VIII

1

The Ballinger affair did not end with the demonstration in the Town

Hall. It had unforeseen and far-reaching consequences.

The first of these appeared in a letter which Mr. Waddington received

from Mr. Hitchin:

"DEAR SIR,--

"_Re_ my estimate for decoration and additional building to Mrs.

Levitt's house, I beg to inform you that recent circumstances have

rendered it impossible for me to take up the contract. I must therefore

request you to transfer your esteemed order to some other firm.

"Faithfully yours,

"THOMAS HITCHIN."

Mr. Hitchin expressed his attitude even more clearly to the foreman of

his works. "I'm not going to build bathrooms and boudoirs and bedrooms

for that--" the word he chose completed the alliteration. So that Mr.

Waddington was compelled to employ a Cheltenham builder whose estimate

exceeded Mr. Hitchin's estimate by thirty pounds.

And Mr. Hitchin's refusal was felt, even by people who resented his

estimates, to be a moral protest that did him credit. It impressed the

popular imagination. In the popular imagination Mrs. Levitt was now

inextricably mixed up with the Ballinger affair. Public sympathy was all

with Ballinger, turned out of his house and forced to take refuge with

his wife's father at Medlicott, forced to trudge two and a half miles

every day to his work and back again. The Rector and Major Markham of

Wyck Wold, meditating on the Ballinger affair as they walked back that

night from the Town Hall, pronounced it a mystery.

"It wasn't likely," Major Markham said, "that Ballinger, of his own

initiative, would leave a comfortable house in Sheep Street for a damp

cottage in Lower Wyck."

"Was it likely," the Rector said, "that Waddington would turn him out?"

He couldn't believe that old Waddington would do anything of the sort.

"Unless," Major Markham suggested, "he's been got at. Mrs. Levitt may

have got at him." He was a good sort, old Waddy, but he would be very

weak in the hands of a clever, unscrupulous woman.

The Rector said he thought there was no harm in Mrs. Levitt, and Major

Markham replied that he didn't like the look of her.

A vague scandal rose in Wyck-on-the-Hill. It went from mouth to mouth in

bar parlours and back shops; Major Markham transported it in his

motor-car from Wyck Wold to the Halls and Manors of Winchway and Chipping

Kingdon and Norton-in-Mark. It got an even firmer footing in the county

than in Wyck, with the consequence that one old lady withdrew her

subscription to the League, and that when Mr. Waddington started on his

campaign of rounding up the county the county refused to be rounded up.

And the big towns, Gloucester, Cheltenham and Cirencester, were

singularly apathetic. It was intimated to Mr. Waddington that if the

local authorities saw fit to take the matter up no doubt something would

be done, but the big towns were not anxious for a National League of

Liberty imposed on them from Wyck-on-the-Hill.

The League did not die of Mrs. Levitt all at once. Very soon after the

inaugural meeting the Committee sat at Lower Wyck Manor and appointed

Mr. Waddington president. It arranged a series of monthly meetings in

the Town Hall at which Mr. Waddington would speak ("That," said Fanny,

"will give you something to look forward to every month.") Thus, on

Saturday, the nineteenth of July, he would speak on "The Truth about

Bolshevism." It was also decided that the League could be made very

useful during by-elections in the county, if there ever were any, and

Mr. Waddington prepared in fancy a great speech which he could use for

electioneering purposes.

On July the nineteenth, seventeen people, counting Fanny and Barbara,

came to the meeting: Sir John Corbett (Lady Corbett was unfortunately

unable to attend), the Rector without his wife, Major Markham of Wyck

Wold, Mr. Bostock of Parson's Bank, Kimber and Partridge and Annie

Trinder from the Manor, the landlady of the White Hart, the butcher, the

grocer and the fishmonger with whom Mr. Waddington dealt, three farmers

who approved of his determination to keep down wages, and Mrs. Levitt.

When he sat down and drank water there was a feeble clapping led by Mrs.

Levitt, Sir John and the Rector. On August the sixteenth, the audience

had shrunk to Mrs. Levitt, Kimber and Partridge, the butcher, one of the

three farmers, and a visitor staying at the White Hart. Mr. Waddington

spoke on "What the League Can Do." Owing to a sudden unforeseen shortage

in his ideas he was obliged to fall back on his electioneering speech

and show how useful the League would be if at any time there were a

by-election in the county. The pop-popping of Mrs. Levitt's hands burst

into a silent space. Nobody, not even Kimber or Partridge, was going to

follow Mrs. Levitt's lead.

"You'll have to give it up," Fanny said. "Next time there won't be

anybody but Mrs. Levitt." And with the vision before him of all those

foolish, empty benches and Mrs. Levitt, pop-popping, dear brave woman,

all by herself, Mr. Waddington admitted that he would have to give it

up. Not that he owned himself beaten; not that he gave up his opinion of

the League.

"It's a bit too big for 'em," he said. "They can't grasp it. Sleepy

minds. You can't rouse 'em if they won't be roused."

He emerged from his defeat with an unbroken sense of intellectual

superiority.

2

Thus the League languished and died out; and Mr. Waddington, in the

absence of this field for personal activity, languished too. In spite of

his intellectual superiority, perhaps because of it, he languished till

Barbara pointed out to him that the situation had its advantages. At

last he could go on with his book.

"If you can only start him on it and keep him at it," Fanny said, "I'll

bless you for ever."

But it was not easy either to start him or to keep him at it. To begin

with, as Ralph had warned her, the work itself, _Ramblings Through the

Cotswolds_, was in an appalling mess, and Mr. Waddington seemed to have

exhausted his original impetus in getting it into that mess. He had set

out on his ramblings without any settled plan. "A rambler," he said,

"shouldn't have a settled plan." So that you would find Mr. Waddington,

starting from Wyck-on-the-Hill and arriving at Lechford in the Thames

valley, turning up in the valley of the Windlode or the Speed. You would

find him on page twenty-seven drinking ale at the Lygon Arms in Chipping

Kingdon, and on page twenty-eight looking down on the Evesham plain from

the heights south of Cheltenham. He would turn from this prospect and,

without traversing any intermediate ground, be back again, where you

least expected him, in his Manor under Wyck-on-the-Hill. For though he

had no fixed plan, he had a fixed idea, and however far he rambled he

returned invariably to Wyck. To Mr. Waddington Wyck-on-the-Hill was the

one stable, the one certain spot on the earth's surface, and this led to

his treating the map of Gloucestershire entirely with reference to

Wyck-on-the-Hill, so that all his ramblings were complicated by the

necessity laid on him of starting from and getting back to it.

So much Barbara made out after she had copied the first forty pages,

making the first clearing in Mr. Waddington's jungle. The clearings,

she explained to Ralph, broke your heart. It wasn't till you'd got the

thing all clean and tidy that you realized the deep spiritual confusion

that lay behind it.

After that fortieth page the Ramblings piled and mixed themselves in

three interpenetrating layers. First there was the original layer of

Waddington, then a layer of Ralph superimposed on Waddington and

striking down into him; then a top layer of Waddington, striking down

into Ralph. First, the primeval chaos of Waddington; then Ralph's spirit

moving over it and bringing in light and order; then Waddington again,

invading it and beating it all back to darkness and confusion. From the

moment Ralph came into it the progress of the book was a struggle

between these two principles, and Waddington could never let Ralph be,

so determined was he to stamp the book with his own personality.

"After all," Ralph said, "it _is_ his book."

"If he could only get away from Wyck, so that you could see where the

other places _are_," she moaned.

"He can't get away from it because he can't get away from himself. His

mind is egocentric and his ego lives in Wyck."

Barbara had had to ask Ralph to help her. They were in the library

together now, working on the Ramblings during one of Mr. Waddington's

periodical flights to London.

"He thinks he's rambling round the country but he's really rambling

round and round himself. All the time he's thinking about nothing but

his blessed self."

"Oh, come, he thought a lot about his old League."

"No, the League was only an extension of his ego."

"That must have been what Fanny meant. We were looking at his portrait

and I said I wondered what he was thinking about, and she said she used

to wonder and now she knew. Of course, it's Himself. That's what makes

him look so absurdly solemn."

"Yes, but think of it. Think. That man hasn't ever cared about anything

or anybody but himself."

"Oh--he cares about Fanny."

"No. No, he doesn't. He cares about his wife. A very different thing."

"Well--he cares about his old mother. He really cares."

"Yes, and you know why? It's only because she makes him feel young. He

hates Horry because he can't feel young when he's there."

"Why, oh why, did that angel Fanny marry him?"

"Because she isn't an angel. She's a mortal woman and she wanted a

husband and children."

"Wasn't there anybody else?"

"I believe not--available. The man she ought to have married was

married already."

"Did my mother marry him?"

"Yes. And _my_ mother married the next best one.... It was as plain and

simple as all that. And you see, the plainer and simpler it was, the

more she realized why she was marrying Horatio, the more she idealized

him. It wanted camouflage."

"I see."

"Then you must remember her people were badly off and he helped them. He

was always doing things for them. He managed all Fanny's affairs for her

before he married her."

"Then--he does kind things."

"Lots. When he wants to get something. He wanted to get Fanny....

Besides, he does them to get power, to get a hold on you. It's really

for himself all the time. It gives him a certain simplicity and purity.

He isn't a snob. He doesn't think about his money or his property, or

his ancestors--he's got heaps--quite good ones. They don't matter.

Nothing matters but himself."

"How about his book? Doesn't that matter?"

"It does and yet again it doesn't. He pretends he's only doing it to

amuse himself, but it's really a projection of his ego into the

Cotswolds. On the other hand, he'd hate it if you took him for a

writing man when he's Horatio Bysshe Waddington. That's how he's got it

into such a mess, because he can't get away from himself and his Manor."

"Proud of his Manor, anyhow."

"Oh, yes. Not, mind you, because it's perfect Tudor of the sixteenth

century, _nor_ because the Earl of Warwick gave it to his

great-grandfather's great-great-grandfather, but because it's his Manor.

Horatio Bysshe Waddington's Manor. Of course, it's got to be what it is

because any other sort of Manor wouldn't be good enough for Bysshe."

"It's an extension of his ego, too?"

"Yes. Horatio's ego spreading itself in wings and bursting into

ball-topped gables and overflowing into a lovely garden and a park.

There isn't a tree, there isn't a flower that hasn't got bits of Horatio

in it."

"If I thought that I should never want to see roses and larkspurs

again."

"It only happens in Horatio's mind. But it does happen."

So, between them, bit by bit, they made him out.

And they made out the book. Here and there, on separate slips, were

great outlying tracts of light, contributed by Ralph, to be inserted,

and sketches of dark, undeveloped stuff, sprung from Waddington, to be

inserted too. Neither Ralph nor Barbara could make them fit. The only

thing was to copy it out clear as it stood and arrange it afterwards.

And presently it appeared that two pages were missing.

One evening, the evening of Mr. Waddington's return, looking for the

lost pages, Barbara made her great discovery: a sheaf of manuscript, a

hundred and twenty pages in Ralph's handwriting, hidden away at the back

of the bureau, crumpled as if an inimical hand had thrust it out of

sight. She took it up to bed and read it there.

A hundred and twenty pages of pure Ralph without any taint of

Waddington. It seemed to be part of Mr. Waddington's book, and yet no

part of it, for it was inconceivable that it should belong to anything

but itself. Ralph didn't ramble; he went straight for the things he had

seen. He saw the Cotswolds round Wyck-on-the-Hill, he made you see them,

as they were: the high curves of the hills, multiplied, thrown off, one

after another; the squares and oblongs and vandykes and spread fans of

the fields; and their many colours; grass green of the pastures, emerald

green of the young wheat, white green of the barley; shining, metallic

green of the turnips; the pink, the brown, the purple fallows, the sharp

canary yellow of the charlock. And the trees, the long processions of

trees by the great grass-bordered roads; trees furring the flanks and

groins of the parted hills, dark combs topping their edges.

Ralph knew what he was doing. He went about with the farmers and farm

hands; he followed the ploughing and sowing and the reaping, the feeding

and milking of the cattle, the care of the ewes in labour and of the

young lambs. He went at night to the upland folds with the shepherds; he

could tell you about shepherds. He sat with the village women by their

firesides and listened to their talk; he could tell you about village

women. Mr. Waddington did not tell you about anything that mattered.

She took the manuscript to Ralph at the White Hart with a note to say

how she had found it. He came running out to walk home with her.

"Did you know it was there?" she said.

"No. I thought I'd lost it. You see what it is?"

"Part of your book."

"Horatio's book."

"But you wrote it."

"Yes. That's what he fired me out for. He got tired of the thing and

asked me to go on with it. He called it working up his material. I went

on with it like that, and he wouldn't have it. He said it was badly

written--jerky, short sentences--he'd have to re-write it. Well--I

wouldn't let him do that, and he wouldn't have it as it stood."

"But--it's beautiful--alive and real. What more does he want?"

"The stamp of his personality."

"Oh, he'd _stamp_ on it all right."

"I'm glad you like it."

"_Like_ it. Don't you?"

Ralph said he thought he'd liked it when he wrote it, but now he didn't

know.

"You'll know when you've finished it."

"I don't suppose I shall finish it," he said.

"But you must. You can't _not_ finish a thing like that."

"I own I'd like to. But I can't publish it."

"Why ever not?"

"Oh, it wouldn't be fair to poor old Waddy. After all, I wrote it for

him."

"What on earth does that matter? If he doesn't want it. Of course you'll

finish it, and of course you'll publish it."

"Well, but it's all Cotswold, you see. And _he's_ Cotswold. If it _is_

any good, you know, I shouldn't like to--to well, get in his way. It's

his game. At least he began it."

"It's a game two can play, writing Cotswold books."

"No. No. It isn't. And he got in first."

"Well, then, let him get in first. You can bring your book out after."

"And dish his?"

"No, let it have a run first. Perhaps it won't have any run."

"Perhaps mine won't."

"_Yours_. That heavenly book? And his tosh--Don't you see that you

_can't_ get in his way? If anybody reads him they won't be the same

people who read you."

"I hope not. All the same it would be rather beastly to cut him out; I

mean to come in and do it better, show how bad he is, how frightful. It

would rub it in, you know."

"Not with him. You couldn't."

"You don't know. Some brute might get up and hurt him with it."

"Oh, you _are_ tender to him."

"Well, you see, I did let him down when I left him. Besides, it isn't

altogether him. There's Fanny."

"Fanny? She'd love you to write your book."

"I know she'd think she would. But she wouldn't like it if it made

Horatio look a fool."

"But he's bound to look a fool in any case."

"True. I might give him a year, or two years."

"Well, then, _my_ work's cut out for me. I shall have to make Horatio go

on and finish quick, so as not to keep you waiting."

"He'll get sick of it. He'll make you go on with it."

"_Me?_"

"Practically, and quarrel with every word you write. Unless you can

write so like Horatio that he'll think he's done it himself. And then,

you know, he won't have a word of mine left in. You'll have to take me

out. And we're so mixed up together that I don't believe even he could

sort us. You see, in order to appease him, I got into the way of giving

my sentences a Waddingtonian twist. If only I could have kept it up--"

"I'll have to lick the thing into shape somehow."

"There's only one thing you'll have to do. You must make him steer a

proper course. This is to be _the_ Guide to the Cotswolds. You can't

have him sending people back to Lower Wyck Manor all the time. You'll

have to know all the places and all the ways."

"And I don't."

"No. But I do. Supposing I took you on my motor-bike? Would you awfully

mind sitting on the carrier?"

"Do you think," she said, "he'd let me go?"

"Fanny will."

"I _could_, I think. I work so hard in the mornings and evenings that

they've given me all the afternoons."

"We might go every afternoon while the weather holds out," he said. And

then: "I say, he _does_ bring us together."

That was how Barbara's happy life began.

3

He did bring them together.

In the terrible months that followed, while she struggled for order and

clarity against Mr. Waddington, who strove to reinstate himself in his

obscure confusion, Barbara was sustained by the thought that in working

for Mr. Waddington she was working for Ralph Bevan. The harder she

worked for him the harder she worked for Ralph. With all her cunning and

her little indomitable will she urged and drove him to get on and make

way for Ralph. Mr. Waddington interposed all sorts of irritating

obstructions and delays. He would sit for hours, brooding solemnly,

equally unable to finish and to abandon any paragraph he had once begun.

He had left the high roads and was rambling now in bye-ways of such

intricacy that he was unable to give any clear account of himself. When

Barbara had made a clean copy of it Mr. Waddington's part didn't always

make sense. The only bits that could stand by themselves were Ralph's

bits, and they were the bits that Mr. Waddington wouldn't let stand. The

very clearness of the copy was a light flaring on the hopeless mess it

was. Even Mr. Waddington could see it.

"Do you think," she said, "we've got it all down in the right order?"

She pointed.

"_What's_ that?" She could see his hands twitching with annoyance. His

loose cheeks hung shaking as he brooded.

"That's not as _I_, wrote it," he said at last. "That's Ralph Bevan. He

wasn't a bit of good to me. There's--there's no end to the harm he's

done. Conceited fellow, full of himself and his own ideas. Now I shall

have to go over every line he's written and write it again. I'd rather

write a dozen books myself than patch up another fellow's bad work....

We've got to overhaul the whole thing and take out whatever he's done."

"But you're so mixed up you can't always tell."

He looked at her. "You may be sure that if any passage is obscure or

confused or badly written it isn't mine. The one you've shown me, for

example."

Then Barbara had another of her ideas. Since they were so mixed up

together that Mr. Waddington couldn't tell which was which, and since he

wanted to give the impression that Ralph was responsible for all the bad

bits, and insisted on the complete elimination of Ralph, she had only

got to eliminate the bad bits and give such a Waddingtonian turn to the

good ones that he would be persuaded that he had written them himself.

The great thing was, he said, that the book should be written by

himself. And once fairly extricated from his own entanglements and set

going on a clear path, with Barbara to pull him out of all the awkward

places, Mr. Waddington rambled along through the Cotswolds at a smooth,

easy pace. Barbara had contrived to break him of his wasteful and

expensive habit of returning from everywhere to Wyck. All through August

he kept a steady course northeast, north, northwest; by September he had

turned due south; he would be beating up east again by October; November

would find him in the valleys; there was no reason why he shouldn't

finish in December and come out in March.

Mr. Waddington himself was surprised at the progress he had made.

"It shows," he said, "what we can do without Ralph Bevan."

And Barbara, seated on Ralph's carrier, explored the countryside and

mapped out Mr. Waddington's course for him.

"She's worth a dozen Ralph Bevins," he would say.

And he would go to the door with her and see her start.

"You mustn't let yourself be victimized by Ralph," he said. He glanced

at the carrier. "Do you think it's safe?"

"Quite safe. If it isn't it'll only be a bit more thrilling."

"Much better to come in the car with me."

But Barbara wouldn't go in the car with him. When he talked about it she

looked frightened and embarrassed.

Her fright and her embarrassment were delicious to Mr. Waddington. He

said to himself: "She doesn't think _that's_ safe, anyhow."

And as he watched her rushing away, swaying exquisitely over a series of

terrific explosions, he gave a little skip and a half turn, light and

youthful, in the porch of his Manor.

Mr. Waddington of Wyck · 第 15 / 33 题