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TENDER BUTTONS
Objects · Food · Rooms
Gertrude Stein
1914
CONTENTS
OBJECTS
FOOD
ROOMS
OBJECTS
A CARAFE, THAT IS A BLIND GLASS.
A kind in glass and a cousin, a spectacle and nothing strange a single
hurt color and an arrangement in a system to pointing. All this and not
ordinary, not unordered in not resembling. The difference is spreading.
GLAZED GLITTER.
Nickel, what is nickel, it is originally rid of a cover.
The change in that is that red weakens an hour. The change has come.
There is no search. But there is, there is that hope and that
interpretation and sometime, surely any is unwelcome, sometime there is
breath and there will be a sinecure and charming very charming is that
clean and cleansing. Certainly glittering is handsome and convincing.
There is no gratitude in mercy and in medicine. There can be breakages
in Japanese. That is no programme. That is no color chosen. It was
chosen yesterday, that showed spitting and perhaps washing and
polishing. It certainly showed no obligation and perhaps if borrowing is
not natural there is some use in giving.
A SUBSTANCE IN A CUSHION.
The change of color is likely and a difference a very little difference
is prepared. Sugar is not a vegetable.
Callous is something that hardening leaves behind what will be soft if
there is a genuine interest in there being present as many girls as men.
Does this change. It shows that dirt is clean when there is a volume.
A cushion has that cover. Supposing you do not like to change, supposing
it is very clean that there is no change in appearance, supposing that
there is regularity and a costume is that any the worse than an oyster
and an exchange. Come to season that is there any extreme use in feather
and cotton. Is there not much more joy in a table and more chairs and
very likely roundness and a place to put them.
A circle of fine card board and a chance to see a tassel.
What is the use of a violent kind of delightfulness if there is no
pleasure in not getting tired of it. The question does not come before
there is a quotation. In any kind of place there is a top to covering
and it is a pleasure at any rate there is some venturing in refusing to
believe nonsense. It shows what use there is in a whole piece if one
uses it and it is extreme and very likely the little things could be
dearer but in any case there is a bargain and if there is the best thing
to do is to take it away and wear it and then be reckless be reckless
and resolved on returning gratitude.
Light blue and the same red with purple makes a change. It shows that
there is no mistake. Any pink shows that and very likely it is
reasonable. Very likely there should not be a finer fancy present. Some
increase means a calamity and this is the best preparation for three and
more being together. A little calm is so ordinary and in any case there
is sweetness and some of that.
A seal and matches and a swan and ivy and a suit.
A closet, a closet does not connect under the bed. The band if it is
white and black, the band has a green string. A sight a whole sight and
a little groan grinding makes a trimming such a sweet singing trimming
and a red thing not a round thing but a white thing, a red thing and a
white thing.
The disgrace is not in carelessness nor even in sewing it comes out out
of the way.
What is the sash like. The sash is not like anything mustard it is not
like a same thing that has stripes, it is not even more hurt than that,
it has a little top.
A BOX.
Out of kindness comes redness and out of rudeness comes rapid same
question, out of an eye comes research, out of selection comes painful
cattle. So then the order is that a white way of being round is
something suggesting a pin and is it disappointing, it is not, it is so
rudimentary to be analysed and see a fine substance strangely, it is so
earnest to have a green point not to red but to point again.
A PIECE OF COFFEE.
More of double.
A place in no new table.
A single image is not splendor. Dirty is yellow. A sign of more in not
mentioned. A piece of coffee is not a detainer. The resemblance to
yellow is dirtier and distincter. The clean mixture is whiter and not
coal color, never more coal color than altogether.
The sight of a reason, the same sight slighter, the sight of a simpler
negative answer, the same sore sounder, the intention to wishing, the
same splendor, the same furniture.
The time to show a message is when too late and later there is no
hanging in a blight.
A not torn rose-wood color. If it is not dangerous then a pleasure and
more than any other if it is cheap is not cheaper. The amusing side is
that the sooner there are no fewer the more certain is the necessity
dwindled. Supposing that the case contained rose-wood and a color.
Supposing that there was no reason for a distress and more likely for a
number, supposing that there was no astonishment, is it not necessary to
mingle astonishment.
The settling of stationing cleaning is one way not to shatter scatter
and scattering. The one way to use custom is to use soap and silk for
cleaning. The one way to see cotton is to have a design concentrating
the illusion and the illustration. The perfect way is to accustom the
thing to have a lining and the shape of a ribbon and to be solid, quite
solid in standing and to use heaviness in morning. It is light enough in
that. It has that shape nicely. Very nicely may not be exaggerating.
Very strongly may be sincerely fainting. May be strangely flattering.
May not be strange in everything. May not be strange to.
DIRT AND NOT COPPER.
Dirt and not copper makes a color darker. It makes the shape so heavy
and makes no melody harder.
It makes mercy and relaxation and even a strength to spread a table
fuller. There are more places not empty. They see cover.
NOTHING ELEGANT.
A charm a single charm is doubtful. If the red is rose and there is a
gate surrounding it, if inside is let in and there places change then
certainly something is upright. It is earnest.
MILDRED'S UMBRELLA.
A cause and no curve, a cause and loud enough, a cause and extra a loud
clash and an extra wagon, a sign of extra, a sac a small sac and an
established color and cunning, a slender grey and no ribbon, this means
a loss a great loss a restitution.
A METHOD OF A CLOAK.
A single climb to a line, a straight exchange to a cane, a desperate
adventure and courage and a clock, all this which is a system, which has
feeling, which has resignation and success, all makes an attractive
black silver.
A RED STAMP.
If lilies are lily white if they exhaust noise and distance and even
dust, if they dusty will dirt a surface that has no extreme grace, if
they do this and it is not necessary it is not at all necessary if they
do this they need a catalogue.
A BOX.
A large box is handily made of what is necessary to replace any
substance. Suppose an example is necessary, the plainer it is made the
more reason there is for some outward recognition that there is a
result.
A box is made sometimes and them to see to see to it neatly and to have
the holes stopped up makes it necessary to use paper.
A custom which is necessary when a box is used and taken is that a large
part of the time there are three which have different connections. The
one is on the table. The two are on the table. The three are on the
table. The one, one is the same length as is shown by the cover being
longer. The other is different there is more cover that shows it. The
other is different and that makes the corners have the same shade the
eight are in singular arrangement to make four necessary.
Lax, to have corners, to be lighter than some weight, to indicate a
wedding journey, to last brown and not curious, to be wealthy,
cigarettes are established by length and by doubling.
Left open, to be left pounded, to be left closed, to be circulating in
summer and winter, and sick color that is grey that is not dusty and red
shows, to be sure cigarettes do measure an empty length sooner than a
choice in color.
Winged, to be winged means that white is yellow and pieces pieces that
are brown are dust color if dust is washed off, then it is choice that
is to say it is fitting cigarettes sooner than paper.
An increase why is an increase idle, why is silver cloister, why is the
spark brighter, if it is brighter is there any result, hardly more than
ever.
A PLATE.
An occasion for a plate, an occasional resource is in buying and how
soon does washing enable a selection of the same thing neater. If the
party is small a clever song is in order.
Plates and a dinner set of colored china. Pack together a string and
enough with it to protect the centre, cause a considerable haste and
gather more as it is cooling, collect more trembling and not any even
trembling, cause a whole thing to be a church.
A sad size a size that is not sad is blue as every bit of blue is
precocious. A kind of green a game in green and nothing flat nothing
quite flat and more round, nothing a particular color strangely, nothing
breaking the losing of no little piece.
A splendid address a really splendid address is not shown by giving a
flower freely, it is not shown by a mark or by wetting.
Cut cut in white, cut in white so lately. Cut more than any other and
show it. Show it in the stem and in starting and in evening coming
complication.
A lamp is not the only sign of glass. The lamp and the cake are not the
only sign of stone. The lamp and the cake and the cover are not the only
necessity altogether.
A plan a hearty plan, a compressed disease and no coffee, not even a
card or a change to incline each way, a plan that has that excess and
that break is the one that shows filling.
A SELTZER BOTTLE.
Any neglect of many particles to a cracking, any neglect of this makes
around it what is lead in color and certainly discolor in silver. The
use of this is manifold. Supposing a certain time selected is assured,
suppose it is even necessary, suppose no other extract is permitted and
no more handling is needed, suppose the rest of the message is mixed
with a very long slender needle and even if it could be any black
border, supposing all this altogether made a dress and suppose it was
actual, suppose the mean way to state it was occasional, if you suppose
this in August and even more melodiously, if you suppose this even in
the necessary incident of there certainly being no middle in summer and
winter, suppose this and an elegant settlement a very elegant settlement
is more than of consequence, it is not final and sufficient and
substituted. This which was so kindly a present was constant.
A LONG DRESS.
What is the current that makes machinery, that makes it crackle, what is
the current that presents a long line and a necessary waist. What is
this current.
What is the wind, what is it.
Where is the serene length, it is there and a dark place is not a dark
place, only a white and red are black, only a yellow and green are blue,
a pink is scarlet, a bow is every color. A line distinguishes it. A line
just distinguishes it.
A RED HAT.
A dark grey, a very dark grey, a quite dark grey is monstrous
ordinarily, it is so monstrous because there is no red in it. If red is
in everything it is not necessary. Is that not an argument for any use
of it and even so is there any place that is better, is there any place
that has so much stretched out.
A BLUE COAT.
A blue coat is guided guided away, guided and guided away, that is the
particular color that is used for that length and not any width not even
more than a shadow.
A PIANO.
If the speed is open, if the color is careless, if the selection of a
strong scent is not awkward, if the button holder is held by all the
waving color and there is no color, not any color. If there is no dirt
in a pin and there can be none scarcely, if there is not then the place
is the same as up standing.
This is no dark custom and it even is not acted in any such a way that a
restraint is not spread. That is spread, it shuts and it lifts and
awkwardly not awkwardly the centre is in standing.
A CHAIR.
A widow in a wise veil and more garments shows that shadows are even. It
addresses no more, it shadows the stage and learning. A regular
arrangement, the severest and the most preserved is that which has the
arrangement not more than always authorised.
A suitable establishment, well housed, practical, patient and staring, a
suitable bedding, very suitable and not more particularly than
complaining, anything suitable is so necessary.
A fact is that when the direction is just like that, no more, longer,
sudden and at the same time not any sofa, the main action is that
without a blaming there is no custody.
Practice measurement, practice the sign that means that really means a
necessary betrayal, in showing that there is wearing.
Hope, what is a spectacle, a spectacle is the resemblance between the
circular side place and nothing else, nothing else.
To choose it is ended, it is actual and more than that it has it
certainly has the same treat, and a seat all that is practiced and more
easily much more easily ordinarily.
Pick a barn, a whole barn, and bend more slender accents than have ever
been necessary, shine in the darkness necessarily. Actually not aching,
actually not aching, a stubborn bloom is so artificial and even more
than that, it is a spectacle, it is a binding accident, it is animosity
and accentuation.
If the chance to dirty diminishing is necessary, if it is why is there
no complexion, why is there no rubbing, why is there no special
protection.
A FRIGHTFUL RELEASE.
A bag which was left and not only taken but turned away was not found.
The place was shown to be very like the last time. A piece was not
exchanged, not a bit of it, a piece was left over. The rest was
mismanaged.
A PURSE.
A purse was not green, it was not straw color, it was hardly seen and it
had a use a long use and the chain, the chain was never missing, it was
not misplaced, it showed that it was open, that is all that it showed.
A MOUNTED UMBRELLA.
What was the use of not leaving it there where it would hang what was
the use if there was no chance of ever seeing it come there and show
that it was handsome and right in the way it showed it. The lesson is to
learn that it does show it, that it shows it and that nothing, that
there is nothing, that there is no more to do about it and just so much
more is there plenty of reason for making an exchange.
A CLOTH.
Enough cloth is plenty and more, more is almost enough for that and
besides if there is no more spreading is there plenty of room for it.
Any occasion shows the best way.
MORE.
An elegant use of foliage and grace and a little piece of white cloth
and oil.
Wondering so winningly in several kinds of oceans is the reason that
makes red so regular and enthusiastic. The reason that there is more
snips are the same shining very colored rid of no round color.
A NEW CUP AND SAUCER.
Enthusiastically hurting a clouded yellow bud and saucer,
enthusiastically so is the bite in the ribbon.
OBJECTS.
Within, within the cut and slender joint alone, with sudden equals and
no more than three, two in the centre make two one side.
If the elbow is long and it is filled so then the best example is all
together.
The kind of show is made by squeezing.
EYE GLASSES.
A color in shaving, a saloon is well placed in the centre of an alley.
CUTLET.
A blind agitation is manly and uttermost.
CARELESS WATER.
No cup is broken in more places and mended, that is to say a plate is
broken and mending does do that it shows that culture is Japanese. It
shows the whole element of angels and orders. It does more to choosing
and it does more to that ministering counting. It does, it does change
in more water.
Supposing a single piece is a hair supposing more of them are orderly,
does that show that strength, does that show that joint, does that show
that balloon famously. Does it.
A PAPER.
A courteous occasion makes a paper show no such occasion and this makes
readiness and eyesight and likeness and a stool.
A DRAWING.
The meaning of this is entirely and best to say the mark, best to say it
best to show sudden places, best to make bitter, best to make the length
tall and nothing broader, anything between the half.
WATER RAINING.
Water astonishing and difficult altogether makes a meadow and a stroke.
COLD CLIMATE.
A season in yellow sold extra strings makes lying places.
MALACHITE.
The sudden spoon is the same in no size. The sudden spoon is the wound
in the decision.
AN UMBRELLA.
Coloring high means that the strange reason is in front not more in
front behind. Not more in front in peace of the dot.
A PETTICOAT.
A light white, a disgrace, an ink spot, a rosy charm.
A WAIST.
A star glide, a single frantic sullenness, a single financial grass
greediness.
Object that is in wood. Hold the pine, hold the dark, hold in the rush,
make the bottom.
A piece of crystal. A change, in a change that is remarkable there is no
reason to say that there was a time.
A woolen object gilded. A country climb is the best disgrace, a couple
of practices any of them in order is so left.
A TIME TO EAT.
A pleasant simple habitual and tyrannical and authorised and educated
and resumed and articulate separation. This is not tardy.
A LITTLE BIT OF A TUMBLER.
A shining indication of yellow consists in there having been more of the
same color than could have been expected when all four were bought. This
was the hope which made the six and seven have no use for any more
places and this necessarily spread into nothing. Spread into nothing.
A FIRE.
What was the use of a whole time to send and not send if there was to be
the kind of thing that made that come in. A letter was nicely sent.
A HANDKERCHIEF.
A winning of all the blessings, a sample not a sample because there is
no worry.
RED ROSES.
A cool red rose and a pink cut pink, a collapse and a sold hole, a
little less hot.
IN BETWEEN.
In between a place and candy is a narrow foot-path that shows more
mounting than anything, so much really that a calling meaning a bolster
measured a whole thing with that. A virgin a whole virgin is judged made
and so between curves and outlines and real seasons and more out glasses
and a perfectly unprecedented arrangement between old ladies and mild
colds there is no satin wood shining.
COLORED HATS.
Colored hats are necessary to show that curls are worn by an addition of
blank spaces, this makes the difference between single lines and broad
stomachs, the least thing is lightening, the least thing means a little
flower and a big delay a big delay that makes more nurses than little
women really little women. So clean is a light that nearly all of it
shows pearls and little ways. A large hat is tall and me and all custard
whole.
A FEATHER.
A feather is trimmed, it is trimmed by the light and the bug and the
post, it is trimmed by little leaning and by all sorts of mounted
reserves and loud volumes. It is surely cohesive.
A BROWN.
A brown which is not liquid not more so is relaxed and yet there is a
change, a news is pressing.
A LITTLE CALLED PAULINE.
A little called anything shows shudders.
Come and say what prints all day. A whole few watermelon. There is no
pope.
No cut in pennies and little dressing and choose wide soles and little
spats really little spices.
A little lace makes boils. This is not true.
Gracious of gracious and a stamp a blue green white bow a blue green
lean, lean on the top.
If it is absurd then it is leadish and nearly set in where there is a
tight head.
A peaceful life to arise her, noon and moon and moon. A letter a cold
sleeve a blanket a shaving house and nearly the best and regular window.
Nearer in fairy sea, nearer and farther, show white has lime in sight,
show a stitch of ten. Count, count more so that thicker and thicker is
leaning.
I hope she has her cow. Bidding a wedding, widening received treading,
little leading mention nothing.
Cough out cough out in the leather and really feather it is not for.
Please could, please could, jam it not plus more sit in when.
A SOUND.
Elephant beaten with candy and little pops and chews all bolts and
reckless reckless rats, this is this.
A TABLE.
A table means does it not my dear it means a whole steadiness. Is it
likely that a change.
A table means more than a glass even a looking glass is tall. A table
means necessary places and a revision a revision of a little thing it
means it does mean that there has been a stand, a stand where it did
shake.
SHOES.
To be a wall with a damper a stream of pounding way and nearly enough
choice makes a steady midnight. It is pus.
A shallow hole rose on red, a shallow hole in and in this makes ale
less. It shows shine.
A DOG.
A little monkey goes like a donkey that means to say that means to say
that more sighs last goes. Leave with it. A little monkey goes like a
donkey.
A WHITE HUNTER.
A white hunter is nearly crazy.
A LEAVE.
In the middle of a tiny spot and nearly bare there is a nice thing to
say that wrist is leading. Wrist is leading.
SUPPOSE AN EYES.
Suppose it is within a gate which open is open at the hour of closing
summer that is to say it is so.
All the seats are needing blackening. A white dress is in sign. A
soldier a real soldier has a worn lace a worn lace of different sizes
that is to say if he can read, if he can read he is a size to show
shutting up twenty-four.
Go red go red, laugh white.
Suppose a collapse in rubbed purr, in rubbed purr get.
Little sales ladies little sales ladies little saddles of mutton.
Little sales of leather and such beautiful beautiful, beautiful
beautiful.
A SHAWL.
A shawl is a hat and hurt and a red balloon and an under coat and a
sizer a sizer of talks.
A shawl is a wedding, a piece of wax a little build. A shawl.
Pick a ticket, pick it in strange steps and with hollows. There is
hollow hollow belt, a belt is a shawl.
A plate that has a little bobble, all of them, any so.
Please a round it is ticket.
It was a mistake to state that a laugh and a lip and a laid climb and a
depot and a cultivator and little choosing is a point it.
BOOK.
Book was there, it was there. Book was there. Stop it, stop it, it was a
cleaner, a wet cleaner and it was not where it was wet, it was not high,
it was directly placed back, not back again, back it was returned, it
was needless, it put a bank, a bank when, a bank care.
Suppose a man a realistic expression of resolute reliability suggests
pleasing itself white all white and no head does that mean soap. It does
not so. It means kind wavers and little chance to beside beside rest. A
plain.
Suppose ear rings, that is one way to breed, breed that. Oh chance to
say, oh nice old pole. Next best and nearest a pillar. Chest not
valuable, be papered.
Cover up cover up the two with a little piece of string and hope rose
and green, green.
Please a plate, put a match to the seam and really then really then,
really then it is a remark that joins many many lead games. It is a
sister and sister and a flower and a flower and a dog and a colored sky
a sky colored grey and nearly that nearly that let.
PEELED PENCIL, CHOKE.
Rub her coke.
IT WAS BLACK, BLACK TOOK.
Black ink best wheel bale brown.
Excellent not a hull house, not a pea soup, no bill no care, no precise
no past pearl pearl goat.
THIS IS THE DRESS, AIDER.
Aider, why aider why whow, whow stop touch, aider whow, aider stop the
muncher, muncher munchers.
A jack in kill her, a jack in, makes a meadowed king, makes a to let.
FOOD
ROASTBEEF; MUTTON; BREAKFAST; SUGAR; CRANBERRIES; MILK; EGGS; APPLE;
TAILS; LUNCH; CUPS; RHUBARB; SINGLE; FISH; CAKE; CUSTARD; POTATOES;
ASPARAGUS; BUTTER; END OF SUMMER; SAUSAGES; CELERY; VEAL; VEGETABLE;
COOKING; CHICKEN; PASTRY; CREAM; CUCUMBER; DINNER; DINING; EATING;
SALAD; SAUCE; SALMON; ORANGE; COCOA; AND CLEAR SOUP AND ORANGES AND
OATMEAL; SALAD DRESSING AND AN ARTICHOKE; A CENTRE IN A TABLE.
ROASTBEEF.
In the inside there is sleeping, in the outside there is reddening, in
the morning there is meaning, in the evening there is feeling. In the
evening there is feeling. In feeling anything is resting, in feeling
anything is mounting, in feeling there is resignation, in feeling there
is recognition, in feeling there is recurrence and entirely mistaken
there is pinching. All the standards have steamers and all the curtains
have bed linen and all the yellow has discrimination and all the circle
has circling. This makes sand.
Very well. Certainly the length is thinner and the rest, the round rest
has a longer summer. To shine, why not shine, to shine, to station, to
enlarge, to hurry the measure all this means nothing if there is
singing, if there is singing then there is the resumption.
The change the dirt, not to change dirt means that there is no beefsteak
and not to have that is no obstruction, it is so easy to exchange
meaning, it is so easy to see the difference. The difference is that a
plain resource is not entangled with thickness and it does not mean that
thickness shows such cutting, it does mean that a meadow is useful and a
cow absurd. It does not mean that there are tears, it does not mean that
exudation is cumbersome, it means no more than a memory, a choice and a
reëstablishment, it means more than any escape from a surrounding extra.
All the time that there is use there is use and any time there is a
surface there is a surface, and every time there is an exception there
is an exception and every time there is a division there is a dividing.
Any time there is a surface there is a surface and every time there is a
suggestion there is a suggestion and every time there is silence there
is silence and every time that is languid there is that there then and
not oftener, not always, not particular, tender and changing and
external and central and surrounded and singular and simple and the same
and the surface and the circle and the shine and the succor and the
white and the same and the better and the red and the same and the
centre and the yellow and the tender and the better, and altogether.
Considering the circumstances there is no occasion for a reduction,
considering that there is no pealing there is no occasion for an
obligation, considering that there is no outrage there is no necessity
for any reparation, considering that there is no particle sodden there
is no occasion for deliberation. Considering everything and which way
the turn is tending, considering everything why is there no restraint,
considering everything what makes the place settle and the plate
distinguish some specialties. The whole thing is not understood and this
is not strange considering that there is no education, this is not
strange because having that certainly does show the difference in
cutting, it shows that when there is turning there is no distress.
In kind, in a control, in a period, in the alteration of pigeons, in
kind cuts and thick and thin spaces, in kind ham and different colors,
the length of leaning a strong thing outside not to make a sound but to
suggest a crust, the principal taste is when there is a whole chance to
be reasonable, this does not mean that there is overtaking, this means
nothing precious, this means clearly that the chance to exercise is a
social success. So then the sound is not obtrusive. Suppose it is
obtrusive suppose it is. What is certainly the desertion is not a
reduced description, a description is not a birthday.
Lovely snipe and tender turn, excellent vapor and slender butter, all
the splinter and the trunk, all the poisonous darkening drunk, all the
joy in weak success, all the joyful tenderness, all the section and the
tea, all the stouter symmetry.
Around the size that is small, inside the stern that is the middle,
besides the remains that are praying, inside the between that is
turning, all the region is measuring and melting is exaggerating.
Rectangular ribbon does not mean that there is no eruption it means that
if there is no place to hold there is no place to spread. Kindness is
not earnest, it is not assiduous it is not revered.
Room to comb chickens and feathers and ripe purple, room to curve single
plates and large sets and second silver, room to send everything away,
room to save heat and distemper, room to search a light that is simpler,
all room has no shadow.
There is no use there is no use at all in smell, in taste, in teeth, in
toast, in anything, there is no use at all and the respect is mutual.
Why should that which is uneven, that which is resumed, that which is
tolerable why should all this resemble a smell, a thing is there, it
whistles, it is not narrower, why is there no obligation to stay away
and yet courage, courage is everywhere and the best remains to stay.
If there could be that which is contained in that which is felt there
would be a chair where there are chairs and there would be no more
denial about a clatter. A clatter is not a smell. All this is good.
The Saturday evening which is Sunday is every week day. What choice is
there when there is a difference. A regulation is not active.
Thirstiness is not equal division.
Anyway, to be older and ageder is not a surfeit nor a suction, it is not
dated and careful, it is not dirty. Any little thing is clean, rubbing
is black. Why should ancient lambs be goats and young colts and never
beef, why should they, they should because there is so much difference
in age.
A sound, a whole sound is not separation, a whole sound is in an order.
Suppose there is a pigeon, suppose there is.
Looseness, why is there a shadow in a kitchen, there is a shadow in a
kitchen because every little thing is bigger.
The time when there are four choices and there are four choices in a
difference, the time when there are four choices there is a kind and
there is a kind. There is a kind. There is a kind. Supposing there is a
bone, there is a bone. Supposing there are bones. There are bones. When
there are bones there is no supposing there are bones. There are bones
and there is that consuming. The kindly way to feel separating is to
have a space between. This shows a likeness.
Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in
daintiness and determination. Hope in dates.
Tin is not a can and a stove is hardly. Tin is not necessary and neither
is a stretcher. Tin is never narrow and thick.
Color is in coal. Coal is outlasting roasting and a spoonful, a whole
spoon that is full is not spilling. Coal any coal is copper.
Claiming nothing, not claiming anything, not a claim in everything,
collecting claiming, all this makes a harmony, it even makes a
succession.
Sincerely gracious one morning, sincerely graciously trembling, sincere
in gracious eloping, all this makes a furnace and a blanket. All this
shows quantity.
Like an eye, not so much more, not any searching, no compliments.
Please be the beef, please beef, pleasure is not wailing. Please beef,
please be carved clear, please be a case of consideration.
Search a neglect. A sale, any greatness is a stall and there is no
memory, there is no clear collection.
A satin sight, what is a trick, no trick is mountainous and the color,
all the rush is in the blood.
Bargaining for a little, bargain for a touch, a liberty, an
estrangement, a characteristic turkey.
Please spice, please no name, place a whole weight, sink into a standard
rising, raise a circle, choose a right around, make the resonance
accounted and gather green any collar.
To bury a slender chicken, to raise an old feather, to surround a
garland and to bake a pole splinter, to suggest a repose and to settle
simply, to surrender one another, to succeed saving simpler, to satisfy
a singularity and not to be blinder, to sugar nothing darker and to read
redder, to have the color better, to sort out dinner, to remain
together, to surprise no sinner, to curve nothing sweeter, to continue
thinner, to increase in resting recreation to design string not dimmer.
Cloudiness what is cloudiness, is it a lining, is it a roll, is it
melting.
The sooner there is jerking, the sooner freshness is tender, the sooner
the round it is not round the sooner it is withdrawn in cutting, the
sooner the measure means service, the sooner there is chinking, the
sooner there is sadder than salad, the sooner there is none do her, the
sooner there is no choice, the sooner there is a gloom freer, the same
sooner and more sooner, this is no error in hurry and in pressure and in
opposition to consideration.
A recital, what is a recital, it is an organ and use does not strengthen
valor, it soothes medicine.
A transfer, a large transfer, a little transfer, some transfer, clouds
and tracks do transfer, a transfer is not neglected.
Pride, when is there perfect pretence, there is no more than yesterday
and ordinary.
A sentence of a vagueness that is violence is authority and a mission
and stumbling and also certainly also a prison. Calmness, calm is beside
the plate and in way in. There is no turn in terror. There is no volume
in sound.
There is coagulation in cold and there is none in prudence. Something
is preserved and the evening is long and the colder spring has sudden
shadows in a sun. All the stain is tender and lilacs really lilacs are
disturbed. Why is the perfect reëstablishment practiced and prized, why
is it composed. The result the pure result is juice and size and baking
and exhibition and nonchalance and sacrifice and volume and a section in
division and the surrounding recognition and horticulture and no murmur.
This is a result. There is no superposition and circumstance, there is
hardness and a reason and the rest and remainder. There is no delight
and no mathematics.
MUTTON.
A letter which can wither, a learning which can suffer and an outrage
which is simultaneous is principal.
Student, students are merciful and recognised they chew something.
Hate rests that is solid and sparse and all in a shape and largely very
largely. Interleaved and successive and a sample of smell all this makes
a certainty a shade.
Light curls very light curls have no more curliness than soup. This is
not a subject.
Change a single stream of denting and change it hurriedly, what does it
express, it expresses nausea. Like a very strange likeness and pink,
like that and not more like that than the same resemblance and not more
like that than no middle space in cutting.
An eye glass, what is an eye glass, it is water. A splendid specimen,
what is it when it is little and tender so that there are parts. A
centre can place and four are no more and two and two are not middle.
Melting and not minding, safety and powder, a particular recollection
and a sincere solitude all this makes a shunning so thorough and so
unrepeated and surely if there is anything left it is a bone. It is not
solitary.
Any space is not quiet it is so likely to be shiny. Darkness very dark
darkness is sectional. There is a way to see in onion and surely very
surely rhubarb and a tomato, surely very surely there is that seeding. A
little thing in is a little thing.
Mud and water were not present and not any more of either. Silk and
stockings were not present and not any more of either. A receptacle and
a symbol and no monster were present and no more. This made a piece
show and was it a kindness, it can be asked was it a kindness to have it
warmer, was it a kindness and does gliding mean more. Does it.
Does it dirty a ceiling. It does not. Is it dainty, it is if prices are
sweet. Is it lamentable, it is not if there is no undertaker. Is it
curious, it is not when there is youth. All this makes a line, it even
makes makes no more. All this makes cherries. The reason that there is a
suggestion in vanity is due to this that there is a burst of mixed
music.
A temptation any temptation is an exclamation if there are misdeeds and
little bones. It is not astonishing that bones mingle as they vary not
at all and in any case why is a bone outstanding, it is so because the
circumstance that does not make a cake and character is so easily
churned and cherished.
Mouse and mountain and a quiver, a quaint statue and pain in an exterior
and silence more silence louder shows salmon a mischief intender. A
cake, a real salve made of mutton and liquor, a specially retained
rinsing and an established cork and blazing, this which resignation
influences and restrains, restrains more altogether. A sign is the
specimen spoken.
A meal in mutton, mutton, why is lamb cheaper, it is cheaper because so
little is more. Lecture, lecture and repeat instruction.
BREAKFAST.
A change, a final change includes potatoes. This is no authority for the
abuse of cheese. What language can instruct any fellow.
A shining breakfast, a breakfast shining, no dispute, no practice,
nothing, nothing at all.
A sudden slice changes the whole plate, it does so suddenly.
An imitation, more imitation, imitation succeed imitations.
Anything that is decent, anything that is present, a calm and a cook and
more singularly still a shelter, all these show the need of clamor. What
is the custom, the custom is in the centre.
What is a loving tongue and pepper and more fish than there is when
tears many tears are necessary. The tongue and the salmon, there is not
salmon when brown is a color, there is salmon when there is no meaning
to an early morning being pleasanter. There is no salmon, there are no
tea-cups, there are the same kind of mushes as are used as stomachers
by the eating hopes that makes eggs delicious. Drink is likely to stir a
certain respect for an egg cup and more water melon than was ever eaten
yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee
and a sample of soup all soup these are the choice of a baker. A white
cup means a wedding. A wet cup means a vacation. A strong cup means an
especial regulation. A single cup means a capital arrangement between
the drawer and the place that is open.
Price a price is not in language, it is not in custom, it is not in
praise.
A colored loss, why is there no leisure. If the persecution is so
outrageous that nothing is solemn is there any occasion for persuasion.
A grey turn to a top and bottom, a silent pocketful of much heating, all
the pliable succession of surrendering makes an ingenious joy.
A breeze in a jar and even then silence, a special anticipation in a
rack, a gurgle a whole gurgle and more cheese than almost anything, is
this an astonishment, does this incline more than the original division
between a tray and a talking arrangement and even then a calling into
another room gently with some chicken in any way.
A bent way that is a way to declare that the best is all together, a
bent way shows no result, it shows a slight restraint, it shows a
necessity for retraction.
Suspect a single buttered flower, suspect it certainly, suspect it and
then glide, does that not alter a counting.
A hurt mended stick, a hurt mended cup, a hurt mended article of
exceptional relaxation and annoyance, a hurt mended, hurt and mended is
so necessary that no mistake is intended.
What is more likely than a roast, nothing really and yet it is never
disappointed singularly.
A steady cake, any steady cake is perfect and not plain, any steady cake
has a mounting reason and more than that it has singular crusts. A
season of more is a season that is instead. A season of many is not more
a season than most.
Take no remedy lightly, take no urging intently, take no separation
leniently, beware of no lake and no larder.
Burden the cracked wet soaking sack heavily, burden it so that it is an
institution in fright and in climate and in the best plan that there can
be.
An ordinary color, a color is that strange mixture which makes, which
does make which does not make a ripe juice, which does not make a mat.
A work which is a winding a real winding of the cloaking of a relaxing
rescue. This which is so cool is not dusting, it is not dirtying in
smelling, it could use white water, it could use more extraordinarily
and in no solitude altogether. This which is so not winsome and not
widened and really not so dipped as dainty and really dainty, very
dainty, ordinarily, dainty, a dainty, not in that dainty and dainty. If
the time is determined, if it is determined and there is reunion there
is reunion with that then outline, then there is in that a piercing
shutter, all of a piercing shouter, all of a quite weather, all of a
withered exterior, all of that in most violent likely.
An excuse is not dreariness, a single plate is not butter, a single
weight is not excitement, a solitary crumbling is not only martial.
A mixed protection, very mixed with the same actual intentional
unstrangeness and riding, a single action caused necessarily is not more
a sign than a minister.
Seat a knife near a cage and very near a decision and more nearly a
timely working cat and scissors. Do this temporarily and make no more
mistake in standing. Spread it all and arrange the white place, does
this show in the house, does it not show in the green that is not
necessary for that color, does it not even show in the explanation and
singularly not at all stationary.
SUGAR.
A violent luck and a whole sample and even then quiet.
Water is squeezing, water is almost squeezing on lard. Water, water is a
mountain and it is selected and it is so practical that there is no use
in money. A mind under is exact and so it is necessary to have a mouth
and eye glasses.
A question of sudden rises and more time than awfulness is so easy and
shady. There is precisely that noise.
A peck a small piece not privately overseen, not at all not a slice, not
at all crestfallen and open, not at all mounting and chaining and evenly
surpassing, all the bidding comes to tea.
A separation is not tightly in worsted and sauce, it is so kept well and
sectionally.
Put it in the stew, put it to shame. A little slight shadow and a solid
fine furnace.
The teasing is tender and trying and thoughtful.
The line which sets sprinkling to be a remedy is beside the best cold.
A puzzle, a monster puzzle, a heavy choking, a neglected Tuesday.
Wet crossing and a likeness, any likeness, a likeness has blisters, it
has that and teeth, it has the staggering blindly and a little green,
any little green is ordinary.
One, two and one, two, nine, second and five and that.
A blaze, a search in between, a cow, only any wet place, only this tune.
Cut a gas jet uglier and then pierce pierce in between the next and
negligence. Choose the rate to pay and pet pet very much. A collection
of all around, a signal poison, a lack of languor and more hurts at
ease.
A white bird, a colored mine, a mixed orange, a dog.
Cuddling comes in continuing a change.
A piece of separate outstanding rushing is so blind with open delicacy.
A canoe is orderly. A period is solemn. A cow is accepted.
A nice old chain is widening, it is absent, it is laid by.
CRANBERRIES.
Could there not be a sudden date, could there not be in the present
settlement of old age pensions, could there not be by a witness, could
there be.
Count the chain, cut the grass, silence the noon and murder flies. See
the basting undip the chart, see the way the kinds are best seen from
the rest, from that and untidy.
Cut the whole space into twenty-four spaces and then and then is there a
yellow color, there is but it is smelled, it is then put where it is and
nothing stolen.
A remarkable degree of red means that, a remarkable exchange is made.
Climbing altogether in when there is a solid chance of soiling no more
than a dirty thing, coloring all of it in steadying is jelly.
Just as it is suffering, just as it is succeeded, just as it is moist so
is there no countering.
MILK.
A white egg and a colored pan and a cabbage showing settlement, a
constant increase.
A cold in a nose, a single cold nose makes an excuse. Two are more
necessary.
All the goods are stolen, all the blisters are in the cup.
Cooking, cooking is the recognition between sudden and nearly sudden
very little and all large holes.
A real pint, one that is open and closed and in the middle is so bad.
Tender colds, seen eye holders, all work, the best of change, the
meaning, the dark red, all this and bitten, really bitten.
Guessing again and golfing again and the best men, the very best men.
MILK.
Climb up in sight climb in the whole utter needles and a guess a whole
guess is hanging. Hanging hanging.
EGGS.
Kind height, kind in the right stomach with a little sudden mill.
Cunning shawl, cunning shawl to be steady.
In white in white handkerchiefs with little dots in a white belt all
shadows are singular they are singular and procured and relieved.
No that is not the cows shame and a precocious sound, it is a bite.
Cut up alone the paved way which is harm. Harm is old boat and a likely
dash.
APPLE.
Apple plum, carpet steak, seed clam, colored wine, calm seen, cold
cream, best shake, potato, potato and no no gold work with pet, a green
seen is called bake and change sweet is bready, a little piece a little
piece please.
A little piece please. Cane again to the presupposed and ready
eucalyptus tree, count out sherry and ripe plates and little corners of
a kind of ham. This is use.
TAILS.
Cold pails, cold with joy no joy.
A tiny seat that means meadows and a lapse of cuddles with cheese and
nearly bats, all this went messed. The post placed a loud loose sprain.
A rest is no better. It is better yet. All the time.
LUNCH.
Luck in loose plaster makes holy gauge and nearly that, nearly more
states, more states come in town light kite, blight not white.
A little lunch is a break in skate a little lunch so slimy, a west end
of a board line is that which shows a little beneath so that necessity
is a silk under wear. That is best wet. It is so natural, and why is
there flake, there is flake to explain exhaust.
A real cold hen is nervous is nervous with a towel with a spool with
real beads. It is mostly an extra sole nearly all that shaved, shaved
with an old mountain, more than that bees more than that dinner and a
bunch of likes that is to say the hearts of onions aim less.
Cold coffee with a corn a corn yellow and green mass is a gem.
CUPS.
A single example of excellence is in the meat. A bent stick is surging
and might all might is mental. A grand clothes is searching out a candle
not that wheatly not that by more than an owl and a path. A ham is proud
of cocoanut.
A cup is neglected by being all in size. It is a handle and meadows and
sugar any sugar.
A cup is neglected by being full of size. It shows no shade, in come
little wood cuts and blessing and nearly not that not with a wild bought
in, not at all so polite, not nearly so behind.
Cups crane in. They need a pet oyster, they need it so hoary and nearly
choice. The best slam is utter. Nearly be freeze.
Why is a cup a stir and a behave. Why is it so seen.
A cup is readily shaded, it has in between no sense that is to say
music, memory, musical memory.
Peanuts blame, a half sand is holey and nearly.
RHUBARB.
Rhubarb is susan not susan not seat in bunch toys not wild and laughable
not in little places not in neglect and vegetable not in fold coal age
not please.
SINGLE FISH.
Single fish single fish single fish egg-plant single fish sight.
A sweet win and not less noisy than saddle and more ploughing and nearly
well painted by little things so.
Please shade it a play. It is necessary and beside the large sort is
puff.
Every way oakly, please prune it near. It is so found.
It is not the same.
CAKE.
Cake cast in went to be and needles wine needles are such.
This is today. A can experiment is that which makes a town, makes a town
dirty, it is little please. We came back. Two bore, bore what, a mussed
ash, ash when there is tin. This meant cake. It was a sign.
Another time there was extra a hat pin sought long and this dark made a
display. The result was yellow. A caution, not a caution to be.
It is no use to cause a foolish number. A blanket stretch a cloud, a
shame, all that bakery can tease, all that is beginning and yesterday
yesterday we had it met. It means some change. No some day.
A little leaf upon a scene an ocean any where there, a bland and likely
in the stream a recollection green land. Why white.
CUSTARD.
Custard is this. It has aches, aches when. Not to be. Not to be
narrowly. This makes a whole little hill.
It is better than a little thing that has mellow real mellow. It is
better than lakes whole lakes, it is better than seeding.
POTATOES.
Real potatoes cut in between.
POTATOES.
In the preparation of cheese, in the preparation of crackers, in the
preparation of butter, in it.
ROAST POTATOES.
Roast potatoes for.
ASPARAGUS.
Asparagus in a lean in a lean to hot. This makes it art and it is wet
wet weather wet weather wet.
BUTTER.
Boom in boom in, butter. Leave a grain and show it, show it. I spy.
It is a need it is a need that a flower a state flower. It is a need
that a state rubber. It is a need that a state rubber is sweet and sight
and a swelled stretch. It is a need. It is a need that state rubber.
Wood a supply. Clean little keep a strange, estrange on it.
Make a little white, no and not with pit, pit on in within.
END OF SUMMER.
Little eyelets that have hammer and a check with stripes between a
lounge, in wit, in a rested development.
SAUSAGES.
Sausages in between a glass.