SALVATOR ROSA'S LOVE OF MAGNIFICENCE.

Salvator Rosa was fond of splendor and ostentatious display. He courted

admiration from whatever source it could be obtained, and even sought it

by means to which the frivolous and the vain are supposed alone to

resort. He is described, therefore, as returning to Rome, from which he

had made so perilous and furtive an escape, in a showy and pompous

equipage, with "servants in rich liveries, armed with silver hafted

swords, and otherwise well accoutred." The beautiful Lucrezia, as "sua

Governante," accompanied him, and the little Rosalvo gave no scandal in

a society where the instructions of religion substitute license for

legitimate indulgence. Immediately on his arrival in Rome, Salvator

fixed upon one of the loveliest of her hills for his residence, and

purchased a handsome house upon the Monte Pincio, on the Piazza della

Trinità del Monte--"which," says Pascoli, "he furnished with noble and

rich furniture, establishing himself on the great scale, and in a lordly

manner." A site more favorable than the Pincio, for a man of Salvator's

taste and genius, could scarcely be imagined, commanding at once within

the scope of its vast prospect, picturesque views, and splendid

monuments of the most important events in the history of man--the

Capitol and the Campus Martius, the groves of the Quirinal and the

cupola of St. Peter's, the ruined palaces of the Cæsars, and sumptuous

villas of the sons of the reigning church. Such was then, as now, the

range of unrivalled objects which the Pincio commanded; but the noble

terrace smoothed over its acclivities, which recalled the memory of

Aurelian and the feast of Belisarius, presented at that period a far

different aspect from that which it now offers. Everything in this

enchanting sight was then fresh and splendid; the halls of the Villa

Medici, which at present only echo to the steps of a few French students

or English travelers, were then the bustling and splendid residence of

the old intriguing Cardinal Carlo de Medici, called the Cardinal of

Tuscany, whose followers and faction were perpetually going to and fro,

mingling their showy uniforms and liveries with the sober vestments of

the neighboring monks of the convent della Trinità! The delicious groves

and gardens of the Villa de Medici then covered more than two English

miles, and amidst cypress shades and shrubberies, watered by clear

springs, and reflected in translucent fountains, stood exposed to public

gaze all that now form the most precious treasures of the Florentine

Gallery--the Niobe, the Wrestlers, the Apollo, the Vase, and above all,

the Venus of Venuses, which has derived its distinguishing appellation

from these gardens, of which it was long the boast and ornament.

Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3) · 第 84 / 250 题