IV

The tale of _King Florus_—the gem of the book—recalls the early part of

Shakespeare’s _Cymbeline_ and the bet about a wife’s virtue, which forms

the subject of many romances, not a few folk-tales, and at least one

folk-song. _The Romance of the Violet_, by Gerbert de Montruil, _circa_

1225, derives its name from the mother’s mark of the heroine, which

causes her husband to lose his bet. This was probably the source of

Boccaccio’s novel (ii. 9), from which Shakespeare’s more immediately

grew. The Gaelic version of this incident, collected by Campbell (_The

Chest_, No. ii.), is clearly not of folk origin, but derived directly or

indirectly from Boccaccio, in whom alone the Chest is found. Yet it is

curious that, practically, the same story as the _Romance of the Violet_

is found among folk-songs in modern Greece and in Modern Scotland. In

Passow’s collection of Romaic Folk Songs there is one entitled _Maurianos

and the King_, which is in substance our story; and it is probably the

existence of this folk-song which causes M. Gaston Paris to place our

tale among the romances derived from Byzantium. Yet Motherwell in his

_Minstrelsy_ has a ballad entitled _Reedisdale and Wise William_, which

has the bet as its motive. Here again, then, we have a connection

between our romance and the story-store of European folk, and at the same

time some slight link with Byzantium.

V

The tale of “Oversea” has immediate connection with the Crusades, since

its heroine is represented to be no other than the great grandmother of

Saladin. But her adventures resemble those of Boccaccio’s Princess of

Babylon (ii. 7), who was herself taken from one of the Greek romances by

Xenophon of Ephesus. Here again, then, we can trace back to Greek

influence reaching Western Europe in the twelfth century through the

medium of the Crusades. But the tale finds no echo among the folk, so

far as I am aware, and is thus purely and simply a romance of adventure.

This, however, is not the only story connected with the Crusades in which

the Soudan loves a lady of the Franks. Saladin is credited by the chatty

Chronicle of Rheims with having gained the love of Eleanor, wife of Louis

VII., when they were in Palestine on the Second Crusade. As Saladin did

not ascend the throne till twenty years later, chronology is enabled to

clear his memory of this piece of scandal. But its existence chimes in

with such relations between Moslem and Christian as is represented in our

story, which were clearly not regarded at the time with any particular

aversion by the folk; they agree with Cardinal Mazarin on this point.

Old French Romances, Done into English · 第 9 / 16 题