. Anna, I conjure you by
all the sacred delicacy that consecrates our friendship, never to
show this letter, unless you would break my heart: you never will,
I am certain, and therefore I will write to my Anna in the
unreserved manner in which we conversed, when fate, less cruel than
at present, suffered us to live in the sunshine of each other's
smiles. You speak of a certain person in your letter, whom, for
obvious reasons, I will in future call _Antonio_. You describe him
with the partiality of a friend; but how can I doubt his being
worthy of all that you say, and more--sensible, brave, rich, and
handsome. From his name, I suppose, of course, he is well
connected. What a constellation of attractions to centre in one
man! But you have not told me all--his age, his family, his
profession; though I presume he has borne arms in the service of
his country, and that his manly breast is already covered with the
scars of honour. Ah! Anna, "he jests at scars who never felt a
wound." But, my dear creature, you say that he talks of me: what
under the sun can you find to say of such a poor girl as myself?
Though I suppose you have, in the fondness of affection, described
my person to him already. I wonder if he likes black eyes and fair
complexion. You can't conceive what a bloom the country has given
me; I really begin to look more like a milk-maid than a lady. Dear,
good aunt Margaret has been quite sick since you left us, and for
two days I was hardly out of her room; this has put me back a
little in colour, or I should be as ruddy as the morn. But nothing
ought ever to tempt me to neglect my aunt, and I hope nothing ever
will. Be assured that I shall beg her to write you to spend the
winter with us, for I feel already that without you life is a
perfect blank. You indeed must have something to enliven it with a
little in your new companions, but here is nobody, just now, but
Charles Weston. Yet he is an excellent companion, and does every
thing he can to make us all happy and comfortable. Heigho! how I do
wish I could see you, my Anna, and spend one sweet half hour in the
dear confidence of mutual sympathy. But lie quiet, my throbbing
heart, the day approaches when I shall meet my friend again, and
more than receive a reward for all our griefs. Ah! Anna, never
betray your Julia, and write to me _fully_, _confidingly_, and
often.
"Yours, with all the tenderness of friendship that is founded on
mutual sympathy, congenial souls, and innate evidence of worth.
"JULIA."
"P. S. I should like to know whether Antonio has any scars in his
face, and what battles he was in. Only think, my dear, poor Charles
Weston was frightened by a clap of thunder--but Charles has an
excellent heart."
This letter was written and read, sealed and kissed, when Miss Emmerson
tapped gently at the door of her niece and begged admission. Julia flew
to open it, and received her aunt with the guileless pleasure her
presence ever gave her. A few words of introductory matter were
exchanged, when, being both seated at their needles again, Miss Emmerson
asked--
"To whom have you been writing, my love?"
"To my Anna."
"Do you recollect, my child, that in writing to Miss Miller, you are
writing to one out of your own family, and whose interests are different
from yours?"
"I do not understand you, aunt," cried Julia in surprise.
"I mean that you should be guarded in your correspondence--tell no
secrets out"--
"Tell no secrets to my Anna!" exclaimed the niece in a species of
horror. "That would be a death-blow to our friendship indeed."
"Then let it die," said Miss Emmerson, coolly; "the affection that
cannot survive the loss of such an excitement, had better be suffered to
expire as soon as possible, or it may raise false expectations."
"Why, dear aunt, in destroying confidence of this nature, you destroy
the great object of friendship. Who ever heard of a friendship without
secrets?"
"I never had a secret in my life," said Miss Emmerson simply, "and yet I
have had many a friend."
"Well," said Julia, "yours must have been queer friends; pray, dear
aunt, name one or two of them."
"Your mother was my friend," said Miss Emmerson, with strong emotion,
"and I hope her daughter also is one."
"Me, my beloved aunt!" cried Julia, throwing herself into the arms of
Miss Emmerson and bursting into tears; "I am more than a friend, I am
your child--your daughter."
"Whatever be the name you give it, Julia, you are very near and dear to
me," said the aunt, tenderly kissing her charge: "but tell me, my love,
did you ever feel such emotion in your intercourse with Miss Miller?"
It was some time before Julia could reply; when, having suppressed the
burst of her feelings, she answered with a smile--
"Oh! that question is not fair. You have brought me up; nursed me in
sickness; are kind and good to me; and the idea that you should suppose
I did not love you, was dreadful--But you know I do."
"I firmly believe so, my child; it is you that I would have know what it
is that you love: I am satisfied for myself. I repeat, did Anna Miller
ever excite such emotions?"
"Certainly not: my love to you is natural; but my friendship for Anna
rests on sympathy, and a perfect knowledge of her character."
"I am glad, however, that you know her so well, since you are so
intimate. What testimony have you of all this excellence?"
"Innate evidence. I see it--I feel it--Yes, that is the best
testimony--I feel her good qualities. Yes, my friendship for Anna forms
the spring of my existence; while any accident or evil to you would
afflict me the same as if done to myself--this is pure nature, you
know."
"I know it is pleasing to learn it, come from what it will," said the
aunt, smiling, and rising to withdraw.
CHAPTER III.
Several days passed after this conversation, in the ordinary quiet of a
well regulated family. Notwithstanding the house of Miss Emmerson stood
in the midst of the numberless villas that adorn Manhattan Island, the
habits of its mistress were retiring and domestic. Julia was not of an
age to mingle much in society, and Anna had furnished her with a theme
for her meditations, that rather rendered her averse from the confusion
of company. Her mind was constantly employed in canvassing the qualities
of the unseen Antonio. Her friend had furnished her with a catalogue of
his perfections in gross, which her active thoughts were busily
arranging into form and substance. But little practised in the world or
its disappointments, the visionary girl had already figured to herself a
person to suit these qualities, and the animal was no less pleasing,
than the moral being of her fancy. What principally delighted Julia in
these contemplations on the acquaintance of Anna, was the strong
inclination he had expressed to know herself. This flattered her
tendency to believe in the strength of mutual sympathy, and the efficacy
of innate evidence of merit. In the midst of this pleasing employment of
her fancy, she received a second letter from her friend, in answer to
the one we have already given to our readers; it was couched in the
following words:
"My own dear Julia, my Friend,
"I received your letter with the pleasure I shall always hear from
you, and am truly obliged to you for your kind offer to make
interest with your aunt to have me spend the next winter in town.
To be with you, is the greatest pleasure I have on earth; besides,
as I know I can write to you as freely as I think, one can readily
tell what a tiresome place this must be to pass a winter in. There
are, absolutely, but three young men in the whole county who can be
thought in any manner as proper matches for us; and one had no
chance here of forming such an association as to give a girl an
opportunity of meeting with her congenial spirit, so that I hope
and trust your desire to see me will continue as strong as mine
will ever be to see my Julia. You say that I have forgotten to give
you the description of our journey and of the lakes that I promised
to send you. No, my Julia, I have not forgotten the promise, nor
you; but the thought of enjoying such happiness without your dear
company, has been too painful to dwell upon. Of this you may judge
for yourself. Our first journey was made in the steam-boat to
Albany; she is a moving world. The vessel ploughs through the
billowy waters in onward progress, and the soul is left in silent
harmony to enjoy the change. The passage of the Highlands is most
delightful. Figure to yourself, my Julia, the rushing waters,
lessening from their expanded width to the degeneracy of the
stagnant pool--rocks rise on rocks in overhanging mountains, until
the weary eye, refusing its natural office, yields to the fancy
what its feeble powers can never conquer. Clouds impend over their
summits, and the thoughts pierce the vast abyss. Ah! Julia, these
are moments of awful romance; how the soul longs for the
consolations of friendship. Albany is one of the most picturesque
places in the world; situated most delightfully on the banks of the
Hudson, which here meanders in sylvan beauty through meadows of
ever-green and desert islands. Words are wanting to paint the
melancholy beauties of the ride to Schenectady, through gloomy
forests, where the silvery pine waves in solemn grandeur to the
sighings of Eolus, while Boreas threatens in vain their firm-rooted
trunks. But the lakes! Ah! Julia--the lakes! The most beautiful is
the Seneca, named after a Grecian king. The limpid water, ne'er
ruffled by the rude breathings of the wind, shines with golden
tints to the homage of the rising sun, while the light bark
gallantly lashes the surge, rocking before the propelling gale, and
forcibly brings to the appalled mind the fleeting hours of time.
But I must pause--my pen refuses to do justice to the subject, and
the remainder will furnish us hours of conversation during the
tedious moments of the delightful visit to Park-Place. You speak
of Antonio--dear girl, with me the secret is hallowed. He is yet
here; his whole thoughts are of Julia--from my description only, he
has drawn your picture, which is the most striking in the world;
and nothing can tear the dear emblem from his keeping. He called
here yesterday in his phaeton, and insisted on my riding a few
short miles in his company: I assented, for I knew it was to talk
of my friend. He already feels your worth, and handed me the
following verses, which he begged me to offer as the sincere homage
of his heart. He intends accompanying my father and me to town next
winter--provided I go.
"Oh! charming image of an artless fair,
"Whose eyes, with lightning, fire the very soul;
"Whose face portrays the mind, and ebon hair
"Gives grace and harmony unto the whole.
"In vain I gaze entranc'd, in vain deplore
"The leagues that roll between the maid and me;
"Lonely I wander on the desert shore,
"And Julia's lovely form can never see.
"But fly, ye fleeting hours, I beg ye fly,
"And bring the time when Anna seeks her friend;
"Haste--Oh haste, or Edward sure must die.
"Arrive--and quickly Edward's sorrows end."
I know you will think with me, that these lines are beautiful, and
merely a faint image of his manly heart. In the course of our ride,
during which he did nothing but converse on your beauty and merit,
he gave me a detailed narrative of his life. It was long, but I can
do no less than favour you with an abridgment of it. Edward Stanley
was early left an orphan: no father's guardian eye directed his
footsteps; no mother's fostering care cherished his infancy. His
estate was princely, and his family noble, being a wronged branch
of an English potentate. During his early youth he had to contend
against the machinations of a malignant uncle, who would have
robbed him of his large possessions, and left him in black despair,
to have eaten the bread of penury. His courage and understanding,
however, conquered this difficulty, and at the age of fourteen he
was quietly admitted to an university. Here he continued peacefully
to wander amid the academic bowers, until the blast of war rung in
his ears, and called him to the field of honour. Edward was ever
foremost in the hour of danger. It was his fate to meet the enemy
often, and as often did "he pluck honour from the pale-fac'd moon."
He fought at Chippewa--bled at the side of the gallant
Lawrence--and nearly laid down his life on the ensanguined plains
of Marengo. But it would be a fruitless task to include all the
scenes of his danger and his glory. Thanks to the kind fates which
shield the lives of the brave, he yet lives to adore my Julia. That
you may be as happy as you deserve, and happier than your
heart-stricken friend, is the constant prayer of your
"ANNA."
"P. S. Write me soon, and make my very best respects to your
excellent aunt. It was laughable enough that Charles Weston should
be afraid of a flash of lightning. I mentioned it to Antonio, who
cried, while manly indignation clouded his brow, 'chill penury
repressed his noble rage, and froze the genial current of the
soul.' However, say nothing to Charles about it, I charge you."
Julia fairly gasped for breath as she read this epistle: her very soul
was entranced by the song. Whatever of seeming contradiction there might
be in the letter of her friend, her active mind soon reconciled. She was
now really beloved, and in a manner most grateful to her heart--by the
sole power of sympathy and congenial feelings. Whatever might be the
adoration of Edward Stanley, it was more than equalled by the admiration
of this amiable girl. Her very soul seemed to her to be devoted to his
worship; she thought of him constantly, and pictured out his various
distresses and dangers; she wept at his sufferings, and rejoiced in his
prosperity--and all this in the short space of one hour. Julia was yet
in the midst of this tumult of feeling, when another letter was placed
in her hands, and on opening it she read as follows:
"Dear Julia,
"I should have remembered my promise, and come out and spent a week
with you, had not one of Mary's little boys been quite sick; of
course I went to her until he recovered. But if you will ask aunt
Margaret to send for me, I will come to-morrow with great pleasure,
for I am sure you must find it solitary, now Miss Miller has left
you. Tell aunt to send by the servant a list of such books as she
wants from Goodrich's, and I will get them for her, or indeed any
thing else that I can do for her or you. Give my love to aunt, and
tell her that, knowing her eyes are beginning to fail, I have
worked her a cap, which I shall bring with me. Mamma desires her
love to you both, and believe me to be affectionately your cousin,
"KATHERINE EMMERSON."
This was well enough; but as it was merely a letter of business, one
perusal, and that a somewhat hasty one, was sufficient. Julia loved its
writer more than she suspected herself, but there was nothing in her
manner or character that seemed calculated to excite strong emotion. In
short, all her excellences were so evident that nothing was left
dependent on innate evidence; and our heroine seldom dwelt with pleasure
on any character that did not give a scope to her imagination. In
whatever light she viewed the conduct or disposition of her cousin, she
was met by obstinate facts that admitted of no cavil nor of any
exaggeration.
Turning quickly, therefore, from this barren contemplation to one better
suited to her inclinations, Julia's thoughts resumed the agreeable
reverie from which she had been awakened. She also could paint, and
after twenty trials she at length sketched an outline of the figure of a
man that answered to Anna's description, and satisfied her own eye.
Without being conscious of the theft, she had copied from a print of the
Apollo, and clothed it in the uniform which Bonaparte is said to have
worn. A small scar was traced on the cheek in such a manner that
although it might be fancied as the ravages of a bullet, it admirably
answered all the purposes of a dimple. Two epaulettes graced the
shoulders of the hero; and before the picture was done, although it was
somewhat at variance with republican principles, an aristocratical star
glittered on its breast. Had he his birth-right, thought Julia, it
would be there in reality; and this idea amply justified the innovation.
To this image, which it took several days to complete, certain verses
were addressed also, but they were never submitted to the confidence of
her friend. The whole subject was now beginning to be too sacred even
for such a communication; and as the mind of Julia every hour became
more entranced with its new master, her delicacy shrunk from an exposure
of her weakness: it was getting too serious for the light compositions
of epistolary correspondence.
We furnish a copy of the lines, as they are not only indicative of her
feelings, but may give the reader some idea of the powers of her
imagination.
"Beloved image of a god-like mind,
"In sacred privacy thy power I feel;
"What bright perfection in thy form's combin'd!
"How sure to injure, and how kind to heal.
"Thine eagle eye bedazzles e'en the brain,
"Thy gallant brow bespeaks the front of Jove;
"While smiles enchant me, tears in torrents rain,
"And each seductive charm impels to love.
"Ah! hapless maid, why daring dost thou prove
"The hidden dangers of the urchin's dart;
"Why fix thine eye on this, the god of love,
"And heedless think thee to retain thy heart?"
This was but one of fifty similar effusions, in which Julia poured forth
her soul. The flame was kept alive by frequent letters from her friend,
in all of which she dwelt with rapture on the moment of their re-union,
and never failed to mention Antonio in a manner that added new fuel to
the fire that already began to consume Julia, and, in some degree, to
undermine her health, at least she thought so.
In the mean time Katherine Emmerson paid her promised visit to her
friends, and our heroine was in some degree drawn from her musings on
love and friendship. The manners of this young lady were conspicuously
natural; she had a confirmed habit of calling things by their right
names, and never dwelt in the least in superlatives. Her affections
seemed centered in the members of her own family; nor had she ever given
Julia the least reason to believe she preferred her to her own sister,
notwithstanding that sister was married, and beyond the years of
romance. Yet Julia loved her cousin, and was hardly ever melancholy or
out of spirits when in her company. The cheerful and affectionate good
humour of Katherine was catching, and all were pleased with her,
although but few discovered the reason. Charles Weston soon forgot his
displeasure, and with the exception of Julia's hidden uneasiness, the
house was one quiet scene of peaceful content. The party were sitting at
their work the day after the arrival of Katherine, when Julia thought it
a good opportunity to intimate her wish to have the society of her
friend during the ensuing winter.
"Why did Mr. Miller give up his house in town, I wonder?" said Julia; "I
am sure it was inconsiderate to his family."
"Rather say, my child, that it was in consideration to his children that
he did so," observed Miss Emmerson; "his finances would not bear the
expense, and suffer him to provide for his family after his death."
"I am sure a little money might be spent now, to indulge his children in
society, and they would be satisfied with less hereafter," continued
Julia. "Mr. Miller must be rich; and think, aunt, he has seven grown up
daughters that he has dragged with him into the wilderness; only think,
Katherine, how solitary they must be."
"Had I six sisters I could be solitary no where," said Katherine,
simply; "besides, I understand that the country where Mr. Miller resides
is beautiful and populous."
"Oh! there are men and women enough, I dare say," cried Julia; "and the
family is large--eleven in the whole; but they must feel the want of
friends in such a retired place."
"What, with six sisters!" said Katherine, laughing and shaking her head.
"There is a difference between a sister and a friend, you know," said
Julia, a little surprised.
"I--indeed I have yet to learn that," exclaimed the other, in a little
more astonishment.
"Why you feel affection for your sisters from nature and habit; but
friendship is voluntary, spontaneous, and a much stronger
feeling--friendship is a sentiment."
"And cannot one feel this sentiment, as you call it, for a sister?"
asked Katherine, smiling.
"I should think not," returned Julia, musing; "I never had a sister; but
it appears to me that the very familiarity of sisters would be
destructive to friendship."
"Why I thought it was the confidence--the familiarity--the
secrets--which form the very essence of friendship," cried Katherine;
"at least so I have always heard."
"True," said Julia, eagerly, "you speak true--the confidence and the
secrets--but not the--the--I am not sure that I express myself well--but
the intimate knowledge that one has of one's own sister--that I should
think would be destructive to the delicacy of friendship."
"Julia means that a prophet has never honour in his own country," cried
Charles with a laugh--"a somewhat doubtful compliment to your sex,
ladies, under her application of it."
"But what becomes of your innate evidence of worth in friendship,"
asked Miss Emmerson; "I thought that was the most infallible of all
kinds of testimony: surely that must bring you intimately acquainted
with each other's secret foibles too."
"Oh! no--that is a species of sentimental knowledge," returned Julia;
"it only dwells on the loftier parts of the character, and never
descends to the minute knowledge which makes us suffer so much in each
other's estimation: it leaves all these to be filled by the--by the--by
the--what shall I call it?"
"Imagination," said Katherine, dryly.
"Well, by the imagination then: but it is an imagination that is
purified by sentiment, and"--
"Already rendered partial by the innate evidence of worth," interrupted
Charles.
Julia had lost herself in the mazes of her own ideas, and changed the
subject under a secret suspicion that her companions were amusing
themselves at her expense; she, therefore, proceeded directly to urge
the request of Anna Miller.
"Oh! aunt, now we are on the subject of friends, I wish to request you
would authorize me to invite my Anna to pass the next winter with us in
Park-Place."
"I confess, my love," said Miss Emmerson, glancing her eye at Katherine,
"that I had different views for ourselves next winter: has not Miss
Miller a married sister living in town?"
"Yes, but she has positively refused to ask the dear girl, I know," said
Julia. "Anna is not a favourite with her sister."
"Very odd that," said the aunt gravely; "there must be a reason for her
dislike then: what can be the cause of this unusual distaste for each
other?"
"Oh!" cried Julia, "it is all the fault of Mrs. Welton; they quarrelled
about something, I don't know what, but Anna assures me Mrs. Welton is
entirely in fault."
"Indeed!--and you are perfectly sure that Mrs. Welton is in
fault--perhaps Anna has, however, laid too strong a stress upon the
error of her sister," observed the aunt.
"Oh! not at all, dear aunt. I can assure you, on my own knowledge,"
continued Julia, "Anna was anxious for a reconciliation, and offered to
come and spend the winter with her sister, but Mrs. Welton declared
positively that she would not have so selfish a creature round her
children: now this Anna told me herself one day, and wept nearly to
break her heart at the time."
"Perhaps Mrs. Welton was right then," said Miss Emmerson, "and prudence,
if not some other reason, justified her refusal."
"How can you say so, dear aunt?" interrupted Julia, with a little
impatience, "when I tell you that Anna herself--my Anna, told me with
her own lips, here in this very house, that Mrs. Welton was entirely to
blame, and that she had never done any thing in her life to justify the
treatment or the remark--now Anna told me this with her own mouth."
As Julia spoke, the ardour of her feelings brought the colour to her
cheeks and an animation to her eyes that rendered her doubly handsome;
and Charles Weston, who had watched her varying countenance with
delight, sighed as she concluded, and rising, left the room.
"I understand that your father intends spending his winter in Carolina,
for his health," said Miss Emmerson to Katherine.
"Yes," returned the other in a low tone, and bending over her work to
conceal her feelings; "mother has persuaded him to avoid our winter."
"And you are to be left behind?"
"I am afraid so," was the modest reply.
"And your brother and sister go to Washington together?"
"That is the arrangement, I believe."
Miss Emmerson said no more, but she turned an expressive look on her
ward, which Julia was too much occupied with her thoughts to notice. The
illness of her father, and the prospect of a long separation from her
sister, were too much for the fortitude of Katherine at any time, and
hastily gathering her work in her hand, she left the room just in time
to prevent the tears which streamed down her cheeks from meeting the
eyes of her companions.
"We ought to ask Katherine to make one of our family, in the absence of
her mother and sister," said Miss Emmerson, as soon as the door was
closed.
"Ah! yes," cried Julia, fervently, "by all means: poor Katherine, how
solitary she would be any where else--I will go this instant and ask
her."
"But--stop a moment, my love; you will remember that we have not room
for more than one guest. If Katherine is asked, Miss Miller cannot be
invited. Let us look at what we are about, and leave nothing to repent
of hereafter."
"Ah! it is true," said Julia, re-seating herself in great
disappointment; "where will poor Katherine stay then?"
"I know my brother expects that I will take her under my charge; and,
indeed, I think he has right to ask it of me."
"But she has no such right as my Anna, who is my bosom friend, you know.
Katherine has a right here, it is true, but it is only such a right"--
"As your own," interrupted the aunt gravely; "you are the daughter of my
sister, and Katherine is the daughter of my brother."
"True--true--if it be right, lawful right, that is to decide it, then
Katherine must come, I suppose," said Julia, a little piqued.
"Let us proceed with caution, my love," said Miss Emmerson, kissing her
niece--"Do you postpone your invitation until September, when, if you
continue of the same mind, we will give Anna the desired invitation: in
the mean while prepare yourself for what I know will be a most agreeable
surprise."
CHAPTER IV.
Although Julia spent most of her time with her aunt and cousin,
opportunities for meditation were not wanting: in the retirement of her
closet she perused and re-perused the frequent letters of her friend.
The modesty of Julia, or rather shame, would have prevented her from
making Anna acquainted with all her feelings, but it would have been
treason to her friendship not to have poured out a little of her soul at
the feet of Miss Miller. Accordingly, in her letters, Julia did not
avoid the name of Antonio. She mentioned it often, but with womanly
delicacy, if not with discretion. The seeds of constant association had,
unknown to herself, taken deep root, and it was not in the power of Anna
Miller to eradicate impressions which had been fastened by the example
of the aunt, and cherished by the society of her cousin. Although
deluded, weak, and even indiscreet, Julia was not indelicate. Yet
enough escaped her to have given any experienced eye an insight into the
condition of her mind, had Anna chosen to have exposed her letters to
any one. The danger of such a correspondence should alone deter any
prudent female from its indulgence. Society has branded the man with
scorn who dares abuse the confidence of a woman in this manner; and the
dread of the indignation of his associates makes it an offence which is
rarely committed by the other sex: but there is no such obligation
imposed on women, and that frequently passes for a joke which harrows
every feeling that is dear to the female breast, and violates all that
is delicate and sensitive in our nature. Surely, where it is necessary
from any adventitious circumstances to lay the heart open in this
manner, it should only be done to those whose characters are connected
with our own, and who feel ridicule inflicted on us, as disgrace heaped
on themselves. A peculiar evil of these confidential friendships is,
that they are most liable to occur, when, from their youth, their
victims are the least guarded; and, at the same time, from inconstancy,
the most liable to change. Happily, however, for Julia's peace of mind,
she foresaw no such dangers from her intimacy with Anna, and letter and
answer passed between them, at short intervals, during the remainder of
the summer. We shall give but one more specimen of each, as they have
strong resemblance to one another--we select two that were written late
in August.
"My own and beloved Julia,
"Your letters are the only consolation that my anxious heart can
know in the dreary solitude of this place. Oh! my friend, how would
your tender heart bleed did you but know the least of my
sufferings; but they are all requited by the delightful
anticipations of Park-Place. I hope your dear aunt has not found it
necessary to lay down her carriage in the change of the times:
write me in your next about it. Antonio has been here again, and he
solicited an audience with me in private--of course I granted it,
for friendship hallows all that is done under its mantle. It was a
moonlight night--mild Luna shedding a balmy light on surrounding
objects, and, if possible, rendering my heart more sensitive than
ever. One solitary glimmering star showed by its paly quiverings
the impress of evening, while not a cloud obscured the vast
firmament of heaven. On such an evening Antonio could do nothing
but converse of my absent friend; he dwelt on the indescribable
grace of your person, the lustre of your eye, and the vermilion of
your lips, until exhausted language could furnish no more epithets
of rapture: then the transition to your mind was natural and easy;
and it was while listening to his honied accents that I thought my
Julia herself was talking.
"Soft as the dews from heaven descend, his gentle accents fell."
Ah, Julia! nothing but a strong pre-possession, and my friendship
for you, could remove the danger of such a scene. Yes! friend of my
heart, I must acknowledge my weakness. There is a youth in
New-York, who has long been master of my too sensitive heart, and
without him life will be a burthen. Cruel fate divides us now, but
when invited by your aunt to Park-Place, Oh, rapture unutterable!
I shall be near my Regulus. This, surely, is all that can be
wanting to stimulate my Julia to get the invitation from her aunt.
Antonio says that if I go to the city this fall, he will hover near
me on the road to guard the friend of Julia; and that he will
eagerly avail himself of my presence to seek her society. I am
called from my delightful occupation by one of my troublesome
sisters, who wishes me to assist her in some trifle or other. Make
my most profound respects to your dear, good aunt, and believe me
your own true friend,
"ANNA."
At length Julia thought she had made the discovery of Anna's reason for
her evident desire to spend the winter in town--like herself, her friend
had become the victim of the soft passion, and from that moment Julia
determined that Katherine Emmerson must seek another residence, in order
that Anna might breathe love's atmosphere. How much a desire to see
Antonio governed this decision, we cannot say, but we are certain that,
if in the least, Julia was herself ignorant of the power. With her, it
seemed to be the result of pure, disinterested, and confiding
friendship. In answer, our heroine wrote as follows:
"My beloved Anna,
"Your kind, consolatory letters are certainly the solace of my
life. Ah! Anna, I have long thought that some important secret lay
heavy at your heart. The incoherency of your letters, and certain
things too trifling to mention, had made me suspect that some
unusual calamity had befallen you. You do not mention who Regulus
is. I am burning with curiosity to know, although I doubt not but
he is every way worthy of your choice.
"I have in vain run over in my mind every young man that we know,
but not one of them that I can find has any of the qualities of a
hero. Do relieve my curiosity in your next, and I may have it in my
power to write you something of his movements. Oh! Anna, why will
you dwell on the name of Antonio--I am sure I ought not to listen
as I do to what he says--and when we meet, I am afraid that he
will not find all the attractions which your too partial friendship
has portrayed. If he should be thus disappointed, Oh!
Anna--Anna--what would become of your friend--But I will not dwell
on the horrid idea. Charles Weston is yet here, and Katherine
Emmerson too; so that but for the thoughts of my absent Anna, and
perhaps a little uneasiness on the subject of Antonio, I might be
perfectly happy. You know how good and friendly Katherine is, and
really Charles does all in his power to please. If he were only a
little more heroical, he would be a charming young man: for
although he is not very handsome, I don't think you notice it in
the least when you are intimate with him. Poor Charles, he was
terribly mortified about the flash of lightning--but then all are
not brave alike. Adieu, my Anna--and if you do converse more with a
certain person about, you know whom, let it be with discretion, or
you may raise expectations she will not equal. Your own
"JULIA."
"P. S. I had almost forgotten to say that aunt has promised me that
I can ask you to stay with us, if, after the 20th September, I
wish it, as you may be sure that I will. Aunt keeps her carriage
yet, and I hope will never want it in her old age."
About the time this letter was written, Miss Emmerson made both of her
nieces acquainted with the promised project that was to give them the
agreeable surprise:--she had long contemplated going to see "the Falls,"
and she now intended putting her plan into execution. Katherine was
herself pressed to make one of the party, but the young lady, at the
same time she owned her wish to see this far-famed cataract, declined
the offer firmly, but gratefully, on account of her desire to spend the
remaining time with her father and mother, before they went to the
south. Charles Weston looked from Katherine to Julia during this
dialogue, and for an instant was at a loss to know which he thought the
handsomest of the cousins. But Julia entered into the feelings of the
others so quickly, and so gracefully offered to give up the journey, in
order that Miss Emmerson might continue with her brother, that, aided
by her superior beauty, she triumphed. It was evident, that
consideration for her niece was a strong inducement with the aunt for
making the journey, and the contest became as disinterested as it was
pleasing to the auditors. But the authority of Miss Emmerson prevailed,
and Charles was instantly enlisted as their escort for the journey.
Julia never looked more beautiful or amiable than during this short
controversy. It had been mentioned by the aunt that she should take the
house of Mr. Miller in her road, and the information excited an emotion
that brought all her lustre to her eyes, and bloom to her cheeks.
Charles thought it was a burst of generous friendship, and admired the
self-denial with which she urged her aunt to relinquish the idea. But
Julia was constitutionally generous, and it was the excess of the
quality that made her enthusiastic and visionary. If she did not deserve
all of Charles's admiration, she was entitled to no small share of it.
As soon as the question was determined in favour of going, Miss Emmerson
and Katherine withdrew, leaving Charles alone with the heroine of our
tale. Under the age of five-and-twenty, men commonly act at the
instigation of sudden impulse, and young Weston was not yet twenty-one.
He had long admired Julia for her beauty and good feelings; he did not
see one half of her folly, and he knew all of her worth; her
enthusiastic friendship for Miss Miller was forgotten; even her mirth at
his own want of heroism had at the moment escaped his memory--and the
power of the young lady over him was never greater.
"How admirable in you, Julia," he said, seating himself by her side, "to
urge what was against your own wishes, in order to oblige your aunt!"
"Do you think so, Charles?" said the other simply; "but you see I urged
it feebly, for I did not prevail."
"No, for you mistook your aunt's wishes, it seems: she desires to
go--but then all the loveliness of the act was yours."
At the word loveliness, Julia raised her eyes to his face with a slight
blush--it was new language for Charles Weston to use, and it was just
suited to her feelings. After a moment's pause, however, she replied--
"You use strong language, cousin Charles, such as is unusual for you."
"Julia, although I may not often have expressed it, I have long thought
you to be very lovely!" exclaimed the young man, borne away with his
ardour at the moment.
"Upon my word, Charles, you improve," said Julia, blushing yet more
deeply, and, if possible, looking still handsomer than before.
"Julia--Miss Warren--you tear my secret from me before its time--I love
you, Julia, and would wish to make you my wife."
This was certainly very plain English, nor did Julia misunderstand a
syllable of what he said--but it was entirely new and unexpected to her;
she had lived with Charles Weston with the confidence of a kinswoman,
but had never dreamt of him as a lover. Indeed, she saw nothing in him
that looked like a being to excite or to entertain such a passion; and
although from the moment of his declaration she began insensibly to
think differently of him, nothing was farther from her mind than to
return his offered affection. But then the opportunity of making a
sacrifice to her secret love was glorious, and her frankness forbade
her to conceal the truth. Indeed, what better way was there to destroy
the unhappy passion of Charles, than to convince him of its
hopelessness? These thoughts flashed through her mind with the rapidity
of lightning--and trembling with the agitation and novelty of her
situation, she answered in a low voice--
"That, Charles, can never be."
"Why never, Julia?" cried the youth, giving way at once to his
long-suppressed feelings--"why never? Try me, prove me! there is nothing
I will not do to gain your love."
Oh! how seductive to a female ear is the first declaration of an
attachment, especially when urged by youth and merit!--it assails her
heart in the most vulnerable part, and if it be not fortified unusually
well, seldom fails of success. Happily for Julia, the image of Antonio
presented itself to save her from infidelity to her old attachment, and
she replied--
"You are kind and good, Charles, and I esteem you highly--but ask no
more, I beg of you."
"Why, if you grant me this, why forbid me to hope for more?" said the
youth eagerly, and looking really handsome.
Julia hesitated a moment, and let her dark eyes fall before his ardent
gaze, at a loss what to say--but the face of Apollo in the imperial
uniform interposed to save her.
"I owe it to your candour, Mr. Weston, to own my weakness--" she said,
and hesitated.
"Go on, Julia--my Julia," said Charles, in an unusually soft voice;
"kill me at once, or bid me live!"
Again Julia paused, and again she looked on her companion with kinder
eyes than usual--when she felt the picture which lay next her heart, and
proceeded--
"Yes, Mr. Weston, this heart, this foolish, weak heart is no longer my
own."
"How!" exclaimed Charles, in astonishment, "and have I then a rival, and
a successful one too?"
"You have," said Julia, burying her face in her hands to conceal her
blushes.--"But, Mr. Weston, on your generosity I depend for secresy--be
as generous as myself."
"Yes--yes--I will conceal my misery from others," cried Charles,
springing on his feet and rushing from the room; "would to God I could
conceal it from myself!"
Julia was sensibly touched with his distress, and for an instant there
was some regret mingled with self-satisfaction at her own candour--but
then the delightful reflection soon presented itself of the gratitude of
Antonio when he learnt her generous conduct, and her self-denial in
favour of a man whom she had as yet never seen.--At the same time she
was resolutely determined never to mention the occurrence herself--not
even to her Anna.
Miss Emmerson was enabled to discover some secret uneasiness between
Charles and Julia, although she was by no means able to penetrate the
secret. The good aunt had long anxiously wished for just such a
declaration as had been made to her niece, and it was one of the last of
her apprehensions that it would not have been favourably received. Of
simple and plain habits herself, Miss Emmerson was but little versed in
the human heart; she thought that Julia was evidently happy and pleased
with her young kinsman, and she considered him in every respect a most
eligible connexion for her charge: their joint fortunes would make an
ample estate, and they were alike affectionate and good-tempered--what
more could be wanting? Nothing however passed in the future intercourse
of the young couple to betray their secrets, and Miss Emmerson soon
forgot her surmises. Charles was much hurt at Julia's avowal, and had in
vain puzzled his brains to discover who his rival could be. No young man
that was in the least (so he thought) suitable to his mistress, visited
her, and he gave up his conjectures in despair of discovering this
unknown lover, until accident or design should draw him into notice.
Little did he suspect the truth. On the other hand, Julia spent her
secret hours in the delightful consciousness of having now done
something that rendered her worthy of Antonio, with occasional regret
that she was compelled by delicacy and love to refuse Charles so hastily
as she had done.
Very soon after this embarrassing explanation, Julia received a letter
from her friend that was in no way distinguishable from the rest, except
that it contained the real name of Regulus, which she declared to be
Henry Frederick St. Albans. If Charles was at a loss to discover Julia's
hidden love, Julia herself was equally uncertain how to know who this
Mr. St. Albans was. After a vast deal of musing, she remembered that
Anna was absent from school without leave one evening, and had returned
alone with a young man who was unknown to the mistress. This incident
was said, by some, to have completed her education rather within the
usual time. Julia had herself thought her friend indiscreet, but on the
whole, hardly treated--and they left the school together. This must have
been Mr. St. Albans, and Anna stood fully exculpated in her eyes. The
letter also announced the flattering fact, that Antonio had already left
the country, ordering his servants and horses home, and that he had gone
to New-York with the intention of hovering around Julia, in a mask, that
she could not possibly remove, during the dangers of their expected
journey. Anna acknowledged that she had betrayed Antonio's secret, but
pleaded her duty to her friend in justification. She did not think that
Julia would be able to penetrate his disguise, as he had declared his
intentions so to conceal himself, by paint and artifice, as to be able
to escape detection. Here was a new source of pleasure to our heroine:
Antonio was already on the wing for the city, perhaps arrived--nay,
might have seen her, might even now be within a short distance of the
summer-house where she was sitting at the time, and watching her
movements. As this idea suggested itself, Julia started, and
unconsciously arranging her hair, by bringing forward a neglected curl,
moved with trembling steps towards the dwelling. At each turn of the
walk our heroine threw a timid eye around in quest of an unknown figure,
and more than once fancied she saw the face of the god of music peering
at her from the friendly covert of her aunt's shrubbery--and twice she
mistook the light green of a neighbouring cornfield, waving in the wind,
for the coat of Antonio. Julia had so long associated the idea of her
hero with the image in her bosom, that she had given it perfect
identity; but, on more mature reflection, she was convinced of her
error: he would come disguised, Anna had told her, and had ordered his
servants home; where that home was, Julia was left in ignorance--but she
fervently hoped, not far removed from her beloved aunt. The idea of a
separation from this affectionate relative, who had proved a mother to
her in her infancy, gave great pain to her best feelings; and Julia
again internally prayed that the residence of Antonio might not be far
distant.--What the disguise of her lover would be, Julia could not
imagine--probably, that of a wandering harper: but then she remembered
that there were no harpers in America, and the very singularity might
betray his secret. Music is the "food of love," and Julia fancied for a
moment that Antonio might appear as an itinerant organist--but it was
only for a moment; for as soon as she figured to herself the Apollo
form, bending under the awkward load of a music-grinder, she turned in
disgust from the picture. His taste, thought Julia, will protect me
from such a sight--she might have added, his convenience too. Various
disguises presented themselves to our heroine, until, on a view of the
whole subject, she concluded that Antonio would not appear as a musician
at all, but in some capacity in which he might continue unsuspected,
near her person, and execute his project of shielding her from the
dangers of travelling. It was then only as a servant that he could
appear, and, after mature reflection, Julia confidently expected to see
him in the character of a coachman.
Willing to spare her own horses, Miss Emmerson had already sent to the
city for the keeper of a livery-stable, to come out and contract with
her for a travelling carriage, to convey her to the Falls of Niagara.
The man came, and it is no wonder that Julia, under her impressions,
chose to be present at the conversation.
"Well then," said Miss Emmerson to the man, "I will pay you your price,
but you must furnish me with good horses to meet me at Albany--remember
that I take all the useless expense between the two cities, that I may
know whom it is I deal with."
"Miss Emmerson ought to know me pretty well by this time," said the man;
"I have driven her enough, I think."
"And a driver," continued the lady, musing, "who am I to have for a
driver?"--Here Julia became all attention, trembling and blushing with
apprehension.
"Oh, a driver!" cried the horse-dealer; "I have got you an excellent
driver, one of the first chop in the city."
Although these were not the terms that our heroine would have used
herself in speaking of this personage, yet she thought they plainly
indicated his superiority, and she waited in feverish suspense to hear
more.
"He must be steady, and civil, and sober, and expert, and
tender-hearted," said Miss Emmerson, who thought of any thing but a hero
in disguise.
"Yes--yes--yes--yes--yes," replied the stable-keeper, nodding his head
and speaking at each requisite, "he is all that, I can engage to Miss
Emmerson."
"And his eyesight must be good," continued the lady, deeply intent on
providing well for her journey; "we may ride late in the evening, and
it is particularly requisite that he have good eyes."
"Yes--yes, ma'am," said the man, in a little embarrassment that did not
escape Julia; "he has as good an eye as any man in America."
"Of what age is he?" asked Miss Emmerson.
"About fifty," replied the man, thinking years would be a
recommendation.
"Fifty!" exclaimed Julia, in a tone of disappointment.
"'Tis too old," said Miss Emmerson; "he should be able to undergo
fatigue."
"Well, I may be mistaken--Oh, he can't be more than forty, or thirty,"
continued the man, watching the countenance of Julia; "he is a man that
looks much older than he is."
"Is he strong and active?"
"I guess he is--he's as strong as an ox, and active as a cat," said the
other, determined he should pass.
"Well, then," said the aunt, in her satisfied way, "let every thing be
ready for us in Albany by next Tuesday. We shall leave home on Monday."
The man withdrew.
Julia had heard enough--for ox she had substituted Hercules, and for
cat, she read the feathered Mercury.
CHAPTER V.
The long expected Monday at length arrived, and Miss Emmerson and Julia,
taking an affectionate leave of their relatives in the city, went on
board the steam-boat under the protection of Charles Weston. Here a new
scene indeed opened on our heroine; for some time she even forgot to
look around her in the throng in quest of Antonio. As the boat glided
along the stream, she stood leaning on one arm of Charles, while Miss
Emmerson held the other, in delighted gaze at the objects, which they
had scarcely distinguished before they were passed.
"See, dear Charles," cried Julia, in a burst of what she would call
natural feeling--"there is our house--here the summer-house, and there
the little arbour where you read to us last week Scott's new novel--how
delightful! every thing now seems and feels like home."
"Would it were a home for us all," said Charles, gently pressing her arm
in his own, and speaking only to be heard by Julia, "then should I be
happy indeed."
Julia thought no more of Antonio; but while her delighted eye rested on
the well-known scenes around their house, and she stood in the world,
for the first time, leaning on Charles, she thought him even nearer than
their intimacy and consanguinity made them. But the boat was famous for
her speed, and the house, garden, and every thing Julia knew, were soon
out of sight, and she, by accident, touching the picture which she had
encased in an old gold setting of her mother's, and lodged in her bosom,
was immediately restored to her former sense of things. Then her eye
glanced rapidly round the boat, but discovering no face which in the
least resembled disguise, she abandoned the expectation of meeting her
lover before they reached Albany. Her beauty drew many an eye on her,
however, and catching the steady and admiring gaze of one or two of the
gentlemen, Julia's heart beat, and her face was covered with blushes.
She was by no means sure that Antonio would appear as a coachman--this
was merely a suggestion of her own; and the idea that he might possibly
be one of the gazers, covered her with confusion: her blushes drew still
more attention and admiration upon her; and we cannot say what might
have been the result of her fascinations, had not Charles at this
instant approached them, and pointing to a sloop they were passing at
the time, exclaimed--
"See, madam--see, Julia--there is our travelling equipage on board that
sloop, going up to meet us in Albany."
Our heroine looked as directed, and saw a vessel moving with tolerable
rapidity up the river, within a short distance from them. On its deck
were a travelling carriage and a pair of horses, and by the latter stood
a man who, by the whip in his hand, was evidently the driver. His
stature was tall and athletic; his complexion dark to near blackness;
his face was buried in whiskers; and his employer had spoken the truth
when he said he had as good an eye as any man in America--it was large,
black, and might be piercing. But then he had but one--at least the
place where the other ought to be, was covered by an enormous patch of
green silk. This then was Antonio. It is true, he did not resemble
Apollo, but his disguise altered him so that it was difficult to
determine. As they moved slowly by the vessel, the driver recognised
Charles, having had an interview with him the day before, and saluted
him with a low bow--his salutation was noticed by the young man, who
slightly touched his hat, and gave him a familiar nod in return--Julia,
unconsciously, bent her body, and felt her cheeks glow with confusion as
she rose again. She could not muster resolution to raise her eyes
towards the sloop, but by a kind of instinctive coquetry dragged her
companion to the other side of the boat. As soon as she was able to
recover her composure, Julia revolved in her mind the scene which had
just occurred. She had seen Antonio--every thing about him equalled her
expectations--even at the distance, she had easily discerned the noble
dignity of his manners--his eye gave assurance of his conscious
worth--his very attitude was that of a gentleman. Not to know him for a
man of birth, of education and of fortune, Julia felt to her would be
impossible; and she trembled lest others, as discerning as herself,
should discover his disguise, and she in consequence be covered with
confusion. She earnestly hoped his incog. would ever remain unknown, for
her delicacy shrunk at the publicity and notoriety which would then
attend his attachment. It was certainly delightful to be loved, and so
loved--to be attended, and so attended; but the heart of Julia was too
unpractised to relish the laugh and observations of a malignant world.
"No, my Antonio," she breathed internally, "hover around me, shield me
from impending dangers, delight me with your presence, and enchant me
with your eye; but claim me in the guise of a gentleman and a hero, that
no envious tongue may probe the secrets of our love, nor any profane
scoffer ridicule those sensitive pleasures that he is too unsentimental
to enjoy." With these, and similar thoughts, did Julia occupy herself,
until Charles pointed out to her the majestic entrance to the Highlands.
Our heroine, who was truly alive to all the charms of nature, gazed
with rapture as the boat plunged between the mountains on either hand,
and turned a wistful gaze down the river, in the vain hope that Antonio
might, at the same moment, be enjoying the scene--but the sluggish sloop
was now far behind, and the eye of Antonio, bright as it was, could not
pierce the distance. Julia felt rather relieved than otherwise, when the
vessel which contained her hero was hid from view by a mountain that
they doubled. Her feelings were much like those of a girl who had long
anxiously waited the declaration of a favourite youth, had received it,
and acknowledged her own partiality. She felt all the assurance of her
conquest, and would gladly, for a time, avoid the shame of her own
acknowledgment. The passage up the Hudson furnishes in itself so much to
charm the eye of a novice, that none but one under the extraordinary
circumstances of our heroine, could have beheld the beauties of the
river unmoved. If Julia did not experience quite as much rapture in the
journey as she had anticipated, she attributed it to the remarkably
delicate situation she was in with her lover, and possibly to a dread
of his being detected. An officer of his rank and reputation must be
well known, thought she, and he may meet with acquaintances every where.
However, by the attention of Charles, she passed the day with a very
tolerable proportion of pleasure. Their arrival at Albany was
undistinguished by any remarkable event, though Julia looked in vain
through the darkness of the night, in quest of the fertile meadows and
desert islands which Anna had mentioned in her letter. Even the river
seemed straight and uninteresting. But Julia was tired--it was
night--and Antonio was absent.
The following morning Miss Emmerson and her niece, attended by Charles,
took a walk to examine the beauties of Albany. It did not strike our
heroine as being so picturesque as it had her friend; still it had
novelty, and that lent it many charms it might have wanted on a more
intimate acquaintance. Their forenoon, however, exhausted the beauties
of this charming town, and they had returned to the inn, and the ladies
were sitting in rather a listless state when Charles entered the room
with a look of pleasure, and cried "he is here."
"Who!" exclaimed Julia, starting, and trembling like an aspen.
"He!--Tony," said Charles, in reply.
Julia was unable to say any more; but her aunt, without noticing her
agitation, asked mildly,
"And who is Tony?"
"Why Anthony, the driver--he is here and wishes to see you."
"Show him up, Charles, and let us learn when he will be ready to go on."
This was an awful moment to Julia--she was on the eve of being
confronted, in a room, for the first time, with the man on whom she felt
that her happiness or misery must depend. Although she knew the vast
importance to her of good looks at such a moment, she looked unusually
ill--she was pale from apprehension, and awkward and ungraceful from her
agitation. She would have given the world to have got out of the room,
but this was impossible--there was but one door, and through that he
must come. She had just concluded that it was better to remain in her
chair than incur the risk of fainting in the passage, when he entered,
preceded by Charles. His upper, and part of his lower lip, were clean
shaved; a small part of one cheek and his nose were to be seen; all the
rest of his face was covered with hair, or hid under the patch. An
enormous coloured handkerchief was tied, in a particular manner, round
his neck; and his coat, made of plain materials, and somewhat tarnished
with service, was buttoned as close to his throat as the handkerchief
would allow. In short, his whole attire was that of a common driver of a
hack carriage; and no one who had not previously received an intimation
that his character was different from his appearance, would at all have
suspected the deception.
"Your name is Anthony?" said Miss Emmerson, as he bowed to her with due
deference.
"Yes, ma'am, Anthony--Tony Sandford," was the reply--it was uttered in a
vulgar nasal tone, that Julia instantly perceived was counterfeited: but
Miss Emmerson, with perfect innocency, proceeded in her inquiries.
"Are your horses gentle and good, Tony?" adopting the familiar
nomenclature that seemed most to his fancy.
"As gentle as e'er a lady in the land," said Tony, turning his large
black eye round the room, and letting it dwell a moment on the beautiful
face of Julia--her heart throbbed with tumultuous emotion at the first
sound of his voice, and she was highly amused at the ingenuity he had
displayed, in paying a characteristic compliment to her gentleness, in
this clandestine manner--if he preserves his incognito so ingeniously he
will never be detected, thought Julia, and all will be well.
"And the carriage," continued Miss Emmerson, "is it fit to carry us?"
"I can't say how fit it may be to carry sich ladies as you be, but it is
as good a carriage as runs out of York."
Here was another delicate compliment, thought Julia, and so artfully
concealed under brutal indifference that it nearly deceived even
herself.
"When will you be ready to start?" asked Miss Emmerson.
"This moment," was the prompt reply--"we can easily reach Schenectady by
sundown."
Here Julia saw the decision and promptitude of a soldier used to
marches and movements, besides an eager desire to remove her from the
bustle of a large town and thoroughfare, to a retirement where she would
be more particularly under his protection. Miss Emmerson, on the other
hand, saw nothing but the anxiety of a careful hireling, willing to
promote the interest of his master, who was to be paid for his
conveyance by the job--so differently do sixty and sixteen judge the
same actions! At all events, the offer was accepted, and the man ordered
to secure the baggage, and prepare for their immediate departure.
"Why don't you help Antonio on with the baggage, Charles?" said Julia,
as she stood looking at the driver tottering under the weight of the
trunks. Charles stared a moment with surprise--the name created no
astonishment, but the request did. Julia had a habit of softening names,
that were rather harsh in themselves, to which he was accustomed. Peter
she called Pierre; Robert was Rubert; and her aunt's black footman
Timothy, she had designated as Timotheus: but it was not usual for
ladies to request gentlemen to perform menial offices--until,
recollecting that Julia had expressed unusual solicitude concerning a
dressing-box that contained Anna's letters, he at once supposed it was
to that she wished him to attend. Charles left the room, and
superintended the whole arrangements, when once enlisted. Julia now felt
that every doubt of the identity of her lover with this coachman was
removed. He had ingeniously adopted the name of Anthony, as resembling
in sound the one she herself had given him in her letters. This he
undoubtedly had learnt from Anna--and then Sandford was very much like
Stanley--his patch, his dress, his air--every thing about him united to
confirm her impressions; and Julia, at the same time she resolved to
conduct herself towards him in their journey with a proper feminine
reserve, thought she could do no less to a man who submitted to so much
to serve her, than to suffer him to perceive that she was not entirely
insensible to the obligation.
Our heroine could not but admire the knowing manner with which Antonio
took his seat on the carriage, and the dexterity he discovered in the
management of his horses--this was infallible evidence of his
acquaintance with the animal, and a sure sign that he was the master of
many, and had long been accustomed to their service. Perhaps, thought
Julia, he has been an officer of cavalry.
In the constant excitement produced by her situation, Julia could not
enter into all the feelings described by her friend, during the ride to
Schenectady. Its beauties might be melancholy, but could she be
melancholy, and Antonio so near? The pines might be silvery and lofty,
but the proud stature of majestic man, eclipsed in her eyes all their
beauties. Not so Charles. He early began to lavish his abuse on the
sterile grounds they passed, and gave any thing but encomiums on the
smoothness of the road they were travelling. In the latter particular,
even the quiet spirit of Miss Emmerson joined him, and Julia herself was
occasionally made sensible that she was not reposing "on a bed of
roses."
"Do I drive too fast for the ladies?" asked Antonio, on hearing a slight
complaint and a faint scream in the soft voice of Julia. Oh, how
considerate he is! thought our heroine--how tender!--without his care I
certainly should have been killed in this rude place. It was expected
that as she had complained, she would answer; and after a moment
employed in rallying her senses for the undertaking, she replied in a
voice of breathing melody--
"Oh! no, Antonio, you are very considerate."
For a world Julia could not have said more; and Miss Emmerson thought
that she had said quite as much as the occasion required; but Miss
Emmerson, it will be remembered, supposed their driver to be Anthony
Sandford. The hero, himself, on hearing such a gentle voice so softly
replying to his question, could not refrain from turning his face into
the carriage, and Julia felt her own eyes lower before his earnest gaze,
while her cheeks burned with the blushes that suffused them. But the
look spoke volumes--he understands my "Antonio," thought Julia, and
perceives that, to me, he is no longer unknown. That expressive glance
has opened between us a communication that will cease but with our
lives. Julia now enjoyed, for the remainder of their journey to Mr.
Miller's, one of the greatest pleasures of love--unsuspected by others,
she could hold communion with him who had her heart, by the eyes, and a
thousand tender and nameless little offices which give interest to
affection, and zest to passion.
They had now got half way between the two cities, and Charles took a
seat by the side of the driver, with the intention, as he expressed
himself, of stretching his legs: the carriage was open and light, so
that all of the figures of the two young men could be seen by the
ladies, as well as their conversation heard. Charles never appeared to
less advantage in his person, thought Julia, than now, seated by the
side of the manly and noble Antonio. The figure of Charles was light,
and by no means without grace; yet it did not strike the fancy of our
heroine as so fit to shield and support her through life, as the more
robust person of his companion. Julia herself was, in form, the
counterpart of her mind--she was light, airy, and beautifully softened
in all her outlines. It was impossible to mistake her for any thing but
a lady, and one of the gentlest passions and sentiments. She felt her
own weakness, and would repose it on the manly strength of Antonio.
"Which do you call the best of your horses?" asked Charles, so soon as
he had got himself comfortably seated.
"The off--but both are true as steel," was the laconic reply. The
comparison was new to Julia, and it evidently denoted a mind accustomed
to the contemplation of arms.
"How long have you followed the business of a driver, Tony?" said
Charles, in the careless manner of a gentleman when he wishes to
introduce familiarity with an inferior, by seeming to take an interest
in the other's affairs. Julia felt indignant at the freedom of his
manner, and particularly at the epithet of "Tony"--yet her lover did not
in the least regard either--or rather his manner exhibited no symptoms
of displeasure--he has made up his mind, thought Julia, to support his
disguise, and it is best for us both that he should.
"Ever since I was sixteen I have been used to horses," was the reply of
Antonio to the question of Charles--Julia smiled at the ambiguity of
the answer, and was confirmed in her impression that he had left college
at that age to serve in the cavalry.
"You must understand them well by this time," continued Charles,
glancing his eye at his companion as if to judge of his years--"You must
be forty"--Julia fidgeted a little at this guess of Charles, but soon
satisfied herself with the reflection that his disguise contributed to
the error.
"My age is very deceiving," said the man; "I have seen great hardships
in my time, both of body and mind."
Here Julia could scarcely breathe through anxiety. Every syllable that
he uttered was devoured with eager curiosity by the enamoured girl--he
knew that she was a listener, and that she understood his disguise; and
doubtless meant, in that indirect manner, to acquaint her with the
incidents of his life. It was clear that he indicated his age to be less
than what his appearance would have led her to believe--his sufferings,
his cruel sufferings had changed him.
"The life of a coachman is not hard," said Charles.
"No, sir, far from it--but I have not been a coachman all my life."
Nothing could be plainer than this--it was a direct assertion of his
degradation by the business in which he was then engaged.
"In what manner did you lose your eye, Tony," said Charles, in a tone of
sympathy that Julia blessed him for in her heart, although she knew that
the member was uninjured, and only hidden to favour his disguise.
Antonio hesitated a little in his answer, and stammered while giving
it--"It was in the wars," at length he got out, and Julia admired the
noble magnanimity which would not allow him, even in imagination, to
suffer in a less glorious manner--notwithstanding his eye is safe and as
beautiful as the other, he has suffered in the wars, thought our
heroine, and it is pardonable for him to use the deception, situated as
he is--it is nothing more than an equivoque. But this was touching
Charles on a favourite chord. Little of a hero as Julia fancied him to
be, he delighted in conversing about the war with those men, who,
having acted in subordinate stations, would give a different view of the
subject from the official accounts, in which he was deeply read. It was
no wonder, therefore, that he eagerly seized on the present opportunity
to relieve the tedium of a ride between Albany and Schenectady.
"In what battle," asked Charles, quickly; "by sea or by land?"
"By sea," said Antonio, speaking to his horses, with an evident
unwillingness to say any more on the subject.
Ah! the deception, and the idea of his friend Lawrence, are too much for
his sensibility, thought Julia; and to relieve him she addressed Charles
herself.
"How far are we from Schenectady, cousin Charles?"
Antonio, certainly, was not her cousin Charles; but as if he thought the
answering such questions to be his peculiar province, he replied
immediately--
"Four miles, ma'am; there's the stone."
There was nothing in the answer itself, or the manner of its delivery,
to attract notice in an unsuspecting listener; but by Julia it was well
understood--it was the first time he had ever spoken directly to
herself--it was a new era in their lives--and his body turned half round
toward her as he spoke, showed his manly form to great advantage; but
the impressive and dignified manner in which he dropped his whip towards
the mile-stone, Julia felt that she never could forget--it was intended
to mark the spot where he had first addressed her. He had chosen it with
taste. The stone stood under the shade of a solitary oak, and might
easily be fancied to be a monument erected to commemorate some important
event in the lives of our lovers. Julia ran over in her mind the time
when she should pay an annual visit to that hallowed place, and leaning
on the arm of her majestic husband, murmur in his ear, "Here, on this
loved spot, did Antonio first address his happy, thrice happy Julia."
"Well, Tony," said the mild voice of Miss Emmerson, "the sun is near
setting, let us go the four miles as fast as you please."
"I'm sure, ma'am," said Antonio, with profound respect, "you don't want
to get in more than I do, for I had no sleep all last night; I'll not
keep you out one minute after night"--so saying, he urged his horses to
a fast trot, and was quite as good as his word. How delicate in his
attentions, and yet how artfully has he concealed his anxiety on my
account under a feigned desire for sleep, thought Julia.
If any thing had been wanting either to convince Julia of the truth of
her conjecture, or to secure the conquest of Antonio, our heroine felt
that this short ride had abundantly supplied it.
CHAPTER VI.
The following day our travellers were on the road before the sun, and
busily pursued their route through the delightful valley of the Mohawk.
It was now that Julia, in some measure accustomed to her proximity to
her hero, began to enjoy the beauties of the scenery; her eye dwelt with
rapture on each opening glimpse that they caught of the river, and took
in its gaze meadows of never-failing verdure, which were beautifully
interspersed with elms that seemed coeval with the country itself.
Occasionally she would draw the attention of her aunt to some view of
particular interest; and if her eager voice caught the attention of
Antonio, and he turned to gaze, to ponder, and to admire--then Julia
felt happy indeed, for then it was that she felt the indescribable bliss
of sharing our pleasures with those we love. What heart of sensibility
has stood and coldly gazed on a scene over which the eye, that it loves
to admire, is roving with delight? Who is there that has yet to learn,
that if the strongest bond to love is propinquity, so is its tenderest
tie, sympathy? In this manner did our lovely heroine pass a day of
hitherto untasted bliss. Antonio would frequently stop his horses on the
summit of a hill, and Julia understood the motive; turning her looks in
the direction in which she saw the eye of her lover bent, she would sit
in silent and secret communion with his feelings. In vain Charles
endeavoured to catch her attention--his remarks were unnoticed, and his
simple efforts to please disregarded. At length, as they advanced
towards the close of their day's ride, Charles, observing a mountain
obtruding itself directly across their path, and meeting the river,
which swept with great velocity around its base, cried aloud with a
laugh--
"Anthony, I wish you would remove your nose!"
"Charles!" exclaimed Julia, shocked at his rude familiarity with a man
of Antonio's elevated character.
"Poh!" said the young man, in an under tone, conceiving her surprise to
be occasioned by his lowering himself to joke with an inferior, "he is a
good, honest fellow, and don't mind a joke at all, I assure you."
Charles was right, for Antonio, moving his face, with a laugh cried in
his turn--"There, sir, my nose is moved, but you can't see no better,
after all."
Julia was amused with his condescension, which she thought augured
perfect good-nature and affability. After all, thought Julia, if noble
and commanding qualities are necessary to excite admiration or to
command respect, familiar virtues induce us to love more tenderly, and
good temper is absolutely necessary to contribute to our comfort. On the
whole, she was rather pleased than otherwise, that Antonio could receive
and return what was evidently intended for a witticism, although as yet
she did not comprehend it. But Charles did not leave her long in doubt.
On the north side of the Mohawk, and at about fifty miles from its
mouth, is a mountain which, as we have already said, juts, in a nearly
perpendicular promontory, into the bed of the river; its inclination is
sufficient to admit of its receiving the name of a nose. Without the
least intention of alluding to our hero, the early settlers had affixed
the name of St. Anthony, who appears to have been a kind of Dutch deity
in this state, and to have monopolized all the natural noses within her
boundaries to himself. The vulgar idiom made the pronunciation an-TONY'S
nose--and all this Charles briefly explained to Miss Emmerson and her
niece by way of giving point to his own wit. He had hardly made them
comprehend the full brilliancy and beauty of his application of the
mountain to their driver, when they reached the pass itself. The road
was barely sufficient to suffer two carriages to move by each other
without touching, being from necessity dug out of the base of the
mountain; a precipice of many feet led to the river, which was high and
turbulent at the time; there was no railing nor any protection on the
side next the water--and in endeavouring to avoid the unprotected side
of the road, two wagons had met a short time before, and one of them
lost a wheel in the encounter--its owner had gone to a distance for
assistance, leaving the vehicle where it had fallen. The horses of
Antonio, unaccustomed to such a sight, were with some difficulty driven
by the loaded wagon, and when nearly past the object, took a sudden
fright at its top, which was flapping in the wind. All the skill and
exertions of Antonio to prevent their backing was useless, and carriage
and horses would inevitably have gone off the bank together, had not
Charles, with admirable presence of mind, opened a door, and springing
out, placed a billet of wood, which had been used as a base for a lever
in lifting the broken wagon, under one of the wheels. This checked the
horses until Antonio had time to rally them, and, by using the whip with
energy, bring them into the road again. He certainly showed great
dexterity as a coachman. But, unhappily, the movement of Charles had
been misunderstood by Julia, and, throwing open the door, with the
blindness of fear, she sprang from the carriage also: it was on the side
next the water, and her first leap was over the bank; the hill was not
perpendicular, but too steep for Julia to recover her balance--and
partly running, and partly falling, the unfortunate girl was plunged
into the rapid river. Charles heard the screams of Miss Emmerson, and
caught a glimpse of the dress of Julia as she sprang from the carriage.
He ran to the bank just in time to see her fall into the water.
"Oh, God!" he cried, "Julia!--my Julia!"--and, without seeming to touch
the earth, he flew down the bank, and threw himself headlong into the
stream. His great exertions and nervous arms soon brought him alongside
of Julia, and, happily for them both, an eddy in the waters drew them to
the land. With some difficulty Charles was enabled to reach the shore
with his burthen.
Julia was not insensible, nor in the least injured. Her aunt was soon by
her side, and folding her in her arms, poured out her feelings in a
torrent of tears. Charles would not, however, suffer any delay, or
expressions of gratitude--but, forcing both aunt and niece into the
carriage, bid Anthony drive rapidly to a tavern known to be at no great
distance.--On their arrival, both Julia and Charles immediately clad
themselves in dry clothes--when Miss Emmerson commanded the presence of
the young man in her own room. On entering, Charles found Julia sitting
by a fire, a thousand times handsomer, if possible, than ever. Her eyes
were beaming with gratitude, and her countenance was glowing with the
excitement produced by the danger that she had encountered.
"Ah! Charles, my dear cousin," cried Julia, rising and meeting him with
both hands extended, "I owe my life to your bravery and presence of
mind."
"And mine too, Charles," said Miss Emmerson; "but for you, we should
have all gone off the hill together."
"Yes, if Anthony had not managed the horses admirably, you might have
gone indeed," said Charles, with a modest wish to get rid of their
praise. But this was an unlucky speech for Charles: he had,
unconsciously presented the image of a rival, at the moment that he
hoped he filled all the thoughts of Julia.
"Ah, Antonio!" she cried, "poor Antonio!--and where is he?--Why do you
not send for him, dear aunt?"
"What, my love, into my bed-chamber!" said Miss Emmerson, in surprise;
"fear has made the girl crazy!--But, Charles, where is Anthony?"
"In the stable, with the horses, I believe," said the youth--"no, here
he is, under the window, leading them to the pump."
"Give him this money," said Miss Emmerson, "and tell him it is for his
admirable skill in saving my life."
Julia saw the danger of an exposure if she interfered, yet she had the
curiosity to go to the window, and see how Antonio would conduct in the
mortifying dilemma.
"Here, Anthony," said Charles, "Miss Emmerson has sent you ten dollars,
for driving so well, and saving the carriage."
"Ah! sir, it is no matter--I can ask nothing for that, I'm sure."
But Charles, accustomed to the backwardness of the common Americans to
receive more than the price stipulated, still extended his hand towards
the man. Julia saw his embarrassment, and knowing of no other expedient
by which to relieve him, said, in a voice of persuasion--
"Take it for my sake, Antonio--if it be unworthy of you, still, take it,
to oblige me."
The man no longer hesitated, but took the money, and gave Julia a look
and a bow that sunk deep into the tablet of her memory--while Charles
thought him extremely well paid for what he had done, but made due
allowances for the excited state of his cousin's feelings.
"You perceive," said Miss Emmerson, with a smile, as Julia withdrew from
the window, "if Charles be a little afraid of lightning, he has no dread
of the water."
"Ah! I retract my error," cried Julia; "Charles must be brave, or he
never could have acted so coolly, and so well."
"Very true, my love," said Miss Emmerson, excessively gratified to hear
her niece praise the youth; "it is the surest test of courage when men
behave with presence of mind in novel situations. Those accustomed to
particular dangers easily discharge their duties, because they know, as
it were instinctively, what is to be done. Thus with Tony--he did well,
but, I doubt not, he was horribly frightened--and for the world he could
not have done what Charles did."
"Not Antonio!" echoed Julia, thrown a little off her guard--"I would
pledge my life, aunt, that Antonio would have done as much, if not more,
than Charles!"
"Why did he not, then?--It was his place to stop the carriage--why did
he not?"
"It was his place," said Julia, "to manage the horses, and you
acknowledge that he did it well. Duties incurred, no matter how unworthy
of us, must be discharged; and although we may be conscious that our
merit or our birth entitles us to a different station from the one we
fill, yet a noble mind will not cease to perform its duty, even in
poverty and disgrace."
Miss Emmerson listened in surprise; but as her niece often talked in a
manner that she did not comprehend, she attributed it to the
improvements in education, and was satisfied. But Julia had furnished
herself with a clue to what had occasioned her some uneasiness. At one
time she thought Antonio ought to have left carriage, horses, every
thing, and flown to her rescue, as Charles had done; but now she saw
that the probity of his soul forbade it. He had, doubtless, by secret
means, induced the owner of the horses to entrust them to his
keeping--and could he, a soldier, one used to trust and responsibility,
forget his duty in the moment of need? Sooner would the sentinel quit
his post unrelieved--sooner the gallant soldier turn his back on his
enemy--or sooner would Antonio forget his Julia!
With this view of the propriety of his conduct, Julia was filled with
the desire to let him know that she approved of what he had done.
Surely, if any thing can be mortifying to a lover, thought our heroine,
it must be to see a rival save the life of his mistress, while imperious
duty chains him to another task.
Young as Julia was, she had already learnt, that it is not enough for
our happiness that we have the consciousness of doing right, but it is
necessary that others should think we have done so too.
Accordingly, early the following morning she arose, and wandered around
the house, in hopes that chance would throw her lover in her way, and
give her an opportunity of relieving his mind from the load of
mortification under which she knew he must be labouring. It was seldom
that our heroine had been in the public bar-room of a tavern--but, in
gliding by the door, she caught a glimpse of Antonio in the bar; and,
impelled by her feelings, she was near him before she had time to
collect her scattered senses. To be with Antonio, and alone, Julia felt
was dangerous; for his passion might bring on a declaration, and betray
them both to the public and vulgar notice.--Anxious, therefore, to
effect her object at once, she gently laid her hand on his arm--Antonio
started and turned, while the glass in his hands fell, with its
contents, untasted, on the floor.
"Rest easy, Antonio," said Julia, in the gentlest possible tones; "to me
your conduct is satisfactory, and your secret will never be exposed." So
saying, she turned quickly, and glided from the room.
"As I hope to be saved," said Antonio, "I meant nothing wrong--but
should have paid the landlord the moment he came in"--but Julia heard
him not. Her errand was happily executed, and she was already by the
side of her aunt. On entering the carriage, Julia noticed the eye of
Antonio fixed on her with peculiar meaning, and she felt that her
conduct had been appreciated.--From this time until the day of their
arrival at the house of Mr. Miller, nothing material occurred. Antonio
rose every hour in the estimation of Julia, and the young lady noticed a
marked difference in her lover's conduct towards her. A few miles before
they reached the dwelling, Miss Emmerson observed--
"To-morrow will be the twentieth of September; when I am to know who
will be my companion for the winter, Miss Miller or Katherine."
"Ah! aunt, you may know that now, if I am to decide," said Julia, "it
will be Anna, my Anna, surely."
Her manner was enthusiastic, and her voice a little louder than usual.
Antonio turned his head, and their eyes met. Julia read in that glance
the approbation of her generous friendship. Miss Emmerson was a good
deal hurt at this decision of her niece, who, she thought, knowing her
sentiments, would be induced to have been satisfied with the visit to
Anna, and taken Katherine for the winter. It was with reluctance that
the aunt abandoned this wish, and, after a pause, she continued--
"Remember, Julia, that you have not my permission to ask your friend
until the twentieth--we can stay but one night at Mr. Miller's, but if
Anna is to spend the winter in Park Place, we will return this way from
the Falls, and take her with us to the city."
"Thank you, dear aunt," cried Julia, kissing her with an affection that
almost reconciled Miss Emmerson to the choice--while Charles Weston
whistled "Hail, Columbia! happy land!"
Julia saw that Antonio pitied her impatience--for the moment he arrived
in sight of Mr. Miller's house, he put his horses to their speed, and
dashed into the court-yard in the space of a few minutes. For a little
while all was confusion and joy. Anna seemed delighted to see her
friend, and Julia was in raptures--they flew into each other's arms--and
if their parting embrace was embalmed in tears, their meeting was
enlivened with smiles. With arms interlocked, they went about the house,
the very pictures of joy.--Even Antonio, at the moment, was forgotten,
and all devoted to friendship. Nay, as if sensible of the impropriety of
his appearance at that critical instant, he withdrew himself from
observation--and his delicacy was not lost on Julia. Happy are they who
can act in consonance with their own delicate sentiments, and rest
satisfied with the knowledge that their motives are understood by those
whom it is their greatest desire to please!--Such, too fortunate
Antonio, was thy lot--for no emotion of thy sensitive mind, no act of
thy scrupulously honourable life, passed unheeded by thy Julia!--so
thought the maiden.
It has been already mentioned that the family of Mr. Miller was large;
and amid the tumult and confusion of receiving their guests, no
opportunity was afforded to the friends for conversation in private.
The evening passed swiftly, and the hour for bed arrived without any
other communications between Julia and Anna than whisperings and
pressures of the hands, together with a thousand glances of peculiar
meaning with the eyes. But Julia did not regret this so much as if
Antonio had been unknown--she had been in his company for four days, and
knew, or thought she knew, already, as much of his history as Anna
herself.--But one thought distressed her, and that was, that his
residence might be far from the house of her aunt. This reflection gave
the tender-hearted girl real pain, and her principal wish to converse
with Anna in private was to ascertain her future lot on this distressing
point. No opportunity, however, offered that night, and Julia saw that
in the morning her time would be limited, for Miss Emmerson desired Mr.
Miller to order her carriage to be in readiness to start so soon as they
had breakfasted.
"When, dear aunt, am I to give Anna the invitation," said Julia, when
they were left alone, "if you start so early in the morning?"
"The proper time will be, my child, immediately before we get into the
carriage," said Miss Emmerson, with a sigh of regret at the
determination of her niece; "it will then be more pointed, and call for
an immediate answer."
This satisfied Julia, who knew that it would be accepted by her friend,
and she soon fell asleep, to dream a little of Anna, and a great deal of
Antonio.
The following morning Julia arose with the sun, and her first employment
was to seek her friend. Anna had also risen, and was waiting impatiently
for the other's appearance, in the vacant parlour.
"Ah! dear Julia," said she, catching her arm and dragging her to a
window, "I thought you would never come.--Well, are we to spend the
winter together--have you spoken to your dear, dear aunt, about it?"
"You shall know in good time, my Anna," said Julia, mindful of the
wishes of her aunt, and speaking with a smile that gave Anna an
assurance of her success.
"Oh! what a delightful winter we will have!" cried Anna, in rapture.
"I am tongue-tied at present," said Julia, laughing; "but not on every
subject," she continued, blushing to the eyes; "do tell me of St.
Albans--of Regulus--who is he?"
"Who is he?" echoed Anna--"why, nobody!--one must have something to
write about, you know, to a friend."
Julia felt sick and faint--her colour left her cheeks as she forced a
smile, and uttered, in a low voice--"But Antonio--Stanley?"
"A man of straw," cried Anna, with unfeeling levity; "no such creature
in the world, I do assure you!"
Julia made a mighty effort to conquer her emotions, and wildly seizing
Anna by the arm, she pointed to her aunt's coachman, who was at work on
his carriage at no great distance, and uttered--
"For God's sake, who is _he_?"
"He!" cried Anna, in surprise, "why, your driver--and an ugly wretch he
is!--don't you know your own driver yet?"
Julia burst from her treacherous friend--rushed into the room of her
aunt--and throwing herself into the arms of Miss Emmerson, wept for an
hour as if her heart would break. Miss Emmerson saw that something had
hurt her feelings excessively, and that it was something she would not
reveal. Believing that it was a quarrel with her friend, and hoping at
all events that it would interrupt their intercourse, Miss Emmerson,
instead of trying to discover her niece's secret, employed herself in
persuading her to appear before the family with composure, and to take
leave of them with decency and respect. In this she succeeded, and the
happy moment arrived. Anna in vain pressed near her friend to receive
the invitation--and her mother more than once hinted at the thousand
pities it was to separate two that loved one another so fondly. No
invitation was given--and although Anna spent half a day in searching
for a letter, that she insisted must be left in some romantic place,
none was ever found, nor did any ever arrive.
While resting with her foot on the step of the carriage, about to enter
it, Julia, whose looks were depressed from shame, saw a fluid that was
discoloured with tobacco fall on her shoe and soil her stocking.
Raising her eyes with disgust, she perceived that the wind had wafted
it from the mouth of Antonio, as he held open the door--and the same
blast throwing aside his screen of silk, discovered a face that was
deformed with disease, and wanting of an eye!
Our travellers returned to the city by the way of Montreal and Lake
Champlain; nor was it until Julia had been the happy wife of Charles
Weston for more than a year, that she could summon resolution to own
that she had once been in love, like thousands of her sex, "with a man
of straw!"
HEART.
"Some live in airy fantasies.
And in the clouds do move,
And some do burn with inward flames--
But few know how to love."
ANON. BALLAD
CHAPTER I.
On one of those clear, cold days of December, which so frequently occur
in our climate, two very young women were walking on the fashionable
promenade of New-York. In the person of the elder of these females there
was exhibited nothing more than the usual indications of youth and
health; but there were a delicacy and an expression of exquisite feeling
in the countenance of her companion, that caused many a plodding or idle
passenger to turn and renew the gaze, which had been attracted by so
lovely a person. Her figure was light, and possessed rather a character
of aerial grace, than the usual rounded lines of earthly beauty; and her
face was beaming more with the sentiments of the soul within, than with
the ordinary charms of complexion and features. It was precisely that
kind of youthful loveliness that a childless husband would pause to
contemplate as the reality of the visions which his thoughts had often
portrayed, and which his nature coveted as the only treasure wanting to
complete the sum of his earthly bliss. It truly looked a being to be
loved without the usual alloy of our passions; and there was a modest
ingenuousness which shone in her air, that gently impelled the hearts of
others to regard its possessor with a species of holy affection. Amongst
the gay throng, however, that thoughtlessly glided along the Broadway,
even this image of female perfection was suffered to move unnoticed by
hundreds; and it was owing to the obstruction offered to the passage of
the ladies, by a small crowd that had gathered on the side-walk, that a
gentleman of uncommon personal endowments enjoyed an opportunity of
examining it with more than ordinary attention. The eldest of the
females drew her companion away from this impediment to their passage,
by moving towards the opposite side of the street, and observing, as
they crossed, with an indifference in her manner--
"It is nothing, Charlotte, but a drunken man; if people will drink, they
must abide the consequences."
"He does not seem intoxicated, Maria," replied the other, in a voice
whose tones corresponded with her appearance; "it is some sudden
illness."
"One that, I dare say, he is accustomed to," said Maria, without having
even taken such a look at the sufferer as would enable her to identify
his colour; "he will be well enough after he has slept."
"But is the pavement a place for him to sleep on?" rejoined her
companion, still gazing towards the miserable object; "and if he should
be ill!--why do they not raise him?--why do they suffer him to injure
himself as he does?"
The speaker, at the same time that she shrunk in a kind of sensitive
horror from this exhibition of human infirmities, now unconsciously
stopped, with an interest in the man that she could not control, and
thus compelled Maria to pause also. The crowd had withdrawn from the
man, giving him sufficient room to roll over, in evident pain, while
they yet stood gazing at him, with that indefinable feeling of curiosity
and nerveless sympathy, which characterises man when not called on to
act, by emulation, vanity, or the practice of well-doing. No one offered
to assist the sufferer, although many said it ought to be done; some
spoke of sending for those who monopolized the official charity of the
city; many, having satisfied their curiosity, and finding that the
moment for action was arriving, quietly withdrew from a trouble that
would interfere with their comforts or their business--while a few felt
an impulse to aid the man, but hesitated in being foremost in doing that
which would be honourable to their feelings, but might not accord with
their condition, or might seem as the ostentatious display of unusual
benevolence. Where men are congregated, conduct must be regulated by the
touchstone of public opinion; and, although it is the fashion of
New-York to applaud acts of charity, and to do them too in a particular
manner--it is by no means usual to run to the assistance of a fellow
creature who is lying in distress on a pavement.
Whatever might be the impulses of the gentleman whom we have mentioned,
his attention was too much absorbed by the conversation and manner of
the two ladies to regard any thing else, and he followed them across the
street, and stopped also when they paused to view the scene. He was
inwardly and deeply admiring the most youthful of the females, for the
natural and simple display of those very qualities that he forgot
himself to exercise, when he was roused with a feeling of something like
mortification, by hearing Charlotte exclaim, with a slight glow on her
cheek--
"Ah! there is George Morton coming--he surely will not pass the poor man
without offering to assist him."
The gentleman turned his head quickly, and noticed a youth making his
way through the crowd, successfully, to the side of the sufferer. The
distance was too great to hear what passed--but an empty coach, whose
driver had stopped to gaze with the rest, was instantly drawn up, and
the man lifted in, and followed by the youth, whose appearance had
effected these movements with the silence and almost with the quickness
of magic.
George Morton was far from possessing the elegant exterior of the uneasy
observer of this scene, yet were the eyes of the lovely young woman who
had caught his attention, fixed in evident delight on his person, until
it was hid from view in the carriage; when, drawing a long breath, as if
relieved from great uneasiness, she said, in a low voice--
"I knew that George Morton would not pass him so unfeelingly--but where
are they going?--not far, I hope, on this cold day--and George without
his great coat."
There was a plaintive and natural melody in the tones of the speaker's
voice, as she thus unconsciously uttered her concern, that impelled the
listener to advance to the side of the carriage, where a short
conversation passed between the gentlemen, and the stranger returned to
the ladies, who were yet lingering near the spot, apparently unwilling
to depart from a scene that had so deeply interested one of them.
Raising his hat, the gentleman, addressing himself to the magnet that
had attracted him, said--
"Your friend declines the offer of my coat, and says that the carriage
is quite warm--they are going to the alms-house, and I am happy to
inform you that the poor man is already much better, and is recovering
from his fit."
Charlotte now for the first time observed the speaker, and a blush
passed over her face as she courtesied her thanks in silence. But her
companion, aroused from gazing at the finery of a shop window, by the
voice of the stranger, turned quickly, and with very manifest
satisfaction, exclaimed--
"Bless me! Mr. Delafield--I did not observe you before!--then you think
the poor wretch will not die?"
"Ah! assuredly not," returned the gentleman, recognising the face of an
acquaintance, with an animation he could not conceal: "but how
inadvertent I have been, not to have noticed Miss Osgood before!"--While
speaking, his eyes rested on the lovely countenance of her friend, as
if, by their direction, he meant to explain the reason of his
remissness.
"We were both too much engaged with the sufferings of the poor man, for
until this moment I did not observe you," said the lady--with that kind
of instinctive quickness that teaches the fair the importance of an
amiable exterior, in the eyes of the other sex.
"Doubtless," returned the gentleman, gravely, and for the first time
withdrawing his gaze from the countenance of Charlotte; but the
precaution was unnecessary:--the young lady had been too much engrossed
with her own sensations to notice the conduct of others, and from the
moment that the carriage had driven out of sight, had kept her eyes on
the ground, as she walked silently and unobtrusively by the side of her
companion.
"Miss Henly--Mr. Seymour Delafield," said Maria. The silent bow and
courtesy that followed this introduction was succeeded by an animated
discourse between the gentleman and his old acquaintance, which was but
seldom interrupted by any remark from their more retiring companion.
Whenever she did speak, however, the gentleman listened with the most
flattering attention, that was the more remarkable, from the
circumstance of his talking frequently at the same time with Maria
Osgood. The trio took a long walk together, and returned to the house of
Mr. Henly, in time for the necessary arrangements for the coming dinner.
It was when within a short distance of the dwelling of Charlotte that
the gentleman ventured to allude to the event that had made them
acquainted.
"The fearless manner in which you predicted the humanity of Mr. Morton,
would be highly gratifying to himself, Miss Henly," he observed; "and
were I of his acquaintance, it should be my task to inform him of your
good opinion."
"I believe Mr. Morton has not now to learn that," said Charlotte,
simply, but dropping her eyes; "I have been the next door neighbour of
George all my life, and have seen too much of his goodness of heart not
to have expressed the same opinion often."
"But not to himself," cried Maria; "so, Mr. Delafield, if you wish to
apprise him of his good fortune, you have only to attend my music party
to-morrow evening, and I will take particular care that you get
acquainted with the humane hero."
The invitation was gladly accepted, and the gentleman took his leave at
the door of the house.
"Well, Charlotte, you have seen him at last!" cried Maria, the instant
the door had closed; "and I am dying to know how you like him!"
"To save your life," said the other, laughing, "I will say a great deal,
although you so often accuse me of taciturnity--but who is _him_?"
"Him! why, Delafield!--Seymour Delafield!--the pattern for all the
beaux--the magnet for all the belles--and the delight of all the parents
in town!"
"His own, too?" inquired Charlotte, a little archly.
"He has none--they are dead and gone--but their money is left behind,
and that brings him fathers and mothers by the dozen!"
"It is fortunate that he can supply their loss in any way," said
Charlotte, with emphasis.
"To be sure he can; he can do more than you or I could, my dear; he can
pick his parents from the best in the city--and, therefore, he ought to
be well provided."
"And could he be better provided, as you call it, in that respect, than
ourselves?" asked Miss Henly, a little reproachfully.
"Oh no, surely not; now if he were a woman, how soon would he be
married!--why, child, they say he is worth at least three hundred
thousand dollars!--he'd be a bride in a month!"
"And miserable, perhaps, in a year," said Charlotte; "it is fortunate
for him that he is a man, by your tale, or his wealth might purchase
misery for him."
"Oh! no one can be miserable that is well married," cried Maria;
"Heigho! the idea of old-maidism is too shocking to think about!"
"Why does not Mr. Delafield get married, then, if marriage be so very
desirable?" said Miss Henly, smiling at the customary rattle of her
companion: "he can easily get a wife, you say?"
"It is the difficulty of choosing--there are so many attentive to him--"
"Maria!"
"Mercy! I beg pardon of female delicacy!--but since the young man has
returned from his travels, he has been so much--much courted--nay, by
the old people, I mean--and the girls beckon him about so--and it's Mr.
Delafield, have you read Salmagundi?--and, Mr. Delafield, have you seen
Cooke?--and, Mr. Delafield, do you think we shall have war?--and have
you seen Bonaparte? And, in short, Mr. Delafield, with his handsome
person, and three hundred thousand dollars, has been so much of
all-in-all to the ladies, that the man has never time to choose a
wife!"
"I really wonder that you never took the office upon yourself," said
Charlotte, busied in throwing aside her coat and gloves; "you appear to
have so much interest in the gentleman."
"Oh! I did, a month since--the moment that he landed."
"Indeed! and who was it?"
"Myself."
"And have you told him of your choice?" asked the other, laughing.
"Not with my tongue: but with my eyes, a thousand times--and with all
that unspeakable language that female invention can supply:--I go where
he goes--if I see him in the street behind me, I move slowly and with
dignity; still he passes me--if before me, I am in a hurry--but--"
"You pass him?" interrupted Charlotte, amused with her companion's
humour.
"Exactly--we never keep an equal pace; this is the first time that he
has walked with me since he returned from abroad--and for this honour I
am clearly indebted to yourself."
"To me, Maria?" said Charlotte, in surprise.
"To none other--he talked to me, but he looked at you. Ah! he knows by
instinct that you are an only child--and I do believe that the wretch
knows that I have twelve brothers and sisters--but you had better take
him, Charlotte; he is worth twenty George Mortons--at least, in money."
"What have the merits of George Morton and Mr. Delafield to do with each
other?" said Charlotte, removing her hat, and exhibiting a head of hair
that opportunely fell in rich profusion over her shoulders, so as to
conceal the unusual flush on her, ordinarily, pale cheek.
This concluded the conversation; for Charlotte instantly left the room,
and was occupied for some time in giving such orders as her office of
assistant in housekeeping to her mother rendered necessary.
Charlotte Henly was the only child that had been left from six who were
born to her parents, the others having died in their infancy. The deaths
of the rest of their children had occasioned the affection of her
parents to center in the last of their offspring with more than common
warmth; and the tenderness of their love was heightened by the
extraordinary qualities of their child. Possessed of an abundance of the
goods of this world, these doating parents were looking around with
intense anxiety, among their acquaintance, and watching for the choice
that was to determine the worldly happiness of their daughter.
Charlotte was but seventeen, yet the customs of the country, and the
temptations of her expected wealth, together with her own attractions,
had already placed her within the notice of the world. But no symptom of
that incipient affection which was to govern her life, could either of
her parents ever discover; and in the exhibitions of her attachments,
there was nothing to be seen but that quiet and regulated esteem, which
grows out of association and good sense, and which is so obviously
different from the restless and varying emotions that are said to belong
to the passion of love.
Maria Osgood was a distant relative, and an early associate, who,
although as different from her cousin in appearance and character as
black is from white, was still dear to the latter, both from habit and
her unconquerable good nature.
George Morton, the youth of whom such honourable mention has been made,
was the son of a gentleman who had long resided in the next dwelling to
Mr. Henly in the city, and who also possessed a country house near his
own villa. These circumstances had induced an intimacy between the
families that was cemented by the good opinion each entertained of the
qualities of the other, and which had been so long and so often tried in
scenes of happiness and misery, that were known to both. Young Morton
was a few years the senior of Charlotte; and, at the time of commencing
our tale, was but lately released from his collegiate labours. His
goodness of heart and simplicity of manners made him an universal
favourite; while the peculiarity of their situation brought him oftener
before the notice of Charlotte than any other young man of her
acquaintance.--But, notwithstanding the intimation of Maria Osgood, none
of their friends in the least suspected any other feeling to exist
between the youthful pair than the natural and very obvious one of
disinterested esteem. As the family seated themselves at the dinner
table, their guest exclaimed, in the heedless way that characterised her
manner--
"Oh! Mrs. Henly, I have to congratulate you on the prospects of your
soon having a son, and one as amiable and attractive as your daughter."
"Indeed!" returned the matron, comprehending the other's meaning
intuitively, "and what may be the young gentleman's name?"
"You will be the envy of all the mothers in town," continued Maria, "and
deservedly so. Two such children to fall to the lot of one mother!--Nay,
do not shake your head, Charlotte; it must and shall be a match, I am
determined."
"My friendship for you would deter me from the measure, should nothing
else interfere," said Charlotte, good humouredly.
"Ah! I have already abandoned my pretensions--twelve brothers and
sisters, my dear, are a dreadful addition to bring into a family at
once!"
"I am sure I do not think so," returned Charlotte, timidly glancing her
eye at her mother; "besides, I feel bound in honour to remember your
original intention."
"I tell you I have abandoned it, with all thoughts of the youth."
"And who is the youth?" asked Mrs. Henly, affecting an indifference that
she did not feel.
"You will have the handsomest son in the city, certainly," said Maria;
"and, possibly, the richest--and the most learned--and, undeniably, the
most admired!"
"You quite excite my curiosity to know who this paragon can be," said
the mother, looking at her husband, who returned the glance with one of
equal solicitude.
"I do not think he is more than four and twenty," added Maria; "and his
black eyes would form a charming contrast to your blue ones."
"To whom does Miss Osgood allude?" asked Mrs. Henly, yielding to a
solicitude that she could no longer controul.
"To Mr. Seymour Delafield," said Charlotte, raising her mild eyes to the
face of her mother, and smiling, as she delicately pared her apple, with
a simple ingenuousness that banished uneasiness from the breast of her
parent in an instant.
"I know him," said Mr. Henly; "but I did not think you had ever seen
him, Charlotte."
"We met him in our morning walk, sir, and Maria introduced him."
"He is thought to be very handsome," continued her father, helping
himself to a glass of wine while speaking.
"And very justly," returned the daughter; "I think him the handsomest
man that I have ever seen."
"Have I your permission for telling him so?" cried Maria, with a laugh.
"I have not the least objection to his knowing it, on my own account,
except from the indelicacy of complimenting a gentleman," said
Charlotte, with perfect simplicity; "but whether it would be beneficial
to himself or not, you can best judge."
"You think him vain, then?" observed her mother.
"Not in the least; or, rather, he did not exhibit it to me"--was the
answer, with the same open air as before.
"He has also a great reputation for good sense," continued her father,
avoiding the face of his child.
"I thought he had wit, sir."
"And not good sense?"
"Am I a judge?" asked Charlotte, rising, and holding a lighted paper to
her father, while he took a new segar. Her clear blue eyes resting on
him in the fulness of filial affection, as she performed this office,
and the open air with which she bent forward to receive the kiss he
offered in thanks, removed any apprehensions which the name of their
morning's companion might have excited.
Mr. Henly knew nothing concerning this young man that would induce him
at all to avoid the connexion, but still he had not yet examined his
character with that searching vigilance that he thought due to the
innocence and merit of his child. Determining within himself, however,
that this was a task that should no longer be neglected, he rose, and
telling the ladies that he left the bottle with them, withdrew to his
study.
The door had hardly closed behind Mr. Henly, when George Morton entered
the dining parlour, with the freedom of an old and favourite friend, and
telling Mrs. Henly that, in consequence of his family's dining out, and
his own engagements, he was fasting, and begged her charity for a meal.
From the instant that he appeared, Charlotte had risen with alacrity,
and was no sooner acquainted with his wants, than she rung to order what
he required. She brought him a glass of sparkling wine with her own
hands, and pushing a chair nearer to the fire than the one he occupied,
she said--
"Sit here, George, you appear chilled--I thought you would miss your
coat."
"I thank you," returned the youth, turning on her an eye of the most
open affection; "I do feel unusually cold, and begin to think, that with
my weak lungs it would have been more prudent to have taken a surcout."
"And how was the poor man when you left him?"
"Much better, and in extremely good quarters," said George; but, turning
quickly to Miss Osgood, he added, "So, Miss Maria, your beau has
condescended to walk with you at last?"
"Yes, Mr. Impudence," said Maria, smiling; "but come, fill your mouth
with food, and be silent."
He did as requested, and the conversation changed.