XLIX

He that would be a painter must have a natural turn thereto.

Love and delight therein are better teachers of the Art of Painting than

compulsion is.

If a man is to become a really good painter he must be educated thereto

from his very earliest years. He must copy much of the work of good

artists until he attain a free hand.

To paint is to be able to portray upon a flat surface any visible thing

whatsoever that may be chosen.

It is well for any one first to learn how to divide and reduce to

measure the human figure, before learning anything else.

_Dürer._

L

The painter requires such knowledge of mathematics as belongs to

painting, and severance from companions who are not in sympathy with

his studies, and his brain should have the power of adapting itself to

the tenor of the objects which present themselves before it, and he

should be freed from all other cares. And if, while considering and

examining one subject, a second should intervene, as happens when an

object occupies the mind, he ought to decide which of these subjects

presents greater difficulties in investigation, and follow that until it

becomes entirely clear, and afterwards pursue the investigation of the

other. And above all he should keep his mind as clear as the surface of

a mirror, which becomes changed to as many different colours as are

those of the objects within it, and his companions should resemble him

in a taste for these studies; and if he fail to find any such, he should

accustom himself to be alone in his investigations, for in the end he

will find no more profitable companionship.

_Leonardo._

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