LOCALIZATION OF SOUNDS.

They are the most familiar things which in our science become the

strangest. _Not_ to know where you are when seasick, still less where

your mind is, is common enough. Our next experiment will trace our

power to know where sounds are to the same origin as seasickness.

Seasickness starts in the ear. In its cavity are three small tubes,

each bent in a circle, and filled with fluid. The three sit at right

angles to each other, like the three sides at the corner of a room or

a box. Consequently, in whatever direction the head is moved, the

fluid in some one of the tubes is given a circular motion. Hanging

out into the tubes, from their sides, are hairs or _cilia_, which

connect with nerve cells and fibres that branch off from the auditory

nerve. When the head moves the fluid moves, the hairs move, the cells

are "fired off," a nervous current is sent up to the brain, and a

feeling of the head's peculiar motion is consequent.

As for seasickness: this nerve current, on its way to the brain, at

one point runs beside the spot or "centre" where the nerve governing

the stomach has its origin. When the rocking of the head is abnormally

violent and prolonged, the stimulus is so great that the current leaks

over into this adjoining "centre," and so excites the nerve running to

the stomach as to cause wretchedness and retching. Deaf mutes, whose

ear "canals" are affected, are never seasick.

But normally the amount of ear-feeling which we get by reason of

moving our head in a particular direction comes in a curious way to be

a measure of the direction of sound. The feelings we get from our skin

and muscles in turning the head play a similar _role_. We turn our ear

to catch a sound. We do this so frequently for every point, that in

time we learn to judge the direction of the sound by the way we would

have to turn the head in order to hear the sound best. Thereafter we

do not have to turn the head to get the direction, for we now remember

the proper feeling and know it. This memory of the old feeling _is_

our idea of the present direction. If we never moved our heads we

never could have any such notion of the location of sounds as at

present--perhaps none whatever.

McClure's Magazine, Vol. 1, No. 5, October 1893 · 第 21 / 79 题