ACT III.

_Daniel Mérital_. Father has won his case. I _am_ glad. Oh, are you

there, Father? I'm just going downstairs to count the telegrams.

[_Exit.

Enter_ Renée.

_Renée_. You have won the case? I knew it. I knew you were innocent.

_Mérital (nobly_). Renee, I am not innocent. I did steal that

ninepence. I would have confessed it before, but I had to think of my

family. (_Cheers from the gallery_.) Of course it would also have been

unpleasant for _me_ if it had been known, but that did not influence

me. (_More cheers_.) I thought only of my children. Let me tell you

now _why_ I stole it.

_Renée (eagerly_). Let me guess. Your wife was starving--

_Mérital (astounded_). Wonderful! How ever did you know?

_Renée_. --and you meant to repay the money.

_Mérital_. More and more marvellous. Yes, Renée, that was how it was.

But it hardly does justice to the affair. It is too short. I want to

tell you the story of my _whole_ life and then you will understand.

Watch my face carefully and observe how it works; notice the constant

movement of my hands; listen to the inflections of my voice. This is

going to be the longest speech ever made by an actor-manager, and you

mustn't miss a moment of it. H'r'm! Now then. (_Nobly_) I was born

fifty-three years ago. My father....

_Renée (half-an-hour later_). I still love you.

_Mérital (with some truth_). What a love yours is!

_Enter_ Daniel, Julien _and_ Georgette Mérital.

_Daniel_. Father, we have a confession to make. For some time we

doubted your innocence. Your face--well, you'd have doubted it

yourself if you'd seen it.

_Mérital (taking his hand affectionately_). Ah! Daniel, I see I must

tell you the story of my life. (_Excitement among the audience_.) And

you too, Julien. (_Panic_.) Yes, and--little Georgette!

SAFETY CURTAIN.

A. A. M.

* * * * *

[Illustration: THE EARTHLY PARADISE.

_Coster_. "SEE THAT, LIZ? THERE'S A COUNTRY FOR YOU!"]

* * * * *

[Illustration: PEACEFUL PERSUASION.

(JONES IS NOT NATURALLY A GENEROUS MAN.)]

* * * * *

THE ROMANCE OF A BATTLESHIP.

_(From the Navy League Annual of 1916.)_

I have just returned (writes a Naval correspondent) from an

interesting visit to the condemned battleship, _H.M.S. Indefensible_,

which is now anchored off Brightlingsea, in the charge of retired

petty-officer Herbert Tompkins and his wife.

The history of _H.M.S. Indefensible_, as gathered from the lips of her

present curator, is so romantic as to be worthy of permanent record.

In reply to my first question, "Whom did she belong to first of

all?" Mr. Tompkins said, "Well, she was ordered first of all by the

Argentine Republic, but, owing to a change of Government, they sold

her to the Italians. I remember the launch at Barrow quite well," he

said. "It was a mighty fine show, with the Italian Ambassador and his

wife--the _Magnifico Pomposo_, they called her, I think it was--and

there was speechifying and hurraying and enough champagne drunk to

float her. That was just three years ago: a super-Dreadnought, they

called her."

"Then how did the British Government get her?"

"Lor bless you, Sir, that didn't come for a long time yet. Ye see,

Italy shortly afterwards made an alliance with Denmark, and, wishing

to do the Danes a good turn, she arranged to sell them the _Magnifico

Pomposo_ at cost price--about three millions I think it was. But

immediately afterwards the Russo-Chinese war broke out, and the

Chinese offered the Danes four millions for the _Dannebrog_, as they

had called her, so by the time the engines were put into her she had

been rechristened the _Hoang-Ho_. But the war never came off: you

remember that Mr. ROOSEVELT settled it by fighting a single combat

with the Russian champion after he had been appointed President of

China; so the Chinese leased the _Hoang-Ho_ to the King of SIAM for

four years at a million a year."

"Did she get out to Siam, then?"

"Oh no, Sir, no fear. The crew ran her on the Goodwin Sands on her

trial trip, and there she stuck for a year. Before they got her

off the Siamese had been released from their bargain by the Hague

Tribunal, Mr. ROOSEVELT had resigned the Presidency of China for that

of Mexico, and the new President sold the _Chulalongkorn_ back to

Great Britain. Of course by that time she was quite obsolete, so they

called her the _Indefensible_, and put a nucleus crew on board for

a few months. Then when Mr. LLOYD GEORGE became Prime Minister, they

offered her to Canada as a gift; but the Canadians didn't like her

name. And when Mr. WINSTON CHURCHILL came back last month he decided

that she was to be made a target; but last week I heard she was to be

sold for scrap-iron."

"Then whom does she belong to now?"

"Well, Sir, some says she belongs to Canada, and others say she's

British, and others say she belongs to Mr. CHURCHILL, but in a manner

of speaking I think she rightly belongs to Mrs. Tompkins and me."

* * * * *

"On making enquiries at the Hospital this afternoon, we learn

that the deceased is as well as can be expected."--_Jersey

Evening Post_.

It would, of course, be foolish to expect much.

* * * * *

A NEW BOOK OF BEAUTY.

A hundred years ago they had line, engravings by CHARLES HEATH, and

the long-necked, ringleted ladies looked wistfully or simperingly at

you. I have several examples: _Caskets, Albums, Keepsakes_.

This book is different. The steel engravers have long since all died

of starvation; and here are photographs only, but there are many

more of them, and (strange innovation!) there are more gentlemen than

ladies. For this preponderance there is a good commercial reason, as

any student of the work will quickly discover, for we are now entering

a sphere of life where the beauty of the sterner sex (if so severe a

word can be applied to such sublimation of everything that is soft and

voluptuous and endearing) is more considered than that of the other.

Beautiful ladies are here in some profusion, but the first place is

for beautiful and guinea-earning gentlemen.

In the old Books of Beauty one could make a choice. There was always

one lady supremely longer-necked, more wistful or more simpering than

the others. But in this new Book of Beauty one turns the pages only to

be more perplexed. The embarrassment of riches is too embarrassing. I

have been through the work a score of times and am still wondering on

whom my affections and admiration are most firmly fixed.

This new Book of Beauty has a very different title from the old ones.

It is called _The Pekingese_, and is the revised edition for 1914.

How to play the part of _Paris_ where all the competitors have some

irresistibility, as all have of either sex! Once I thought that Wee Mo

of Westwood was my heart's chiefest delight, "a flame-red little dog

with black mask and ear-fringes, profuse coat and featherings, flat

wide skull, short flat face, short bowed legs and well-shaped

body." But then I turned back to Broadoak Beetle and on to Broadoak

Cirawanzi, and Young Beetle, and Nanking Fo, and Ta Fo of Greystones,

and Petshé Ah Wei, and Hay Ch'ah of Toddington, and that superb

Sultanic creature, King Rudolph of Ruritania, and Champion Howbury

Ming, and Su Eh of Newnham, and King Beetle of Minden, and Champion Hu

Hi, and Mo Sho, and that rich red dog, Buddha of Burford. And having

chosen these I might just as well scratch out their names and write in

others, for every male face in this book is a poem.

The ladies, as I have said, are in the minority, for obvious reasons,

for these little disdainful distinguished gentlemen figure here as

potential fathers, with their fees somewhat indelicately named; for

there's a husbandry on earth as well as in heaven.

Such ladies as are here are here for their beauty alone and are beyond

or below price. Their favours are not to be bought. Among them I note

with especial joy Yiptse of Chinatown, Mandarin Marvel, who "inherits

the beautiful front of her sire, Broadoak Beetle"; Lavender of

Burton-on-Dee, "fawn with black mask"; Chi-Fa of Alderbourne, "a most

charming and devoted little companion"; Yeng Loo of Ipsley; Detlong

Mo-li of Alderburne, one of the "beautiful red daughters of Wong-ti of

Alderburne," Champion Chaou Ching-ur, of whom her owner says that

"in quaintness and individuality and in loving disposition she is

unequalled" and is also "quite a 'woman of the world,' very _blasée_

and also very punctilious in trifles;" Pearl of Cotehele, "bright red

with beautiful back"; E-Wo Tu T'su; Berylune Tzu Hsi Chu; Ko-ki of

Radbourne and Siddington Fi-fi.

Every now and then there is an article in the papers asking and

answering the question, What is the greatest benefit that has come to

mankind in the past half century? The answer is usually the Marconi

system, or the cinema, or the pianola, or the turbine, or the Röntgen

rays, or the telephone or the motor car. Always something utilitarian

or scientific. But why should we not say that it was the introduction

of Pekingese into England from China? According to an historical

sketch at the beginning of this book, the first Pekingese were brought

over in 1860, after the occupation of Pekin by the Allies. The first

black ones came here in 1896, and now in 1914 there are thousands of

these wholly alluring and adorable and masterful little big-hearted

creatures in England, turning staid men and women into ecstatic

worshippers and making children lyrical with cries of appreciation.

The book before me is the finest monument yet raised to this

conquering breed.

* * * * *

[Illustration: NEW SEASON'S NOVELTIES.

1. THE CAT'S-MEAT HAT-PIN PROTECTOR.

2. THE MUD-SPLASH VEIL.

3. THE THROAT CORSET.]

* * * * *

MISUNDERSTOOD.

_(A Story of the Stone Age.)_

Of all the young bachelors in his tribe not one was more highly

esteemed than Ug, the son of Zug. He was one of the nicest young

prehistoric men that ever sprang seven feet into the air to avoid the

impulsive bite of a sabre-tooth tiger, or cheered the hearts of grave

elders searching for inter-tribal talent by his lightning sprints in

front of excitable mammoths. Everybody liked Ug, and it was a matter

of surprise to his friends that he had never married.

One bright day, however, they were interested to observe that he

had begun to exhibit all the symptoms. He brooded apart. Twice in

succession he refused a second help of pterodactyl at the tribal

luncheon table. And there were those who claimed to have come upon him

laboriously writing poetry on the walls of distant caves.

It should be understood that in those days only the most powerful

motive, such as a whole-hearted love, could drive a man to writing

poetry; for it was not the ridiculously simple task which it is

to-day. The alphabet had not yet been invented, and the only method by

which a young man could express himself was by carving or writing on

stone a series of pictures, each of which conveyed the sense of some

word or phrase. Thus, where the modern bard takes but a few seconds to

write, "You made me love you. I didn't want to do it, I didn't want

to do it," Ug, the son of Zug, had to sit up night after night till

he had carved three trees, a plesiosaurus, four kinds of fish, a

star-shaped rock, eleven different varieties of flowering shrub, and

a more or less lifelike representation of a mammoth surprised while

bathing. It is little wonder that the youth of the period, ever

impetuous, looked askance at this method of revealing their passion,

and preferred to give proof of their sincerity and fervour by waiting

for the lady of their affections behind a rock and stunning her with a

club.

But the refined and sensitive nature of Ug, the son of Zug, shrank

from this brusque form of wooing. He was shy with women. To him there

was something a little coarse, almost ungentlemanly, in the orthodox

form of proposal; and he had made up his mind that, if ever he should

happen to fall in love, he would propose by ideograph.

It was shortly after he had come to this decision that, at a

boy-and-girl dance given by a popular local hostess, he met the

divinest creature he had ever seen. Her name was Wug, the daughter of

Glug; and from the moment of their introduction he realised that she

was the one girl in the world for him. It only remained to compose the

ideograph.

Having steadied himself as far as possible by carving a few poems, as

described above, he addressed himself to the really important task of

the proposal.

It was extraordinarily difficult, for Ug had not had a very good

education. All he knew he had picked up in the give and take of tribal

life. For this reason he felt it would be better to keep the thing

short. But it was hard to condense all he felt into a brief note.

For a long time he thought in vain, then one night, as he tossed

sleeplessly on his bed of rocks, he came to a decision. He would

just ideograph, "Dear Wug, I love you. Yours faithfully, Ug. P.S.

R.S.V.P.," and leave it at that. So in the morning he got to work, and

by the end of the week the ideograph was completed. It consisted of

a rising sun, two cave-bears, a walrus, seventeen shin-bones of

the lesser rib-nosed baboon, a brontosaurus, three sand-eels, and

a pterodactyl devouring a mangold-wurzel. It was an uncommonly neat

piece of work, he considered, for one who had never attended an

art-school. He was pleased with it. It would, he flattered himself, be

a queer sort of girl who could stand out against that. For the first

time for weeks he slept soundly and peacefully.

Next day his valet brought him with his morning beverage a piece of

flat rock. On it was carved a simple human thigh-bone. He uttered

a loud cry. She had rejected him. The parcel-post, an hour later,

brought him his own ideograph, returned without a word.

Ug's greatest friend in the tribe was Jug, son of Mug, a youth of

extraordinary tact and intelligence. To him Ug took his trouble.

Jug heard his story, and asked to see exactly what he had ideographed.

"You must have expressed yourself badly," he said.

"On the contrary," replied Ug, with some pique, "my proposal was

brief, but it was a model of what that sort of proposal should be.

Here it is. Read it for yourself."

Jug read it. Then he looked at his friend, concerned.

"But, my dear old man, what on earth did you mean by saying she has

red hair and that you hate the sight of her?"

"What do you mean?"

"Why, this ichthyosaurus."

"That's not an ichthyosaurus. It's a brontosaurus."

"It's not a bit like a brontosaurns. And it _is_ rather like an

ichthyosaurus. Where you went wrong was in not taking a few simple

lessons in this sort of thing first."

"If you ask me," said Ug disgustedly, "this picture-writing is silly

rot. To-morrow I start an Alphabet."

* * * * *

But on the morrow he was otherwise employed. He was standing,

concealed behind a rock, at the mouth of the cave of Wug, daughter

of Glug. There was a dreamy look in his eyes, and his fingers

were clasped like steel bands round the handle of one of the most

business-like clubs the Stone Age had ever seen. Orthodoxy had found

another disciple.

* * * * *

[Illustration: SCENE--_An Army Boxing Competition_.

_Civilian_. "RATHER A FEARFUL MAN, THAT?"

_Soldier_. "WELL, 'E AIN'T REALLY VERY FEARFUL. YOU SEE THE BIG

FELLOW'S 'IS SERGEANT AN' THIS IS THE ONLY CHANCE 'E 'AS OF GETTING A

BIT OF 'IS OWN BACK."]

* * * * *

CHARIVARIA.

Sir ERNEST SHACKLETON is to undertake a new expedition to the South

Pole, and across the whole South Polar Continent. It is said that an

offer from Dr. COOK, who happens to be over here, to show Sir ERNEST

how he might save himself much wearisome travelling in achieving his

object, has been rejected.

***

Judge PARRY declares, in the current number of _The Cornhill_, that

lost golf balls belong to the KING; and the ballroom at Buckingham

Palace is, we understand, to be enlarged at once.

***

Mr. BERNARD SHAW is the latest addition to Madame TUSSAUD'S gallery

of wax-works. But Mr. CHESTERTON must not be jealous. He too, we

understand, will be placed there if room can be found for him.

***

From some correspondence in _The Express_ we learn that members of

more than one savage tribe have a habit of standing on one leg. We see

no objection to this at all, but we were bound to protest the other

day, in a crowded train, when we came across a stout gentleman

standing on one foot. The foot, we should mention, was ours.

***

Of the late Mr. JOHN WILLIAM WHITE, who was only twenty-one inches in

height, we are told that he was an ardent politician. Could he have

been a Little Englander?

***

Straws show which way the wind blows, and the fact that the first

prize in the Christmas Lottery at Madrid has been won in Madrid, and

the second in London, is held by wiseacres to prove that there is a

secret understanding between our country and Spain.

***

The fact that France's Colonial Empire, which is already extensive,

has been increased by the birth, during a volcanic eruption, of a

new island in the New Hebrides, has caused some little irritation in

Germany.

***

The Lost Property department of Scotland Yard will, it is said, this

year easily beat all previous records in the number of articles lost.

But we English have always had the reputation of being good losers.

***

It is announced that Miss PHYLLIS DESMOND, of the Gaiety Theatre, and

Mr. C.R. FINCH NOYES, of the Royal Naval Flying Corps, were married

secretly last June. As proving how difficult it is to keep a secret we

believe that the fact has been known for some time past both to Miss

DESMOND and Mr. NOYES.

***

Special cinema productions depicting scenes of a sacred nature were

provided by enterprising managers for the clergy during the holiday

season. When one remembers that there is also _Who's the Lady?_

running under distinguished episcopal patronage, the modern curate

cannot complain that he is not well catered for.

***

We congratulate _The Daily Mail_ on finding a peculiarly appropriate

topic for discussion at Christmas time. It was "Too Much Cramming."

***

Thieves broke into the vestry during the service and stole the gold

watch and chain which the minister preaching the Christmas sermon at

Marylebone Presbyterian church had left there. The minister must be

sorry now that he did not trust his congregation.

***

Mr. GEORGE BAKER, of Brentwood, received a presentation the other day

on completing his fiftieth year as a carol singer. He mentioned that

once, at the beginning of his career, his carol party was broken up by

an angry London householder, who fired a pistol-shot from his bedroom

window. The modern Londoner, we fear, is decadent, and lacks the

necessary spirit.

***

Dr. MARY WILLIAMS, medical inspector of schools under the

Worcestershire County Council, has discovered, as a result of

investigations, that there is a higher proportion of nervous,

excitable children among the red-haired ones than among the others.

We have ourselves known more than one such lad lose all self-control

merely upon being addressed as "Carrots."

***

Is a motor-car, it is being asked, feminine--like a ship? A

correspondent in _The Times_ refers to her as a lady. Presumably

because she wears a bonnet.

***

A correspondent writes to _The Pall Mall Gazette_ asking whether there

is anything in the idea that a large number of used penny postage

stamps will enable a person to be received into a charitable

institution. We have always understood that the collector of one

million of these stamps is admitted into a lunatic asylum without

having to pass the entrance examination.

***

A lion from the bush, attracted by the roaring of its caged relatives

in a circus at Wankies, South Africa, suddenly made its way into the

menagerie. The beast was ultimately driven away by attendants armed

with red-hot pokers, but five persons were seriously injured in the

panic. The ticket-collector who let the animal in without payment has

been reprimanded.

***

Speaking of MEDWIN'S _Revised Life of Shelley_ a critic says, in a

contemporary: "He puts the well-known boats of Archimedes into blank

verse." These boats were, we presume, fitted with ARCHIMEDES' famous

screw?

***

The Hindujah barrage on the Euphrates has now been completed by an

English firm, and will provide water for the Garden of Eden. The

structure, we presume, is a blend of the ADAM style with NOAH'S

architecture.

***

"TRAINING SHIP OFF THE EMBANKMENT" is a heading which attracts our

attention. This seems a much better idea than having the vessel _on_

the Embankment, where it would be in everyone's way.

* * * * *

THE LAST STRAW.

["The way in which individual taste is allowed to assert

itself lends a curious charm to the present modes."--_Fashion

Note_.]

This is the finish, Josephine.

Through every swift sartorial change

Constant and true my love has been,

Nor showed the least desire to range.

The hobble only brought to me

These thoughts with consolation laden:--

"Lo, this is Fashion's fell decree;

One must not blame the maiden.

"It is not hers this hideous choice;

She blindly follows Fashion's lead,

And deference to a ruling voice

Proclaims her just the wife I need.

Nought questioning, she answers to

That voice, as soldiers to a trumpet;"

And thus I choked the thought that you

Were barmy on the crumpet.

But now unhappy doubts intrude

To bid my satisfaction shrink;

For Fashion in a gracious mood

Allows her devotees to think.

Since for your present garb, it seems,

The mode is not to blame _in toto_,

This is the end of love's young dreams

(Dear, you may keep my photo).

* * * * *

"Of course, there is a dress parade, with some wonderful

dresses, but if it had been only a parade it would not have

been less interesting."--_Daily News._

It would have been more interesting--but we hardly expected _The Daily

News_ to say so.

* * * * *

[Illustration: THE HOLIDAY ENTERTAINERS.

_Extract from Mr. Herbert Stodge's letter to his sister._ "WE WERE

GLAD TO HAVE OUR NEPHEW AND NIECE WITH US, BUT, FRANKLY, THEY ARE TOO

SOLEMN.

"WE TOOK THEM TO THE PANTOMIME;

THEY CAME OUT GOLFING WITH US;

AND WE ALLOWED THEM TO SIT UP LATE,

BUT THE ONLY TIME THEY SMILED WAS WHEN THEY SAID GOOD-BYE."]

* * * * *

[Illustration: AT OUR LOCAL FANCY CARNIVAL.

_Individual in Tights_. "I SAY, THIS PLACE IS BEASTLY WARM--I THINK

I'LL CUT OFF HOME."

_The One with the Scythe_. "I THINK I WILL ALSO. I WONDER WHAT THE

TIME IS?"]

* * * * *

THE SUBSCRIPTION.

Charles, when our protest was lodged, merely replied that our favour

of the 10th inst. was to hand, and that he really could not see his

way to moving further in the matter. Let me explain the present extent

of Charles's movement.

Miss Donelan, who ought to have known better, had allowed herself to

be saddled with a thing called a Branch subscription list on behalf of

the St. Nicholas New Year Offering.

Having exploited the probables and possibles she finally handed the

document on to me with instructions to tout it round among my friends.

(This is the sort of thing you get nowadays for placing your life at a

young woman's disposal.)

Unfortunately I have no friends just now, except what I want to keep.

While I was thus at a loss, Charles came to stay for a few days three

doors off. He lives a long way away and would have time to forget

before I saw him again. So on the day before his departure I bearded

him like a man.

"Charles," I began, "you are fabulously rich. Your income comes in at

such a pace that you hardly ever know within five shillings how much

you have at the bank."

Charles blinked through the smoke of a violet-tipped cigarette.

"What about it?" he asked.

"This," I said; "I am, very reluctantly, offering you the chance of

doing good. All you have to do is to sign your name here for anything

up to a hundred pounds, and the good does itself. It is the Saint

Nicholas New Year Offering."

"What does it do?" asked Charles uncomfortably.

"Do?" I answered. "Why, I don't think it does exactly _do_. You see

it's a New Year Offering."

"I see," said Charles. "It doesn't do; it offers. Just like a Member

of Parliament."

"I wish," I said, "instead of being funny at other people's expense

you would be serious at your own, and tell me exactly how much I can

put you down for?"

"There you go again," said Charles. "You want me to think of some

definite amount on the spot. You know I hate thinking, and I hate

definite amounts. And I loathe doing anything on the spot."

I looked at the subscription list. The last entry was:--

Major-General R. Hewland, £5 5s. 0d.

"You needn't do any thinking," I explained patiently. "You need only

stick down exactly the same as the last man. And if you'll promise to

do it I'll leave the list with you, and you can fill it in when you

feel sufficiently off the spot."

"Exactly the same?" asked Charles.

"Exactly," I said, with rising hopes.

"All right," said Charles. "I'll let you have it some time."

Four days later, at Miss Donelan's urgent request, I wrote to Charles

for it. It came in less than forty-eight hours.

Extract from conclusion of subscription list returned by Charles:--

Major-General R. Hewland, £5 5s. 0d.

" " " " " " "

* * * * *

DINNER-TABLE TOPICS.

"MR. LLOYD GEORGE

GOING TO A WARMER CLIMATE."

_Midland Evening News_.

* * * * *

ANOTHER ACCIDENT TO AN INFINITIVE.

"It is good news to at last hear that progress is being made

again towards healing the 'split.'"--_Nottingham Football

Post_.

So far not much progress is visible.

* * * * *

"Lord and Lady Arthur Hill arrived at Maples yesterday from

London."--_Observer_.

And Mrs. and Miss Tomkins (in pursuit of bargains) continue to arrive

daily at Peter Snelbody's from Cricklewood.

* * * * *

[Illustration: THE SPLENDID PAUPERS.

FIRST TURKISH OFFICIAL (_presented with a photograph of the new

Turkish Navy in lieu of six months' deferred pay_). "SO, WE'VE GOT A

_DREADNOUGHT_, HAVE WE?"

SECOND TURKISH OFFICIAL. "I DON'T KNOW WHO GETS THE DREAD, BUT I KNOW

WE'VE GOT THE NOUGHT."]

* * * * *

THE SPELL

_whereby the Good People may be brought back to a house which

they have deserted_.

Fairies!--whatsoever sprite

Near about us dwells--

You who roam the hills at night,

You who haunt the dells--

Where you harbour, hear us!

By the Lady Hecate's might,

Hearken and come near us!

Though we greatly fear, alack!

Cloddish unbelief

Angered you and made you pack

To our present grief,

Hearts you shall not harden:

Bathe your hurts and come you back

Here to house and garden!

By the oak and ash and thorn,

By the rowan tree,

This was done ere we were born:

Kith nor kin are we

Of the folk whose blindness

Shut you out with scathe and scorn,

Banished with unkindness.

See, we call you, hands entwined,

Standing at our door,

With the glowing hearth behind

And the wood before.

Thence, where you are lurking,

Back we bring you, bring and bind

With our magic's working.

Lo, our best we give for cess,

Having naught above

Handsel of our happiness,

Seizin of our love.

Take it then, O fairies!

Homely gods that guard and bless,

Little kindly _Lares_.

* * * * *

[Illustration: _(5.35 A.M. workman's train.)_

_Bill_. "'ULLO, 'ERB; GOT A JOB, THEN?"

_'Erb._ "I AIN'T GOIN' UP TO LON'ON FOR A TANGO LESSON, I GIVE YOU

_MY_ WORD."]

* * * * *

WHAT OUR READERS THINK OF US.

_The Daily Express_ having invited its readers to intimate their

opinion of that journal, _Mr. Punch_ decided also to give the

grumblers a chance of saying what they think of his production, and

he now publishes a typical selection of the letters which have reached

him:--

Sir,--I gave up your journal many years ago on account of its

partisanship, and never read it now. Only last week I came

across a paragraph in my copy which made me throw the paper

into the waste-paper basket.

Yours faithfully,

VERITAS.

Sir,--Why is it you always favour the Tories?

Yours faithfully,

WELSH MEMBER.

Sir,--If you continue to publish cartoons with a pronounced

Radical bias I am afraid you will lose at least one.

OLD SUBSCRIBER.

Sir,--I object to the advertisements. I think it would be a

good move if you were to drop these, increase the number of

pages, and reduce the price to a halfpenny. In taking this

course you would have the support of several influential

members of my parish, in addition to myself.

Yours faithfully,

A COUNTRY PARSON.

Sir,--What your paper needs is light relief. Could you not

give us a little humour now and then?

Yours faithfully,

A POPULAR WRITER.

P.S.--The last MS. you returned to me was very much crumpled.

Please be more careful in the future.

Sir,--I think it a pity you publish jokes. In this age, when

all things--even our dear Bishops--are considered fit subjects

for jest, we could do with one serious-minded paper. Trusting

you will think this over,

Yours faithfully,

HITCHY KIKUYU.

Sir,---You should see our American comic papers.

Yours faithfully,

WASHINGTON G. BUSTER.

Sir,--I find the blank pages at the back of the cartoons very

useful for making notes on. Could you not extend this feature?

Yours faithfully,

PROFESSOR.

Sir,--I think you would do well to cater more for women--who,

after all, are a rising sex. A page each week devoted to

modern fashions would not be at all out of place in your

paper.

Yours faithfully,

EVE.

Sir,--In my opinion your paper is the cleverest in the

country--nay in the world. Nowhere else is such exquisite

literary discrimination shown. I enclose a small contribution

for your consideration, and am,

Yours faithfully,

CONSTANT READER.

* * * * *

[Illustration: "TWELFTH NIGHT" (JAN. 6).

_Mr. Lloyd George (as_ Malvolio). "Fool, there was never man so

notoriously abused."--_Act IV., Scene 2._]

* * * * *

THE PAPER-CHASE.

I arrived at home at three o'clock on a frosty afternoon. "Now,"

thought I, "I shall have a quiet time before tea and shall be able to

write a few letters and start my article." It was a dream of usefully

employed leisure, but it didn't last long.

I found the whole family, with the addition of a little boyfriend,

gathered together in a very purposeful and alarming way in the library

There was about them an undefinable air of the chase, for they were

all well-booted and belted, and Peggy had a large clasp-knife dangling

at her waist. "It is for the hare," she said, "when we catch him."

"The hare?" I said. "What hare?"

"You," said the lady of the house cheerfully, "are to be the hare. You

are to run till you are cooked, and then you will be caught."

"What madness is this?" I said.

"It's not madness a bit," said Helen indignantly. "It's a

paper-chase."

"And I," said Rosie, "have torn up all _The Timeses_."

"And I," said John, who is not always sure of his tenses, though he is

very voluble, "have tored up _The Daily Newses_."

"That's capital," I said with enthusiasm. "A paper-chase is the best

fun in the world. I'll see you start and give you a cheer."

"You can't do that," said Helen firmly, "because we've settled that

you're to carry the bag and be the hare."

"Come, come," I said, "this is an unworthy proposal. Would you chase

your more than middle-aged father over the open country? Never. How

could he look the village in the face if he were to be seen scattering

little bits of paper from a linen bag? He would fall in their

estimation and would drag you all with him in his fall. John," I said,

"you would not have your father fall, would you?"

"It would make me laugh," said John, and the rest seemed to think that

this callous remark settled the matter.

"Anyhow," I said, "I must have plenty of law."

"We won't have any law," said Helen, who is an intelligent child;

"it's all quarrellings."

"Law," I said, "is the embodiment of human wisdom. In this case it

means that I'm going to have ten minutes' start. Everyone of you

must pledge his or her honour not to move until I've been gone ten

minutes."

They made no difficulty about this, and, the lady of the house having

appointed herself time-keeper and having promised to have a large

tea ready for us when we returned, I was sent on my way with a bag of

paper and many shrill shouts of encouragement.

Now I ask my colleagues in the parental business to consider my case.

I daresay they fancy themselves as runners on the strength of their

remembered boyish feats and of certain more recent runs when they have

lingered too long over breakfast and have had to catch a train. I warn

them not to build a paper-chase on so slender a foundation. A jog-trot

seems the easiest thing in the world, but after two hundred yards the

temptation to lapse into a walk becomes irresistible. I will dwell no

further on my own experiences, but transfer myself in imagination to

the hounds who were chasing me. Afterwards I heard so much of their

exploits that I almost came to feel I had shared in their daring and

been a party to their final success.

From the garden door the line led across the road and on to a track

skirting the railway. This piece was taken at a brisk pace, the scent

being breast-high. A sheet might have covered the whole pack. Then

came a hairpin turn over the level crossing, a swing to the right and

a steady trudge up the hill. Half-way up there were gates to the right

and the left, and here the blown but wary hare had laid his first

false trail. This unsuspected device roused the utmost indignation,

and doubts were freely expressed as to its being legitimate. John was

sent to the right to investigate; Peggy went off to the left, which

proved to be the true trail, and in a very short time the dauntless

five were once more in full cry. Rosie, who is a reader of books,

afterwards said that no sleuth-hounds could have done the thing

better. So by paths and ploughed fields and over gates and stiles the

dreadful chase continued until there came another check. "These," said

Helen, pointing to some pieces of paper, "are not newspaper. They

are bits of letters." It was too true. _The Timeses_ and _The Daily

Newses_ had given out, and the hare, omitting nothing that might lead

to his destruction, had torn up all his available correspondence. It

threw the pack out for a few minutes, but they rallied. In another

hundred-and-fifty yards they ran into their hare, who, paperless

and letterless, had taken refuge behind a tree and was ignominiously

hauled out.

So ended our great Christmas paper-chase, an event which must remain

justly celebrated both for the ardour with which it was undertaken and

for the endurance with which it was pursued. What a chatter there was

as we returned, what a narration of glorious incidents of pace, of

skill and of cunning defeated by greater cunning. Falls there had been

and shin-scrapes and the tearing of skirts and stockings, and legends

were made up and told again and again. And at home the lady of the

house had to hear it all once more, and the tea she gave us was voted

the best in the world.

* * * * *

Copy of letter to Clerk of the Peace in reply to Jury Summons:--

DEAR SIR, Your to hand re Sumons to Quarter Sessions on

Jany 9/14

I beg to be excused from this as I have ann absess forming

under a bad tooth and at the present time my face is very much

swollen.

further that the 9th being a red letter day in my life being

the day on which my dear wife passed away

and I have understood that all those over 60 year of age was

exempt from these things. So I shall be extreemly obligid if

you could free me this time answer by bearer will oblig

your respectfully

* * * * *

[Illustration: AFTER A BAD DAY'S GOLF.

"HERE WE ARE AGAIN."]

* * * * *

CONTINENTAL INTELLIGENCE.

An extraordinary domestic tragedy is reported from a remote

province of Poland. A beautiful young woman, named Vera Alexandrina

Polianowski, who had been married only about two years, was expecting

the return home of her husband, a sailor. During his absence of five

months a mournful calamity had befallen her in an affection of the

larynx, which threatened to deprive her temporarily of the power to

articulate. Realising her impending affliction, she had taught a grey

parrot, which her husband had left with her, to exclaim repeatedly

from just inside the door of her cottage, in joyous accents that bore

no inconsiderable resemblance to her own once melodious voice, these

touching words, "Enter, dearest Vladimir, and console me for my

misfortune!"

It chanced, however, that before marrying Vladimir Polianowski, the

sailor, Vera Alexandrina had had a lover in poor circumstances named

Vladimir Crackovitch, whom, with the thoughtlessness of a beautiful

young girl, she had encouraged to get rich as quickly as he could

in America and then return to claim her as his bride. Vladimir

Crackovitch had taken her at her word. With the silent determination

of a great soul, he had amassed about a hundred thousand dollars in

America in less than four years, and only two or three minutes before

Vera Alexandrina's husband was due to arrive he himself stood at the

cottage door with folded arms, asking himself if he should or should

not enter and reproach Vera Alexandrina for her inconstancy.

His hesitation was suddenly overcome by the parrot. "Enter, dearest

Vladimir, and console me for my misfortune!" it cried eagerly from

within, and, not for an instant doubting that it was an invitation

from the woman whom he still loved fondly in spite of her perfidy, and

being unaware of her laryngeal affliction, he bounded into the

house and hurried from room to room until he found Vera Alexandrina

Polianowski.

But Vladimir, the sailor, had already in the meantime, from the top of

an adjacent lane, beheld Vladimir Crackovitch at the door of his home,

and, being a man of the most blindly passionate and jealous impulses,

his next procedure may be imagined.

Several hours later a neighbour called at the cottage and discovered

the three corpses in one sad heap: Vera Alexandrina Polianowski, shot

through the breast; at her side, Vladimir Crackovitch, with a bullet

in each eye; and, still clutching his revolver, Vladimir, the sailor,

seated upon his grim cushion of the dead, his back supported against

the wall under the domestic lamplit icon, with a smile of hellish

satisfaction frozen upon his lips and the remaining three bullets

buried in his heart.

The above is not necessarily a true story. It is a specimen of the

small-print news with which the rather young Assistant Sub-Editor

of _The Dullandshire Chronicle_ (established 1763) is permitted,

occasionally, to divert those of _The Chronicle's_ subscribers who

take an intelligent interest in continental affairs.

* * * * *

"You know the 'Tziganes,' don't you?--those marvellous

gentlemen in red coats with sleek dark singlets, exotic

complexions, and bold, rolling black eyes."--_Sunday

Chronicle_.

Strictly speaking, singlets, of whatever colour, should be worn

_under_ the coat.

* * * * *

THE HUNTSMAN'S STORY.

I heard the huntsman calling as he drew Threeacre Spinney;

He found a fox and hunted him and handled him ere night,

And his voice upon the hill-side was as golden as a guinea,

And I ventured he'd done nicely--most respectful and polite--

Jig-jogging back to kennels, and the stars were shining bright.

Old Jezebel and Jealous they were trotting at his stirrup;

The road was clear, the moon was up, 'twas but a mile or so;

He got the pack behind him with a chirp and with a chirrup,

And said he, "I had the secret from my gran'dad long ago,

And all the old man left me, Sir, if you should want to know.

"And he was most a gipsy, Sir, and spoke the gipsy lingos,

But he knew of hounds and horses all as NIMROD might have know'd:

When we'd ask him how he did it, he would say, 'You little Gringos,

I learnt it from a lady that I met upon the road;

In the hills o' Connemara was this wondrous gift bestowed.'

"Connemara--County Galway--he was there in 1830;

He was taking hounds to kennel, all alone, he used to say,

And the hills of Connemara, when the night is falling dirty,

Is an ill place to be left in when the dusk is turning grey,

An ill place to be lost in most at any time o' day.

"Adown the dismal mountains that night it blew tremendous,

A-sobbing like a giant and a-snorting like a whale,

When he saw beside the sheep-track ('Holy Saints,' says he, 'defend us!')

A mighty dainty lady, dressed in green, and sweet and pale,

And she rode an all-cream pony with an Arab head and tail.

"Says she to him, 'Young gentleman, to you I'd be beholden

If you'd ride along to Fairyland this night beside o' me;

There's a fox that eats our chickens--them that lays the eggs that's golden--

And our little fairy mouse-dogs, ah, 'tis small account they'll be,

Sure it wants an advertising pack to gobble such as he!'

"So gran'dad says, 'Your servant, Miss,' and got his hounds together,

And the mountain-side flew open and they rode into the hill;

'Your country's one to cross,' says he, and rights a stirrup-leather,

And he found in half-a-jiffey, and he finished with a kill;

And the little fairy lady, she was with 'em with a will.

"Then 'O,' says she, 'young man,' says she, ''tis lonesome here in Faerie,

So won't you stay and hunt with us and never more to roam,

And take a bride'--she looks at him--'whose youth can never vary,

With hair as black as midnight and a breast as white as foam?'

And 'Thank you, Miss,' says gran'dad, 'but I've got a wife at home!'

"Then, 'O, young man,' says she, 'young man, then you shall take a bounty,

A bounty of my magic that may grant you wishes three;

Come make yourself the grandest man from out o' Galway County

To Dublin's famous city all of my good gramarye?'

And, 'Thank you, Miss,' says gran'dad, 'but such ain't no use to me.'

"But he said, since she was pressing of her fairy spells and forces,

He'd take the threefold bounty, lest a gift he'd seem to scorn:

He'd ask, beyond all other men, the tricks o' hounds and horses,

And a voice to charm a woodland of a soft December morn,

And sons to follow after him, all to the business born.

"And--but here we are at home, Sir. Yes, the old man was a terror

For his fairies and his nonsense, yet the story's someways right;

He'd the trick o' hounds and horses to a marvel--and no error;

And to hear him draw a woodland was a pride and a delight;

And--_was it luck entirely, Sir, I killed my fox to-night?_"

* * * * *

THE LITTLE WONDER.

The crowd had gone, the lights had been extinguished, and the doors

of the music-hall were shut. The Little Wonder was tired after the

performance; his attempt to do the double somersault had strained him,

and his failure had brought a whipping. Although the outhouse in which

he was to lie was cold and damp and smelt horribly, he was glad when

his master thrust him into it, and he was content to lie down in the

straw and forget his misery in sleep.

He dreamt a beautiful dream. He dreamt that he was a master, and

that he was presenting to a crowded audience what he had billed as

"A Marvel of the Twentieth Century"--a performing man. The man was a

creature with a pink face, oily hair, and a black moustache; and the

Little Wonder, in his capacity as master, made the Marvel bark like

a dog, whereat the audience yelped its approval. Then the collar of

a member of the audience was handed on to the stage, while the Marvel

was blindfolded, and, after sniffing the collar, he succeeded in

tracking down its owner--like a dog again. And in whatever trick

the Marvel did, the Little Wonder was close behind him, looking so

friendly and threatening him with low growls at the same time. If the

Marvel happened to remember for a moment his miserable condition and

to look unhappy, his master would look still more kindly and threaten

even more sternly. Then came the moment when the orchestra stopped

suddenly, and the kettledrum rolled, and the eyes of the audience

were fixed upon the Marvel. For this remarkable performing man was

scratching in a tub of earth to find a bone--just like a real dog; and

that was his greatest trick. When he had successfully performed it,

his master (the Little Wonder) presented him with a twopenny cigar

clothed in a flashy cummerbund, to show how generously he rewarded

achievements. Then, as the curtain fell, he retired with many

bows--and in the wings gave the Marvel a hot time for shirking the

biscuit trick.

I question whether the Little Wonder in real life would have so

ill-treated any creature; but things are different in dreams; and, as

he slept, a smile seemed to come into the shaggy face of this little

Irish terrier.

* * * * *

"In a fierce game at Ilfracombe yesterday morning several

houses were partially unroofed, and an arcade blown

in."--_Scotsman_.

Where was the referee?

* * * * *

RECORD RISKS.

_(A Sequel to "Narrow Escapes.")_

The report that M. PADEREWSKI has been hunted by Nihilists out of

Denver has suggested to the Editor of _The Musical Mirror_ the happy

thought of circularising a number of prominent musicians with a

view to ascertaining the most dangerous experiences they have ever

undergone.

Sir FREDERICK BRIDGE writes to say that the worst quarter of a minute

he ever spent was while tarpon fishing off the coast of Florida, when

a gigantic tarpon, weighing some 400 lbs., leaped into the boat with

its mouth wide open. With great presence of mind the famous organist

thrust into the monster's gaping jaws a full score of STRAUSS'S

_Elektra_, which he was studying between the casts, and the tarpon at

once leaped out of the boat and was never seen or heard of again.

Madame MELBA'S most perilous experience was on a tour in the Far East,

when the liner in which she was travelling was caught by a tidal wave

and hurled with enormous velocity towards the rocky coast of Sumatra.

Noticing that a large whale was following the vessel, and remembering

the peculiar susceptibility of these giant mammals to musical sounds,

Madame MELBA sang the _scena_, "Ocean, thou mighty monster," with such

persuasive force that the whale allowed itself to be made fast with a

hawser and then towed the liner back safely into the open sea.

Mr. Bamborough (formerly M. Bamberger) recounted the episode, already

alluded to in these columns, when he was partially eaten by cannibals

in the Solomon Islands; but the details are too harrowing for

reproduction, even in a condensed form. It is interesting to learn,

however, that a punitive expedition was despatched by the British

Government to avenge the insult, as a result of which Mr. Bamborough

was awarded an indemnity of 1,000 bales of copra, 20 tons of

sandalwood, and £3,000 worth of tortoiseshell.

Sir FREDERICK COWEN, in reply to the circular, states that the closest

call he ever had was when adjudicating at a Welsh Eisteddfod. In

consequence of an unpopular award he was besieged in his hotel by

an infuriated crowd and only escaped by changing clothes with a

policeman.

Professor Quantock de Banville relates how, while obtaining local

colour for his new Choral Symphony, he was attacked by a gorilla in

Central Africa, but tamed the mighty simian by the power of his eye.

In conclusion we may note that the only disappointing answer was

received from Signor Crinuto, the famous pianist, who replied, "I have

never had a close shave, and never intend to have one."

* * * * *

[Illustration: THE WEEK-END AND THE EXHAUSTED MIDDLE.

TIME--_Wednesday, 4 P.M._

_Client (to office-boy)._ "CAN I SEE MR. BROWN?"

_Office-Boy._ "AWAY FOR THE WEEK-END, SIR."

_Client_. "WHICH?" _Office-Boy._ "NEXT, SIR."]

* * * * *

"A Christmas Tree Entertainment will be held in Pelican

Lake schoolhouse on Tuesday, Dec. 23. Everybody welcome, no

admission."--_Vermilion Standard_ (Alberta. No relation to

_The Sporting Times_).

You are at perfect liberty to hang about outside.

* * * * *

"No one can deny that it is essential London should have a

thoroughly equipped shin hospital."--_Advt. in "Sphere."_

No footballer, anyhow.

* * * * *

FROM A GENERAL KNOWLEDGE (SIC) EXAMINATION.

The Cat and Mouse Act is an Act by which a cat may not kill a mouse

unless when necessary.

The Apocalypse is an ailment one has apolcalyptic fits.

Sea-legs are when you don't have legs but a tail.

The All Red Route is the human throat or swallow.

Ten instruments for an orchestra are banjo, pianola, concertina,

mandoline, psalteries, shawms, bagpipes, bells to clash with, violins,

and bassinette.

To die in harness means to die married.

* * * * *

AT THE PLAY.

"THE POOR LITTLE RICH GIRL."

EMERSON says somewhere that there are great ways of borrowing; that,

if you can contrive to transmute base metal into fine, nobody will

worry as to where you got your base metal from. But, when it is the

other way about, I think you must not be surprised if people ask

you where you lifted your gold. And the answer, in the case of Miss

ELEANOR GATES, is that the nuggets were the property of LEWIS

CARROLL. She has taken the sprightly and fantastic humour of _Alice

in Wonderland,_ passed it through the alembic (if that is the word) of

her American imagination, and the result is something that hardly lets

you smile at all. It is not a typical product of native industry, but

even that does not make it much easier for us to grasp the secret of

its success over there. It would seem that nearly all Transatlantic

humour, indigenous or adoptive, is apt, like certain wines, to suffer

in the process of sea-transit.

Her "Poor Little Rich Girl" is poor because her parents are too

rich. Her father is too busy with finance and her mother with social

climbing to spare time for their daughter's company, so they leave

her to the care of governesses and menials. Her nurse, anxious for

an evening out at a picture-palace, gives the child an overdose of

sleeping-mixture, with the result that she nearly dies of it. In the

course of delirious dreams she finds herself in the "Tell-Tale Forest"

(which threatens to recall _The Palace of Truth_), and here all

the picturesque phrases which she has been in the childish habit of

misinterpreting in their literal sense--"a bee in the bonnet," to

"ride hobbies," "to play ducks and drakes," "to pay the piper," and so

forth--are realised in human or animal form. With these are mixed the

familiar figures of her waking life, all of them exposed in their true

characters so that you can distinguish the devotion of the doctor (who

now appears in pink because he likes riding hobbies) and the affection

of the teddy-bear (now expanded to human proportions) from the

serpentine nature of the governess and the double-faced dealings of

the nurse. Her father, who is a stranger to her, comes on dressed in

banknotes and chained to a safe; her mother, also a stranger, wears

a society bee which buzzes in the place where her bonnet would have

been; and five samples of the fashionable world, where, as you know,

everybody thinks the same thing at the same time, let off recitatives

from time to time in unison. And there was much talk about "Robin

Hood's Barn," a thing I was never told about at an age when I am sure

it would have given me sincere pleasure.

Here and there the symbolism was obvious to the point of crudity;

but you searched in vain for a consistent scheme. The father in his

banknotes lashed to a ponderous safe was an easy personification of

the slavery of wealth, and the pantomime ducks and drakes were simple

to understand as symbolizing the career of a spendthrift (though the

father was never that); but why, you asked, did the double-faced nurse

exhaust all her spare moments and our patience pirouetting about the

stage? Did she represent the levity of the dual life? Not at all;

her actions bore no moral significance: she was just giving a literal

illustration of a phrase--"to dance attendance."

I don't know how the children in the audience appreciated all

this, but I confess that some of it left me wondering whether

my intelligence was too raw or too ripe for the fancies of this

Wonder-Zoo-Land.

The First Act, which showed the child's life at home, had fallen

altogether flat; but the Third, in which she wakes in her pretty

bedroom, restored from the jaws of death to her repentant parents,

put us on better terms with ourselves, for we were not really hard to

please. The sweetness of it was perhaps a little cloying, but it was

all quite nice and sympathetic. Still, I am afraid I agreed more than

I was meant to with the speech of pretty little Miss STEPHANIE BELL,

when she told us before the curtain that they would cable to the

author in America to say how glad we were that it was all over.

Mr. ERNEST HENDRIE, who was translated from an organ-grinder to a

maker of faces, played very soundly, but seemed to me a little too

deliberate and conscious in his speech. I found a more moving appeal

in the slight pathetic sketch of an old faithful butler by Mr. GEORGE

MALLETT. Mr. FEWLASS LLEWELLYN might easily, with a little assistance

from the author, have extracted a lot more fun from his Plumber. Mr.

MALCOLM CHERRY had a simple and popular part as the good Doctor.

Miss HELEN HAYE'S cleverness was wasted on the character of a sinuous

governess. Miss EVELYN WEEDEN did all that was asked of the mother in

both worlds--the world of fancy and the world of fact. But, to speak

truth, there was little attraction in the performance apart from the

personality of Miss STEPHANIE BELL in the title _rôle_. If the play is

to succeed--and its hope lies in the good temper and high spirits of

holiday time--the author will owe most to the natural charm of this

delightful young lady, who played throughout with a most engaging

sincerity and ease.

O.S.

* * * * *

[Illustration: WITH THE "TELL-TALE FOREST" HUNT.

_The Hobby Rider_ (Mr. CHERRY) takes the temperature of _The Poor

Little Rich Girl_ (Miss STEPHANIE BELL).

The hound is Mr. ERNEST HENDRIE _(The Man who makes Faces)_,

well-known as _The Dog_ in _The Blue Bird_.]

* * * * *

"After fifty years of good conduct in the Ancona Penitentiary,

the life sentence of Giacomo Casale has been remitted by King

Victor Emmanuel. Casale's astonishment at the altered world in

which he found himself on coming out of prison was unbounded.

He immediately"--_Daily Express._

Unfortunately our contemporary stops there, and leaves us all in an

agony of doubt. Our own view is that CASALE bought the Mimosa Edition

of a certain rival journal, and that the Editor of _The Express_ only

just censored the paragraph in time.

* * * * *

"The wireless station at Kamina, in Togo, German West Africa,

has received a number of wireless telegrams from the station

at Naten, a distance of 3,348 miles. The Kamina station will

not be able to reply until its new plant, which is being set

up with the utmost speed, has been completed."--_Reuter_.

Indeed, the opinion is held by some that it would be quicker to reply

by post.

* * * * *

"The prison buildings themselves are separated from this

wall by a yard measuring twenty-five years across."--_Daily

Dispatch_.

Of course a yard ought to measure thirty-six inches.

* * * * *

[Illustration: _English Horse Dealer (to Irish horse dealer from whom

he is buying a horse)._ "HOW'S HE BRED?"

_Irish Dealer_. "WELL, HOW WOULD YE LIKE HIM BRED? IF HE WAS FOR SIR

PATHRICK UP AT THE CASTLE HE'D BE BY RED EAGLE OUT AV AN ASECTIC MARE,

BUT YE CAN SUIT YERSILF."]

* * * * *

OUR BOOKING-OFFICE.

_(By Mr. Punch's Staff of Learned Clerks.)_

If for nothing else, Mr. JACK LONDON'S latest story would deserve a

welcome for its topicality. In these days of strikes and industrial

conflict every one might be glad to know what a writer of his

individuality has to say about unions and blacklegs and picketing.

True, this is hardly the kind of thing that one has learnt to

associate with his name; and for that reason perhaps I best liked _The

Valley of the Moon_ (MILLS AND BOON) after its hero and heroine had

shaken the unsavoury dust of the town from their feet and set them

towards the open country. But much had to happen first. The hero was

big _Billy Roberts_, a teamster with the heart of a child and the

strength of a prize-fighter--which was in fact his alternative

profession. He married _Saxon Brown_ ("a scream of a name" her friend

called it when introducing them to each other), and for a time their

life together was as nearly idyllic as newly-wedded housekeeping in a

mean street could permit it to be. Then came the lean years: strikes

and strike-breaking, sabotage and rioting, prison for _Billy_, and

all but starvation for _Saxon_. Perhaps you know already that peculiar

gift of Mr. JACK LONDON'S that makes you not only see physical

hardship but suffer it? I believe that after these chapters the reader

of them will never again be able to regard a newspaper report of

street-fighting with the same detachment as before, so vivid are

they, so haunting. In the end, however, as I say, we find a happier

atmosphere. The adventures of _Billy_ and _Saxon_, tramping it in

search of a home, soon make their urban terrors seem to them and the

reader a kind of nightmare. Here Mr. LONDON is at his delightful

best, and his word-pictures of country scenes are as fresh and fine

as anything he has yet done. _The Valley of the Moon_, in short,

is really two stories--one grim, one pleasant, and both brilliantly

successful.

* * * * *

It is perhaps a mistake to read a novel at a sitting, since the

reaction is too sudden and the reader is apt to find the real life and

the real people surrounding him highly unsatisfactory by contrast.

Mr. JAMES PROSPER has reduced me to this state by _The Mountain Apart_

(HEINEMANN), but it is my duty as critic to disregard my personal

feelings and judge impartially between the fictitious and the actual.

Duty, then, compels me to say that the _Mr. Henry Harding_ who at

the last solved all the difficulties of _Rose Hilton_ by the simple

expedient of a romantic proposal is a hollow fraud. The position

was this: _Rose_ was a woman of flesh and blood and all the human

limitations, blessed and cursed with all the intricacies allotted by

Providence to the sex. Her trouble was that she had to face life as it

is, and this she found very trying. She suffered from her marriage

to a man old enough to be her grandfather, and from her abortive

grapplings both with the abstract problems of her soul and the

concrete mischiefs of her female friends. The influence of IBSEN and a

militant Suffragette didn't help her meditations, and when her husband

died she had the mortification to find that the first man of her own

age who professed love to her was no man but a series of artistic

poses. Of her difficulties, real enough up to this point, the solution

was the fraudulent _Henry_, fraudulent because he was just a stage

hero whose actions and conversation resembled nothing on earth.

_Henry_, in fact, is the sort of person that doesn't exist, and, if he

did, would be intolerable to everybody except a novel reader worked up

to a climax. I doubt if even such a reader could stand the fellow on

a longer acquaintance. To this conclusion all must come in their saner

moments, and yet most will, I think, finish the book in one spell and

be under the delusion at the end of it that all their troubles

would be solved at once if only their friends would talk and conduct

themselves more like _Henry_.

* * * * *

In _Theodore Roosevelt: an Autobiography_ (MACMILLAN) the ex-President

shows us how it was done: how he started life as a weakly lad and by

perseverance made himself what he is to-day. But what is he? That is

the insoluble problem. No two people, least of all Americans, seem to

agree on the point. I have heard Mr. ROOSEVELT called everything

from a charlatan to the Saviour of his Country. For myself, if I may

intrude my own view, I have always admired the "Bull Moose." But,

since nobody on this earth, in America or out of it, can really

understand American politics, my respect has been for Mr. ROOSEVELT'S

private rather than his public performances. And in the view that

he is, take him all round, a pretty good sort of man, this book has

confirmed me. He has told his story well. Nor is the Power of the

Human "I" too much in evidence. It is just a simple, straightforward

tale of a particularly interesting life. Whatever your views on Mr.

ROOSEVELT may be, the fact remains that he has been a cowboy, a

police commissioner of New York, a soldier on active service, and

the President of God's Country, suh; and a man must have an unusually

negative personality if he cannot make entertainment for us out

of that. Now nobody has ever suspected Mr. ROOSEVELT of a negative

personality; and it is certain that he has told a very entertaining

story. There are in this volume battle, murder, sudden death, outlaws,

cowboys, bears, American politics, and the author's views on the

English blackbird, all handsomely illustrated, and the price is only

what you would (or would not) pay for a stall to see a musical comedy.

It's a bargain.

* * * * *

Between the rising of the partisans of the Duchesse DE BERRI and the

dawn of the Tractarian movement there would not seem, at first blush,

to be any very close association apart from the coincidence of their

dates; yet in _The Vision Splendid_ (MURRAY), by D.K. BROSTER and G.W.

TAYLOR, a link is furnished in the person of an English clergyman's

daughter, who marries a Frenchman of the "Legitimist" aristocracy, and

is loved, before and afterwards, by an enthusiastic disciple of the

Oriel Common Room. But the link is too slight to give a proper unity

to the tale; and we have to fall back upon contrasts. Even so, the

two modes of life which made up, between them, the experience of the

_Comtesse de la Roche-Guyon (née Horatia Grenville_) are too cleanly

severed by the estranging Channel to be brought into sharp antithesis,

except in the heart of the one woman. And, since it is difficult to

understand why anyone so British in her independence and aloofness

should have surrendered her heart to the first good-looking Frenchman

who came her way, we never get to be on very intimate terms with that

organ. The construction of the story tends to break up the action and

make its interest desultory. While we are spending a hundred odd pages

at one time and fifty odd at another in Paris and Brittany we forget,

very contentedly, about Oriel; and while we are in residence at Oxford

we are practically cut off--no doubt, to our spiritual gain--from

the things of France. The authors seem to belong to the solid

old-fashioned school that had the patience to spread itself and leave

as little as might be to the imagination. I suspect one of them

of supplying the foreign information and the other of being the

correspondent on home and clerical affairs. I don't know how many of

them--if any--are women, but I seem to trace a female hand in some of

the domestic details. But the book contains strong matter, too--both

of narrative and characterization; as in the dying of _Armand de la

Roche-Guyon_, and the picture of his lover, _Madame de Vigerie_.

And there is something of the inspiration of the Holy Grail in

that "Vision Splendid" which heartens _Tristram Hungerford_ to make

sacrifice of his passion that he may give his soul unshared to the

service of the Church.

* * * * *

Until I had read Mr. A. RADCLYFFE DUGMORE'S book and revelled in his

most wonderful photographs I had never wished to be a caribou; but now

that I have fully digested _The Romance of the Newfoundland Caribou_

(HEINEMANN) there is only one animal whose lot in life I really envy.

This is due not to a natural sympathy with caribous (for, as the

author says, "In England it is quite the exception to find anyone

who knows what the caribou is, unless he happens to have been to

Newfoundland or certain parts of Canada," and I was never one of the

exceptions), but to the extraordinary manner in which Mr. DUGMORE

has imparted the affection that be himself entertains for his chosen

beast. Although he shoots with no more formidable a weapon than a

camera, the dangers and risks that he has run would appal many of

the sportsmen whose aim is to destroy and not to study the lives of

animals. He has, however, no contempt for hunters, provided that they

will play the game and give a fair chance to their quarry. Another

point in his favour, which appeals mightily to me, is that after nine

consecutive seasons in Newfoundland he confesses that his knowledge of

the caribou is still incomplete. This means that, when he does make

an absolute statement, you may be pretty certain that it is true. If

I ever have to argue about the habits of caribous, there is one shot

that will remain in my locker until the very end of the argument, and

it will be, "Well, DUGMORE says so."

* * * * *

[Illustration: IMPRESSION OF A FOOTBALL MATCH GATHERED FROM OUR

ILLUSTRATED DAILY PAPERS.]

* * * * *

Punch, or the London Charivari, Volume 146, January 7, 1914 · 第 3 / 3 章