It is anticlimax, after the _Pórtico de la Gloria_, to speak of the

other sights of Santiago. On the plaza before the west end of the

Cathedral stands the dignified Hospital Real, founded by Isabella and

Ferdinand as a pilgrim inn. Two of the four patios are quaintly carved,

and probably amuse the convalescents of the modern hospital lodged now

in the building. It was a joy to find so many of Isabella's good deeds

still bearing fruit. The nuns took us down to the big kitchen,

white-tiled and spotless, where we saw the four hundred fresh eggs that

arrive daily from the country; the tidy patients on the verandas showed

clearly that no one suffered privations here. As we were leaving, the

old chaplain of the institution ran after us to beg us to return to see

something of which he was evidently vastly proud. When he ushered us

into a tiled bathing room and turned on the water that dashed up and

down and round about from every kind of new contrivance, he looked at us

with a self-complacency that was adorable, as if he said: "There, you

water-loving English, we're just as fond of it as you!" The excellently

managed institution reminds one that this province produced Doña

Concepción Arenal, sociologist and political economist, and withal a

most tender-hearted Christian, whose books on prison organization and

reform have been widely translated, and are quoted as authorities by the

leading criminologists of Europe. For thirty years this admirable woman

was inspector of prisons. She died at Vigo in 1893, and Spain has since

erected statues in her honor.

In Galicia, as in Catalonia, there has been a revival of dialect

literature. The Gallego tongue was the first in the Peninsula to reach

literary culture, and in the Middle Ages two ideal troubadours wrote in

it. Had not Alfonso _el Sabio_ written chiefly in Castilian, thereby

fixing that as the leading tongue, as Dante did the Tuscan in Italy, it

is probable that the dialect of Galicia had prevailed. Portuguese and

Gallego were the same language up to the fifteenth century, hence it is

that the great critic Menéndez y Pelayo always includes Portuguese

writers in his studies of Spanish literature.

Galicia is fortunate in having an able living exponent, the Señora

Emilia Pardo Bazán, whose novels are full of the charmed melancholy of

the province. The Gallego is derided in other parts of Spain, his name

is synonymous with boor, for he is judged by the clumsy _mozo_ who seeks

work in the south. "The more unfortunate a country the greater is the

love of its sons for it. Greece, Poland, Hungary, Ireland, prove this,

and the nostalgia is strongest in those of Celtic origin. Ask the rude

Gallegos of South America what is their ambition--'To return to the

_terriña_ and there die' is the answer."

In a collection of essays "De mi Tierra," Madam Pardo Bazán has told of

the learned Benedictine, Padre Feijóo, the Bacon of Spain, whose caustic

pen did away with so many of the superstitions of his age. It may be a

bit pedantic for me to give biographies in these slight sketches, but it

seems as if a truer idea of the race is conveyed in such lives than

could be given in any other way. This native of Galicia, Padre Feijóo,

had few equals in the Europe of his time in liberality of view. He was

born of hidalgo parents near Orense, where his _casa solar_ stands,

still lived in by a Feijóo of to-day. He entered the Benedictine Order

and in their cloisters passed most of his long life of eighty years, for

half a century living in their Oviedo house. His unflagging industry,

his clear intellect, and simple uprightness, won the admiration of all

who knew him. "After fifteen years' intimate acquaintance with Feijóo,"

wrote a scientist of the day, "never have I met, inside religion or out,

a man more sincere, more candid, more declared enemy of fraud and

deceit." Not till he was fifty did Feijóo commence to write. In 1731

appeared the beginning of his "Teatro Crítico," essays that have been

called the first step of Spanish journalism, written as they eminently

were to communicate ideas to others. He had the passion to know why, a

never-tiring love of investigation. Adopting the Baconian experimental

method, he attacked the superstitions and pseudo-miracles around him.

_¡Ay! de mí Inquisición_! Were you asleep that you did not clap this

independent thinker into your capacious dungeons? So strong was Feijóo's

influence that Benedict XIV curtailed the number of feast days on his

mere suggestion.

This learned Benedictine monk was ahead of his age in many ideas. Are

the stars not inhabited? he asked. Before Washington, he maintained that

the Machiavellian theory of government, intrigue and diplomacy, which

was then universally accepted in Europe, was inferior to friendly

loyalty and honor. He preached compassion to animals generations before

the age of our modern, humanitarian theories. With the painful

remembrance of the diligence ride in Galicia, I was glad to find one of

her sons advocating this. Feijóo stands out more prominently because of

the intellectual desert around him. "The eighteenth century was an

erudite, negative, fatigued." The Bourbons brought formality and

sterility to spontaneous Spain. A dry soulless learning killed the

creative power, and in every branch, art, music, and literature, the

artificial rococo flourished. The two exceptions of vitality were Feijóo

and the painter Goya. Had Padre Feijóo lived in our age, he might have

been that great man hailed by De Maistre: "Attendez que l'affinité

naturelle de la science et de la religion les ait réunies l'une et

l'autre dans la tête d'un homme de génie! Celui-là sera fameux et mettra

fin au dix-huitième siècle qui dure encore." How much longer are we to

wait for him,--this great man!

If the only harrowing scene of the tour in Spain is to be associated

with Galicia, so is one of the happiest, a day of such kindly chivalry

that we felt the spirit of Isabella's time still endured. It was the

chance of railway travel that introduced a modern knight to us. The

journey back to Castile from Galicia is a most trying one. Some day

perhaps an enterprising ocean line will put in at Vigo and run an

express directly across country to Madrid; we were too early for such

ease. From Santiago we had to take an afternoon train to Pontevedra, and

there spend the night. At 5 A.M. (oh, those unforgettable, dark, cold

railway stations of Spain!) we again took the train. It was dawn before

Redondela was reached, and exquisite as a dream seemed the _rías_, the

fiords of Galicia, with wooded mountains sloping to their shores. It is

not hard to prophesy that this will be a great summer resort of the

future.

At Redondela we changed trains, getting into the express for Monforte,

the only other occupant of the carriage being an elderly man, blue-eyed,

very tall and erect, with the air of distinction so frequently found

among Don Quixote's countrymen. We had noticed him the night before in

the Pontevedra hotel, and had thought him an Englishman, till in

offering some service about our luggage he spoke in Spanish. As we were

to spend fifteen hours in the same railway carriage, we soon entered

into conversation. He came from Madrid each summer with a family of sons

and daughters to spend some months in a castle among the mountains of

Galicia. Evidently he was a lover of sport and of country life, for as

we ran alongside the Miño River, with Portugal just across on the

opposite bank, for hours he sat gazing out in enjoyment, and drew each

beautiful thing to our notice. At noon we reached Monforte, where we had

dinner in the station buffet. When we called for our account, to our

astonishment the waiter told us it was settled already. We could not

understand what had been done, till the proprietor himself came to

explain. It seems it is a custom all over this generous land, for a man

when he is with a lady or has spoken to her, to pay for everything she

orders; tea, luncheon, even her shopping purchases. He does this with no

offensive ostentation, but so quietly that he often slips away unnoticed

and unthanked. Several travelers have since told me that they too met

this hospitality; it had at first embarrassed them, but as there was

not the slightest impertinence nor even the personal about it, as it was

merely an act of chivalrous respect, done with superb detachment, when

the confusion of being paid for by a stranger was over, they remembered

only the charming courtesy.

The attentions of our kind host, for he seemed to look on two strangers

in his land as his guests, did not stop at noontime, at tea he brought

us platefuls of hot chestnuts. He tried to while away the hours

pleasantly, playing games on paper in French and English; with all his

dignified gravity the Spaniard is not blasé. Our struggles to learn his

tongue rousing sympathy, it was from him we first heard of the pretty

high-flown phrases still in daily use, how you bid farewell with, _Beso

à V. la mano_ (I kiss your hand), or _A los pies de V._ (I am at your

feet); that the _Usted_, shortened to _V._, with which you address high

or low, is a corruption of "Your Majesty." Somehow there seems nothing

absurd in addressing a Spanish peasant as "Your Majesty." The love of

abbreviations is a curious trait in a people with such leisurely ways;

thus, a row of cabalistic letters ends a letter: _S. S. S. Q. B. S. M._,

which means that your correspondent kisses your hand--_su seguro

servidor que besa su mano_.

Then the interest which we evinced in the institutions and progress of

Spain made him put his cultivated intelligence at our service, and we

learned more in a day than in all the previous weeks. When I inquired

into the vexed religious question he was able to explain much. As a

rule, republicanism in Spain means avowed atheism and socialism; it has

been well said that the republicanism of all Latin countries turns to

social revolution. The socialists are a small, but well-organized band,

international in character since their movements are directed from

centers like Paris. They are chiefly in industrial cities such as

Barcelona, Valencia, and Bilbao, where secret societies of anarchists

abound, disguised as clubs for scientific study. The majority being of

the rabble, repudiating all authority, ("civilization, that is the

enemy!") their disorders would be called mob uprisings did they occur in

Chicago, but deceived by the term "republicanism," the journals of

England and America gave them too lenient a consideration. By no means

devout himself, he assured us that what we saw on every side was for the

most part very genuine religion, not sentiment with no result; for in

those places where observance had slackened there was a marked

difference in moral restraint, so potent a factor for morality was

religion still in Spain. That there were faults none denied, but he had

traveled enough to know the flaws of other countries too well to be

despairing of his own.

He wrote for us a card of introduction to the big hospital of Madrid; he

sought out a friend in another carriage, the son of the Admiral in

Ferrol, who was rather up in statistics. Had we seen the asylum near

Santiago where the insane are treated with such success that noted cures

had been obtained? Had we met the archæologist of the province, a canon

in the Cathedral? In short, from the questions and suggestions we

realized that the average tourist goes through this reserved country

half blind. Glad were we for this chance of insight. When in the dusk of

evening it came time to descend at Astorga, our stopping-place for the

night, and our fellow-traveler stood there shaking hands, with warm

friendliness in his blue eyes, we felt there was no more thoroughbred

specimen of manhood than a Spanish hidalgo.

SALAMANCA

"L'homme n'est produit que pour l'infini."

"Il y a des raisons qui passent notre raison."

"Se moquer de la philosophie c'est vraiment philosopher."

PASCAL.

Salamanca is in León province, and in comparison with the hour of its

prime, as it is to-day it too is very like a sleeping city. It is hard

to realize that this dull, small town was a _grandeza de España_,

ranking with Oxford, Paris, and Bologna, that once 10,000 students

flocked here from all over Europe, and every young Spaniard turned here

as naturally as a modern Englishman to Oxford or Cambridge; Cervantes'

"Novelas Exemplares" give the picture. To-day there are barely a

thousand students, chiefly from its own province; among the ten

universities of Spain the former leader takes a very lowly place.

Madrid, the continuation of Cardinal Ximenez' University of Alcalá, may

be called the modern Salamanca in intellectual leadership.

[Illustration: _Copyright, 1910, by Underwood & Underwood_

VIEW OF SALAMANCA FROM THE ROMAN BRIDGE]

In the Spanish Oxford one looks in vain for the numerous colleges of the

city on the Isis. Alas! Salamanca is half a ruin. The French, in the

Napoleonic invasion, destroyed the whole northwest quarter of the

town to make fortifications, undoing in a few brutal hours the work of

centuries of culture and piety. In his despatches of 1812 the Duke of

Wellington wrote: "The French among other acts of violence have

destroyed thirteen out of twenty convents and twenty out of the

twenty-five colleges which existed in this seat of learning." Twenty out

of twenty-five colleges! The thought of Oxford's tranquil, age-crowned

buildings makes one grasp the tragic wreck of the Spanish university;

never while in Salamanca could I forget the desolate tract to the west,

lying still a heap of ruins, untenanted save by wandering goats, those

nomad creatures that give the culminating note of squalor to deserted

districts.

Our train approached the city across the plains from Zamora, through

plantations of isolated trees and past droves of black sheep whose

guardian stood patiently under the rain. For some time in the distance

we saw the prominent church towers. Salamanca lay on the old Roman road,

the Via Lata, that connected Cadiz with the north, but the Roman

associations here are slight. As in Zamora, the Cid and his feats dwarf

other interests, so here it is the picturesque days of the fifteenth and

sixteenth centuries that fill the mind.

Go down to the Roman bridge over the Tormes and while away an hour

watching the passers-by, and the old times seem to live again. Below in

the river bed women wash and chatter from morning till night, spreading

the gayly-colored clothes, red, yellow, and purple, over the stones to

dry. If it is Sunday, into the city pour the hardy peasants for their

one day of rest from the ungrateful work of the fields: girls in pale

blue woolen stockings and smart, black pumps sit sideways behind their

cavaliers on the long-haired nags whose backs are often shaved into a

pattern; now out of the city jogs a brisk old woman on her donkey, laden

with a month's purchases, an unpainted rush-bottom chair topping the

pile; she nods to the strangers, _franceses_, she thinks, for a Spaniard

takes all foreigners for his neighbors over the frontier: now a cart

passes, whose shape and hue seem taken out of a romantic watercolor;

then a young peasant in wide-brimmed sombrero, leather gaiters, silver

buttons as big as dollars on his vest, clear-eyed and proud of carriage:

then, salt to the picture, rides a burly _cura_, sitting well back on

his tiny ass, a ridiculous figure were it not for his sublime

unconsciousness, his innate self-respect. Ever the unspoiled, the

vigorous, the untamed! Just so they came into Salamanca in the past when

students with swords and velvet capes walked the streets, and so I hope

they may do some hundred years from now, for such lives of frugal

contentment are unequaled. Localism and provinciality have been forced

on Spain by nature, and it is this very provincialism which is her charm

for the traveler. Fresh from a prosperous, new world, he may often long

for certain changes here, for more widely diffused education, for free

libraries, a more secure self-government; but such material prosperity

is bought with a price. Remember that not in the length or breadth of

this land are to be found the degraded human beings, vicious in soul and

brutalized in shape of skull and feature, such as exist by the thousands

in the slums of industrial countries. If the Spanish peasant must lose

his hardy independence, if his frugal contentment, his heroic patience

must pass with the old order of things (that lets a heap of ruins in the

heart of a city lie untouched during a hundred years!) I cannot help

wondering whether the price is not too high to pay. I am repeating

myself, but the words come to one each day--it is beyond human nature to

be consistent in Spain; she has the faculty, despite her glaring faults,

of battering down one's Philistine certainty of northern superiority.

The bridge, the plaza, and the cathedral; study your types there and you

begin to know the real Spaniard. Not soon shall I forget, at Mérida, in

wild Estremadura, as I loitered on the bridge, a countryman stepping

forward with the dignified, proud look of his class: "_¿Es más bonita

que París?_" he asked, the interrogatory note added only in courtesy, so

sure was he of my affirmative. Sleepy little Mérida, all a ruin, Knights

Templars' castle as well as Roman theater and aqueduct, to the fellow

_paisano_ of Pizarro and Cortés, was finer than Paris. It is glimpses

like this that make the prejudiced stranger judge the so-called

backwardness of the country in kinder fashion. Where else could one see

stately-moving cream-colored oxen pass unnoticed through the chief

thoroughfare of a capital, a common sight in the Puerta del Sol of

Madrid, where else will the customs officer of a big town stand to count

with a pointing finger the skipping sheep driven past him, as on the

Alcántara bridge at Toledo, where else will groups of goats be milked

from door to door in a great commercial city like Barcelona? Salamanca,

being the center of an agricultural district and off the express route,

presents daily, scenes from the Georgics.

Architecturally the old university city, despite her disasters, is of

first importance. She has two Cathedrals, the smaller more perfect one

of 1100, finding shelter by the side of its huge successor, to whom it

yielded its rights as metropolitan in 1560. The exterior of the new

Cathedral is over-rich and meaningless, it promises little for what it

holds within, where the lofty Gothic piers and arches have so impressive

an air of majesty that architectural flaws are forgotten. It proves how

much longer Gothic lasted in Spain than elsewhere in Europe. The

triforium here is replaced by an elaborately-carved balcony that runs

round the church, and high up are medallions colored with gold and

Eastern hues, an enamel-like decoration which has been beautifully and

sparingly used; the inner circle of the clearstory window and the round

windows of the west end, have jeweled chains of color that modern

churches could well imitate. As usual, the side chapels are full of

treasures, and the sacristy boasts the very crucifix the Cid carried in

battle. There is one bad defect: its apse has not the dim, mysterious

curve of a cathedral, the east end being square, like a cold secular

hall. Nestling under this gigantic pile is the loveliest thing in all

Salamanca, the _catedral vieja_, its title in the old Latin proverb

"fortis Salmantina." It is a small, Romanesque-transition church,

unused, but in good repair, left unchanged by a sensible bishop when the

services were removed to its more pretentious rival. The carvings of the

capitals are boldly massive, there is a noticeably good, painted

_retablo_, and among the numerous tombs--a Gregorovius could make a

fascinating volume of Spain's alabaster knights and bishops!--there is

one that is specially appealing. It is in a chapel opening off the

cloisters; a warrior in armor lies on his sarcophagus, beside him his

wife, with a child's innocence of face, dressed in the nun's robe worn

while her lord was fighting the Moors, with high pattens on her feet, a

dainty little Castilian gentlewoman, mother of the prelate whose stately

tomb fills the center of the chapel. The old Cathedral is so tucked in

among buildings, that only one view of the exterior can be got, from a

terrace leading from the south door of the later church, a view that a

New Englander will return to often with a homesick feeling, for just

such a scaly-tiled tower, window for window, line for line alike, rises

in Copley Square, Boston. This cupola shows Byzantine influences since

Spanish Romanesque was orientalized through Mediterranean trading.

Of all the memories of a journey in Spain the happiest are the hours

spent in her cathedrals, the starting out expectant, often with no map

or book, for there are frequent glimpses of the church towers to guide;

the first entering the noble structure which man's living enthusiasm

raised, the first passing from one chapel to another in astonishment at

the treasures they guard. Pierre Loti has a sketch on Burgos Cathedral,

seen once only on a late afternoon, just as the verger was closing it,

and he describes how unhappily he was affected by the lavish material

wealth. Pure artist that he is in his theory of seizing on a swift

impression, the test may be successful for Philae or for the Parthenon,

but it will not do for a Spanish cathedral, which is too complex, and

can well hide its soul from the hasty tourist. May M. Loti forgive me

for saying it, but certainly the way in which he saw Burgos differs

little from the lightning-flash method of the Yankee tourist he

despises. I think he must have had a cross indigestion that late

afternoon, or perhaps it was his Huguenot blood rising in protest.

Another of his countrymen, equally sensitive, "le délicat Joubert,"

gives a less on-the-surface judgment: "The pomp and magnificence with

which the Church is reproached are in truth the result and proof of her

incomparable excellence. From whence, let me ask, have come this power

of hers and these excessive riches except from the enchantment into

which she threw all the world? She had the talent of making herself

loved, and the talent of making men happy ... it is from thence she drew

her power."

Heroic Spain · 第 7 / 24 段