MUSÉE DES MINES.

This cabinet or Museum was formed in 1778 by M. SAGE, who had then

spent eighteen years in collecting minerals. When he began to employ

himself on that science forty-five years ago, there existed in this

country no collection which could facilitate the study of mineralogy.

Docimacy vas scarcely known here by name. France was tributary to

foreign countries thirty-seven millions of livres (_circa_ £1,541,666

sterling) a year for the mineral and metallic substances which she

drew from them, although she possesses them within herself. M. SAGE

directed his studies and labours to the research and analysis of

minerals. For twenty years he has delivered _gratis_ public courses

of chymistry and mineralogy. For the advancement of those sciences,

he also availed himself of the favour he enjoyed with some persons at

court and in the ministry, and this was certainly making a very

meritorious use of it. To his care and interest is wholly due the

collection of minerals placed in this building. The apartment

containing it has, by some, been thought to deviate from the simple

and severe style suitable to its destination, and to resemble too

much the drawing-room of a fine lady. But those who have hazarded

such a reproach do not consider that, at the period when this cabinet

was formed, it was not useless, in order to bring the sciences into

fashion, to surround them with the show of luxury and the elegance of

accessory decoration. Who knows even whether that very circumstance,

trifling as it may appear, has not somewhat contributed to spread a

taste for the two sciences in question among the great, and in the

fashionable world?

However this may be, the arrangement of this cabinet is excellent,

and, in that respect, it is worthy to serve as a model. The

productions of nature are so disposed that the glazed closets and

cases containing them present, as it were, an open book in which the

curious and attentive observer instructs himself with the greater

facility and expedition, as he can without effort examine and study

perfectly every individual specimen.

The inside of the Museum is about forty-five feet in length,

thirty-eight in breadth, and forty in elevation. In the middle is an

amphitheatre capable of holding two hundred persons. In the

circumference are glazed cabinets or closets, in which are arranged

methodically and analytically almost all the substances known in

mineralogy. The octagonal gallery, above the elliptical amphitheatre,

contains large specimens of different minerals. To each specimen is

annexed an explanatory ticket. One of the large lateral galleries

presents part of the productions of the mines of France, classed

according to the order of the departments where they are found. The

new transversal gallery contains models of furnaces and machines

employed in the working of mines. The third gallery is also destined

to contain the minerals of France, the essays and results of which

are deposited in a private cabinet. The galleries are decorated with

tables and vases of different species of marble, porphyry, and

granite, also from the mines of France, collected by SAGE. The cupola

which rises above, is elegantly ornamented from the designs of

ANTOINE, the architect of the building.

This Museum is open to the public every day from nine o'clock in the

morning till two, and, though it has been so many years an object of

curiosity, such is the care exerted in superintending it, that it has

all the freshness of novelty.

In a niche, on the first landing-place of the stair-case, is the bust

of M. SAGE, a tribute of gratitude paid to him by his pupils. SAGE'S

principal object being to naturalize in France mineralogy, docimacy,

and metallurgy, he first obtained the establishment of a _Special

School of Mines_, in which pupils were maintained by the State. Here,

he directed their studies, and enjoyed the happiness of forming

intelligent men, capable of improving the science of metallurgy, and

promoting the search of ores, &c.

For a number of years past, as I have already observed, SAGE has

delivered _gratis_, in this Museum; public courses of chymistry and

mineralogy. He attracts hither many auditors by the ease of his

elocution, and the address, the grace even which he displays in his

experiments. If all those who have attended his lectures are to be

reckoned his pupils, there will be found in the number names

illustrious among the _savans_ of France. Unfortunately, this veteran

of science has created for himself a particular system in chymistry,

and this system differs from that of LAVOISIER, FOURCROY,

GUYTON-MORVEAU, BERTHOLLET, CHAPTAL, &c. The sciences have also their

schisms; but the real _savans_ are not persecutors. Although SAGE was

not of their opinion on many essential points, his adversaries always

respected him as the man who had first drawn the attention of the

government towards the art of mines, instigated the establishment of

the first school which had existed for this important object, and

been the author of several good analyses. On coming out of prison,

into which he had been thrown during the reign of terror, he found

this cabinet of mineralogy untouched. It would then have been easy,

from motives of public utility, to unite it to the new School of

Mines. But the heads of this new school had, for the most part,

issued from the old one, and SAGE was dear to them from every

consideration. It was from a consequence of this sentiment that SAGE,

who had been a member of the _Academy of Sciences_, not having been

comprised in the list of the members of the National Institute at the

time of its formation, has since been admitted into that learned

body, not as a chymist indeed, but as a professor of mineralogy, a

science which owes to him much of its improvement.

The new School of Mines is now abolished, and practical ones are

established in the mountains, as I have before mentioned. While I am

speaking of mineralogy, I shall take you to view the

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