CHAPTER XII.

DIANA'S STORY.

The days go swiftly by: every morning I say to myself, "I am a day

nearer to papa and Gay and the animals;" and yet, it is no unfaith or

treachery to them, there is something so fascinating and desirable in

this unaccustomed life that I cannot think of leaving it without a

pang. After the luxury, the flattery and laughter, the old home will

seem quiet and dull and sombre; but it is not that,--oh, not that! I

do not think I should ever be one of those who think meanly of a

friend because he wears a shabby coat. It is not the dullness or the

poverty of home that frightens me: it is the thought that I shall

lose the sight of one face, the sound of one voice, that my poor

foolish eyes and ears have grown to feast on. A cold chill strikes

my heart every time I remember that a few days, such a few days

hence, he will have gone forever out of my life. And I am nothing to

him! he will go on with his gay pleasant life, which no faintest

recollection of the little country-bred girl will cross.

One evening again I sing: he does not come near me, nor thank me, as

the others do. But later he comes and whispers to me,--

"I want you to do me a great favor. Will you?"

My eyes glisten. What would I not do to favor him?

"I have a passion for singing,--some singing,--like yours. The

Opera, as a rule, bores me to death, except a few of those lovely,

plaintive solos. After all, I would rather hear Patti sing 'Home,

Sweet Home,' than all the operas in creation. I'm awfully fond of

hymn-tunes, those lovely ones they sing at Wells Street (ah! I

forget you don't know London). I go there nearly every Sunday

afternoon. But best of all I love to sit in an arm-chair and listen

to those dear old-fashioned ballads sung by a voice like yours. Not

that I often get the chance: I have not heard many such. The only

time I ever feel as if I had a soul is when I listen to sweet

singing. I think" (smiling) "you might quite convert me with your

voice: you know Orpheus charmed the wild beasts with his lyre, and I

don't suppose you think me far removed from them."

I laugh from sheer happiness at his praise.

"But the favor!" I say, interrogatively.

"I want" (bending still nearer)--"I want you to sing to me alone."

"Alone?" I repeat; "but how can I? Do you mean to ask all the other

people to go out of the room?"

"I want you to make a rendezvous with me for to-morrow. Every one

goes out in the afternoon. Say you have a headache and stop at home."

"But I never had a headache in my life."

"No? I thought ladies always had headaches as often as they liked.

What is your particular complaint when you want an excuse?"

"I never do want one. I have only to say to papa 'I wish to go out;'

or, 'I wish to stay at home,' and he never questions it."

"I wish my papa was like that!" laughs Captain Montagu.

"Unfortunately, he is the exact opposite of yours. But come"

(persuasively), "do manage it for me somehow, and I shall be ever so

grateful to you."

I should dearly like to do what he asks me,--there could be no harm

in singing to him; but to scheme to be alone with him, even for so

innocent a purpose! No: impossible.

"I would sing to you for hours, and welcome," I say, "but we must

take our chance of there being some one else present who might

object."

"I tell you how we'll manage it: we'll start for a walk with Miss

Gore and Irvine: they always walk,--I suppose" (laughing) "because

it's the only chance they have of getting away from their kind here.

They are sure to lose us, or we them, and then we will come back and

have it all to ourselves. Shall we?"

A guilty joy steals across me as I smile consent, and then he leaves

me, and his brother, who has been scowling at us from the other side

of the room, takes his place.

"What has my brother been imparting to you that makes you look so

happy?" he asks, in his cold voice.

"If I look happy," I retort, rather indignantly, "it is because I

reflect the faces of the people I talk to. Your brother smiles and

looks pleasant, so I do the same."

"And you are reflecting my face now, I suppose," he says, with slight

sarcasm. "Your expression is quite different from what it was a

moment ago."

"Probably," I reply, for I am considerably nettled by his constant

personalities.

He gnaws his lip for a moment, and then says, much more softly,--

"I wish I had the knack of pleasing you! Do you know I long

sometimes to play eavesdropper and hear what these fellows say who

make you smile and look so bright?"

"You would not hear much wit or wisdom," I respond, relaxing into a

smile: "the subject of our mirth would probably cause you to embrace

us all in one supreme and infinite contempt."

"Why will you persist in thinking me such a prig?" he says,

impatiently. "Do you think _I_ cannot laugh and be gay and amused

too?"

I look askance at him, and answer, doubtfully, "I don't know: I dare

say."

He laughs in spite of himself.

"I suppose you think I never was a boy and trundled a hoop or played

marbles."

For once he succeeds in making me laugh, as my vivid imagination

pictures the grave and dignified individual before me occupied with

such youthful pastimes.

"You see," I say, when I recover myself, "what a small thing it takes

to amuse me."

"Anyhow, I am fortunate to have done so once," he observes, quite

good-temperedly; and, having so far broken the ice, we continue quite

friendly for the short time that remains before the party breaks up

for the night.

I go to my room exuberantly happy at the thought of to-morrow's

programme, but trembling, too, for fear something may interfere with

it. But it comes to pass as he has decreed. Most of the gentlemen

are shooting,---all, indeed, except Captain Montagu, Miss Gore's

lover, and Lord Rexborough, who has gone hunting with Lady Gwyneth.

We start for our walk, and in due course lose our companions; and

little more than half an hour later we are back in Mrs. Warrington's

boudoir, I at the piano, Captain Montagu a little distance off,

buried in the easiest chair in the room. His eyes are shut, and his

face slightly averted from me.

"I am not asleep," he says, "but I cannot use my eyes and ears both;

and the prettiest woman in the world looks less pretty with her mouth

open, singing. I shall not say, 'Thank you;' and please not to stop

for a long time."

So I sing on and on, more anxious to give him pleasure than I could

feel to win the approbation of a thousand other folk. Once now and

then I let my eyes steal over his face with secret delight, and still

I sing on.

It begins to grow dusk,--the days are at their shortest. I look at

the clock: it is a whole hour since I sat down. I close the piano

softly, not altogether sure that my voice has not had the soothing

though unflattering effect of sending him to sleep; but no sooner

have I done so than he opens his eyes, and, rising, comes towards me.

"Do you know," he says, softly, bending down to me, "do you know that

you have given me more pleasure than I have felt for years? I can't

tell you how I have enjoyed this afternoon. You are not tired, are

you?" (tenderly). "I am such a selfish brute,--I am afraid I never

think of any one but myself."

"I am glad if I have pleased you," I say, looking at him, but turning

my eyes as quickly away again, feeling, I know not why, unable to

meet his gaze. There is a moment's pause, and then he stretches out

his hand and takes one of mine which lies on the closed piano. His

touch thrills me like an electric flame,--I scarce know if it be pain

or pleasure At this moment I hear two laughs, one loud, one shrill.

Burning with shame, I essay to tear my hand away, but Captain Montagu

holds it tightly. He is not one whit embarrassed.

"I am giving Miss Carew a lesson in palmistry," he says, coolly. "Do

you understand the science, Lady Gwyneth?"

"I think I do, as practiced by you," she answers, with a burst of

merriment, in which Lord Rexborough's voice joins.

Captain Montagu opens my reluctant palm with gentle force.

"She has a very long line of life," he remarks, imperturbably gazing

into it.

"How about the line of the heart, eh, Charlie?" roars my lord,

approaching: "let's have a look."

As he approaches, I tear my hand away and put both behind my back.

"What a timid little dove it is!" he cries. "Lady Gwyneth, now is it

that I scare Miss Carew so horribly?"

"I don't know, I'm sure," she returns, in the same tone. "I should

not have given Miss Carew credit for being shy. Evidently Captain

Montagu does not inspire her with similar terror."

"You're such a great hulking fellow, you know, Jack," laughs Captain

Montagu, putting his hand on the other's shoulder; "and you look so

frightfully fierce; and then, with your reputation as a lion-slayer

and your sojourn in wild parts, I shouldn't wonder if Miss Carew

thinks you eat human flesh, and is rather in terror of her life when

you come too near."

"Of the two I don't suppose I'm as dangerous to the young lady as you

are," replies my lord. "Come, Miss Carew, won't you give us another

of those sweet songs you were favoring this lucky fellow with just

now."

"Do," says Lady Gwyn, imperiously. "Sing 'Auld Robin Gray.'"

But my voice feels choked; I could not sing now to please any one: so

I rise and walk away from the piano, saying, "I am afraid I have no

voice left."

"What a charming, good-natured girl!" says Lady Gwyn, _sotto voce_,

to her companion, but loud enough for me to hear; and, vexed and

indignant, I leave the boudoir and seek my own room. There is always

a reverse to every picture. Still, I have pleased him, and that is

fifty thousand times more to me than the displeasure of all the lords

and ladies in creation.

During the last few days I have seen a great deal of Claire Fane, and

every day I like her better. She is so thoroughly kind and good, so

pleasant to every one, and somehow seems to have a way of drawing

together the most uncongenial materials and of making the best of

them. Lord Rexborough seems less loud and coarse in her society,

Lady Gwyneth less fast, Mrs. Huntingdon less ill-tempered, Hector

Montagu less stiff and formal.

I have an idea,--it may be groundless,--but I fancy she has a great

regard for Mr. Montagu: a faint blush comes to her kind pretty face

when he addresses her sometimes, she is a little embarrassed now and

then in his presence, and she never finds fault with what he says,

even when he is most cynical and uncharitable. She rather apologizes

to him for what he condemns than blames him as I think she might do

for his fault-finding. But is it possible that she can care for him?

Indeed I cannot understand his attracting any one,--far less so sweet

and amiable a creature as Claire. I hope I shall see more of her

when I leave here. I love her already; and I know papa would too if

he could only see her; and I think he and Colonel Fane would get on

famously.

The last day of our stay has come: to-morrow we are going home. I

long to see them all again, but, oh, I wish these few little golden

hours that are left would not speed on so swiftly. On this last

evening, Captain Montagu takes me in to dinner for the first time.

It is only seven nights removed from the dinner that I found so

grievously long, but to-night I am inclined to quarrel with the great

gold hands that run so swiftly round the clock, and the pendulum that

swings to and fro with such ill-natured haste. I feel in boundless

spirits: I know that my lips are curved in smiles, that my eyes are

eager; I read it in the half-regretful, half-amused expression on

Colonel Fane's face, in the angry looks of Mr. Montagu, in the scorn

of Mrs. Huntingdon's handsome, discontented face, and the kind smile

on Claire's. Our stream of talk ripples on: it is neither wise nor

witty, but sweeter to me than any pearls of eloquence that could flow

from the lips of any other man. The words that make such music in my

ears are commonplace enough, and, were they uttered by another voice,

would hold none of their present charm.

"I am so awfully sorry you are going to-morrow," say the mouth and

eyes I find so handsome. "I can't forgive myself for having wasted

so many hours when I first came. But then you know" (smiling) "I

never expected to find an unmarried lady so charming."

I laugh gleefully.

"What shall I do for pretty speeches when I get back to my rustic

life?" I ask. "To-morrow" (with a shade of sadness) "I shall have

dropped out of fairy-land and be a little Cinderella again."

"I wish I could be your fairy godmother," he says. "I should like to

take you to London and show you a little of life: I wouldn't even

mind turning into a plumed and turbaned chaperon for one season to

attend you everywhere. How tremendously indulgent and long-suffering

I should be, and how confoundedly jealous of all your admirers!"

I laugh outright.

"What! if you were a plumed and turbaned dowager!"

"Ah, I am afraid I was mixing up identities," he laughs. "Never

mind: to-night, thank Heaven, I am admirer only; and I have persuaded

Mrs. Warrington to let us have a dance, and you" (whispering) "are

going to waltz with me twice, if Hector shoots me for it to-morrow."

"Never mind your brother!" I exclaim, impatiently.

"I'm afraid your education has been sadly neglected on some important

points," says Captain Montagu, with an amused smile. "You don't seem

to understand the difference between a _parti_ and a _detrimental_."

"What is a detrimental?" I ask, curiously.

"A man who cannot marry you himself, and who keeps other men off. I

am a detrimental."

My cheeks are aflame in an instant. Fortunately, Mrs. Warrington is

just rising to go. Oh, I wish he had not said that! Surely he does

not think for one moment that I am so conceited and silly as to need

a caution from him that he is only beguiling an idle hour in my

society. Why did he poison the cup that was so sweet a moment ago,

by giving me foretaste of the dregs?

We are in the hall, and Claire passes her arm through mine.

"I am glad your last evening is such a pleasant one!" she says,

kindly; and I answer, "Yes, it is, very,--thanks;" but my tone is not

so hearty as it would have been a minute since.

"Rochester is going to drive me over to see you soon," she says.

"And I hope we are going to be real neighbors, and to see a great

deal of each other."

"Oh, I shall be so glad!" I exclaim, heartily; "we are so very dull

and quiet at home, and I dare say I shall feel it more now that I

have had all this gayety. It will be delightful having something to

look forward to. Only," I continue, reddening a little, yet feeling

constrained to tell her, "we live in a very small, quiet way, you

know, because----"

"My dear," she says, interrupting me, and giving my hand a kind

little squeeze, "I am coming to see you, and the dogs and the kittens

and all your other pets."

Diana Carew · 第 12 / 46 章