One might amuse oneself by drawing a kind of ideal map-route of his

conversion, and fastening into one solid chain the reasons which made him

emerge at the act of faith: he himself perhaps, in his _Confessions_,

has given way too much to this inclination. In reality, conversion is an

interior fact, and (let us repeat it) a divine fact, which is independent

of all control by the reason. Before it breaks into light, there is a long

preparation in that dark region of the soul which to-day is called the

subconscious. Now nobody has more _lived_ his ideas than did Augustin

at this time of his life. He took them, left them, took them up again,

persisted in his desperate effort. They reflect in their disorder his

variable soul, and the misgivings which troubled it to its depths. And yet

it cannot be that this interior fact should be in violent contradiction

with logic. The head ought not to hinder the heart. With the future

believer, a parallel work goes on in the feelings and in the thought. If we

are not able to reproduce the marches and counter-marches, or follow their

repeatedly broken line, we can at least shew the main halting-places.

Let us recall Augustin's state of mind when he came to Milan. He was a

sceptic, the kind of sceptic who regards as useless all speculation upon

the origin of things, and for whom cognition is but an approximation of the

true. Vaguely deist, he saw in Jesus Christ only a wise man among the wise.

He believed in God and the providences of God, which amounts to this: That

although materialist by tendency, he admitted the divine interference in

human affairs--the miracle. This is an important point which differentiates

him from modern materialists.

Next, he listened to the preaching of Ambrose. The Bible no longer seemed

to him absurd or at variance with a moral scheme. Ambrose's exegesis,

half allegorical, half historic, might be accepted, taken altogether,

by self-respecting minds. But what, above all, struck Augustin in the

Scriptures, was the wisdom, the practical efficiency. Those who lived by

the Christian rule were not only happy people, but, as Pascal would say,

good sons, good husbands, good fathers, good citizens. He began to suspect

that this life here below is bearable and has a meaning only when it is

fastened to the life on high. Even as for nations glory is daily bread, so

for the individual the sacrifice to something which is beyond the world is

the only way of living in the world.

So, little by little, Augustin corrected the false notions that the

Manichees had filled him with about Catholicism. He acknowledged that in

attacking it he had "been barking against the vain imaginations of carnal

thoughts." Still, he found great difficulty in getting free of all his

Manichean prejudices. The problem of Evil remained inexplicable for him,

apart from Manichee teachings. God could not be the author of evil. This

truth admitted, he went on from it to think, against his former masters,

that nothing is bad in itself--bad because it has within it a corrupting

principle. On the contrary, all things are good, though in varying degrees.

The apparent defects of creation, perceived by our senses, blend into

the harmony of the whole. The toad and the viper have their place in the

operation of a perfectly arranged world. But physical ill is not the only

ill; there is also the evil that we do and the evil that others do us.

Crime and pain are terrible arguments against God. Now the Christians

hold that the first is the product solely of the human will, of liberty

corrupted by original sin, and that the other is permitted by God as a

means of purifying souls. Of course, this was a solution, but it implied a

belief in the dogmas of the Fall and of the Redemption. Augustin did not

accept them yet. He was too proud to recognize an impaired will and the

need of a Saviour. "My puffed-out face," he says, "closed up my eyes."

Nevertheless he had taken a great step in rejecting the fundamental dogma

of Manicheeism--the double Principle of good and evil. Henceforth for

Augustin there exists only one Principle, unique and incorruptible--the

Good, which is God. But his view of this divine substance is still

quite materialistic, to such an extent is he governed by his senses. In

his thought, it is corporeal, spatial, and infinite. He pictures it as

a kind of limitless sea, wherein is a huge sponge bathing the world

that it pervades throughout.... He was at this point, when one of his

acquaintances, "a man puffed up with immense vanity," gave him some of

the Dialogues of Plato, translated into Latin by the famous rhetorician

Victorinus Afer. It is worth noting, as we pass, that Augustin, now

thirty-two years old, a rhetorician by profession and a philosopher by

taste, had not yet read Plato. This is yet another proof to what extent the

instruction of the ancients was oral, resembling in this the Mussulmans'

instruction of to-day. Up to now, he had only known Plato by hearsay. He

read him, and it was as a revelation. He learned that a reality could exist

without diffusion through space. He saw God as unextended and yet infinite.

The sense of the divine Soul was given to him. Then the primordial

necessity of the Mediator or Word was borne in upon his mind. It is the

Word which has created the world. It is through the Word that the world,

and God, and all things, including ourselves, become comprehensible to us.

What an astonishment! Plato corresponded with St. John! "In the beginning

was the Word"--_in principio erat verbum_--said the fourth Gospel. But

it was not only an Evangelist that Augustin discovered in the Platonist

dialogues, it was almost all the essential part of the doctrine of Christ.

He saw plainly the profound differences, but for the moment he was struck

by the resemblances, and they carried him away. What delighted him, first

of all, is the beauty of the world, constructed after His own likeness by

the Demiurgus. God is Beauty; the world is fair as He who made it. This

metaphysical vision entranced Augustin; his whole heart leaped towards

this ineffably beautiful Divinity. Carried away by enthusiasm he cries: "I

marvelled to find that now I loved Thee, O my God, and not a phantasm in

Thy stead. If I was not yet in a state to enjoy Thee, _I was swept up to

Thee by Thy beauty_."

But such an abandonment could not endure: "I was not yet in a state to

enjoy Thee." There is Augustin's main objection to Platonism. He felt

that instead of touching God, of enjoying Him, he would be held by purely

mental conceptions, that he would be always losing his way among the

phantasmagoria of idealism. What was the use of giving up the illusory

realities of the senses, if it were not to get hold of more _solid_

realities? Though his intelligence, his poet's imagination, might be

attracted by the glamour of Platonism, his heart was not satisfied. "It is

one thing," he says, "from some wooded height to behold the land of peace,

another thing to march thither along the high road."

St. Paul it was who shewed him this road. He began to read the _Epistles_

carefully, and the more he read of them the more he became aware of the

abyss which separates philosophy from wisdom--the one which marshals the

ideas of things, the other which, ignoring ideas, leads right up to the

divine realities whereon the others are suspended. The Apostle taught

Augustin that it was not enough to get a glimpse of God through the crystal

of concepts, but that it is necessary to be united to Him in spirit and in

truth--to possess and enjoy Him. And to unite itself to this Good, the soul

must get itself into a fit state for such a union, purify and cure itself

of all its fleshly maladies, descry its place in the world and hold to it.

Necessity of repentance, of humility, of the contrite and humble heart.

Only the contrite and humble heart shall see God. "The broken heart shall

be cured," says the Scripture, "but the heart of the proud man shall be

shattered." So Augustin, the intellectual, had to change his methods,

and he felt that this change was right. If the writer who wants to write

beautiful things ought to put himself beforehand into some sort of a state

of grace, wherein not only vile actions, but unworthy thoughts become

impossible, the Christian, in like manner, must cleanse and prepare

his inward eye to perceive the divine verities. Augustin grasped this

thought in reading St. Paul. But what, above all, appealed to him in the

_Epistles_, was their paternal voice, the mildness and graciousness hidden

beneath the uncultivated roughness of the phrases. He was charmed by this.

How different from the philosophers! "Those celebrated pages have no trace

of the pious soul, the tears of repentance, nor of Thy sacrifice, O my God,

nor of the troubled spirit.... No one there hearkened to the Christ that

calleth, 'Come unto Me, all ye that labour!' They think it scorn to learn

from Him, because He is meek and lowly of heart. For Thou hast hidden these

things from the wise and prudent, and hast revealed them unto babes."

But it is not much to bend: what is, above all, requisite for him is to get

rid of his passions. Now Augustin's passions were old friends. How could

he part with them? He lacked courage for this heroic treatment. Just think

of what a young man of thirty-two is. He is always thinking of women. Lust

holds him by the entanglements of habit, and he takes pleasure in the

impurity of his heart. When, yielding to the exhortations of the Apostle,

he tried to shape his conduct to his new way of thinking, the old friends

trooped to beg of him not to do anything of the kind. "They pulled me," he

says, "by the coat of my flesh, and they murmured in my ear--What, are you

leaving us? Shall we be no more with you, for ever? _Non erimus tecum ultra

in aeternum?_... And from that instant, the thing you well know, and still

another thing, will be forbidden you for ever--for eternity...."

Eternity! Dread word. Augustin shook with fear. Then, calming himself, he

said to them: "I know you; I know you too well! You are Desire without

hope, the Gulf without soundings that nothing can fill up. I have suffered

enough because of you." And the anguished dialogue continued: "What

matters that! If the only possible happiness for you is to suffer on our

account, to fling your body into the voracious gulf, without end, without

hope!"--"Let cowards act so!... For me there is another happiness than

yours. There is _something else_: I am certain." Then the friends, put

a little out of countenance by this convinced tone, muttered in a lower

voice: "Still, just suppose you are losing this wretched pleasure for

a phantasm still more empty.... Besides, you are mistaken about your

strength. You cannot--no, you never can exist without us." They had touched

the galling spot: Augustin knew his weakness only too well. And his burning

imagination presented to him with extraordinary lucidity these pleasures

which he could not do without. They were not only embracements, but also

those trifles, those superfluous nothings, "those light pleasantnesses

which make us fond of life." The perfidious old friends continued to

whisper: "Wait a bit yet! The things you despise have a charm of their

own; they bring even no small sweetness. You ought not to cut yourself off

light-heartedly, for it would be shameful to return to them afterwards."

He passed in review all the things he was going to give up; he saw them

shine before him tinted in the most alluring colours: gaming, elaborate

entertainments, music, song, perfumes, books, poetry, flowers, the coolness

of forests (he remembered the woods about Thagaste, and his hunting days

with Romanianus)--in a word, all that he had ever cared about, even to

"that freshness of the light, so kind to human eyes."

Augustin was not able to decide in this conflict between temptation and the

decree of his conscience, and he became desperate. His will, enfeebled by

sin, was unable to struggle against itself. And so he continued to endure

life and to be "devoured by time."

The life of that particular period, if it was endurable for quiet folk

who were careful to have nothing to do with politics--this life of the

Empire near its end, could be nothing but a scandalous spectacle for an

honest-minded and high-souled man such as Augustin. It ought to have

disgusted him at once with remaining in the world. At Milan, connected as

he was with the Court, he was in a good position to see how much baseness

and ferocity may spring from human avarice and ambition. If the present

was hideous, the future promised to be sinister. The Roman Empire no longer

existed save in name. Foreigners, come from all the countries of the

Mediterranean, plundered the provinces under its authority. The army was

almost altogether in the hands of the Barbarians. They were Gothic tribunes

who kept order outside the basilica where Ambrose had closed himself in

with his people to withstand the order of the Empress Justina, who wished

to hand over this church to the Arians. Levantine eunuchs domineered over

the exchequer-clerks in the palace, and officials of all ranks. All these

people plundered where they could. The Empire, even grown feeble, was

always an excellent machine to rule men and extract gold from nations.

Accordingly, ambitious men and adventurers, wherever they came from, tried

for the Purple: it was still worth risking one's skin for. Even more than

the patriots (and there were still some very energetic men of this sort

who were overcome with grief at the state of things), the men of rapine

and violence were interested in maintaining the Empire. The Barbarians

themselves desired to be included, so that they might pillage it with more

impunity.

As for the emperors, even sincere Christians, they were obliged to become

abominable tyrants to defend their constantly threatened lives. Never were

executions more frequent or more cruel than at this time. At Milan they

might have shewn Augustin, hard by the Imperial sleeping apartments, the

cave where the preceding Emperor, choleric Valentinian, kept two bears,

"Bit of Gold" and "Innocence," who were his rapid executioners. He fed them

with the flesh of those condemned to die. Possibly "Bit of Gold" was still

living. "Innocence"--observe the atrocious irony of this name--had been

restored to the liberty of her native forests, as a reward for her good and

loyal services.

Was Augustin, who still thought of becoming an official, going to mix in

with this lot of swindlers, assassins, and brute beasts? As he studied them

near at hand, he felt his goodwill grow weak. Like all those who belong

to worn-out generations, he must have been disgusted with action and the

villainies it involves. Just before great catastrophes, or just after,

there is an epidemic of black pessimism which freezes delicate souls.

Besides, he was ill--a favourable circumstance for a disappointed man if he

entertains thoughts of giving up the world. In the fogs of Milan his chest

and throat became worse and worse. And then it is likely enough that he was

not succeeding better as rhetorician than he had at Rome. It was a kind

of fatality for all Africans. However great their reputation in their own

country, that was the end of it as soon as they crossed the sea. Apuleius,

the great man of Carthage, had tried the experiment to his cost. They had

made fun of his guttural Carthaginian pronunciation. The same kind of thing

happened to Augustin. The Milanese turned his African accent into ridicule.

He even found among them certain purists who discovered solecisms in his

phrases.

But these scratches at his self-respect, this increasing disgust of men

and things, were small matters compared to what was going on within him.

Augustin had a sick soul. The forebodings he had always been subject to

were now become the suffering of every moment. At certain times he was

assailed by those great waves of sadness which unfurl all of a sudden from

the depths of the unknown. In such minutes we believe that the whole world

is hurling itself against us. The great wave rolled him over; he got up

again all wounded. And he felt stretch forth in him a new will which was

not his own, under which the other, the will to sin, struggled. It was

like the approach of an invisible being whose contact overcame him with an

anguish which was full of pleasure. This being wanted to open out within

him, but the weight of his old sins prevented. Then his soul cried out in

pain.

In those moments, what a relief it was to let himself float on the

canticles of the Church! The liturgical chants were then something new in

the West. It was in the very year we are dealing with that St. Ambrose

started the custom in the Milanese basilicas.

The childhood of our hymns! One cannot think about that without being

moved. One envies Augustin for having heard them in their spring freshness.

These lovely musics, which were to sound during so many centuries, and

still soar against the vaults of cathedrals, were leaving the nest for the

first time. We cannot think that a day will come when they will fold their

wings and fall silent. Since human bodies, temples of the Holy Ghost, will

live again in glory, one would like to believe with Dante that the hymns,

temples of the Word, are likewise immortal, and that they will still be

heard in the everlasting. Doubtless in the twilight glens of Purgatory the

bewailing souls continue to sing the _Te lucis ante terminum_, even as in

the star-circles, where the Blessed move ever, will always leap up the

triumphant notes of the _Magnificat_....

Even on those who have lost the faith, the power of these hymns is

irresistible. "If you knew," said Renan, "the charm that the Barbarian

magicians knew how to put into their canticles. When I remember them, my

heart melts." The heart of Augustin, who had not yet the faith, melted too

in hearing them: "How I have cried, my God, over the hymns and canticles

when the sweet sound of the music of Thy Church thrilled my soul! As the

music flowed into my ears, and Thy truth trickled into my heart, the tide

of devotion swelled high within me, and the tears ran down, and there was

gladness in those tears." His heart cast off its heaviness, while his mind

was shaken by the heavenly music. Augustin loved music passionately. At

this time he conceived God as the Great Musician of the spheres; and soon

he will write that "we are a strophe in a poem." At the same time, the

vivid and lightning figures of the Psalms, sweeping over the insipid

metaphors of the rhetoric which encumbered his memory, awoke in the depths

of him his wild African imagination and sent him soaring. And then the

affectionate note, the plaint in those sacred songs: _Deus, Deus meus!_--"O

God! O _my_ God!" The Divinity was no longer a cold abstraction, a phantom

that withdrew into an unapproachable infinite; He became the actual

possession of the loving soul. He leant over His poor scarred creature,

took him in His arms, and comforted him like a kind father.

Augustin wept with tenderness and ecstasy, but also with despair. He wept

upon himself. He saw that he had not the courage to be happy with the only

possible happiness. What, indeed, was he seeking, unless it were to capture

this "blessed life" which he had pursued so long? What he had tried to get

out of all his loves was the complete gift of his soul--to realize himself

completely. Now, this completeness of self is only in God--_in Deo salutari

meo_. The souls we have wounded are in unison with us, and with themselves,

only in God.... And the sweet Christian symbolism invited him with its

most enticing images: the Shades of Paradise; the Fountain of Living

Water; the Repose in the Lord God; the green Branch of the Dove, harbinger

of peace.... But the passions still resisted. "To-morrow! Wait a little

yet! Shall we be no more with you, for ever? _Non erimus tecum ultra in

aeternum?_..." What a dismal sound in these syllables, and how terrifying

for a timid soul! They fell, heavy as bronze, on the soul of Augustin.

An end had to be put to it somehow. What was needed was some one who would

force him out of his indecision. Instinctively, led by that mysterious will

which he felt had arisen within him, he went to see, and consult in his

distress, an old priest named Simplicianus, who had converted or directed

Bishop Ambrose in his young days. No doubt Augustin spoke to him of what he

had lately been reading, and particularly of his Platonist studies, and of

all the efforts he made to enter the communion of Christ. He acknowledged

that he was convinced, but he could not bend to the practice of the

Christian life. Then, very skilfully, as one artful in differentiating

souls, perceiving that vanity was not yet dead in Augustin, Simplicianus

offered him as an example the very translator of those Platonic books which

he had just been reading so enthusiastically--that famous Victorinus Afer,

that orator so learned and admired, who had his statue in the Roman Forum.

Because of some remains of philosophical pride, and also from fear of

offending his friends among the Roman aristocracy, who were still almost

altogether pagan, Victorinus was a Christian only in his head. In vain

Simplicianus pointed out to him how illogical his conduct was. But suddenly

and unexpectedly he decided. The day of the baptism of the catechumens,

this celebrated man mounted the platform set up in the basilica for the

profession of faith of the newly converted, and there, like the meanest of

the faithful, he delivered his profession before all the assembled people.

That was a dramatic stroke. The crowd, jubilant over this fine performance,

cheered the neophyte. And on all sides they shouted: "Victorinus!

Victorinus!"

Augustin listened to this little story, whereof all the details were so

happily chosen to act on an imagination like his:--the statue in the

Roman Forum; the platform from the height of which the orator had spoken

a language so new and unexpected; the exulting shouts of the crowd:

"Victorinus! Victorinus!" Already he saw himself in the same position.

There he was in the basilica, on the platform, in presence of Bishop

Ambrose; he too repeated his profession of faith, and the people of Milan

clapped their hands--"Augustin! Augustin!" But can a humble and contrite

heart thus take pleasure in human adulation? If Augustin did become a

convert, it would be entirely for God and before God. Very quickly he put

aside the temptation.... Nevertheless, this example, coming from so exalted

a man, made a very deep and beneficial impression. He looked upon it as a

providential sign, a lesson in courage which concerned him personally.

Some time after that, he received a visit from a fellow-countryman, a

certain Pontitianus, who had a high position in the Imperial household.

Augustin happened to be alone in the house with his friend Alypius. They

sat down to talk, and by chance the visitor noticed the Epistles of St.

Paul lying on a table for playing games. This started the conversation.

Pontitianus, who was a Christian, praised the ascetic life, and especially

the wonders of holiness wrought by Antony and his companions in the

Egyptian deserts. This subject was in the air. In Catholic circles at

Rome, they spoke of little else than these Egyptian solitaries, and of

the number, growing larger and larger, of those who stripped themselves

of their worldly goods to live in utter renunciation. What was the good

of keeping these worldly goods, that the avarice of Government taxation

confiscated so easily, and that the Barbarians watched covetously from

afar! The brutes who came down from Germany would get hold of them sooner

or later. And even supposing one might save them, retain an ever-uncertain

enjoyment of them, was the life of the time really worth the trouble of

living? There was nothing more to hope for the Empire. The hour of the

great desolation was at hand....

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