RIBERA'S RISE TO EMINENCE.

Ease and prosperity now rather stimulated than relaxed his exertions.

Choosing for his subject the Flaying of St. Bartholomew, he painted that

horrible martyrdom with figures of life-size, so fearfully truthful to

nature that when exposed to the public in the street, it immediately

attracted a crowd of shuddering gazers. The place of exhibition being

within view of the royal palace, the eccentric Viceroy, Don Pedro de

Giron, Duke of Ossuna, who chanced to be taking the air on his balcony,

inquired the cause of the unusual concourse, and ordered the picture and

the artist to be brought into his presence. Being well pleased with

both, he purchased the one for his own gallery, and appointed the other

his court painter, with a monthly salary of sixty doubloons, and the

superintendence of all decorations in the palace.

Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3) · 第 100 / 250 题