IX

She woke with a little confused cry, and sat gazing distractedly into

the dark, her hands pressed to her cheeks.

“Don't you remember,” Elim Meikeljohn spoke, “Haxall and the sloop; your

relatives at Bramant's Wharf?”

She returned to a full consciousness of her surroundings.

“I was dreaming so differently,” she told him. It seemed to Elim that

the antagonism had departed from her voice; he even had a feeling that

she was glad of his presence. Indy, prostrate on the deck with her chin

elevated to the stars, had not moved.

The darkness increased, broken only by the colored glimmer of the port

and starboard lights and a wan blur about the old man bent over the

tiller. Once he woke the youth and sent him forward with a sounding

pole, once the sloop scraped heavily over a mud bank, but that was all;

their imperceptible progress was smooth, unmarked.

Elim, recalling Joshua, wished that the sloop and night were anchored,

stationary. Already he smelled the dawn in a newly stirring, cold air.

The darkness thickened. Rosemary Roselle said:

“I'm dreadfully hungry.”

He immediately produced the fruit cake.

“It's really quite satisfactory,” she continued, eating; “It's like the

rest of this--unreal.... What is your name?” she demanded unexpectedly.

“Elim Meikeljohn.”

“That's a very Northern sort of name.”

“It would be hard to come by one more so,” he agreed. “It's from the

highlands of Scotland.”

“Then if you don't mind, I'll think of you as Scotch right now.”

He conveyed to her the fact that he didn't.

“Look!” she exclaimed. “There's the morning!”

A thin gray streak widened across the east. Almost immediately the night

dissolved. They were sweeping down the middle of a river that surprised

Elim with its width and majesty. The withdrawn banks bore clustered

trees, undulating green reached inland, the shaded facades of houses sat

back on lawns that dipped to the stream.

Rosemary Roselle's face was pale with fatigue; her eyes appeared

preternaturally large; and this, for Elim, made her charm infinitely

more appealing. She smoothed her dress, touched her hair with light

fingers. The intimacy of it all thrilled him. A feeling of happy

irresponsibility deepened. He lost sight of the probable unhappiness of

tomorrow, the catastrophe that was yesterday; Elim was radiantly content

with the present.

“You look Northern too,” she went on; “you are so much more solemn than

the Virginia men--I mean your face is.”

“I suppose I've had a solemn sort of existence,” he agreed. “Life's

an awful serious thing where I was born. The days are not long enough,

life's too short, to get your work done. It's a stony pasture,” he

admitted. He described the Meikeljohn farm land, sloping steeply

to swift rocky streams, the bare existence of the sheep, the bitter

winters. He touched briefly on Hester and his marriage.

“It's no wonder,” she pronounced, “that you have shadows in your eyes.

You can't imagine,” she continued, “how wonderful everything was in

Richmond, before--I simply can't talk about it now. I suppose we are

ruined, but there isn't a man or woman who wouldn't do the same thing

all over again. I'm almost glad that father isn't--isn't here; misery

of any kind made him so wretched ... perfect memories.” She closed her

eyes.

Her under lip, he saw, projected slightly, her chin was fine but

stubborn. These details renewed his delight; they lent a warm humanity

to her charm.

“Any one would know,” she said, regarding him, “that you are absolutely

trustworthy. It's a nice quality now, but I don't think I would have

noticed it even a month ago. You can see that I have grown frightfully

old in the littlest while. Yes, you are comfortable to be with, and I

suspect that counts for a great deal. It's quite sad, too, to grow old.

Oh, look, we've changed! Where do you suppose he is going? This can't

nearly be Bramant's.”

The mainsail had been hauled in, and the course of the sloop changed,

quartering in toward the shore. The youth, moving forward, stopped to

enlighten them. He jerked a thumb in the direction of the old man.

“He's got kin here at Jerico,” he explained; “and we're setting in to

see them. We won't stop long.”

The mainsail came smoothly down, the jib fluttered, and the sloop slid

in beside a sturdy old wharf, projecting from a deep fringe of willows.

No sign of life or habitation was visible.

The youth made fast a hawser, the old man mounted painfully to the dock,

and Indy stirred and rose.

“I must have just winked asleep,” she declared in consternation.

Rosemary Roselle lightly left the boat, and Elim followed. “If we

explored,” he proposed, “perhaps we could get you a cup of coffee.”

She elected, however, to stay by the river, and Elim went inward alone.

Beyond the willows was an empty marshland. The old man had disappeared,

with no trace of his objective kin. A road, deep in yellow mire, mounted

a rise beyond and vanished a hundred yards distant. Elim, unwilling to

get too far away from the sloop, had turned and moved toward the wharf,

when he was halted by the sound of horses' hoofs.

He saw approaching him over the road a light open carriage with a

fringed canopy and a pair of horses driven by a negro in a long white

dust coat. In the body of the carriage a diminutive bonneted head

was barely visible above an enormous circumference of hoops. Elim saw

bobbing gray curls, peering anxious eyes, and a fluttering hand in a

black silk-thread mit.

“Gossard,” a feminine voice cried shrilly to the driver, at the sight of

Elim on the roadside, “here's a Yankee army; lick up those horses!”

The negro swung a vicious whip, the horses started sharply forward,

but the carriage wheels, sinking in a deep slough, remained fixed; the

harness creaked but held; the equipage remained stationary. The negro

dismounted sulkily, and Elim crossed the road and put his shoulder to a

wheel. Together with the driver, he lifted the carriage on to a firmer

surface. The old lady was seated with tightly shut eyes.

“This here man ain't going to hurt you,” the driver exclaimed

impatiently. “This exdus is all nonsense anyways,” he grumbled. “I got a

mind to stop--I'm free.”

She directed upon him a beady black gaze.

“You get right into this carriage,” she commanded; “you'd be free to

starve. You are a fool!” The man reluctantly obeyed her. “I thank you

for your clemency,” she said to Elim. She fumbled among her flounces

and hoops and produced an object carefully wrapped and tied. “Here,”

she proclaimed; “I can still pay for a service. Gossard--” the carriage

moved forward, was lost in the dip in the road. Elim opened the package

in his hand and regarded, with something like consternation, a bottle of

champagne.

Beyond the wharf the great yellow flood of the river gleamed in the sun;

choirs of robins whistled in trees faintly green. Rosemary Roselle was

seated with her feet hanging over the water.

“Champagne for breakfast,” she observed, shaking her head; “only the

most habitual sports manage that.” He recounted the episode of the

“Yankee army,” delighted by her less formal tone, then the old man

returned as enigmatically as he had disappeared. The ropes were cast

off, the sloop swung out into the current, and their smooth progress was

resumed.

A few more hours and they would be at Bramant's Wharf. There, Elim knew,

he would be expected to leave Rosemary. There would be a perfunctory

gratitude from her relatives, perhaps a warmer appreciation from

herself--a moment--a momentary pressure of her hand--and then--where? He

would never again come in contact with so exquisite a girl; they were,

he realized, customarily held in a circle where men like himself,

outsiders, rarely penetrated; once more with her family and he would be

forgotten. Anyhow, he had nothing.

But in spite of these heavy reflections his irresponsible happiness

increased. In this segment of existence no qualifications from the shore

were valid. Time, himself, at the tiller, seemed drifting, unconcerned.

Rosemary Roselle regarded Elim with a franker interest. She took off

a small slipper and emptied some sand from the shore; the simple act

seemed to him burdened with gracious warmth. Now she was infinitely

easier than any girl he had known before. Those about his home met the

younger masculine world either with a blunt sarcasm or with an uneasy

voiceless propriety. Rosemary, propped on an elbow, was as unconcerned

as a boy. This made her infinitely more difficult of approach. Her

slight beautiful body, not hidden by clothes--as decency demanded in

the more primitive state--was delightfully marked, suggested. Here was

beauty admitted, lauded, even studied, in place of the fierce masking

and denouncement of his father and the fellow elders.

He remembered, from collegiate hours, the passion of the Greeks for

sheer earthly strength and loveliness--Helen and Menelaus, Sappho on

the green promontories of Lesbos. At the time of his reading he had

maintained a wry brow ... now Elim Meikeljohn could comprehend the siege

of Troy.

He said aloud, without thinking and instantly aghast at his words:

“You are like a bodied song.” He was horrified; then his newer spirit

utterly possessed him, he didn't care; he nodded his long solemn head.

Rosemary Roselle turned toward him with a cool stare that was lost in

irresistible ringing peals of laughter.

“Oh!” she gasped; “what a face for a compliment. It was just like

pouring sirup out of a vinegar cruet.”

He became annoyed and cleared his throat in an elder-like manner, but

her amusement strung out in silvery chuckles.

“It's the first I've said of the kind,” he admitted stiffly; “I've no

doubt it came awkward.”

She grew more serious, studied him with thoughtful eyes. “Do you know,”

she said slowly, “I believe you. Compliments in Virginia are like

cherries, the trees are full of them; they're nice but worth--so much.”

She measured an infinitesimal degree with a rosy nail against a finger.

“But I can see that yours are different. They almost hurt you, don't

they?”

He made no reply, struggling weakly against what, he perceived, was to

follow.

“You're like a song that to hear would draw a man about the world,” said

Elim Meikeljohn, pagan. “He would leave his sheep and byre, he'd drop

his duty and desert his old, and follow. I'm lost,” he decided, in

a last perishing flicker of early teaching; and then he smiled

inexplicably at the wrath to come.

Rosemary Roselle grew more serious.

“But that's not a compliment at all,” she discovered; “it's more, and it

makes me uncomfortable. Please stop!”

“About the world,” echoed Elim, “and everything else forgotten.”

“Please,” she repeated, holding up a prohibitory palm.

“Rose petals,” he said, regarding it. His madness increased. She

withdrew her hand and gazed at him with a small frown. She was sitting

upright, propped on her arms. Her mouth, with its slightly full

under lip, was elevated, and an outrageous desire possessed him. His

countenance slowly turned hotly red, and slowly a faint tide of color

stained Rosemary Roselle's cheeks. She looked away; Elim looked away.

He proceeded aft and learned that Bramant's Wharf lay only a few miles

ahead.

The old man cursed the wind in his stringent tones. Elim hadn't noticed

anything reprehensible in the wind. It appeared that for a

considerable time there hadn't been any. A capful was stirring now, and

humanity--ever discontented--silently cursed that.

“We're nearly there,” he said, returning to Rosemary Roselle.

He was unable to gather any intelligence from her expression.

She rose, and stood with a hand on Indy's shoulder, murmuring

affectionately in the colored woman's ear. The sloop once more headed

at a long angle for the shore. Bramant's Wharf grew visible, projecting

solidly from a verdant bank. They floated silently up to the dock, and

the youth held the sloop steady while Rosemary Roselle and Indy mounted

from its deck. Elim followed, but suddenly he stopped, and his hand

went into his pocket. A half dollar fell ringing into the boat. Elim

indicated the youth; he was now penniless.

X

“The house,” Rosemary explained, “is almost a mile in. There is a

carriage at the wharf when they expect you. And usually there is some

one about.”

Elim, carrying the cake and bottle, followed over a grassy road between

tangles of blackberry bushes. On either hand neglected fields held

a sparse tangle of last year's weeds; beyond, trees closed in the

perspective. The sun had passed the zenith, and the shadows of walnut

trees fell across the road. Elim's face was grim, a dark tide rose about

him, enveloping his heart, bothering his vision. He wanted to address

something final to the slim girl in black before him, something now,

before she was forever lost in the gabble of her relatives; but he could

think of nothing appropriate, expressive of the tumult within him. His

misery deepened with every step, grew into a bitterness of rebellion

that almost forced an incoherent reckless speech. Rosemary Roselle

didn't turn, she didn't linger, there were a great many things that she

might say. The colored woman was positively hurrying forward. A great

loneliness swept over him. He had not, he thought drearily, been made

for joy.

“It's queer there's no one about,” Rosemary Roselle observed. They

reached the imposing pillars of an entrance--the wooden gate was

chained, and they were obliged to turn aside and search for an opening

in a great mock-orange hedge. Before them a wide sweep of lawn led up

to a formal dark façade; a tanbark path was washed, the grass ragged and

uncut. Involuntarily they quickened their pace.

Elim saw that towering brown pillars rose to the roof of the dwelling

and that low wings extended on either hand. Before the portico a stiffly

formal garden lay in withered neglect.

The flower beds, circled with masoned rims and built up like wired

bouquets, held only twisted and broken stems.

A faint odor of wet plaster and dead vegetation rose to meet them. On

the towering wall of the house every window was tightly shuttered. The

place bore a silent and melancholy air of desertion.

The girl gave a dismayed gasp. Elim hastily placed his load on the steps

and, mounting, beat upon the door. Only a dull echo answered. Dust fell

from the paneling upon his head.

“Maybe they have shut up the front for protection,” he suggested. He

made his way to the rear; all was closed. Through the low limbs of apple

trees he could see a double file of small sad brick quarters for the

slaves. They, too, were empty. The place was without a living being. He

stood, undecided, when suddenly he heard Rosemary Roselle calling with

an acute note of fear.

He ran through the binding grass back to the garden.

“Elim Meikeljohn!” She stumbled forward to meet him. “Oh, Elim,” she

cried; “there's no one in the world----” A sob choked her utterance.

He fell on his knees before her:

“There's always me.”

She sank in a fragrant heap into his arms.

Elim Meikeljohn laughed over her shoulder at his entire worldly goods on

the steps--the fragmentary fruit cake and a bottle of champagne.

Here they are lost on the dimming mirror of the past.

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