FUSELI'S WIFE'S METHOD OF CURING HIS FITS OF DESPONDENCY.

He was subject to fits of despondency, and during the continuance of

such moods he sat with his beloved book on entomology upon his

knee--touched now and then the breakfast cup with his lips, and seemed

resolutely bent on being unhappy. In periods such as these it was

difficult to rouse him, and even dangerous. Mrs. Fuseli on such

occasions ventured to become his monitress. "I know him well," she said

one morning to a friend who found him in one of his dark moods, "he will

not come to himself till he is put into a passion--the storm then clears

off, and the man looks out serene." "Oh no," said her visitor, "let him

alone for a while--he will soon think rightly." He was spared till next

morning--he came to the breakfast table in the same mood of mind. "Now I

must try what I can do," said his wife to the same friend whom she had

consulted the day before; she now began to reason with her husband, and

soothe and persuade him; he answered only by a forbidding look and a

shrug of the shoulder. She then boldly snatched away his book, and

dauntlessly abode the storm. The storm was not long in coming--his own

fiend rises up not more furiously from the side of Eve than did the

painter. He glared on his friend and on his wife--uttered a deep

imprecation--rushed up stairs and strode about his room in great

agitation. In a little while his steps grew more regular--he soon opened

the door, and descended to his labors all smiles and good humor.

Fuseli's method of curing his wife's anger was not less original and

characteristic. She was a spirited woman, and one day, when she had

wrought herself into a towering passion, her sarcastic husband said,

"Sophia, my love, why don't you swear? You don't know how much it would

ease your mind."

FUSELI'S PERSONAL APPEARANCE, HIS SARCASTIC DISPOSITION, AND QUICK

TEMPER.

Fuseli was of low stature--his frame slim, his forehead high, and his

eyes piercing and brilliant. His look was proud, wrapt up in

sarcastic--his movements were quick, and by an eager activity of manner

he seemed desirous of occupying as much space as belonged to men of

greater stature. His voice was loud and commanding--nor had he learned

much of the art of winning his way by gentleness and persuasion--he was

more anxious as to say pointed and stinging things, than solicitous

about their accuracy; and he had much pleasure in mortifying his

brethren of the easel with his wit, and over whelming them with his

knowledge. He was too often morose and unamiable--habitually despising

those who were not his friends, and not unapt to dislike even his best

friends, if they retorted his wit, or defended themselves successfully

against his satire. In dispute he was eager, fierce, unsparing, and

often precipitated himself into angry discussions with the Council,

which, however, always ended in peace and good humor--for he was as

placable as passionate. On one occasion he flew into his own room in a

storm of passion, and having cooled and come to himself, was desirous to

return; the door was locked and the key gone; his fury overflowed all

bounds. "Sam!" he shouted to the porter, "Sam Strowager, they have

locked me in like a blasted wild beast--bring crowbars and break open

the door." The porter--a sagacious old man, who knew the trim of the

Keeper--whispered through the keyhole, "Feel in your pocket, sir, for

the key!" He did so, and unlocking the door with a loud laugh exclaimed,

"What a fool!--never mind--I'll to the Council, and soon show them they

are greater asses than myself."

Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 2 of 3) · 第 59 / 250 题