THE ENGLISH SCHOOL

I shall never care to see London again. I should not find there my old

memories, and, above all, I should not find the same men to enjoy with

me what there is to be seen now. Perhaps I might find myself obliged to

break a lance for Reynolds, or for that adorable Gainsborough, whom you

are indeed right to love. Not that I am the opponent of the present

movement in the painting of England. I am even struck by the prodigious

conscientiousness that these people can bring to bear even on work of

the imagination; it seems that in coming back to excessive detail they

are more in their own element than when they imitated the Italian

painters and the Flemish colourists. But what does the skin matter?

Under this seeming transformation they are always English. Thus instead

of making imitations pure and simple of the primitive Italians, as the

fashion has been among us, they mix with this imitation of the manner of

the old schools an infinitely personal sentiment; they put into it the

interest which is generally missing in our cold imitations of the

formulas and the style of schools which have had their day. I am writing

without pulling myself up, and saying everything that comes into my

head. Perhaps the impressions I received at that former time might be a

little modified to-day. Perhaps I should find in Lawrence an

exaggeration of methods and effects too closely reminiscent of the

school of Reynolds; but his amazing delicacy of drawing, and the air of

life he gives to his women, who seem almost to be talking with one, give

him, considered as a portrait-painter, a certain superiority over Van

Dyck, whose admirable figures are immobile in their pose. Lustrous eyes

and parted lips are admirably rendered by Lawrence. He welcomed me with

much kindness; he was a man of most charming manners, except when you

criticised his pictures.... Our school has need of a little new blood.

Our school is old, and the English school seems young. They seem to seek

after nature while we busy ourselves with imitating other pictures.

Don't get me stoned by mentioning abroad these opinions, which alas! are

mine.

_Delacroix._

The mind of the artist · 第 266 / 298 题