III

Waiting in Hosmer's buggy for the arrival of the Greenstream stage and

Phebe Braley, Calvin was conscious of the persistence of the depression

that had invaded him at the announcement of her visit. He resented,

too, the new element thrust into the Braley household, disrupting the

familiar course of his love. Hannah had been unreasonably distracted by

the actuality of Phebe's return--the Phebe who had gone away from the

mountains and become an actress.

The buggy was drawn to one side of the principal Greenstream road,

at the post-office. Before him the way crossed the valley and lifted

abruptly to the slope of the eastern range. At his back the village--the

brick Methodist church and the white painted Presbyterian church, the

courthouse with its dignified columns, the stores at the corners of the

single crossroads, and varied dwellings--was settling into the elusive

May twilight. The highest peaks in the east were capped with dissolving

rose by the lowering sun, and the sky was a dusty blue.

Calvin Stammark heard the approaching stage before he saw it; then the

long rigid surrey with its spare horses rapidly rolled up over the open

road to the post-office. He got down and moved diffidently forward,

seeing and recognizing Phebe immediately. This was made possible by her

resemblance to Hannah; and yet, Calvin added, no two women could be more

utterly different.

Phebe Braley had a full figure--she was almost stout--a body of the

frankest emphasized curves in a long purple coat with a collar of soiled

white fur. A straw hat with the brim caught by a short purple-dyed

ostrich feather was pinned to a dead-looking crinkled mass of

greenish-gold hair, and her face--the memorable features of Hannah--was

loaded with pink powder.

Calvin said: “You must be Phebe Braley. Well, I'm Calvin Stammark. Your

father or Hosmer couldn't meet the stage and so they had to let me get

you. Where's your bag?”

She adopted at once an air of comfortable familiarity. “I don't remember

your name,” she said, settling beside him in the buggy.

He told her that he had come to this vicinity after she had gone and

that he was about to marry her sister.

“The hell you say!” she replied with cheerful surprise. “Who'd thought

Hannah was old enough to have a fellow!”

They were out of the village now and she produced a paper pack of

cigarettes from a leather hand bag with a florid gilt top. Flooding her

being with smoke she gazed with a shudder at the mountain wall on either

hand, the unbroken greenery sweeping to the sky.

“It's worse than I remembered,” she confided, resting against him. “A

person with any life to them would go dippy here. Say, it's fierce! And

yet, inside of me, I'm kind of glad to see it. I used to dream about the

mountains, and this is like riding in the dream. I'm glad you came for

me and let me down easy into things. I suppose they live in the kitchen

home and pa'd lose a currycomb in his beard. Does Hosmer still beller if

he gets the chicken neck?

“Do you sit in the holy parlor for your courting, and ain't that plush

sofa a God-forsaken perch for two little love birds? It's funny how I

remember this and that. I reckon ma's temper don't improve with age.

They kid me something dreadful about saying 'reckon,' in the talent. But

it's all good and a dam' sight better than 'I guess.' That's all they

get off me.”

Calvin Stammark's vague uneasiness changed to an acute dislike, even a

fear of Phebe. Her freedom of discourse and person, the powdered hard

fare close to his, the reek of scent--all rasped the delicacy of his

love for Hannah. The sisters were utterly different, and yet he

would have realized instantly their relationship. Phebe, too, had the

disturbing quality that made Hannah so appealing. In the former it was

coarsened, almost lost; almost but not quite.

“I'll bet,” she continued, “that I'm the only female prodigal on the

bills. Not that I've been feeding on husks. Not me. Milwaukee lager and

raw beef sandwiches. I have a passion for them after the show. We do

two a day and I want solid refreshment. I wonder if you ever saw me. Of

course you didn't, but you might have. Ned Higmann's Parisian Dainties.

Rose Rayner's what I go by. That's French, but spelled different, and

means brightness. And I'm bright, Casper.

“My, what are you so glum about--the dump you live in or matrimony?

There was a gentleman in an orchestra in Harrisburg wanted to marry

me--he played the oboe--but I declined. Too Bohemian.... This is where

we turn,” she cried instinctively, and they swung into the valley where

the Braleys had their clearing.

Phebe crushed the cigarette in her fingers. Suddenly she was nervous.

“It's natural I have changed a lot,” she said. “If you hear me saying

anything rough pinch me.”

Richmond Braley was standing beside his house in the muddy clothes

in which he had labored on the roads, and Mrs. Braley and Hannah came

eagerly forward. Behind them sounded Susan's racking cough. Sentimental

tears rolled dustily over Phebe's cheeks as she kissed and embraced her

mother and sisters.

“H'y,” Richmond Braley awkwardly saluted her; and “H'y,” she answered in

the local manner.

“Well,” he commented, “you hain't forgotten that anyway.”

Calvin was asked to stay for the supper that had been delayed for

Phebe's return, but when he declined uncertainly he wasn't pressed.

Putting up Hosmer's rig and saddling his own horse he rode slowly and

dejectedly on.

Instead of going directly back to Greenstream he followed the way that

led to his new house. The evening was silvery with a full brilliant

moon, and the fresh paint and bright woodwork were striking against the

dark elevated background of trees. The truck patch would be dug on the

right, the clearing widen rod by rod. From Alderwith's meadows came the

soft blowing of a steer's nostrils, while the persistent piping of the

frogs in the hollows fluctuated in his depressed consciousness.

Calvin had drawn rein and sat on his horse in the road. He was trying to

picture Hannah standing in the door waiting for him, to hear her calling

him from work; but always Phebe intervened with her travesty of Hannah's

clear loveliness.

The Happy End · 第 9 / 46 题