THÉ.

A stranger might, in all probability, be led to suppose that he was

invited to a tea-drinking party, when he receives a note couched in

the following terms:

_"Madame R------ prie Monsieur B--------- de lui faire l'honneur de

venir au thé quelle doit donner le 5 de ce mois."_

Considering in that light a similar invitation which I received, I

was just on the point of sending an apology, when I was informed that

a _thé_ was nothing more or less than a sort of rout, followed by

substantial refreshments, and generally commencing after the

evening's performance was ended at the principal theatres.

On coming out of the opera-house then the other night, I repaired to

the lady's residence in question, and arriving there about twelve

o'clock, found that I had stumbled on the proper hour. As usual,

there were cards, but for those only disposed to play; for, as this

lady happened not to be under the necessity of recurring to the

_bouillotte_ as a financial resource, she gave herself little or no

concern about the card-tables. Being herself a very agreeable,

sprightly woman, she had invited a number of persons of both sexes of

her own character, so that the conversation was kept up with infinite

vivacity till past one o'clock, when tea and coffee were introduced.

These were immediately followed by jellies, sandwiches, pâtés, and a

variety of savoury viands, in the style of a cold supper, together

with different sorts of wines and liqueurs. In the opinion of some of

the Parisian sybarites, however, no _thé_ can be complete without the

addition of an article, which is here conceived to be a perfect

imitation of fashionable English cheer. This is hot punch.

It was impossible for me to refuse the cheerful and engaging _dame du

logis_ to taste her _ponche_, and, in compliment to me as an

Englishman, she presented me with a glass containing at least a

treble allowance. Not being overfond of punch, I would willingly have

relinquished the honour of drinking her health in so large a portion,

apprehending that this beverage might, in quality, resemble that of

the same name which I had tasted here a few evenings ago in one of

the principal coffeehouses. The latter, in fact, was a composition of

new rum, which reminded me of the trash of that kind distilled in New

England, acidulated with rotten lemons, sweetened with capillaire,

and increased by a _quantum sufficit_ of warm water. My hostess's

punch, on the contrary, was made of the best ingredients, agreeably

to the true standard; in a word, it was proper lady's punch, that is,

hot, sweet, sour, and strong. It was distributed in tea-pots, of

beautiful porcelaine, which, independently of keeping it longer warm,

were extremely convenient for pouring it out without spilling. Thus

concluded the entertainment.

About half past two o'clock the party broke up, and I returned home,

sincerely regretting the change in the mode of life of the Parisians.

Before the revolution, the fashionable hour of dinner in Paris was

three o'clock, or at latest four: public places then began early; the

curtain at the grand French opera drew up at a quarter past five. At

the present day, the workman dines at two; the tradesman, at three;

the clerk in a public office, at four; the rich upstart, the

money-broker, the stock-jobber, the contractor, at five; the banker,

the legislator, the counsellor of state, at six; and the ministers,

in general, at seven, nay not unfrequently at eight.

Formerly, when the performance at the opera, and the other principal

theatres, was ended at nine o'clock, or a quarter past, people of

fashion supped at ten or half after; and a man who went much into

public, and kept good company, might retire peaceably to rest by

midnight. In three-fourths of the houses in Paris, there is now no

such meal as supper, except on the occasion of a ball, when it is

generally a mere scramble. This, I presume, is one reason why

substantial breakfasts are so much in fashion.

"_Déjeûners froids et chauds_," is an inscription which now generally

figures on the exterior of a Parisian coffeehouse, beside that of

"_Thé à l'Anglaise, Café à la crême, Limonade, &c_." Solids are here

the taste of the times. Two ladies, who very gallantly invited

themselves to breakfast at my apartments the other morning, were

ready to turn the house out of the window, when they found that I

presented to them nothing more than tea, coffee, and chocolate. I was

instantly obliged to provide cold fowl, ham, oysters, white wine, &c.

I marvel not at the strength and vigour of these French belles. In

appetite, they would cope with an English ploughman, who had just

turned up an acre of wholesome land on an empty stomach.

Now, though a _thé_ may be considered as a substitute for a supper,

it cannot, in point of agreeableness, be compared to a _petit

souper_. If a man must sup, and I am no advocate for regular suppers,

these were the suppers to my fancy. A select number of persons, well

assorted, assembled at ten o'clock, after the opera was concluded,

and spent a couple of hours in a rational manner. Sometimes a _petit

souper_ consisted of a simple _tête-à-tête_, sometimes of a _partie

quarrée_, or the number was varied at pleasure. But still, in a

_petit souper_, not only much gaiety commonly prevailed, but also a

certain _épanchement de coeur_, which animated the conversation to

such a degree as to render a party of this description the _acme_ of

social intercourse, "the feast of reason and the flow of soul."

Under the old _régime_, not a man was there in office, from the

_ministre d'état_ to the _commis_, who did not think of making

himself amends for the fatigues of the morning by a _petit souper_:

these _petits soupers_, however, were, in latter times, carried to an

excessive pitch of luxurious extravagance. But for refinements

attempted in luxury, though, I confess, of a somewhat dissolute

nature, our countryman eclipsed all the French _bons vivans_ in

originality of conception.

Being in possession of an ample fortune, and willing to enjoy it

according to his fancy, he purchased in Paris a magnificent house,

but constructed on a small scale, where every thing that the most

refined luxury could suggest was assembled. The following is the

account given by one of his friends, who had been an eye-witness to

his manner of living.

"Mr. B---- had made it a rule to gratify his five senses to the

highest degree of enjoyment of which they were susceptible. An

exquisite table, perfumed apartments, the charms of music and

painting; in a word, every thing most enchanting that nature,

assisted by art, could produce, successively flattered his sight, his

taste, his smell, his hearing, and his feeling.

"In a superb saloon, whither he conducted me," says this gentleman,

"were six young beauties, dressed in an extraordinary manner, whose

persons, at first sight, did not appear unknown to me: it struck me

that I had seen their faces more than once, and I was accordingly

going to address them, when Mr. B----, smiling at my mistake,

explained to me the cause of it." "I have, in my amours," said he, "a

particular fancy. The choicest beauty of Circassia would have ho

merit in my eyes, did she not resemble the portrait of some woman,

celebrated in past ages: and while lovers set great value on a

miniature which faithfully exhibits the features of their mistress, I

esteem mine only in proportion to their resemblance to ancient

portraits.

"Conformably to this idea," continued Mr. B----, "I have caused the

intendant of my pleasures to travel all over Europe, with select

portraits, or engravings, copied from the originals. He has succeeded

in his researches, as you see, since you have conceived that you

recognized these ladies on whom you have never before set your eyes;

but whose likenesses you may, undoubtedly, have met with. Their dress

must have contributed to your mistake: they all wear the attire of

the personage they represent; for I wish their whole person to be

picturesque. By these means, I have travelled back several centuries,

and am in possession of beauties whom time had placed at a great

distance."

"Supper was served up. Mr. B---- seated himself between Mary, queen

of Scots, and Anne Bullein. I placed myself opposite to him,"

concludes the gentleman, "having beside me Ninon de l'Enclos, and

Gabrielle d'Estrées. We also had the company of the fair Rosamond and

Nell Gwynn; but at the head of the table was a vacant elbow-chair,

surmounted by a canopy, and destined for Cleopatra, who was coming

from Egypt, and of whose arrival Mr. B---- was in hourly

expectation."

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