Verschoyle recognised his man and said,--

'In God's name has anything happened?'

(Something had happened but they did not know it. In her

dressing-room, half way through the performance, she had found a note:--

'DEAR MADAM,--Either you grant me a profitable interview after the

performance or the police will be informed to-morrow morning.

'CLAUDE CUMBERLAND.')

'I only wanted,' said Rodd, 'to ask you to convey my very best wishes

to Miss Day. Just that. Nothing more.'

Verschoyle stared at him, and Rodd laughed.

'No. I am not what you think. I have been and am always at your

service. To-night has been one of the most wretched of her life. I

have been watching the performance. Butcher and his audience have been

too much for them.'

'But the success was hers.'

'You do not know her well, if you imagine that such a success is what

she desires.'

An attendant came up to them with a note from Clara enclosing

Cumberland's. Verschoyle handed it to Rodd, who crumpled it up and

said,--

'I knew that was the danger-point. Will you take me to see her? I

know these people. I have done what I could. I kicked that fellow out

just after you had gone.'

'There is a supper in Sir Henry's room,' said Verschoyle, with an

uneasy glance at Rodd's shabby evening clothes. 'I will take you

there. Are you an actor?'

'No. I write. I remember you at the Hall when I was at Pembroke.'

That reassured Verschoyle. He liked this deep, quiet man, and felt

that he knew more than he allowed to appear, half-guessed indeed that

he had played some great and secret part in Clara's life. He

introduced him to Lady Bracebridge and her daughter, who had stayed to

watch the huge audience melt away and to hold a little reception with

congratulations on the success of 'their' play. Lady Bracebridge

noticed Rodd's boots at once, an old pair of cracked patent leathers,

but her daughter chattered to him,--

'Wasn't it all too sweet? I adore _The Tempest_. Caliban is such a

dear, isn't he?'

Rodd smiled grimly but politely.

They made their way on to the stage where they found Charles Mann

tipping the stage-hands. The stairs up from the stage were thronged

with brilliant personages, all happy, excited, drinking in the

atmosphere of success.... In Sir Henry's room Lady Butcher stood to

receive her guests. 'Too delightful! ... The most charming

production! ... Exquisite! ... Quite too awfully Ballet Russe!'

The players in their costumes, their eyes dilated with nervous

excitement, their lips trembling with their hunger for praise, moved

among the Jews, politicians, journalists, major and minor

celebrities.... Sir Henry moved from group to group. He was at his

most brilliantly witty.

But there was no Ariel. Several ladies who desired to ask her to lunch

in their anxiety to invest capital in the new star, clamoured to see

her.

'She is tired, poor child,' said Sir Henry, with an amorously

proprietary air.

'But she _must_ come,' said Lady Butcher, eager to exploit the interest

Clara had aroused, and she bustled away.

Charles Mann came in at that moment and he was at once surrounded with

twittering women.

'You must tell him,' said Rodd to Verschoyle, 'he must get out....

Will you let her go with him?'

'Never,' said Verschoyle, and awaiting his chance, he plucked Charles

by the sleeve, took him into a corner and gave him Cumberland's note.

Charles's face went a greeny gray.

'What does he mean?'

'Blackmail,' replied Verschoyle. 'You can't ask her to go on living

with that hanging over her head.'

'I can pay,' said Charles.

'She'll pay on for ever.'

'What else can I do?'

'Clear out, give her a chance. Let her make her own life so that it

can't touch her--whatever happens to you.'

'But I ...'

'Can you only think of yourself?'

'My work.'

'Look here, Mann. I've paid six hundred to keep this quiet. It hasn't

done it. I suppose they've squabbled over the spoils.'

'Six hundred.'

'Yes. What can you do? These people ask more and more and more.'

'It's ruin.'

'Yes. If you don't clear out.'

Charles began to look elderly and flabby.

'All right,' he said. 'When?'

'To-morrow morning. I'll see that you have money and you'll get as

much work as you like now--thanks to her.'

'You don't know what she's been to me, Verschoyle.'

'No. But I know what any other man would have been to her. You ought

to have told her.'

'To-morrow morning,' said Charles. 'I'll go.'

He turned away and basked in the smiles and congratulations of the

Bracebridge-Butcher set.

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