CHAPTER VI

UP-STAIRS AND DOWN-STAIRS

POLLY, who demanded little of fate and who least of all the Scollard

family asserted herself, received some things unsought. For instance,

her tenth birthday came to her early in January, bringing a mild little

celebration of Polly's passing into double numbers.

In its honor all the girls came down to the tea room in the afternoon,

that Polly need not be separated from any of them, and they hoped it

might prove a day cloudy enough to allow for playtime.

Instead it was a bright, crisp, ozoneful day and people dropped in in

greater numbers than they had come since Christmas, so the girls were

as busy as bees. They had not seen much of their attractive landlady.

Her chaperonage was rather in moral effect, knowing that she was

above stairs ready in case of need, than in actual service. The tea

maidens caught glimpses of her, and exchanged a few words with her

occasionally, enough to make them, Margery especially, wish they might

know her better. She was busy with her classes and there was scant

opportunity.

To-day, however, Mrs. Stewart came in at one o'clock, and smiled her

readiness to wait till Margery should be at leisure to speak to her.

Mrs. Jones-Dexter had turned up again after an absence of ten days, and

Margery was patiently trying to fit her out; physically, with tea that

should be neither too strong nor too weak, too hot nor too cold, and

mentally with a novel equally perfect.

Margery had not yet acquired Happie's faculty of bearing up with

equanimity under this singular person's trying ways.

The moment Mrs. Jones-Dexter caught sight of Mrs. Stewart she deserted

Margery and the book shelves, and crossed over to the little dancing

teacher.

"What have you been doing to my little Serena Jones-Dexter?" she

demanded.

"Teaching her to dance?" said Mrs. Stewart with an interrogation point

in her voice, not knowing what the little Serena's grandmother might

mean.

"Teaching her to do nothing but dance!" retorted Mrs. Jones-Dexter.

"The mite puts chairs in a row, carefully spaced, and dances through

and around them all day long, if no one interferes. What are you trying

to make her do?"

Mrs. Stewart laughed. "Trying to make her do nothing of that sort,"

she said. "But I have suggested that practice for the older children,

to help them learn the reverse. I suppose your little Serena is

as imitative as are most tots. She has not reached the age when

difficulties are demanded of little women."

"I hope not!" said Mrs. Jones-Dexter, and Margery saw that her question

had not been put to Mrs. Stewart in a fault-finding way, but proudly,

and she remembered that Mrs. Charleford had said she was wrapped up

in her little grandchild. "Have you seen my little Serena?" Mrs.

Jones-Dexter asked turning to Margery.

"I'm afraid not. I have never been up-stairs during the classes,"

Margery replied.

"She's worth seeing," said Mrs. Jones-Dexter crisply. "It's not a

grandmother's doting that finds her a rare blossom of a child, is it?"

she demanded of Serena's teacher.

Mrs. Stewart shook her head. "I have never seen a child as lovely," she

said, and Margery saw that the praise was sincere.

"She is precisely like her name, sweet, exquisite, like a bit of

old-time porcelain. You would appreciate her. Mrs. Stewart, please

arrange for Miss Scollard and her sister to see my little girl," said

Mrs. Jones-Dexter. Margery was amazed to discover in this speech proof

that the difficult lady considered her and Happie fitted to appreciate

the fineness of this rare child.

"I came to ask Miss Margery Scollard to come up-stairs this afternoon.

I suppose both the elder girls cannot come together?" Mrs. Stewart

paused for the negative that Margery murmured. "Well, then will one of

you come and bring with you your two youngest sisters? And I will show

you Mrs. Jones-Dexter's grandchild; you will find her all we say," Mrs.

Stewart continued. "I wanted to ask a favor of you, if I may."

"I'll take myself out of earshot," said Mrs. Jones-Dexter promptly. "I

see your sister has my tea. I'll come in to-morrow to hear your candid

opinion of Serena. She is a shy child, not inclined to friendships, but

I think you will win her regard. I wish you would try to. She is not

strong, a sensitive creature, and I should like to have her play with

your pretty little Penelope, who is as vigorous and normal as Serena is

unearthly."

She walked across the room to the table at which Polly patiently waited

her coming. Margery turned to Mrs. Stewart. "I can hardly believe my

ears!" she cried. "I was thinking that I would never again try to

please her, that I must leave her to Happie forevermore, and suddenly

she turns brusquely cordial!"

"She's peculiar to herself," laughed Mrs. Stewart. "People say that

Mrs. Jones-Dexter has been a martinet in her family, that she and her

son, this little Serena's father, got on no better than she has got

on with her nieces, nephews, brothers and sisters. But towards Serena

she is pathetically tender and adoring. And it is all true about the

little girl. She is six years old, and the most flower-like, angelic

little being one could imagine. Now my favor: dear Miss Margery, I want

to take your Polly and Penny into my class, just for the pleasure of

having them,--that, and because I want to do something that would

give Miss Bradbury pleasure. As there is nothing I can do for her

directly, please let me teach the children. I know--better than you do,

possibly--how much she cares for you all, and I know that I can gratify

her in this way. She has done so much for me! Say yes, please, my dear!"

"I shouldn't know how to say no," said Margery. "It would be a great

advantage to the children, not to speak of the delight of it--Penny's

feet are set to dancing as naturally as other children are made to

walk. You are more than good, Mrs. Stewart, but it doesn't seem quite

fair."

"Don't you see that the class must be taught, and that two more little

persons in it do not affect my work? Then it is settled. I heard you

say the other day that your Polly would be ten years old to-day; will

you send her up this afternoon? I should like her first lesson to be a

birthday present--Penny too, of course." Mrs. Stewart looked as eagerly

glad as if she had been ten years old that day herself, and Margery

kissed her in spite of dignified tea drinkers who might wonder. "I'll

telephone up to Gretta to bring down their white frocks and slippers,"

she said. "I shall have to send mother down to thank you; I can't. What

time must the children come up?"

"At half past two, please. It's I who thank you for giving me such a

pleasure," said the little dancing teacher.

"Gretta and Laura will be down long before that," said Margery. And she

watched Mrs. Stewart away, thinking, "I never saw any one with quite

her combination of sadness and brightness of expression. She _is_ a

dear little woman, as Aunt Keren said."

Mrs. Stewart had hardly disappeared before a shadow fell over the

door-sill, a shadow that invariably struck the tea maidens as darker

and more sinister than ordinary shadows. It was cast by the man in

the cloak and sombrero, who instantly dispelled it by crossing the

threshold in his own person, and dropping into the corner which the

proprietors of the tea room reluctantly saw he was beginning to

consider his own.

So regularly he came to occupy the chair and tiny table, just big

enough for one, which stood here, that he had grown familiar to them

all, but not more attractive than he was at first.

Happie came to bring him his tea. It was understood that she was to

cope with the more difficult human problems, for she had a way with

her that melted crankiness and might, perhaps, disarm unkindness, or

convert wickedness--at least Margery believed so, though Happie, in

turn, believed all things possible to Margery's loveliness.

"Where is your musician?" asked the mysterious man.

"She has not come yet; she will be here later," Happie replied. Then

something in the man's face that she had not noticed in it before, nor

stopped now to analyze, wistfulness that was not merely sadness, but

emptiness, if one may so describe it, made her add the first voluntary

remark she had ever addressed to this customer. "You are fond of music,

aren't you?" she said.

"Fond of it? Are you fond of air, food, the earth, your life, child?

Music is my life," he exclaimed with a gaunt look of passionate

earnestness.

"Yet you are ready to listen to a little girl's playing! Of course we

think my sister plays wonderfully, for a girl of thirteen, but we are

partial," said Happie.

"You may be partial, but you are quite right," said the man as if his

dictum sufficed. "She has extraordinary talent. Her whole life ought to

be consecrated to music."

"Oh, I'm very glad she didn't hear you say that!" cried Happie. "Please

don't say it to her. She can't consecrate her life to music, and it's

bad enough as it is to have her so wrapped up in it." Happie stopped,

wondering to find herself half confiding in the person she feared.

The man shook his head impatiently, and made that unspellable sound of

protest, tongue against teeth: "T-t-t-t!" He looked at Happie, drawing

together his brows, but she did not mistake it for a scowl directed

at herself, but at annoying circumstances. "Ach!" he exclaimed with a

German accent that gave Happie the first clue to his nationality that

she had caught. "Talent should be first of all considerations. That

little sister of yours should be educated in music at any sacrifice."

"Oh, no, not that," said Happie, surprised at her own boldness in

differing from such a heavy frown. "There are other things more

important than talent--even if Laura were more than thirteen. But she

isn't, so there may be a chance for talents too. We think it is more

important that she should do her duty and be a splendid woman--like her

mother--and make people happy who love her, than that she should be the

greatest musician in the world."

"Yes, you're right," said the mysterious man heartily and unexpectedly.

"It's a black thing to feel that one's art broke a heart." He sighed,

and looked so gloomy that Happie characteristically felt instant

longing to comfort him. Before she had made up her mind how to meet

this revelation, the guest stirred his tea and asked: "Only thirteen,

you say? She looks more. She is really a wonderful child."

"Here she comes," said Happie as Gretta appeared in the doorway with

Laura, and with Penny in dancing school array. "Please, please, if ever

you talk to her don't let her know you think she is wonderful. Mother

tries so hard to keep her from thinking so herself."

"Well, Happie!" exclaimed Gretta as Happie came towards her.

"So say we all of us: 'Well, Happie!' How did you dare? And you looked

positively friendly; Gretta and I were watching you," said Margery.

"He's very unhappy, I believe," said Happie, thus fully explaining her

conversation with the Mystery. "I will get Polly ready if you will go

over there and smile at those two fluffy girls with hair and fox boas

just alike."

Usually Laura went to the piano when the Mystery was taking his tea. A

girl less sensitive to admiration than she was, would have discovered

that the man in the cloak was interested in her music, and Laura was

perfectly aware of the fact. But to-day her skies were leaden because

Polly and Penny had an opportunity to go to dancing school which was

denied her, and it was scant comfort that they got it because they

were so much younger than she. Laura's genius could not buoy her over

childish trials, though, for that matter, every one knows that genius

is childish.

The man in the cloak watched Laura as she gloomily served tea to two

women, one evidently giving economical entertainment to the other, her

country guest. When she had finished her task, as she passed his little

table in the corner, the mysterious man stopped her. "Won't you play

for me, little Clara Schumann?" he said.

Laura brightened visibly. "If you like," she answered, and played.

Her mood was not favorable to music that afternoon, and the man in the

cloak was quick to perceive it. He arose from the table and went over

to the piano.

"It goes badly to-day, little musician, does it not?" he said gently.

"This little instrument is out of tune. Something has made discords for

you, is it not so? Well, it will pass--and come again, till at last

you will reach the time of a horrible lasting discord, or a beautiful,

permanent harmony, according to what you make of your life. Shall I

play to you to-day? You have so often given me pleasure."

Laura stared at the mysterious man dumb-founded, but without waiting

for an answer he twirled the piano stool down to a suitable height and

began to play.

At the first touch of his hands on the keys Happie instantly became

reconciled to the fact that Margery and not she had taken the children

up to the dancing class, and the few people who were then in the tea

room forgot everything else to listen. For there was no mistaking the

fact that here was a wizard of music.

The mysterious man played for a long time. People went and came, but

still he played on, passing from Beethoven's sublime conceptions to

Hungarian dances that were half earthy, half witch music, into Chopin's

heart-breaking nocturnes, into Schumann's noble thoughts, Mendelssohn's

courageous hope, Grieg's innocent imaginings.

Laura listened enraptured, swept beyond remembrance of Laura Scollard,

her vanities, her little disappointments and desires.

She drew a long breath as the mysterious man ceased playing at last,

and turned on the stool to face her. "Oh!" she said with a long-drawn

sigh, forgetting to thank him.

"Good-bye," said this singular person abruptly, and hastened towards

the door.

Happie intercepted him. "You have been very kind to us," she said. "We

would like to thank you, but it seems rather silly to thank any one for

such music as that. I wish we might know what to call you."

The man looked down on her, stroking his drooping moustache with the

end of his thumb and the side of his forefinger, holding his hollowed

hand over his mouth.

"You can call me Lieder, Hans Lieder," he said, and was gone.

"Lieder! Songs!" murmured Happie gazing after him. "I'm perfectly sure

that isn't his name."

While this feast of music had been spread for the three lucky girls

down-stairs, Polly and Penny were rapturously being introduced to

another art up-stairs, and Margery was enjoying watching the children

with all her might.

Little Serena Jones-Dexter had arrived under the care of her nurse, and

when she came out of the dressing-room with every ribbon falling into

its proper fold of finest mull, Mrs. Stewart took her hand and led her

over to Margery.

"This is Margery Scollard, Serena," she said. "Here is our little girl,

Margery. No, don't make Margery a dancing-school curtsey, dear; you are

to be good friends, so you need not begin with a stiff curtsey."

Margery leaned forward, smiling, but did not speak. The soft color in

her cheeks, the warm light in her eyes, her youth and loveliness begged

little Serena not to be shy, but to trust her. The child looked up at

Margery with great gray eyes, and her pale face flushed. She was so

ethereal, so dainty, so altogether fine and frail that Margery felt as

though she were hardly a child of common clay.

"Grandma said we were to be friends; will you, Serena? Will you like me

a little bit?" said Margery softly.

Serena hesitated, and then smiled. "I'll be friends," she said, and

clambered up on the chair beside Margery to prove her sincerity.

When the time came for the child to dance she danced more beautifully

than any other child there. Penny lost her heart to her at once, and

went around after her like a happy, healthy little mortal following a

stray visitor from fairyland. Serena shrank from Penny at first, but

she had quite lost her heart to pretty Margery, and when she found the

two were sisters she vouchsafed to tolerate Penny, to that merry little

soul's humble delight.

A voice in Margery's ear said: "Well, isn't she all that I told you?"

She looked up to see Mrs. Jones-Dexter unexpectedly at her elbow.

"She is much more than any one could describe," said Margery, so

fervently that the doting grandmother was satisfied.

"Shall we give the butterfly dance for Miss Margery to see, Mrs.

Jones-Dexter?" asked Mrs. Stewart.

"Not to-night; it takes too long. Let Serena dance alone, her bird

dance, if you like, and then I must take her home," said Mrs.

Jones-Dexter, to whom no other child but her darling was worth

exhibiting.

So Serena danced a pretty little allegory of the bird new-come in the

spring, greeting the flowers, singing to its mate, sunning itself in

the warmth, flying from the shower, at last preening its soft feathers,

and cuddling down to sleep safely, wind-rocked in the tree.

Margery came away not less delighted with her afternoon than were Polly

and Penny, though these young ladies were more vociferous, and Polly

could not recover from the wonder that all this had happened on her

birthday, and that dancing lessons for the winter were her birthday

gift.

Ralph came to escort the girls up town, explaining that Bob had

telephoned a request to him to do so, as he was detained by Mr. Felton

beyond his usual hour. Polly took possession of Ralph's left hand

by the right of favoritism which was hers with this big boy. She

poured out the tale of her birthday gift, of the steps she had already

learned, and imparted to Ralph certain fundamental principles of

carriage and motion, proud to show her knowledge.

"And Serena!" she added. "You ought to see Serena!"

"Now what is Serena?" demanded Ralph. "Who is there with such

an old-time name? It was my great-grandmother's name, mother's

grandmother, but I never knew any one living that bore it."

"This little owner of it is living," said Margery taking up the theme,

and joining Ralph and Polly. "She is very much alive, but more with the

life of a fairy than a mortal. She is a little creature six years old,

the loveliest child imaginable. And the strange part of it is that she

is the grandchild of an elderly lady who uses the tea room, and whom we

have thought until to-day, was a dragon: Mrs. Jones-Dexter."

"Jones-Dexter!" cried Ralph, stopping so short that Happie and Gretta,

immediately behind, almost tumbled over him. "Why, she's mother's

aunt! The child is my cousin then. She must be named after that very

great-grandmother! Indeed Mrs. Jones-Dexter is a dragon!"

Six Girls and the Tea Room · 第 6 / 20 章