NATIONAL INSTITUTE OF ARTS AND SCIENCES.[1]

This establishment was formed, agreeably to a decree of the National

Assembly passed on the 3d of Brumaire, year IV (25th of October,

1796). By that decree, it appears that the Institute belongs to the

whole Republic, though its point of union is fixed in Paris. Its

object is to extend the limits of the arts and sciences in general,

by an uninterrupted series of researches, by the publication of

discoveries, by a correspondence with the learned societies of

foreign countries, and by such scientific and literary labours as

tend to general utility and the glory of the Republic.

It is composed of one hundred and forty-four members, resident in

Paris, and of an equal number scattered over the departments. The

number of its foreign associates is twenty-four. It is divided into

three classes, and each class into several sections, namely:

Mathematical and Physical Sciences.

Moral and Political Sciences.

Literature and the Fine Arts.

The Mathematical Class is divided into ten sections; each of which

consists of six members. Of this class, there are sixty members in

Paris, and as many in the departments, where they are divided, in the

same manner, into ten sections, each of six members.

The first section comprehends Mathematics.

The second, Mechanical Arts.

The third, Astronomy.

The fourth, Experimental Physics.

The fifth, Chemistry.

The sixth, Natural History and Mineralogy.

The seventh, Botany and vegetable Physics.

The eighth, Anatomy and Zoology.

The ninth, Medicine and Surgery.

The tenth, Rural Economy and the Veterinary Art.

The Moral and Political Class is divided into six sections, each

consisting of six members, making in all thirty-six members in Paris,

and an equal number in the departments.

The first section comprises the Analysis of Sensations and Ideas.

The second, Morals.

The third, Social Science and Legislation.

The fourth, Political Economy.

The fifth, History.

The sixth, Geography.

The Class of Literature and Fine Arts is divided into eight sections,

each of six members, forty-eight of whom reside in Paris, and as many

in the departments.

The first section includes Grammar.

The second, Ancient Languages.

The third, Poetry.

The fourth, Antiquities and Monuments.

The fifth, Painting.

The sixth, Sculpture.

The seventh, Architecture.

The eighth, Music and Declamation.

Twice in every decade, each class holds a meeting: that of the first

class takes place on the first and sixth days; that of the second, on

the second and seventh days; and that of the third, on the third and

eighth days. Every six months each class elects its president and two

secretaries, who continue in office during that interval.

On the fifth day of the first decade of every month is held a general

meeting of the three classes, the purpose of which is to deliberate

on affairs, relating to the general interests of the Institute. The

chair is then taken by the oldest of the three presidents, who, at

these meetings, presides over the whole society.

The National Institute has four public quarterly meetings, on the

15th of the months of Vendémiaire, Nivôse, Germinal, and Messidor.

Each class annually proposes two prize questions, and in the general

meetings, the answers are made public, and the premiums distributed.

The united sections of Painting, Sculpture, and Architecture nominate

the pupils who are to visit Rome, and reside there in the national

palace, at the expense of the Republic, in order to study the Fine

Arts. Conformably to the decree by which the Institute was organised,

six of its members were to travel at the public charge, with a view

of collecting information, and acquiring experience in the different

sciences; and twenty young men too were to visit foreign countries

for the purpose of studying rural economy: but the expenses of the

war and other matters have occasioned such a scarcity of money as,

hitherto, to impede these undertakings.

The apartments of the Institute are on the first floor of the

_Louvre_, or, as it is now styled, the _Palais Nationial des Sciences

et des Arts_. These apartments, which were once inhabited by Henry

IV, are situated on the west side of that building. Before you arrive

at the hall of the Institute, you pass through a handsome

antichamber, in which are the statues of Molière, Racine, Corneille,

La Fontaine, and Montesquieu. This hall, which is oblong and

spacious, formerly served for the meetings of the Academy of

Sciences. Its sides are adorned with colonnades, and the ceiling is

richly painted and decorated. In the intercolumniations are fourteen

marble statues (seven on each side) of some of the most celebrated

men that France has produced: namely, Condé, Tourville, Descartes,

Bayard, Sully, Turenne, Daguessau, Luxembourg, L'Hôpital, Bossuet,

Duquesne, Catinat, Vauban, and Fenelon. Parallel to the walls, tables

are set, covered with green cloth, at which the members take their

places.

At the upper end of the hall is the chair of the President, and on

each side below him are seated the two Secretaries. A little on one

side again is the tribune, from which the members who speak address

the assembly, after having asked leave of the President, who never

quits the chair during the whole meeting. The space appropriated to

the members is inclosed by a railing, between which and the walls,

the hall is surrounded by benches for the spectators, among whom

there are generally many of the fair sex.

The library of the Institute consists of three spacious apartments,

which are said to contain about sixteen thousand volumes. On one side

of the hall is an apartment, destined for the communications of

correspondents. There is also an apartment for the secretary and his

deputies, and a large room containing a collection of machines and

models, (among which are several of shipping), as well as every

apparatus necessary for chemical and physical experiments.

Although I have several times attended the private meetings of the

three classes, I have thought that the printed accounts of their

proceedings, which I subjoin, would be more satisfactory than a hasty

sketch from my pen. However, as I promised to describe to you one of

the public sittings of the Institute, I shall now inform you of what

passed at that held yesterday, the 15th of Nivôse, year X, (5th of

January, 1802), at which I was present.

On this occasion, BIGOT-PRÉAMENEU, one of the members of the class of

Moral and Political Sciences, was the President. The sitting was

opened by proclaiming the nomination of three foreign associates,

elected by the Institute in its general sitting of the 5th of Nivôse;

namely, Mr. JEFFERSON, Sir JOSEPH BANKS, and HAYDN, the celebrated

musical composer. A prize was then awarded to Citizen Framery, a

literary character residing in Paris, for having solved the following

question proposed by the class of Literature and Fine Arts. "To

analyze the relations existing between music and declamation, and

determine the means of applying declamation to music, without

detracting from the charms of melody."

DELAMBRE read an account of the life and works of Cousin.

DÉGÉRANDO, an account of the education which the young savage of

Aveyron receives from Itard, physician to the Institution of the Deaf

and Dumb.

PRONY, the result of observations made with a French instrument and

an English one, for the purpose of determining the relation between

the French metre and the English foot.

Next were heard notes, by CAMUS, on the public exhibitions of the

productions of French Industry, which took place in the years VI and

IX of the Republic.

Then, the report of the restoration of the famous picture known by

the name of the _Madonna di Foligno_, which I have already

communicated to you.

BUACHE, the celebrated geographer, read some observations on the

ancient map of the Romans, commonly called Peutinger's map, as well

as on the geography of the anonymous writer of Ravenna. The sitting

was terminated by an account of the life and works of Dumoustier,

read by COLIN D'HARLEVILLE.

The members of the Institute have a full-dress and a half-dress. The

former consists of a suit of black, embroidered in dark green silk,

with a cocked hat. The latter is the same, but the embroidery is

confined to the collar and cuffs of the coat, which is trimmed with a

cord edging,

P.S. Yesterday evening was married Mademoiselle Beauharnois,

daughter-in-law of the First Consul, to Louis Bonaparte, one of his

younger brothers.

[Footnote 1: At the end of this volume will be found the new

organization of the Institute, conformably to a decree of the

government, dated the 3d of Pluviôse, year XI.]

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