As of course Forster deeply felt the death of his old friend and

comrade, the amiable and constant Dickens, he was the great central

figure in all the dismal ceremonial that followed. He arranged

everything admirably, he was executor with Miss Hogarth, and I could

not but think how exactly he reproduced his great prototype, Johnson,

in a similar situation. Bozzy describes the activity and fuss of the

sage hurrying about with a pen in his hand and dealing with the

effects: "We are not here," he said, "to take account of a number of

vats, &c., but of the potentiality of growing rich beyond the dreams

of avarice." So was Forster busy, appraising copyrights, and realizing

assets, all which work he performed in a most business-like fashion.

That bequest in the will of the gold watch, to his "trusty friend,

John Forster," I always thought admirably summarized the relations of

the two friends. I myself received under his will one of his ivory

paper-knives, and a paper-weight marked C.D. in golden letters, which

was made for and presented to him at one of the pottery works.

One of the most delightful little dinners I had was an impromptu one

at Forster's house, the party being himself, myself, and Boz. The

presence of a third, not a stranger yet not an intimate, prompted both

to be more free than had they been _tête-à-tête_. Boz was what might

best be called "gay." His fashion of talk was to present things that

happened in a pleasantly humorous light. On this occasion he told us a

good deal about a strange being, Chauncey Hare Towns-bend, from whom

he may have drawn Twemlow in _Our Mutual Friend_. Every look in that

sketch reminds me of him; he, too, had a shy shrinking manner, a soft

voice, but, in his appearance most of all, was Twemlow; he had a

rather over-done worship of Dickens, wishing "not to intrude," etc.;

he was a delicate, unhealthy looking person, rather carefully made up.

Boz was specially pleasant this day on an odd bequest of his; for poor

Twemlow had died, and he, Boz, was implored to edit his religious

writings: rather a compendium of his religious opinions to be

collected from a mass of papers in a trunk. For which service £1,000

was bequeathed. Boz was very humorous on his first despair at being

appointed to such an office; then described his hopeless attempts "to

make head or tail" of the papers. "Are they worth anything as

religious views?" I asked. "Nothing whatever, I should say," he said,

with a humorous twinkle in his eye, "I must only piece them together

somehow." And so he did, I forget under what title, I think _Religious

Remains of the late C. H. T._ There was probably some joking on this

description. It is fair to say that Boz had to put up with a vast deal

of this admiring worship, generally from retiring creatures whom his

delicate good-nature would not let him offend.

Forster's large sincerity was remarkable, as was his generous style,

which often carried him to extraordinary lengths. They were such as

one would only find in books. I remember once coming to London without

giving him due notice, which he always imperatively required to be

done. When I went off to his house at Palace Gate, presenting myself

about five o'clock, he was delighted to see me, as he always was, but

I saw he was very uncomfortable and distressed. "_Why_ didn't you tell

me," he said testily, "a day or two ago would have done. But _now_, my

dear fellow, _the table's full_--it's impossible." "What?" I asked,

yet not without a suspicion of the truth--for I knew him. "Why, I have

a dinner party to-day! De Mussy, the Doctor of the Orleans family, and

some others are coming, and here you arrive at this hour! Just look at

the clock--I tell you it can't be done." In vain I protested; though I

could not say it was "no matter," for it was a serious business. "Come

with me into the dining-room and you'll see for yourself." There we

went round the table, and "_The table's full_," he repeated from

_Macbeth_. There was something truly original in the implied premise

that his friend was _entitled_ of right to have a place at his table,

and that the sole dispensing cause to be allowed was absence of space

or a physical impossibility. It seems to me that this was a very

genuine, if rare, shape of hospitality.

Of all Forster's friends at this time, of course, after Dickens, and

he had innumerable ones, his fastest seemed Robert Browning. As every

Sunday came round it was a rule that the Poet was to dine with him.

Many were the engagements his host declined on the score of this

standing engagement. "Should be delighted, my dear friend, to go to

you, but it is an immemorial custom that every Sunday Robert Browning

dines with _me_. Nothing interferes with _that._" Often, indeed,

during the week the Poet would drop in for a chat or consultation,

often when I was there. He was a most agreeable person, without any

affectation; while Forster maintained a sort of patriarchal or

paternal manner to him, though there was not much difference in their

ages. Indeed, on this point, Forster well illustrated what has been

often said of Mr. Pickwick and his time, that age has been much "put

back" since that era. Mr. Pickwick, Wardle, Tupman and Co., are all

described as old gentlemen, none of the party being over fifty; but

they had to dress up to the part of old gentlemen, and with the aid of

corpulence, "circular spectacles," &c, conveyed the idea of seventy.

Forster in the same way was then not more than forty-five, but had a

full-blown official look, and with his grave, solemn utterances, you

would have set him down for sixty. Now-a-days men of that age, if in

sound order, feel, behave, and dress as men of forty. Your _real_ old

man does not begin till he is about seventy-five or so.

Browning having an acquaintance that was both "extensive and

peculiar," could retail much gossip and always brought plenty of news

with him: to hear which Forster did seriously incline. The Poet, too,

had a pleasant flavour of irony or cynicism in his talk, but nothing

ill-natured. What a pleasant Sunday that was when Frederick Chapman,

the publisher, invited me and Forster, and Browning, with one or two

more, whose names I have forgotten, down to Teddington. It was the

close of a sultry summer's day, we had a cool and enjoyable repast,

with many a joke and retailed story. Thus, "I was stopped to-day,"

said Browning, "by a strange, dilapidated being. Who do you think it

was? After a moment, it took the shape of old Harrison Ainsworth." "A

strange, dilapidated being," repeated Forster, musingly, "so the man

is alive." Then both fell into reminiscences of grotesque traits, &c.

This affectionate intercourse long continued. But alas! this

_compulsory_ Sunday dining, as the philosopher knows, became at last a

sore strain, and a mistake. It must come to Goldsmith's "travelling

over one's mind," with power to travel no farther. Browning, too, had

been "found out by Society"; was the guest at noble houses, and I

suppose became somewhat lofty in his views. No one could scoff so

loudly and violently as could Forster, at what is called snobbishness,

"toadying the great"; though it was a little weakness of his own, and

is indeed of everybody. However, on some recent visit, I learned to my

astonishment, that a complete breach had taken place between the

attached friends, who were now "at daggers drawn," as it is called.

The story went, as told, I think, by Browning, who would begin: "I

grew tired of Forster's _always wiping his shoes on me_." He was fond

of telling his friend about "dear, sweet, charming Lady ----," &c.

Forster, following the exact precedent of Mrs. Prig in the quarrel

with her friend, would break into a scornful laugh, and, though he did

not say "_drat_ Lady ----," he insisted she was a foolish,

empty-headed creature, and that Browning praised her because she had a

title. This was taken seriously, and the Poet requested that no

disparaging remarks would be made on one of his best friends. "Pooh,"

said Forster, contemptuously, "some superannuated creature! I am

astonished at you." How it ended I cannot say, but it ended painfully.

Some time elapsed and friends to both sides felt that here was a sort

of scandal, and it must be made up. No one was more eager than

Forster. Mutual explanations and apologies were given and all was as

before. The liberal Forster, always eager to find "an excuse for the

glass," announced a grand reconciliation dinner, to which came a

rather notable party, to wit, Thomas Carlyle, Browning and his son,

the Rev. Whitwell Elwin, the editor of Pope, and sometime editor of

the _Quarterly_, the young Robert Lytton, myself, and some others whom

I have forgotten. What an agreeable banquet it was! Elwin was made to

retell, to Forster's convulsive enjoyment, though he had heard it

before, a humorous incident of a madman's driving about in a gig with

a gun and a companion, who up to that moment _thought_ he was sane.

The Sage of Chelsea had his smoke as usual, a special churchwarden and

a more-special "screw" of tobacco having been carefully sent out for

and laid before him. There was something very interesting in this

ceremonial. We juniors at the end of the table, Robert Lytton and

myself, both lit a cigar, which brought forth a characteristic lecture

from Forster; "I never allow smoking in this room, save on this

privileged occasion when my old friend Carlyle honours me. But I do

not extend that to you Robert Lytton, and you (this to me). You have

taken the matter into your own hands, without asking leave or license;

as that is so, and the thing is done, there is no more to be said."

Here of course we understood that he wished to emphasize the

compliment to his friend and make the privilege exclusively his. But

he would have liked to hear, "May we also smoke?"

Forster's affection for Carlyle and his pride in him was delightful to

see. I think he had more reverence for him than for anybody. He really

looked on him as an inspired Sage, and this notion was encouraged by

the retired fashion in which he of Chelsea lived, showing himself but

rarely. Browning was seated near his host, but I noticed a sort of

affected and strained _empressement_ on both sides. Later I heard a

loud scoffing laugh from Forster, but the other, apparently by a

strong effort, repressed himself and made no reply. Alas! as was to be

expected, the feud broke out again and was never healed. Though

Browning would at times coldly ask me after his old friend.

There was no better dramatic critic than Forster, for he had learned

his criticism in the school of Macready and the old comedies. He had a

perfect instinct for judging even when not present, and I recollect,

when Salvini was being set up against Irving, his saying

magisterially: "Though I have not seen either Mr. Salvini or Mr.

Irving, I have a perfect conviction that Salvini is an actor and Mr.

Irving is not." He had the finest declamation, was admirable in

emphasis, and in bringing out the meaning of a passage, with

expressive eye and justly-modulated cadences. I never had a greater

treat than on one night, after dining with him, he volunteered to read

aloud to us the Kitely passages from _Every Man in his Humour_, in

which piece at the acted performances he was, I suspect, the noblest

Roman of 'em all. It was a truly fine performance; he brought out the

jealousy in the most powerful and yet delicately suggestive fashion.

Every emotion, particularly the anticipation of such emotions, was

reflected in his mobile features. His voice, deep and sonorous, and at

times almost flutey with softness, was under perfect control; he could

direct it as he willed. The reading must have called up many pleasant

scenes, the excitement, his friends, the artists and writers, who all

had taken part in the "splendid strolling" as he called it, and now

all gone!

He often, however, mistook inferior birds for swans. He once held out to

us, as a great treat, the reading of an unpublished play of his friend

Lord Lytton, which was called _Walpole_. All the characters spoke and

carried on conversation in hexameters. The effect was ridiculous. A more

tedious thing, with its recondite and archaic allusions to Pulteney and

other Georgian personages, could not be conceived. The ladies in

particular, after a scene or two, soon became weary. He himself lost

faith in the business, and saw that it was flat, so he soon stopped, but

he was mystified at such non-intelligence. There was quite a store of

these posthumous pieces of the late dramatist, some of which I read. But

most were bad and dreary.

Forster had no doubt some oracular ways, which, like Mr. Peter

Magnus's in _Pickwick_, "amused his friends very much." "Dicky" Doyle

used to tell of a picnic excursion when Forster was expatiating

roundly on the landscape, particularly demanding admiration for

"yonder purple cloud" how dark, how menacing it was. "Why, my dear

Forster," cried Doyle, "it's not a cloud at all, but only a piece of

slated roof!" Forster disdained to notice the correction, but some

minutes later he called to him loudly before the crowd: "See, Doyle!

yonder is _not_ a cloud, but a bit of slated roof: there can be no

doubt of it." In vain Doyle protested, "Why, Forster, I said that to

you!" "My dear Doyle," said Forster, sweetly, "it's no more a cloud

than I am. I repeat you are mistaken, _it's a bit of slated roof_."

To myself, he was ever kind and good-natured, though I could smile

sometimes at his hearty and well-meant patronage. Patronage! it was

rather wholesale "backing" of his friends. Thus, one morning he

addressed me with momentous solemnity, "My dear fellow, I have been

thinking about you for a long time, and I have come to this

conclusion: you _must write a comedy_. I have settled that you can do

it; you have powers of drawing character and of writing dialogue; so I

have settled, the best thing you can do is to write a comedy." Thus

had he given his permission and orders, and I might fall to work with

his fullest approbation. I have no doubt he told others that he had

directed that the comedy should be written.

On another day, my dachshund "Toby" was brought to see him. For no one

loved or understood the ways of dogs better. He greatly enjoyed "the

poor fellow's bent legs," rather a novelty then, and at last with a

loud laugh: "He is _Sir_ Toby! no longer Toby. Yes my dear friend he

_must_ be Sir Toby henceforth." He had knighted him on the spot!

Forster always stands out pre-eminently as "the friend," the general

friend, and it is pleasant to be handed down in such an attitude. We

find him as the common referee, the sure-headed arbiter,

good-naturedly and heartily giving his services to arrange any trouble

or business. How invaluable he was to Dickens is shown in the "Life."

With him friendship was a high and serious duty, more responsible even

than relationship. His warm heart, his time, his exertions, were all

given to his friend. No doubt he had some little pleasure in the

importance of his office, but he was in truth really indulging his

affections, and warm heart.

Among his own dearest friends was one for whom he seemed to have an

affection and admiration that might be called tender; his respect,

too, for his opinions and attainments were strikingly unusual in one

who thought so much of his own powers of judgment. This was the Rev.

WHITWELL ELWIN, Rector of Booton, Norwich. He seemed to me a man quite

of an unusual type, of much learning and power, and yet of a gentle

modesty that was extraordinary. In some things the present Master of

the Temple, Canon Ainger, very much suggests him. I see Elwin now, a

spare wiry being with glowing pink face and a very white poll. He

seemed a muscular person, yet never was there a more retiring, genial

and delicate-minded soul. His sensitiveness was extraordinary, as was

shown by his relinquishing his monumental edition of Pope's Works,

after it had reached to its eighth volume. The history of this

proceeding has never been clearly explained. No doubt he felt, as he

pursued his labours, that his sense of dislike to Pope and contempt

for his conduct was increasing, that he could not excuse or defend

him. Elwin was in truth the "complement" of Forster's life and

character. It was difficult to understand the one without seeing him

in the company of the other. It was astonishing how softened and

amiable, and even schoolboy-like, the tumultuous John became when he

spoke of or was in company with his old friend; he really delighted in

him. Forster's liking was based on respect for those gifts of culture,

pains-taking and critical instinct, which he knew his friend

possessed, and which I have often heard him praise in the warmest and

sincerest fashion. "In El-win"--he seemed to delight in rolling out

the syllables in this divided tone--"in El-ween you will find style

and finish. If there is anyone who knows the topic it is El-win. He is

your man."

I was bringing out a _magnum opus_, dedicated to Carlyle, Boswell's

_Life of Johnson_, entailing a vast deal of trouble and research. The

amiable Elwin, whom I consulted, entered into the project with a host

of enthusiasm. He took the trouble of rummaging his note books, and

continued to send me week by week many a useful communication,

clearing up doubtful passages. But what was this to his service when

I was writing a Life of Sterne,[1] and the friendly Forster,

interesting himself in the most good-natured way, determined that it

should succeed, and put me in communication with Elwin. No doubt he

was interested in his _protégé_, and Elwin, always willing to please,

as it were, received his instructions. Presently, to my wonder and

gratification, arrived an extraordinary letter, if one might so call

it, which filled over a dozen closely written pages (for he compressed

a marvellous quantity into a sheet of paper), all literally

overflowing with information. It was an account of recondite and most

unlikely works in which allusions to Sterne and many curious bits of

information were stowed away; chapter and page and edition were given

for every quotation; it must have taken him many hours and much

trouble to write. And what an incident it was, the two well-skilled

and accomplished literary critics exerting themselves, the one to

secure the best aid of his friend, the other eager to assist, because

his friend wished it.

[Footnote 1: I recall a meeting by special appointment with Elwin, who

came to lunch to debate it. He had already my letter, turned it over

and over again, but without result. The point was what edition should

be used--the first or the last; this latter having, of course, the

advantage of the author's latest revision. On the great question of

"Johnson's stay at Oxford," which has exercised all the scholars, and

is still in a more or less unsatisfactory way, he agreed with me.]

In the course of these Shandian enquiries, the passage in Thackeray's

lecture occurred to me where he mentions having been shown Eliza's

Diary by a "Gentleman of Bath." I wished to find out who this was,

when my faithful friend wrote to the novelist and sent me his reply,

which began, "My dear Primrose"--his charmingly appropriate nick or

pet name for Elwin, who was the very picture of the amiable vicar. It

resulted in the gentleman allowing _me_ to look at his journal.

Letter from Elwin on the "unfortunate Dr. Dodd":--

Booton Rectory, Norwich,

Oct. 31st, 1864.

My dear Mr. ----.--I have been ill for some weeks past,

which has prevented my writing to you. It is of the less

importance that I can add nothing to your ample list of

authorities, except to mention, if you are not already aware

of it, that there is a good deal about Dr. Dodd and his

doings, in "Chrysal, or the Adventures of a Guinea." The

contemporary characters which figure in the work are

described partly by real, and partly by invented

circumstances. But you at least get the view which the

author entertained of the persons he introduces on the

scene. I missed the first part of your Memoir of Dodd, in

the _Dublin Magazine_. The second I saw, and thought it

extremely interesting, and very happily written. I was

surprised at the quantity of information you had got

together. I cannot help you to any detailed account of the

Maccaroni preachers. They are glanced at in the second book

of Cowper's Task. They have existed, and will exist in every

generation, but it is seldom that any record is preserved of

them. They are the butterflies of the hour. There are no

means by which you can keep worthless men from making a

trade of religion, and as long as there are people simple

enough to be dupes, so long there will be impostors. It is

strange to see what transparent acting will impose upon

women. To be popular, to draw large audiences, is the avowed

object of many of these preachers. The late R. Montgomery

once introduced himself to an acquaintance of mine on the

platform at some religious meeting. Montgomery commenced the

conversation by the remark, "You have a chapel in the West

End." "Yes," said my friend. "And I hope to have one soon,"

replied M., "for I am satisfied that I have the faculty for

_adapting_ the Gospel to the _West End_." You may tell the

story if you give no names.

You have anticipated my Sterne anecdotes. I will just

mention one circumstance. In the advertisement to the

edition of Sterne's Works, in 10 vols. (1798), it is stated

(Vol. I, p. iv.) "that the letters numbered 129, 130 and

131, have not those proofs of authenticity which the others

possess." Now, letter 131 is very important, for it is that

in which Sterne replies to the remonstrances against the

freedoms in Tristram Shandy. It may be satisfactory to you

to know that some years after the edition of Sterne's Works

the letter was published by Richard Warner (apparently from

the original) in the Appendix to his Literary Recollections.

He was not, I suppose, aware that it had been printed

before. Warner was ordained in the North, and his work will

throw some light upon the state of things in those regions

at a period close upon Sterne's time. You will find it worth

while to glance over it. If I can be of any help to you I

shall only be too happy.

Believe me ever, most sincerely yours,

W. ELWIN.

There is something touching in this deep affection, exhibited by so

rough and sturdy a nature and maintained without flagging for so many

years. With him it was "the noble Elwin," "the good Elwin," "as ever,

most delightful," "kinder and more considerate than ever." "Never were

letters so pleasant to me as yours," he wrote in 1865, "and it is sad

to think that from months we are now getting on to years with barely a

single letter." "My dear fellow," he wrote again, "with the ranks so

thinning around us, should we not close up, come nearer to each other?

None are so dear to us at home as Mrs. Elwin and yourself and all of

you." One of the last entries in his diary was, "Precious letter from

dearest Elwin. December 10th, 1875."

Elwin had, perhaps, a colder temperament, or did not express his

devotion. But his regard would seem to have been as deep-seated; as

indeed was shown in the finely drawn tribute he paid him after his

death, and which is indeed the work of an accomplished writer and

master of expression. "He was two distinct men," wrote Elwin to John

Murray the elder, in 1876, "and the one man quite dissimilar from the

other. To see him in company I should not have recognised him for the

friend with whom I was intimate in private. Then he was quiet,

natural, unpretending, and most agreeable, and in the warmth and

generosity of his friendship he had no superior. Sensitive as he was

in some ways, there was no man to whom it was easier so speak with

perfect frankness. He always bore it with gentle good nature."[2]

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