CHAPTER XXI

SAYONARA (GOOD-BYE)

_Tomo ni narite

Onaji minato wo

Izuru fune no

Yuku-ye mo shirazu

Kogi-wakari-nuru!_

Those ships which left

The same harbour

Side by side

Towards an unknown destination

Have rowed away from one another!

Reggie Forsyth, remaining in Chuzenji, had become a prey to a

most crushing reaction. At the time of trial, he had been calm and

clear-sighted. For a moment he had experienced a sensation of relief

at shaking off the shackles which Yaé's fascination had fastened upon

him. He had been aware all along that she was morally worthless. He

was glad to have the matter incontestably proved. But his paradise,

though an artificial one, had been paradise all the same. It had

nourished him with visions and music. Now, he had no companion except

his own irrepressible spirit jibing at his heart's infirmity. He came

to the reluctant conclusion that he must take Yaé back again. But she

must never come again to him on the same terms. He would take her for

what she really was, a unique and charming _fille-de-joie_, and he

knew that she would be glad to return. Without something, somebody,

some woman to interest him, he could not face another year in this

barren land.

Then what about Geoffrey, his friend who had betrayed him? No,

he could not regard him in such a tragic light. He was angry with

Geoffrey, but not indignant. He was angry with him for being a

blunderer, an elephant, for being so easily amenable to Lady Cynthia's

intrigues, for being so good-natured, stupid and gullible. He argued

that if Geoffrey had been a wicked seducer, a bold Don Juan, he would

have excused him and would have felt more sympathy for him. He would

have thoroughly enjoyed sitting down with him to a discussion of Yaé's

psychology. But what did an oaf like Geoffrey understand about

that bundle of nerves and instincts, partly primitive and partly

artificial, bred out of an abnormal cross between East and West, and

doomed from conception to a life astray between light and darkness?

He had been disillusioned about his old friend, and he wished never to

see him again.

"What frauds these noble natures are!" he said to himself, "these Old

Honests, these sterling souls! And as an excuse he tells me, 'Nothing

actually happened!' Disgusting!"

'To play with light loves in the portal,

To kiss and embrace and refrain!'

"The virtue of our days is mostly impotence! Lust and passion and love

and marriage! Why do our dull insular minds mix up these four entirely

separate notions? And how can we jump with such goat-like agility from

one circle of thought into another without ever noticing the change in

the landscape?"

He strolled over to the piano to put these ideas into music.

Lady Cynthia had decided that it would be bad for him to stop in

Chuzenji. Mountain scenery is demoralising for a nature so Byronic.

He was forthwith despatched to Tokyo to represent his Embassy at a

Requiem Mass to be celebrated for the souls of an Austrian Archduke

and his wife, who had recently been assassinated by a Serbian fanatic

somewhere in Bosnia. Reggie was furious at having to undertake this

mission. For the mountains were soothing to him, and he was not yet

ready for encounters. When he arrived in Tokyo, he was in a very bad

temper.

* * * * *

Asako had heard from Tanaka that Reggie Forsyth was expected at the

Embassy. That useful intelligence-officer had been posted by the

Fujinami to keep watch on the Embassy compound, and to report any

movements of importance; for the conspirators were not entirely at

ease as to the legality of abducting the wife of a British subject,

and keeping her against her husband's demands.

Asako had received that day a pathetic letter from Geoffrey, giving

detail for detail his account of his dealings with Yaé Smith, begging

her to understand and believe him, and to forgive him for the crime

which he had never committed.

In spite of her cousin's incredulity, Asako's resolution was shaken

by this appeal. At last, now that she had lost her husband, she was

beginning to realise how very much she loved him. Reggie Forsyth would

be a more or less impartial witness.

Late that evening, in a hooded rickshaw she crossed the short distance

which led to the Embassy. Mr. Forsyth had just arrived.

Mr. Forsyth was very displeased to hear Mrs. Barrington announced. It

was just the kind of meeting which would exasperate and unnerve him.

Her appearance was against her. She wore a Japanese kimono,

unpleasantly reminiscent of Yaé. Her hair was disordered and

frantic-looking. Her eyes were red with weeping.

"Let me say at once," observed Reggie, as he offered her a chair,

"that I am in no way responsible for your husband's shortcomings. I

have too many of my own."

Asako could never understand Reggie when he talked in that sarcastic

tone.

"I want to know exactly what happened," she begged. "I have no one

else who can tell me."

"Your husband says that nothing actually happened," replied Reggie

brutally.

The girl realised that this statement was far from being the

vindication of Geoffrey which she had begun to hope for.

"But what did you actually see?" she asked.

"I saw Miss Smith with your husband. As it was in my house, they might

have asked my leave first."

Asako shivered.

"But do you think Geoffrey had been--love-making to Miss Smith?"

"I don't know," said Reggie wearily. "From what I heard, I think Miss

Smith was doing most of the love-making to Geoffrey; but he did not

seem to object to the process."

Asako's yearnings for proof of her husband's innocence were crushed.

"What shall I do?" she pleaded.

"I'm sure I don't know." This scene to Reggie was becoming positively

silly. "Take him back to England as soon as possible, I should think."

"But would he fall in love with women in England?"

"Possibly."

"Then what am I to do?"

"Grin and bear it. That's what we all have to do."

"Oh, Mr. Forsyth," Asako implored, "you know my husband so well. Do

you think he is a bad man?"

"No, not worse than the rest of us," answered Reggie, who felt quite

maddened by this talk. "He is a bit of a fool, and a good deal of a

blunderer."

"But do you think Geoffrey was to blame for what happened?"

"I have told you, my dear Mrs. Barrington, that your husband assured

me that nothing actually happened. I am quite sure this is true, for

your husband is a very honourable man--in details."

"You mean," said Asako, gulping out the words, "that Miss Smith was

not actually Geoffrey's--mistress; they did not--sin together."

Asako did not know how intimate were the relations between Reggie and

Yaé. She did not understand therefore how cruelly her words lanced

him. But, more than the shafts of memory it was the imbecility of the

whole scene which almost made the young man scream.

"Exactly," he answered. "In the words of the Bible, she lay with him,

but he knew her not."

"Then, do you think I ought to forgive Geoffrey?"

This was too much. Reggie leaped to his feet.

"My dear lady, that is really a question for yourself and yourself

alone. Personally, I do not at present feel like forgiving anybody.

Least of all, can I forgive fools. Geoffrey Harrington is a fool. He

was a fool to marry, a fool to marry you, a fool to come to Japan when

everybody warned him not to, a fool to talk to Yaé when everybody

told him that she was a dangerous woman. No, personally, at present I

cannot forgive Geoffrey Barrington. But it is very late and I am very

tired, and I'm sure you are, too. I would advise you to go home to

your erring husband; and to-morrow morning we shall all be thinking

more clearly. As the French say, _L'oreiller raccommode tout_."

Asako still made no movement.

"Well, dear lady, if you wish to wait longer, you will excuse me,

if, instead of talking rot, I play to you. It is more soothing to the

nerves."

He sat down at the piano, and struck up the _Merry Widow_ chorus,--

"I'll go off to Maxim's: I've done with lovers' dreams;

The girls will laugh and greet me, they will not trick

and cheat me;

Lolo, Dodo, Joujou,

Cloclo, Margot, Frou-frou,

I'm going off to Maxim's, and you may go to--"

The pianist swung around on his stool: his visitor had gone.

* * * * *

"Thank God," he sighed; and within a quarter of an hour he was asleep.

He awoke in the small hours with that sick restless feeling on his

chest, which he described as a conviction of sin.

"Good God!" he said aloud; "what a cad I've been!"

He realised that an unspoiled and gentle creature had paid him

the greatest of all compliments by coming to him for advice in

the extremity of her soul's misery. He had received her with silly

_badinage_ and cheap cynicism.

At breakfast he learned that things were much more serious than he had

imagined, that Asako had actually left her husband and was living with

her Japanese cousins. What he had thought to be a lover's quarrel, he

now recognised to be the shipwreck of two lives. With a kindly word he

might have prevented this disaster.

He drove straight to the Fujinami mansion, at the risk of being late

for the Requiem Mass. He found two evil-eyed hooligans posted at the

gate, who stopped his rickshaw, and, informing him that none of the

Fujinami family were at home, seemed prepared to resist his entry with

force.

During the reception of the Austrian Embassy which followed the

Mass, an incident occurred which altered the whole set of the young

diplomat's thoughts, and, most surprisingly, sent him posting down

to the Imperial Hotel to find Geoffrey Harrington, as one who has

discovered a treasure and must share it with his friend.

The big Englishman was contemplating a whisky-and-soda in the hall of

the hotel. It was by no means the first of its series. He gazed dully

at Reggie.

"Thought you were at Chuzenji," he said thickly.

"I had to come down for the special service for the Archduke Franz

Ferdinand," said Reggie, excitedly. "They gave us a regular wake,

champagne by the gallon! Several of the _corps diplomatique_ became

inspired! They saw visions and made prophesyings. Von Falkenturm, the

German military attache, was shouting out, 'We've got to fight. We're

going to fight! We don't care who we fight! Russia, France, England:

yes, the whole lot of them!' The man was drunk, of course; but, after,

all, _in vino veritas_. The rest of the square-heads were getting very

rattled, and at last they succeeded in suppressing Falkenturm. But, I

tell you, Geoffrey, it's coming at last; it's really coming!"

"What's coming?"

"Why, the Great War. Thank God, it's coming!"

"Why thank God?"

"Because we've all become too artificial and beastly. We want

exterminating, and to start afresh. We shall escape at last from women

and drawing-rooms and silly gossip. We shall become men. It will give

us all something to do and something to think about."

"Yes," echoed Geoffrey, "I wish I could get something to do."

"You'll get it all right. I wish I were a soldier. Are you going to

stop in Japan much longer?"

"No--going next week--going home."

"Look here, I'll put in my resignation right away, and I'll come along

with you."

"No, thanks," said Geoffrey, "rather not."

In his excitement Reggie had failed to observe the chilliness of his

friend's demeanour. This snub direct brought up the whole chain of

events, which Reggie had momentarily forgotten, or which were too

recent as yet to have assumed complete reality.

"I'm sorry, Geoffrey," he said, as he rose to go.

"Not at all," said Barrington, ignoring his friend's hand and turning

aside to order another drink.

Geoffrey had a letter in his pocket, received from his wife that

morning. It ran:--

"DEAR GEOFFREY,--I am very sorry. I cannot come back. It is

not only what has happened. I am Japanese. You are English.

You can never really love me. Our marriage was a mistake.

Everybody says so even Reggie Forsyth. I tried my best to want

to come back. I went to Reggie last night, and asked him what

actually happened. He says that our marriage was a mistake,

and that our coming to Japan was a mistake. So do I. I think

we might have been happy in England. I want you to divorce me.

It seems to be very easy in Japan. You only have to write a

letter, which Mr. Ito will give you. Then I can become quite

Japanese again, and Mr. Fujinami can take me back into his

family. Also you will be free to marry an English girl. But

don't have anything to do with Miss Smith. She is a very bad

girl. I shall never marry anybody else. My cousins are very

kind to me. It is much better for me to stay in Japan. Titine

said I was wrong to go away. Please give her fifty pounds from

me, and send her back to France, if she wants to go. I don't

think it is good for us to see each other. We only make

each other unhappy. Tanaka is here. I do not like him now.

Good-bye! Good-bye!

"Your loving,

"ASAKO."

From this letter Geoffrey understood that Reggie Forsyth also was

against him. The request for a divorce baffled him entirely. How could

he divorce his wife, when he had nothing against her? In answer, he

wrote another frantic appeal to her to return to him. There was no

answer.

Then he left Tokyo for Yokohama--it is only eighteen miles away--to

wait there until his boat started.

Thither he was pursued by Ito.

"I am sorry for you." The revolting little man always began his

discourse now with this exasperating phrase. "Mrs. Barrington would

like very much to obtain the divorce. She wishes very much to have her

name inscribed on family register of Fujinami house. If there is no

divorce, this is not possible."

"But," objected Geoffrey, "it is not so easy to get divorced as to get

married--unfortunately."

"In Japan," said the lawyer, "it is more easy, because we have

different custom."

"Then there must be a lot of divorces," said Geoffrey grimly.

"There are very many," answered the Japanese, "more than in any other

country. In divorce Japan leads the world. Even the States come second

to our country. Among the low-class persons in Japan there are even

women who have been married thirty-five times, married properly,

honourably and legally. In upper society, too, many divorce, but not

so many, for it makes the family angry."

"Marvellous!" said Geoffrey. "How do you do it?"

"There is divorce by law-courts, as in your country," said Ito. "The

injured party can sue the other party, and the court can grant decree.

But very few Japanese persons go to the court for divorce. It is not

nice, as you say, to wash dirty shirt before all people. So there is

divorce by custom."

"Well?" asked the Englishman.

"Now, as you know, our marriage is also by custom. There is no

ceremony of religion, unless parties desire. Only the man and the

woman go to the _Shiyakusho_, to the office of the city or the

village; and the man say, 'This woman is my wife; please, write her

name on the register of my family,' Then when he want to divorce her,

he goes again to the office of the city and says, 'I have sent my wife

away; please, take her name from the register of my family, and write

it again on the register of her father's family.' You see, our custom

is very convenient. No expense, no trouble."

"Very convenient," Geoffrey agreed.

"So, if Captain Barrington will come with me to the office of Akasaka,

Tokyo, and will give notice that he has sent Mrs. Barrington back

to her family, then the divorce is finished. Mrs. Barrington becomes

again a Japanese subject. Her name becomes Fujinami. She is again one

of her family. This is her prayer to you."

"And Mrs. Barrington's money?" asked Geoffrey sarcastically. "You have

forgotten that."

"Oh no," was the answer, "we don't forget the money. Mr. Fujinami

quite understand that it is great loss to send away Mrs. Barrington.

He will give big compensation as much as Captain Barrington desires."

To Ito's surprise, his victim left the table and did not return. So

he inquired from the servants about Captain Barrington's habits;

and learned from the _boy sans_ that the big Englishman drank plenty

whisky-soda; but he did not talk to any one or go to the brothels.

Perhaps he was a little mad.

* * * * *

Ito returned to the charge next day. This time Geoffrey had an

inspiration. He said that if he could be granted an interview alone

with Asako, he would discuss with her the divorce project, and would

consent, if she asked him personally. After some demur, the lawyer

agreed.

The last interview between husband and wife took place in Ito's

office, which Geoffrey had visited once before in his search for the

fortune of the Fujinami. The scene of the rendezvous was well chosen

to repress any revival of old emotions. The varnished furniture, the

sham mahogany, the purple plush upholstery, the gilt French clock, the

dirty bust of Abraham Lincoln and the polyglot law library checked the

tender word and the generous impulse. The Japanese have an instinctive

knowledge of the influence of inanimate things, and use this knowledge

with an unscrupulousness, which the crude foreigner only realises--if

ever--after it is too late.

Geoffrey's wife appeared hand in hand with cousin Sadako. There was

nothing English in her looks. She had become completely Japanese

from her black helmet-like _coiffure_ to the little white feet which

shuffled over the dusty carpet. There was no hand-shaking. The

two women sat down stiffly on chairs against the wall remote from

Geoffrey, like two swallows perched uneasily on an unsteady wire.

Asako held a fan. There was complete silence.

"I wish to see my wife alone," said Geoffrey.

He spoke to Ito, who grinned with embarrassment and looked at the two

women. Asako shook her head.

"I made it quite clear to you, Mr. Ito," said Geoffrey angrily, "that

this was my condition. I understand that pressure has been used to

keep my wife away from me. I will apply to my Embassy to get her

restored."

Ito muttered under his breath. That was a contingency which he had

greatly dreaded. He turned to Sadako Fujinami and spoke to her in

voluble Japanese. Sadako whispered in her cousin's ear. Then she rose

and withdrew with Ito.

Geoffrey was left alone with Asako. But was she really the same Asako?

Geoffrey had often seen upper class Japanese ladies at receptions in

the hotel at Tokyo. He had thought how picturesque they were, how well

mannered, how excellent their taste in dress. But they had seemed

to him quite unreal, denizens of a shadow world of bowing, gliding

figures.

He now realised that his former wife had become entirely a Japanese,

a person absolutely different from himself, a visitant from another

sphere. He was English she was Japanese. They were divorced already.

The big man rose from his chair, and held out his hand to his wife.

"I'm sorry, little Asako!" he said, very gently. "You are quite right.

It was a mistake. Good-bye, and--God bless you always!"

With immense relief and gratitude she took the giant's paw in her

own tiny hand. It seemed to have lost its grip, to have become like a

Japanese hand.

He opened the door for her. Once again, as on the altar-steps of St.

George's, the tall shoulders bent over the tiny figure with a movement

of instinctive protection and tenderness. He closed the door behind

her, recrossed the room and stared into the empty fireplace.

After a time, Ito returned. The two men went together to the district

office of the Akasaka Ward. There Geoffrey signed a declaration

in Japanese and English to the effect that his marriage with Asako

Fujinami was cancelled, and that she was free to return to her

father's family.

Next morning, at daylight his ship left Yokohama.

Before he reached Liverpool, war had been declared.

Kimono · 第 21 / 27 章