SALVATOR ROSA AND THE HIGGLING PRINCE.

A Roman prince, more notorious for his pretensions to _virtu_ than for

his liberality to artists, sauntering one day in Salvator's gallery, in

the Via Babbuina, paused before one of his landscapes, and after a long

contemplation of its merits, exclaimed, "Salvator mio! I am strongly

tempted to purchase this picture: tell me at once the lowest

price."--"Two hundred scudi," replied Salvator, carelessly. "Two hundred

scudi! Ohime! that is a price! but we'll talk of that another time." The

illustrissimo took his leave; but bent upon having the picture, he

shortly returned, and again inquired the lowest price. "Three hundred

scudi!" was the sullen reply. "Carpo di bacco!" cried the astonished

prince; "mi burla, vostra signoria; you are joking! I see I must e'en

wait upon your better humor; and so addio, Signor Rosa."

The next day brought back the prince to the painter's gallery; who, on

entering, saluted Salvator with a jocose air, and added, "Well, Signor

Amico, how goes the market to-day? Have prices risen or fallen?"

"Four hundred scudi is the price to-day!" replied Salvator, with

affected calmness; when suddenly giving way to his natural impetuosity,

and no longer stifling his indignation, he burst forth: "The fact is,

your excellency shall not now obtain this picture from me at any price;

and yet so little do I value its merits, that I deem it worthy no better

fate than this;" and snatching the panel on which it was painted from

the wall, he flung it to the ground, and with his foot broke it into a

hundred pieces. His excellency made an unceremonious retreat, and

returned no more to the enraged painter's studio.

Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3) · 第 69 / 250 题