The fifth verse is thus altered:--

"And al the skye from ende to ende

he compasseth about,

Nothing can hyde it from his heate

but he wil finde it out."

I cannot express the indignation with which I read these belittling and

weakening alterations and interpolations; they are so unjust and

so degrading to the reputation of Sternhold. It seems worse than

forgery--worse than piracy; for instead of stealing from the defenceless

dead poet, it foists upon him a spurious and degrading progeny; there is no

word to express this tinkering libellous literary crime.

Cromwell had a prime favorite among these psalms; it was the one hundred

and ninth and is known as the "cursing psalm." Here are a few lines from

it:--

"As he did cursing love, it shall

betide unto him so,

And as he did not blessing love

it shall be farre him fro,

As he with cursing clad himselfe

so it like water shall

Into his bowels and like oyl

Into his bones befall.

As garments let it be to him

to cover him for aye

And as a girdle wherewith he

may girded be alway."

Another authority gives the "cursing psalm" as the nineteenth of King

James's version; but there is nothing in "The heavens declare the glory of

God," &c. to justify the nickname of "cursing."

It is said when the tyrannical ruler Andros visited New Haven and attended

church there that (Sternhold and Hopkins' Version being used) the fearless

minister very inhospitably gave out the fifty-second psalm to be sung. The

angry governor, who took it as a direct insult, had to listen to the lining

and singing of these words, and I have no doubt they were roared out with a

lusty will:--

1. Why dost thou tyrant boast thyself

thy wicked deeds to praise

Dost thou not know there is a God

whose mercies last alwaies?

2. Why doth thy mind yet still deuise

such wisked wiles to warp?

Thy tongue untrue, in forging lies

is like a razer sharp.

* * * * *

4. Thou dost delight in fraude & guilt

in mischief bloude and wrong:

Thy lips have learned the flattering stile

O false deceitful tongue.

5. Therefore shall God for eye confounde

and pluck thee from thy place.

Thy seed and root from out the grounde

and so shall thee deface;

6. The just when they behold thy fall

with feare will praise the Lord:

And in reproach of thee withall

cry out with one accord.

When the unhappy King Charles fled from Oxford to a camp of troops he also

was insulted by having the same psalm given out in his presence by the

boorish chaplain of the troops. After the cruel words were ended the

heartsick king rose and asked the soldiers to sing the fifty-sixth psalm.

Whenever I read the beautiful and pathetic words, as peculiarly appropriate

as if they had been written for that occasion only, I can see it all before

me,--the great camp, the angry minister, the wretched but truly royal king;

and I can hear the simple and noble song as it pours from the lips of

hundreds of rude soldiers:

1. Have mercy Lord on mee I pray

for man would mee devour.

He fighteth with me day by day

and troubleth me each hour.

2. Mine enemies daily enterprise

to swallow mee outright

To fight against me many rise

O thou most high of might

* * * * *

5. What things I either did or spake

they wrest them at thier wil:

And all the councel that they take

is how to work me il.

6. They all consent themselves to hide

close watch for me to lay:

They spie my pathes, and snares have layd

to take my life away.

7. Shall they thus scape on mischief set,

thou God on them wilt frowne:

For in his wrath he will not let

to throw whole kingdomes downe.

It would perhaps be neither just nor conducive to proper judgment to gather

only a florilege of noble verses from Sternhold and Hopkins' Version and

point out none of the "weedy-trophies," the quaint and even uncouth lines

which disfigure the work. We must, however, in considering and judging

them, remember that many words and even phrases which at present

seem rather ludicrous or undignified had, in the sixteenth century,

significations which have now become obsolete, and which were then neither

vulgar nor unpoetical. I also have been forced to take my selections from

a copy of Sternhold and Hopkins printed in 1599, and bound up with a

"Breeches Bible;" for I have access to no earlier edition. Sternhold

and Hopkins themselves may not be in truth responsible for many of

the crudities. Hopkins, in his rendition of the 12th verse of the

seventy-fourth Psalm, thus addresses the Deity:--

"Why doost withdraw thy hand abacke

and hide it in thy lappe?

O pluck it out and bee not slacke

to give thy foes a rap."

"Rap" may have meant a heavier, a mightier blow then than it does

now-a-days.

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