When I speak of Anglo-Saxons, of course, I speak inexactly a

PREJUDICES

FOURTH SERIES

_THE WORKS OF H. L. MENCKEN_

PREJUDICES: FIRST SERIES[1]

PREJUDICES: SECOND SERIES[1]

PREJUDICES: THIRD SERIES[1]

PREJUDICES: FOURTH SERIES

A BOOK OF BURLESQUES[1]

A BOOK OF PREFACES[1]

IN DEFENSE OF WOMEN[1][2]

THE AMERICAN LANGUAGE[1]

THE AMERICAN CREDO

[_With George Jean Nathan_]

_OUT OF PRINT_

VENTURES INTO VERSE

GEORGE BERNARD SHAW: HIS PLAYS

THE ARTIST

A LITTLE BOOK IN C MAJOR

A BOOK OF CALUMNY

MEN VS. THE MAN

[_With R. R. LaMonte_]

HELIOGABALUS[2]

[_With Mr. Nathan_]

EUROPE AFTER 8:15 [_With Mr. Nathan and W. H. Wright_]

THE PHILOSOPHY OF FRIEDRICH NIETZSCHE[1]

_TRANSLATIONS_

THE ANTICHRIST, BY F. W. NIETZSCHE

_NEW YORK: ALFRED · A · KNOPF_

FOOTNOTES:

[1] Also Published in England

[2] Also Published in Germany in translation

PREJUDICES

FOURTH SERIES

By H. L. MENCKEN

[Illustration]

PUBLISHED AT THE BORZOI · NEW YORK · BY

ALFRED · A · KNOPF

COPYRIGHT, 1924, BY ALFRED A. KNOPF, INC. · PUBLISHED, OCTOBER, 1924 ·

SET UP, AND ELECTROTYPED BY THE VAIL-BALLOU PRESS, INC., BINGHAMTON, N.

Y. · PAPER FURNISHED BY W. F. ETHERINGTON & CO., NEW YORK. · PRINTED

AND BOUND BY THE PLIMPTON PRESS, NORWOOD, MASS. ·

THE FIRST EDITION OF “PREJUDICES: FOURTH SERIES” CONSISTS OF THIRTY-SIX

HUNDRED AND TEN COPIES AS FOLLOWS: ONE HUNDRED AND TEN ON BORZOI ALL

RAG PAPER SIGNED BY THE AUTHOR NUMBERED FROM 1 TO 100, AND A TO J; AND

THIRTY-FIVE HUNDRED COPIES ON ENGLISH FEATHER-WEIGHT PAPER.

MANUFACTURED IN THE UNITED STATES OF AMERICA

CONTENTS

I The American Tradition, 9

II The Husbandman, 43

III High and Ghostly Matters, 61

1. The Cosmic Secretariat, 61

2. The Nature of Faith, 65

3. The Devotee, 76

4. The Restoration of Beauty, 77

5. End-Product, 78

6. Another, 79

7. Holy Clerks, 79

IV Justice Under Democracy, 85

V Reflections on Human Monogamy, 103

1. The Eternal Farce, 103

2. Venus at the Domestic Hearth, 108

3. The Rat-Trap, 110

4. The Love Chase, 112

5. Women as Realpolitiker, 113

6. Footnote for Suffragettes, 114

7. The Helpmate, 114

8. The Mime, 116

9. Cavia Cobaya, 117

10. The Survivor, 118

11. The Veteran’s Disaster, 119

12. Moral Indignation, 119

13. The Man and His Shadow, 120

14. The Balance-Sheet, 123

15. Yearning, 124

VI The Politician, 125

VII From a Critic’s Notebook, 138

1. Progress, 138

2. The Iconoclast, 139

3. The Artists’ Model, 140

4. The Good Citizen as Artist, 140

5. Definitive Judgments, 141

VIII Totentanz, 145

IX Meditations in the Methodist Desert, 158

1. The New Galahad, 158

2. Optimist vs. Optimist, 161

3. Caveat for the Defense, 167

4. Portrait of an Ideal World, 173

X Essay in Constructive Criticism, 180

XI On the Nature of Man, 197

1. The Animal That Thinks, 197

2. Veritas Odium Parit, 198

3. The Eternal Cripple, 199

4. The Test, 200

5. National Characters, 201

6. The Goal, 204

7. Psychology at 5 A. M., 204

8. The Reward, 205

9. The Altruist, 205

10. The Man of Honor, 206

XII Bugaboo, 207

XIII On Government, 220

XIV Toward a Realistic Aesthetic, 237

1. The Nature of Art, 237

2. The One-Legged Art, 240

3. Symbiosis and the Artist, 248

XV Contributions to the Study of Vulgar

Psychology, 253

1. The Downfall of the Navy, 253

2. The Mind of the Slave, 261

3. The Art Eternal, 269

XVI The American Novel, 278

XVII People and Things, 294

1. The Capitol of a Great Republic, 294

2. Ambassadors of Christ, 296

3. Bilder aus schöner Zeit, 297

4. The High Seas, 299

5. The Shrine of Mnemosyne, 300

PREJUDICES: FOURTH SERIES

I. THE AMERICAN TRADITION

1

Ever since Dr. William Crary Brownell, _de l’Académie Américaine_,

published his little volume, “Standards,” in 1917, a vast hullabaloo

has been going on among the native, white, Protestant _Gelehrten_ of

the Republic, particularly in the great open spaces of the South and

Middle West, in favor of what they call the American tradition in

letters. Perhaps I libel Brownell, a worthy if somewhat gummy man,

by hinting that he started this whooping; it may be that its actual

generator was George Creel, the Rev. Dr. Newell Dwight Hillis, the

Hon. James M. Beck, the Hon. A. Mitchell Palmer or some other such

master-mind of that patriotic and intelligent era. Whatever its

parentage, it was at least born in the holiest of wedlock, and to the

applause of all right-thinking men; and if I now presume to pull its

ear I surely hope that no one will suspect that I thereby question its

legitimacy. It is, in fact, absolutely and irrefragably American from

snout to _os calcis_, not only in outward seeming and demeanor, but

also in inner essence, and anyone who flouts it also flouts everything

that is most sacred in the spirit of Americanism. To that business I

herewith address myself briefly.

What, then, is the spirit of Americanism? I precipitate it conveniently

into the doctrine that the way to ascertain the truth about anything,

whether in the realms of exact knowledge, in the purple zone of the

fine arts or in the empyrean reaches of metaphysics, is to take a

vote upon it, and that the way to propagate that truth, once it has

been ascertained and proclaimed by lawful authority, is with a club.

This doctrine, it seems to me, explains almost everything that is

indubitably American, and particularly everything American that is most

puzzling to men of older and less inspired cultures, from American

politics to American learning, and from the lush and unprecedented

American code of morals to the amazing and almost fabulous American

code of honor. At one end it explains the archetypical buffooneries

of the Ku Klux Klan, the American Legion, the Anti-Saloon League, the

Department of Justice and all other such great engines of cultural

propaganda, and at the other end it explains the amusing theory that

the limits of the nation’s æsthetic adventures are to be fixed by a

vague and self-appointed camorra of rustic Ph.D.’s, and that any

artist, indigenous or imported, who dares to pass them is not only a

sinner against the beautiful but also a traitor to the flag, and that

he ought, shall and must be throttled by the secular arm. Patriotism

thus gathers in æsthetics and gives it suck, as it has already given

suck to ethics. There are artists who are worthy of the boon of

freedom, and there are artists who are criminal and must be put down,

as anarchists and polygamists are put down. The fancies of the poet in

his velvet coat, the vast soarings and grapplings of the metaphysician

in his damp cell, the writhings of the logician chained to his rock,

become either right or wrong, and whatever is right in them is American

and whatever is wrong is not American.

How far this last notion goes under the Constitution is best shown,

not in the relatively _pianissimo_ pronunciamentoes of such suave and

cautious dons as Brownell, who are themselves often sadly polluted

by foreign ideas, despite their heroic struggle to remember Valley

Forge and San Juan Hill, but in the far more frank and passionate

bulls of their followers in the seminaries of the cow States, where

every male of _Homo sapiens_ has copious _vibrissæ_ on his chest

and Nordic blue eyes in his head, and is a red-blooded, go-getting,

up-and-coming he-man. I introduce at once a perfect speciman, Doughty

of Texas--a savant but little known in the diabetic East, but for

long a favorite expert in comparative morals in the university at

Austin--not a professor, alas, for he lacks the Ph.D., but _amicus

curiæ_ to the other professors, as befits his trade of jurisconsult,

and a frequent author of critical papers. Doughty has passion but he

also has diligence: a combination not too common. Unlike the lean and

slippered Beers, of Yale, who once boasted that he had read none of the

books he was denouncing, Doughty is at pains to look into even the most

subversive, as a dutiful Censor Librorum looks into even “Science and

Health” and the works of Dr. Marie C. Stopes. Some time ago, determined

to get at and expose the worst, he plowed magnificently through a whole

library--through all the new poetry from Carl Sandburg to “The Spoon

River Anthology,” and all the new novels from Dreiser to Waldo Frank,

and all the vast mass of immoral criticism accompanying them, from that

in the _Dial_ and the _Nation_ to that in the _Little Review_, _S4N_

and the Chicago _Literary Times_. “For many months now,” he reported

when he emerged at last, “there has passed before me the whole ghastly

array.... I have read the ‘books’; the ‘fiction’ and the ‘verse’;

the ‘drama,’ the ‘articles’ and the ‘essays’; the ‘sketches’ and the

‘criticisms,’ and whatever else is squeaked and gibbered by these

unburied and not-to-be-handled dead.... It is this unnamable by-product

of congenital deficiency, perverted dissipation and adulterated

narcotics ... which I refer to as ‘modern [American] literature.’”

And what is the Texas Taine’s verdict upon this modern American

literature? The verdict, in brief, of all other right-thinking,

forward-looking he-men, North, East, South, West--the verdict of every

American who truly loves the flag, and knows congenitally what is right

and what is wrong. He not only finds that it is, in itself, nothing

but “swept-up rottenness and garbage--the dilute sewage of the sordid

mental slums of New York and Chicago”; he also finds that the ladies

and gentlemen who compose it are no more than “a horde of chancre-laden

rats,” that they constitute a “devil’s crew of perverted drug-addicts,”

that they are engaged unanimously upon a “flabby and feeble assault

... upon that ancient decency that for unnumbered generations of the

white Northern races of mankind, at least, has grown and strengthened

as a seed cast upon kindly soil,” and, finally, that “no one of the

‘writers’ of this unhappy array was in the service of the United

States in the Great War”--in brief, that the whole movement is no more

than a foul conspiracy to tear down the flag, uproot the Republic and

exterminate the Nordic Blond, and that, in consequence, it is the

duty of every American who is a member “of a white Nordic race, save

the Teutonic,” to come sliding down the pole, grab the tarpot, and

go galloping to the alarm. So concluding and stating in rich Texan

phrases, the Doughty proceeds to rend specifically a typical book by

one of these immigrant foes to “the heritage of American and English

men.”... The one he chooses is “Jurgen,” by James Branch Cabell, of

Virginia!

2

This long-horned policeman of letters, I admit, is more exuberant than

most. There are no soothing elms on the campus at Austin; instead there

is only the cindered _plaza de toros_ of the Ku Klux Klan. Patriotism,

down there, runs wilder than elsewhere. Men have large hands and loud

voices. The sight of the flag makes their blood leap and boil; when

it is affronted they cannot control themselves. Nevertheless, the

doctrine thus stated in harsh terms by the dreadful Doughty, is, in

its essence, precisely the doctrine of his more urbane colleagues--of

Brownell _de l’Académie Américaine_, of Brander Matthews _de l’Académie

Américaine_, of Sherman _de l’Académie Américaine_, of Erskine _de

l’Institut National_, of Boynton, of old Beers, of all the rest.

It is a doctrine, as I have said, that is thoroughly American--as

American, indeed, as Prohibition, correspondence schools, the Knights

of Pythias or chewing-gum. But by the same token it is a doctrine

that has no more fundamental sense or dignity than the politics of a

Coolidge or the theology of a Billy Sunday. It is, to come to the bald

fact at once, mere drivel--an endless series of false assumptions and

_non-sequiturs_--bad logic piled recklessly upon unsound facts. It is

the product of men who, drilled beyond their capacity for taking in

ideas and harrowed from infancy by harsh and unyielding concepts of

duty, have borrowed the patriotic philosophy of suburban pastors and

country schoolmarms, and now seek to apply it to the consideration of

phenomena that are essentially beyond their comprehension, as honor is

beyond the comprehension of a politician. It is rural Fundamentalism in

the black gown and disarming whiskers of _Wissenschaft_; its inevitable

fruit is what Ernest Boyd has aptly called Ku Klux Kriticism.

The simple truth, of course, is that the standards and traditions these

sublimated Prohibition enforcement officers argue for so eloquently

have no actual existence in the first-line literature of the American

people--that what they demand is not a lofty fidelity to a genuine

ideal, but only an artificial and absurd subservience to notions that

were regarded with contempt by every American of the civilized minority

even when they prevailed. In other words, what they argue for is not a

tradition that would take in Poe, Hawthorne, Emerson, Whitman and Mark

Twain, but a tradition that would pass over all these men to embrace

Cooper, Bryant, Donald G. Mitchell, N. P. Willis, J. G. Holland,

Charles Dudley Warner, Mrs. Sigourney and the Sweet Singer of Michigan.

Even Longfellow, I daresay, must be left out, for didn’t he drink of

green and terrible waters in Paris as a youth and didn’t Poe accuse him

of stealing from the Spanish and the German? Certainly even Longfellow,

to go back to Doughty’s interdict, “simmered in the devil’s cauldron of

central Europe” and was “spewed out of Italy and France.” Could Bryant

himself qualify? Didn’t he trifle with strange tongues and admire enemy

aliens? And what of Lowell? His Dante studies surely had a sinister

smack; one can’t imagine a Texas Grand Goblin approving them. Bayard

Taylor I refrain from mentioning at all. His translation of “Faust”

came to a just judgment at last when it was hurled from the shelves

of every American university patronized by the issue of 100 per cent.

Americans. Its incineration on a hundred far-flung campuses, indeed,

was the second great patriotic event of the _annus mirabilis_ which saw

the launching of Brownell’s “Standards” and the entrance of the Ku Klux

Klan into literary criticism.

How little the patriot-pedagogues know of the veriest elements

of American literary history was shown very amusingly some time

ago when one of them, a specialist in the Emerson tradition, got

himself into a lather denouncing some Greenwich Village Brandes for

arguing that beauty was independent of morals and its own sufficient

justification--only to be confronted by the disconcerting fact that

Emerson himself had argued the same thing. Can it be that even

pedagogues are unaware that Emerson came to fame by advocating a

general deliverance from the stupid and flabby tradition his name

is now evoked to support, that his whole system of ideas was an

unqualified protest against hampering traditions of every sort, that if

he were alive today he would not be with the professors but unalterably

against them? And Emerson was surely not alone. Go through the list of

genuinely first-rate men: Poe, Hawthorne, Whitman, Mark Twain. One and

all they stood outside the so-called tradition of their time; one and

all, they remained outside the tradition that pedants try so vainly

to impose upon a literature in active being today. Poe’s poems and

tales not only seemed strange to the respectable dolts of his time;

they seemed downright horrible. His criticism, which tells us even

more about him, was still worse: it impinged upon such dull fellows as

Griswold exactly as “Jennie Gerhardt” impinged upon the appalled tutors

in the alfalfa colleges. And what of Hawthorne? Hawthorne’s onslaught

upon the Puritan ethic was the most formidable and effective ever

delivered, save only Emerson’s. And Whitman? Whitman so staggered the

professors that it is only within the last few years that they have

begun to teach him at all; those who flourished in 1870 avoided all

mention of him as carefully as their successors of today avoid mention

of Dreiser or Cabell. And Mark Twain? I put a professor on the stand,

to wit, my Christian friend, Phelps of Yale. Go to Phelps’ “Essays on

Modern Novelists,” and you will find a long and humorous account of the

efforts of unintelligent pedagogues to read Mark out of the national

letters altogether--and go to Van Wyck Brooks’ “The Ordeal of Mark

Twain” and you will discover what great damage that imbecility did to

the man himself. Phelps printed his book in 1910. It was the first book

by a doctor of beautiful letters to admit categorically that Mark was

an artist at all! All the other professors, even in 1910, were still

teaching that Washington Irving was a great humorist and Mark a mere

clown, just as they are teaching now that the criticism of Howells and

Lowell was superior to the criticism of Huneker, and that Henry van

Dyke is a great artist and Cabell a bad one.

Historically, there is thus nothing but folly and ignorance in all

the current prattle about a restoration of the ancient American

tradition. The ancient American tradition, in so far as it was

vital and productive and civilized, was obviously a tradition of

individualism and revolt, not of herd-morality and conformity. If one

argues otherwise, one must inevitably argue that the great men of the

Golden Age were not Emerson, Hawthorne, Poe and Whitman, but Cooper,

Irving, Longfellow and Whittier. This nonsense, no doubt, is actually

argued in the prairie seminaries; it even has its prophets, perhaps, in

backwaters of the East; certainly one finds little in controversion of

it in the prevailing text-books. But it remains nonsense all the same.

The fact that it has been accepted for years explains the three great

disgraces of American letters: the long neglect of Whitman, Melville

and Mark Twain. And the fact that it is now challenged actively--that

practically all young Americans of any appreciable intelligence now

rebel against it--that the most significant sign of the times, in many

ways, is the open revolt of the new generation against the teaching

of their elders--this fact explains the new vigor that has got into

American literature, and its consequent running amok. That running

amok, to be sure, is leading to excesses--but so did the running amok

of Whitman lead to excesses; so did the timorous running amok of Mark

Twain. In order to get the rest of “Leaves of Grass” we must somehow

manage to survive “A Woman Waits for Me”; in order to get “Huckleberry

Finn” we must swallow the buffooneries of “The Innocents Abroad.” In

brief, we must be willing to pay a price for freedom, for no price that

is ever asked for it is half the cost of doing without it.

3

It so happens that many of the men and women who have sought to

exercise this freedom in our time have been of stocks other than

the so-called Anglo-Saxon, either wholly or in part--that they have

represented the newer stocks which threaten, not only in the fine arts

but in practically all departments of human activity, including even

business, to oust the Anglo-Saxon from his old hegemony. The fact,

in a day of increasing racial consciousness, has greatly colored the

whole controversy and made it extraordinarily bitter. The doctrine

gradually set up between 1914 and 1917, and given the full force of law

in the latter year, that a citizen of German blood, or suspected of

German blood, stood on a plane inferior to that occupied by a citizen

of British blood, and had a less valid claim to the equal protection

of the Constitution and the laws--this doctrine was extended, in

the post-war years of terror, to all Americans not specifically

Anglo-Saxon. How seriously it has been taken in the more remote parts

of the Republic is well displayed by the strophes that I have quoted

from good Doughty--a gentleman who seems quite as content to take

his anthropology from Madison Grant and Gertrude Atherton as he is to

take his manners from the cattle-herders of his native steppes. Even

more ludicrous attempts to set up Ku Klux criteria in letters might

be dredged from the writings of more urbane, and, in theory, more

intelligent and civilized critics--for example, Brander Matthews. The

rancorous animosity that has pursued such men as Dreiser is certainly

not wholly æsthetic, or even moral; it is, to a very large extent,

racial. The man is obviously not an Anglo-Saxon; _ergo_, there is

something sinister about him, and he must be put down. The more solid

becomes his position as a man of letters, the more offensive he

becomes to the colonial mind. His crime, indeed, is that he has made

headway--that a new American tradition, differing radically from the

old one that pedagogues preach, tends to grow up around him--that in

European eyes, and even in English eyes, he becomes more typical of

America than any of the literary Knights of Pythias who are pitted

against him. It thus becomes a matter of self-preservation to dispose

of him, and when it turns out to be difficult to do so by logical means

then there is a quick and easy recourse to evangelistic means.

The effects of this holy war, alas, have differed greatly from those

intended. Far from alarming and stampeding the non-Anglo-Saxons upon

whom it has been waged, it has actually forced them, despite their

differences, into a certain common action, and so made them far more

formidable than they were when it began. And far from establishing

any superiority in the Anglo-Saxon, it has only spread the suspicion

that, for all his pretensions, he must be a very inferior fellow at

bottom, else he would not be so eager to call in the mob to help him

in a purely literary feud. As one who has stood on the battlements for

years, and smelt the powder of every salvo, I can only report that I

have come to believe in this inferiority thoroughly, and that it seems

to me to be most obvious in those who most vociferously uphold the

so-called American tradition. They are, in the main, extremely stupid

men, and their onslaughts are seldom supported by any formidable weight

of metal. What they ask the rest of us to do, in brief, is simply to

come down voluntarily and irrationally to their own cultural level--the

level of a class that easily dominated the country when it was a

series of frontier settlements, but that has gradually lost leadership

as civilization has crept in. The rest of us naturally refuse, and

they thereupon try to make acquiescence a patriotic matter, and to

alarm the refractory with all sorts of fantastic penalties. But it

must be obvious that they fail far more often than they succeed--and

their failure is a melancholy proof of their intrinsic inferiority.

The current of thought in the United States, at least among the

relatively civilized minority, is not actually toward the abject

colonialism that they advocate; it is against that colonialism. We are

further from sweetness and light today than we ever were before, and

we are further from cultural slavery to the harassed and care-worn

Motherland. With overwhelming numbers on their side, and every form of

external authority, and all the prevailing shibboleths, the spokesmen

of Anglo-Saxon domination come to grief every time they tackle the

minority, or even any minority within the minority, and at no time do

they come to grief more dramatically than when they prepare for battle,

in the traditional Anglo-Saxon manner, by first trying to tie their

opponents’ hands.

When I speak of Anglo-Saxons, of course, I speak inexactly and in the

common phrase. Even within the bounds of that phrase the American

of the prevailing stock is Anglo-Saxon only partially, for there is

probably just as much Celtic blood in his veins as Germanic, and his

norm is to be found, not South of the Tyne and west of the Severn,

but on the bleak Scotch hills. Among the first English colonists

there were unquestionably many men of purely Teutonic stock from the

East and South of England, and their influence is yet visible in many

characteristic American folkways, in certain traditional American

ideas--some of them now surviving only in national hypocrisies--, and,

above all, in the fundamental peculiarities of the American dialect of

English. But their Teutonic blood was early diluted by Celtic strains

from Scotland, from the North of Ireland and from the West of England,

and today those Americans who are regarded as being most thoroughly

Anglo-Saxons--for example, the mountaineers of the Appalachian slopes

from Vermont to Georgia--are obviously far more Celtic than Teutonic,

not only physically but also mentally. They are leaner and taller than

the true English, and far more given to moral obsessions and religious

fanaticism. A Methodist revival is not an English phenomenon; it is

Scotch. So, fundamentally, is Prohibition. So is the American tendency,

marked by every foreign student of our history, to turn all political

combats into moral crusades. The English themselves, of course, have

been greatly polluted by Scotch, Irish and Welsh blood during the past

three centuries, and for years past their government has been largely

in the hands of Celts, but though this fact, by making them more like

Americans, has tended to conceal the difference that I am discussing,

it has certainly not sufficed to obliterate it altogether. Such a man

as Lloyd George, in all his ways of thinking, is almost precisely like

an American--but the English notion of humor remains different from the

American notion, and so does the English view of personal liberty,

and on the same level of primary ideas there are many other obvious

differences.

But though I am thus convinced that the American Anglo-Saxon wears a

false label, and grossly libels both of the great races from which

he claims descent, I can imagine no good coming of trying to change

it. Let him call himself whatever he pleases. Whatever he calls

himself, it must be plain that the term he uses designates a genuinely

distinct and differentiated race--that he is separated definitely, in

character and habits of thought, from the men of all other recognizable

strains--that he represents, among the peoples of the earth, almost

a special species, and that he runs true to type. There is, indeed,

very little tendency to variation in him--that is, in the mass. The

traits that he developed when the first mixture of races took place

in colonial days are the traits that he still shows; despite the

vast changes in his material environment, he is almost precisely the

same, in the way he thinks and acts, as his forefathers were. Some

of the other great races of men, during the past two centuries, have

changed very noticeably--for example, think of the complete dying out

of adventurousness in the Spaniards and its sudden appearance in the

Germans--but the American Anglo-Saxon has stuck to his hereditary guns.

Moreover, he tends to show much less variation than other races between

man and man. It is an axiom that, when five Russians or Germans meet,

there are four parties in conflict, but it is equally an axiom that,

among a hundred Americans, at least ninety-five will be found to hold

exactly the same views upon all subjects that they can grasp at all,

and may be trusted to react exactly alike to all ordinary stimuli.

No other race, save it be the Chinese, is so thoroughly solid, or so

firmly unresponsive to ideas from without.

4

The good qualities of this so-called Anglo-Saxon are many, and I am

certainly not disposed to question them, but I here pass them over

without apology, for he devotes practically the whole of his literature

and fully a half of his oral discourse to celebrating them himself,

and so there is no danger that they will ever be disregarded. No other

known man, indeed, is so violently the blowhard, save it be his English

kinsman; even the Frenchman, by comparison, is relatively modest and

reticent. In this fact lies the first cause of the ridiculous figure

he commonly cuts in the eyes of other people: he brags and blusters so

incessantly that, if he actually had the combined virtues of Socrates,

the Cid and the Twelve Apostles, he would still go beyond the facts,

and so appear a mere Bombastes Furioso. This habit, I believe, is

fundamentally English, but it has been exaggerated in the Americano

by his larger admixture of Celtic blood. In late years in America it

has taken on an almost pathological character, and is to be explained,

perhaps, only in terms of the Freudian necromancy. Braggadocio, in

the 100 per cent. American--“we won the war,” “it is our duty to

lead the world,” “the land of the free and the home of the brave,”

the “Americanization” movement, and so on--is probably no more than

a protective mechanism erected to conceal an inescapable sense of

inferiority.

That this inferiority is real must be obvious to any impartial

observer. Whenever the Anglo-Saxon, whether of the English or of the

American variety, comes into sharp conflict with men of other stocks,

he tends to be worsted, or, at best, to be forced back upon extraneous

and irrelevant aids to assist him in the struggle. Here in the United

States his defeat is so palpable that it has filled him with vast

alarms, and reduced him to seeking succor in grotesque and extravagant

devices. In the fine arts, in the sciences and even in the more complex

sorts of business the children of the later immigrants are running

away from the descendants of the early settlers. To call the roll of

Americans eminent in almost any field of human endeavor beyond that

of mere dull money-grubbing is to call a list of strange and often

outlandish names; even the panel of Congress presents a startling

example. Of the Americans who have come into notice during the past

fifty years as poets, as novelists, as critics, as painters, as

sculptors and in the minor arts, less than half bear Anglo-Saxon names,

and in this minority there are few of pure Anglo-Saxon blood. So in the

sciences. So in the higher reaches of engineering and technology. So

in philosophy and its branches. So even in industry and agriculture.

In those areas where the competition between the new and the old

blood-streams is most sharp and clear-cut, say in New York, in seaboard

New England and in the farming States of the upper Middle West, the

defeat of the Anglo-Saxon is overwhelming and unmistakable. Once his

predominance everywhere was actual and undisputed; today, even where

he remains heavily superior numerically, it is largely sentimental and

illusory.

The descendants of the later immigrants tend generally to move upward;

the descendants of the first settlers, I believe, tend plainly to move

downward, mentally, spiritually and even physically. Civilization is

at its lowest mark in the United States precisely in those areas where

the Anglo-Saxon still presumes to rule. He runs the whole South--and

in the whole South there are not as many first-rate men as in many a

single city of the mongrel North. Wherever he is still firmly in the

saddle, there Ku Kluxery flourishes, and Fundamentalism, and lynching,

and Prohibition, and all the other stupid and anti-social crazes of

inferior men. It is not in the big cities, with their mixed population,

that the death-rate is highest, and politics most corrupt, and religion

nearest to voodooism, and every decent human aspiration suspect; it is

in the areas that the recent immigrations have not penetrated, where

“the purest Anglo-Saxon blood in the world” still flows. I could pile

up evidences, but they are not necessary. The fact is too plain to

be challenged. One testimony will be sufficient: it comes from two

inquirers who made an exhaustive survey of a region in Southeastern

Ohio, where “the people are more purely Americans than in the rest of

the State”:

Here gross superstition exercises strong control over the thought

and action of a large proportion of the people. Syphilitic and other

venereal diseases are common and increasing over whole counties, while

in some communities nearly every family is afflicted with inherited

or infectious disease. Many cases of incest are known; inbreeding is

rife. Imbeciles, feeble-minded, and delinquents are numerous, politics

is corrupt, and selling of votes is common, petty crimes abound, the

schools have been badly managed and poorly attended. Cases of rape,

assault, and robbery are of almost weekly occurrence within five

minutes walk of the corporation limits of one of the county seats,

while in another county political control is held by a self-confessed

criminal. Alcoholic intemperance is excessive. Gross immorality and

its evil results are by no means confined to the hill districts, but

are extreme also in the towns.

As I say, the American of the old stock is not unaware of this steady,

and, of late, somewhat rapid degeneration--this gradual loss of his

old mastery in the land his ancestors wrung from the Indian and the

wild cat. He senses it, indeed, very painfully, and, as if in despair

of arresting it in fact, makes desperate efforts to dispose of it

by denial and concealment. These efforts often take grotesque and

extravagant forms. Laws are passed to hobble and cage the citizen of

newer stocks in a hundred fantastic ways. It is made difficult and

socially dangerous for him to teach his children the speech of his

fathers, or to maintain the cultural attitudes that he has inherited

from them. Every divergence from the norm of the low-cast Anglo-Saxon

is treated as an _attentat_ against the commonwealth, and punished

with eager ferocity. On the level of the country Ku Kluxers the

thing goes to the length of downright assault; a man in Arkansas or

Mississippi who ventured to speak a foreign language, or to concern

himself publicly with such of the fine arts as country Methodists

cannot comprehend, or to let it be known that he was a member of the

Roman Catholic Church would run some risk of being tarred and feathered

by his neighbors, or of having his house burned down over his head.

Worse, there is scarcely less pressure in the higher reaches of the

so-called intellect. The demand for a restoration of what is called the

American tradition in letters is nothing more or less, at bottom, than

a demand for a supine and nonsensical conformity--a demand that every

American, regardless of his racial character and his natural way of

thinking, force all his thoughts into the low-caste Anglo-Saxon mold.

It is bound to fail of effect, of course, and in that very fact lies

the best of imaginable proofs of the mental poverty of those who voice

it. It is not brought forward in an effort at persuasion; it is issued

as an order, raucously and absurdly--and every time it is flouted the

Anglo-Saxon slips another inch down the hill. He cannot prevail in fair

competition, and, for all his bellicose flourishes, he cannot prevail

by force and intimidation. There remains for him the rôle of martyr,

and in this he already begins to display himself affectingly. The

music of Americans, we are told gravely, is barred out of our concert

halls and opera houses because their managers and conductors are all

accursed foreigners. American painters and sculptors have to struggle

against a dense tide of immigrants. American criticism has become

so anti-American that poets and novelists of the old stock are on a

sort of blacklist, and cannot get justice. Only in the colleges does

the Anglo-Saxon intellectual hold his own, and even there he is now

menaced by swarms of Jews, and must devise means of putting them down

or perish with his brothers of the fine arts.

5

It so happens that I am myself an Anglo-Saxon--one of far purer blood,

indeed, than any of the half-bleached Celts who pass under the name in

the United States and England. I am Angle and I am Saxon, and I am very

little else, and that little is all safely white, Nordic, Protestant

and blond. Thus I feel free, without risk of venturing into bad taste,

to regard frankly the _soi-disant_ Anglo-Saxon of this incomparable

Republic and his rather less dubious cousin of the Motherland. How do

the two appear to me, after a quarter of a century spent largely in

accumulating their disfavor? What are the characters that I discern

most clearly in the so-called Anglo-Saxon type of man? I may answer

at once that two stick out above all others. One is his curious and

apparently incurable incompetence--his congenital inability to do any

difficult thing easily and well, whether it be isolating a bacillus or

writing a sonata. The other is his astounding susceptibility to fears

and alarms--in short, his hereditary cowardice.

To accuse so enterprising and successful a race of cowardice, of

course, is to risk immediate derision; nevertheless, I believe that a

fair-minded examination of its history will bear me out. Nine-tenths of

the great feats of derring-do that its sucklings are taught to venerate

in school--that is, its feats as a race, not the isolated exploits of

its extraordinary individuals, most of them at least partly of other

stocks--have been wholly lacking in even the most elementary gallantry.

Consider, for example, the events attending the extension of the two

great empires, English and American. Did either movement evoke any

genuine courage and resolution? The answer is plainly no. Both empires

were built up primarily by swindling and butchering unarmed savages,

and after that by robbing weak and friendless nations: Mexico, Spain,

the Boer republics. Neither produced a hero above the average run of

those in the movies; neither exposed the folks at home to the slightest

danger of reprisal. The battles of Omdurman and Manila Bay were typical

of these great swarmings of the Anglo-Saxon--the first a bald massacre,

and the second a combat at odds of at least fifty to one. They produced

highly typical Anglo-Saxon heroes--Kitchener, an Irishman, and Dewey,

largely French. Almost always, indeed, mercenaries have done the

Anglo-Saxon’s fighting for him--a high testimony to his common sense,

but scarcely flattering, I fear, to the truculence he boasts of. The

British empire was won mainly by Irishmen, Scotchmen and native

allies, and the American empire, at least in large part, by Frenchmen

and Spaniards. Moreover, neither great enterprise cost any appreciable

amount of blood; neither presented grave and dreadful risks; neither

exposed the conqueror to the slightest danger of being made the

conquered. The British won most of their vast dominions without having

to stand up in a single battle against a civilized and formidable

foe, and the Americanos won their continent at the expense of a few

dozen puerile skirmishes with savages. All the Indian wars in American

history, from the days of John Smith to those of Custer, did not bring

down as many men as the single battle of Tannenberg. The total cost of

conquering the whole area from Plymouth Rock to the Golden Gate and

from Lake George to the Everglades, including even the cost of driving

out the French, Dutch, English and Spaniards, was less than the cost of

defending Verdun.

So far as I can make out there is no record in history of any

Anglo-Saxon nation entering upon any great war without allies, nor

upon any war at all when there was the slightest danger of getting

beaten, or even of suffering serious damage. The French have done it,

the Dutch have done it, the Germans have done it, the Japs have done

it, and even such inferior nations as the Danes, the Spaniards, the

Boers and the Greeks have done it, but never the English or Americans.

Can you imagine the English taking such a chance as the Germans took

in 1914, or as the Turks took in 1922, or as the French prepare to

take today? Can you imagine the United States resolutely facing a war

in which the odds against it were as huge as they were against Spain

in 1898? It seems to me that the facts of history are wholly against

any such fancy. The Anglo-Saxon always tries to take a gang with him

when he goes to war, and even when he has it behind him he is very

uneasy, and prone to fall into panic at the first threat of genuine

danger. Here I put an unimpeachably Anglo-Saxon witness on the stand,

to wit, Dr. Charles W. Eliot, of Harvard. I find him saying, in an

article quoted with approbation by the _Congressional Record_, that

during the Revolutionary War the colonists now hymned so eloquently

in the school-books “fell into a condition of despondency from which

nothing but the steadfastness of Washington and the Continental army

_and the aid from France_ saved them,” and that “when the War of

1812 brought grave losses a considerable portion of the population

experienced a moral collapse, from which they were rescued only by the

exertions of a few thoroughly patriotic statesmen and the exploits of

three or four American frigates on the seas”--to say nothing of an

enterprising Corsican gentleman, Bonaparte by name. In both these

wars the Americans had enormous and obvious advantages, in terrain, in

allies and in men; nevertheless, they fought, in the main, very badly,

and from the first shot to the last a majority of them stood in favor

of making peace on almost any terms. The Mexican and Spanish Wars I

pass over as perhaps too obscenely ungallant to be discussed at all;

of the former, General U. S. Grant, who fought in it, said that it was

“the most unjust war ever waged by a stronger against a weaker nation.”

Who remembers that, during the Spanish War, the whole Atlantic Coast

trembled in fear of the Spaniards’ feeble fleet--that all New England

had hysterics every time a strange coal-barge was sighted on the

sky-line, that the safe-deposit boxes of Boston were emptied and their

contents transferred to Worcester, and that the Navy had to organize a

patrol to save the coast towns from depopulation? Perhaps those Reds,

atheists and pro-Germans remember it who also remember that during

the World War the entire country went wild with fear of an enemy who,

without the aid of divine intervention, obviously could not strike it a

blow at all--and that the great moral victory was gained at last with

the assistance of twenty-one allies and at odds of eight to one.

But the American Civil War remains? Does it, indeed? The almost

unanimous opinion of the North, in 1861, was that it would be over

after a few small battles; the first soldiers were actually enlisted

for but three months. When, later on, it turned unexpectedly into a

severe struggle, recruits had to be driven to the front by force,

and the only Northerners remaining in favor of going on were Abraham

Lincoln, a few ambitious generals and the profiteers. I turn to

Dr. Eliot again. “In the closing year of the war,” he says, “large

portions of the Democratic party in the North _and of the Republican

party_ advocated surrender to the Confederacy, _so down-hearted were

they_.” Down-hearted at odds of two to one! The South was plainly more

gallant, but even the gallantry of the South was largely illusory.

The Confederate leaders, when the war began, adopted at once the

traditional Anglo-Saxon device of seeking allies. They tried and

expected to get the aid of England, and they actually came very near

succeeding. When hopes in that direction began to fade (_i. e._, when

England concluded that tackling the North would be dangerous), the

common people of the Confederacy, the progenitors of the chivalric Ku

Kluxers of today, threw up the sponge, and so the catastrophe, when

it came at last, was mainly internal. The South failed to bring the

quaking North to a standstill because, to borrow a phrase that Dr.

Eliot uses in another connection, it “experienced a moral collapse of

unprecedented depth and duration.” The folks at home failed to support

the troops in the field, and the troops in the field began to desert.

Even so early as Shiloh, indeed, many Confederate regiments were

already refusing to fight.

This reluctance for desperate chances and hard odds, so obvious in the

military record of the English-speaking nations, is also conspicuous in

times of peace. What a man of another and superior stock almost always

notices, living among so-called Anglo-Saxons, is (_a_) their incapacity

for prevailing in fair rivalry, either in trade, in the fine arts or

in what is called learning--in brief, their general incompetence,

and (_b_) their invariable effort to make up for this incapacity

by putting some inequitable burden upon their rivals, usually by

force. The Frenchman, I believe, is the worst of chauvinists, but

once he admits a foreigner to his country he at least treats that

foreigner fairly, and does not try to penalise him absurdly for his

mere foreignness. The Anglo-Saxon American is always trying to do

it; his history is a history of recurrent outbreaks of blind rage

against peoples who have begun to worst him; hence Know Nothingism, Ku

Kluxery, American Legionism, and all the rest of it. Such movements

would be inconceivable in an efficient and genuinely self-confident

people, wholly assured of their superiority, as a Frenchman is of

his or a German of his, and they would be equally inconceivable in

a truly gallant and courageous people, disdaining unfair advantages

and overwhelming odds. Theoretically launched against some imaginary

inferiority in the non-Anglo-Saxon man, either as patriot, as democrat

or as Christian, they are actually launched at his general superiority,

his greater fitness to survive in the national environment. The effort

is always to penalize him for winning in fair fight, to handicap him in

such a manner that he will sink to the general level of the Anglo-Saxon

population, and, if possible, even below it. Such devices, of course,

never have the countenance of the Anglo-Saxon minority that is

authentically superior, and hence self-confident and tolerant. Of that

minority I do not speak here. It is serene in peace as it is brave in

war. But in the United States, at least, it is pathetically small, and

it tends steadily to grow smaller and feebler. The communal laws and

the communal _mores_ are made by the folk, and they offer all the proof

that is necessary, not only of its general inferiority, but also of

its alarmed awareness of that inferiority. The normal American of the

“pure-blooded” majority goes to rest every night with an uneasy feeling

that there is a burglar under the bed, and he gets up every morning

with a sickening fear that his underwear has been stolen.

6

It is difficult, I submit, to admire such a people unreservedly,

despite the good qualities that I have passed over. They lack the

ease and tolerance, the fine adventurousness and love of hazard which

go with a sense of firm security--in other words, with a sense of

genuine superiority. The Anglo-Saxon of the great herd is, in many

important respects, the least civilized of men and the least capable

of true civilization. His political ideas are crude and shallow. He

is almost wholly devoid of æsthetic feeling; he does not even make

folk-lore or walk in the woods. The most elementary facts about the

visible universe alarm him, and incite him to put them down. Educate

him, make a professor of him, teach him how to express his soul, and

he still remains palpably third-rate. He fears ideas almost more

cravenly than he fears men. His blood, I believe, is running thin;

perhaps it was not much to boast of at the start; in order that he may

exercise any functions above those of a trader, a pedagogue or a mob

orator, it needs the stimulus of other and less exhausted strains.

Poe, Whitman, Mark Twain--these were typical products of such crosses.

The fact that they increase is the best hope of the intellect in

America. They shake the old race out of its spiritual lethargy, and

introduce it to disquiet and experiment. They make for a free play of

ideas. In opposing the process, whether in politics, in letters or in

the ages-long struggle toward the truth, the prophets of Anglo-Saxon

purity and tradition only make themselves ridiculous. Under the

absurd _Kultur_ that they advocate Aggasiz would have been deported

and Whitman would have been hanged, and the most eminent literati

flourishing in the Republic today would be Edgar Guest and Dr. Frank

Crane.

Prejudices, fourth series · 第 1 / 16 段