He shook his head and smiled,--

'You have made that impossible, Clara.'

'I?'

'Yes. If I found a girl like you who wanted to marry me I might

consider it.... My aunts are furious.'

'With me?'

'Yes. You have made more of a stir than you can imagine. They tell me

you are more wicked than Cleopatra, and yet you complain that nothing

happens to you.'

She took him to the bookshop and introduced him to the bookseller, a

little gray-bearded man in a tweed suit. Verschoyle liked him and

asked him what he thought a man in his position ought to do.

'The man Jesus put you right years ago,' said the bookseller. 'Sell

all that thou hast and give to the poor.'

'But I can't,' said Verschoyle. 'I'm only a _cestui que trust_.'

To both Verschoyle and Clara the bookshop was a place of escape, a

holiday ground where they could play with ideas which to Verschoyle

were a new kind of toy. With Mann there was always a certain strain

for him, because Mann wanted something definite; but with the

bookseller and his young friends, he was at his ease, for they were

very like himself, without ambition, and outside all the press and

hurry of society. Like himself they wanted nothing except to be

amused, and like himself they hated amusement which entailed effort.

Clara, however, as usual took it seriously. The Kropotkin Memoirs had

jolted her imagination, and she saw the young men of the bookshop as

potential Kropotkins, people who stood upon the edge of an abyss of

suffering and asked nothing better than to be engulfed in the world's

misery.

The disturbance in her serenity was so great that for some weeks she

shut herself up alone to collect her ideas. The world was not so

simple as she had thought; certainly by no means so simple as it had

appeared during her three years with Charles. As she had said, London

was different. She had progressed so far with this great London of

Butcher and Verschoyle only to find through the bookshop another London

suddenly opened up before her--the London of the poor.... Poverty she

had never known, except the poverty of the world of art which is

created rather by indifference to money than by the grim lack of it.

With Charles days had been so busy, nights so happy, that it was a

small thing that every now and then she had to go hungry for a day in

order that he might not lack. The immense poverty which now she saw

everywhere in this West End of London, in courts off Charing Cross

Road, in vast workmen's dwellings, in Soho, and by her own rooms at the

back of Leicester Square, everywhere round the calculated magnificence

of the theatres, overwhelmed her and changed many of her conceptions;

first of all her attitude towards Kitty Messenger, whom she had

regarded as a vulgar nuisance, a horrible intrusion from the past. It

was impossible for her to accept her position of security above the

dirty sea of poverty.

She loathed the poor, their indolence, their coarseness, their horrible

manners, their loud mirth and violent anger.... Once outside her door

two drunken women fought. They leaned against the wall, clutching each

other by the hair, and attempted, while they breathed thick curses into

each other's glaring faces, to bite, to scratch, each to bang the

other's head against the wall.... Clara ran past them trembling in

every limb. She had never seen the uncontrolled brutality of which

human beings are capable.... But it was even worse when a policeman

arrested the two women and roughly dragged them away.

And after that she was continually coming upon similar scenes, or upon

degraded and derelict types. It was as though she had been blind and

was suddenly able to see--or had the world turned evil?

How could Verschoyle, how could Charles, how could all the well-dressed

and well-fed people be so happy while such things were going on before

their eyes? Perhaps, like herself, they could not see them. It was

very strange.

Stranger still was the release of energy in herself, bringing with it a

new personal interest in her own life. She began to look more keenly

at other women and to understand them a little better, to sympathise

even with their vanity, their mindlessness, their insistence upon

homage and flattery from their men. From that she passed to a somewhat

bewildered introspection, realising that it was extraordinary that she

should have been able to sever her connection with Charles and to

maintain the impersonal when the personal relationship was

suspended--or gone? Yes. That was quite extraordinary, and because of

it she knew that she could never live the ordinary woman's life,

absorbed entirely in external things, in position, clothes, food and

household, shops.

She remembered Charles saying that his feeling for her was at the

farthest end of love, and certainly she had never known anything like

the relationship between, say, Freeland and Julia--easy, comfortable

romance. To be either easy or comfortable had become an abomination to

her, and at bottom this was the reason for her dissatisfaction. It had

been too easy to procure the beginnings of success for Charles. They

had secured control of the machinery of the theatre, and must now act

in accordance with its grinding.

For some weeks she was paralysed and could do nothing but sit and

brood; hardly thinking at all consciously, but gazing in upon herself

and the forces stirring in her, creeping up and up to take control of

her imagination that had hitherto been entirely free and in undisputed

mastery of her being. This was a time of the acutest agony. She would

not surrender. Without knowing what was being demanded of her she

cried, 'I will not, I will not.' But the forces stirring in her were

implacable, and changed her whole physical sensation of being. Her

body changed, her figure altered most subtly and imperceptibly, her

face gained in strength and beauty, but she loathed the change, because

it was taking place without reference to her own will, or her own

imagination, which for the first time in her life was baffled.... It

was appalling to her, who had always found it so easy to direct the

lives of others, to find her own life slipping with a terrible velocity

out of control.... No thought, no notion of her recent days was now

valid. At the very worst stage of all even simple movements seemed

incomprehensible. When she caught sight of her own lovely arm that had

always given her a thrill of pleasure, it now repelled her as something

fantastic and irresistibly comic, revoltingly comic at this time when

she was a prey to so much obscure suffering, so deep that she could

trace it to no cause, so acute that she could discern in it no purpose.

She found it almost her sole relief to read, and she devoured among

other curious works which she found at her bookshop, General Booth's

_Darkest London_ and Rose's _The Truth about the Transvaal_. Novels

she could not read at all. Fiction was all very well, but it ought to

have some relation to human emotions as they are. After her aerial

life in Charles's imagination she needed a diet of hard facts, and, as

usual, what she needed that she obtained. Both Booth and Rose dealt

with the past, but that made them the more palatable, and they

reassured her. The facts she was now discovering had been present to

other minds and her own had not unsupported to bear the whole weight of

them.... In her untouched youth she had always accepted responsibility

for the whole universe, and so long as her life had been made easy,

first of all by her grandfather, and then by Charles, the burden had

been tolerable, and she had been able to mould the universe to make

them comfortable. But now that life was suddenly for no apparent

reason incredibly difficult, the burden was greater than she could

bear, and it relieved her to find in these two books the utterance of

suffering consciences..... As she read Rose she remembered a saying of

her grandfather's, 'The British make slums wherever they go because in

every British mind there is a slum.'

She could find relief in the books, but she could not stay the welling

up of the mysterious forces which swamped the clarity of her mind and

made her usually swift intuition sluggish.

Very thankful was she that she had steered Charles into the Imperium

before this cataclysm broke in her.... She could well be alone to sort

out if possible the surfeit of new impressions from which she was

suffering. She no longer had thoughts but only obsessions. London....

London.... London.... The roaring traffic: the crowds of people:

Coventry Street by night: the illuminated theatres: the statue in

Piccadilly Circus: the hotel in which she and Charles had stayed on

their first night in London: the painted faces of the women: policemen:

commissionaires: wonderful cars lit up at night, gliding through the

streets with elegant ladies in evening dress reclining at their ease,

bored, mechanical, as hard and mechanical as the cars that carried them

through the streets: the drunken women fighting outside her door: the

woman opposite her windows who kept a canary in a cage and watered so

lovingly the aspidistra on her window-sill: tubes: lifts: glaring

lights and white tiles.... London.... London.... London....

Through it all there ran a thread of struggling, conscious purpose

which kept her from misery and made it impossible for her to succumb.

Deep in her heart she knew that she could not; that she had escaped;

that it would never be for her an awful, a terrible, an overwhelming

thing to be a woman.

With that knowledge there came an exultation, a pride, a triumphant

sense of having come through an almost fatal peril, the full nature of

which had yet to be revealed. And she had wrestled through it alone.

Her childish detestation of her womanhood was gone. She accepted it,

gloried in it as her instrument and knew that she would never be lost

in it.

For ever in her mind that crisis was associated with Kropotkin's escape

from prison, and she was full of a delighted gratitude to the little

bookseller who had lent her the book, the second volume, the first

having been borrowed.

Immeasurably increased was her understanding through this sudden

convulsion of her life, and she was very proud of the loyalty to her

instinct which had made her wrestle through it alone; and now, when she

saw women absorbed in external things, she knew that they had taken

refuge in them from just such convulsions in which, had they attempted

to face them, they must have been swamped. They clung to external

things to prevent themselves being lost in the whirlpool of the

internal world of womanhood.... Ah! It was supreme to be a woman, to

contain the most fierce and most powerful of all life's manifestations,

to smile and to distil all these violent forces into charm, to suffer

and to turn all suffering into visible beauty.

If Clara now had any easy pity it was for men, who live always in

fantasy, lured on by their own imaginings in the vain effort to solve

the mystery of which only a true and loyal woman has the key.

When once more she approached her external life it was through the

bookshop, where she found her friend the bookseller munching his lunch

of wheaten biscuits and apples in the dingy little room at the back of

his shop.

He offered her an apple. She took it and sat on a pile of books tied

up with a rope.

'You're looking bonny,' he said.

'I think I'll come and be your assistant.'

'A fine young leddy like you?'

'I might meet some one like Kropotkin.'

'Ah! Isn't that grand? There's none o' your Dumas and Stevensons can

beat that; a real happening in our own life-time.... But I can no

afford an assistant.'

'Oh! You always seem to have plenty of people in your shop.'

'These damned publishers put their prices up and up on the poor

bookseller, and my brains are all my capital, and I will not sell the

stuff that's turned out like bars o' soap, though the authors may be as

famous as old Nick and the publishers may roll by in their cars and

build their castles in the countryside.... I sell my books all the

week, and I grow my own food on my own plot on Sundays, and I'll win

through till I'm laid in the earth, and have a pile o' books to keep me

down when I'm dead as they have done in my lifetime.'

He thrust a slice of apple into his mouth and munched away at it, rosy

defiance of an ill-ordered world shining from his healthy cheeks.

On his desk Clara saw his account book, a pile of bills, and old

cheques, and it was not difficult to guess the cause of his trouble.

'I'm sure I should sell your books for you.'

'You'd draw all London into my shop, young leddy, as you'll draw them

to the playhouse; but bookselling is a dusty trade and is not for fair

wits or fine persons.'

Clara looked out into the shop, and was happy in its friendliness. A

lean, hungry-looking man came in, bought a paper, and stayed turning

over the books. She could not see his face, but something in his

movement told of quality of wit and precise consciousness. He seized a

book with a familiar mastery, as though he could savour and weigh its

contents through his finger-tips, glanced through it, and put it away

as though it were finally disposed of. There was a concentrated

absorption in everything he did that made it definite and final. He

was so sensitive that at the approach of another person he edged away

as though to avoid a distasteful impact.... Very shabby he was, but

distinguished and original. After taking up half a dozen books and not

finding in them any attraction, he stopped, pondered, and moved out of

the shop quite obviously having clearly in his mind some necessary and

inevitable purpose.

His going was a wrench to Clara, so wholly had she been absorbed in

him; but though she longed to know his name she could not bring herself

to ask her old friend who he was. That did not matter. He was, and

Charing Cross Road had become a hallowed place by profound experience,

the bookshop a room beyond all others holy.

For some time longer, Clara sat in silence with her old friend, who lit

his after-luncheon pipe and sat cross-legged, blinking and ruminant.

She stared into the shop, and still it seemed that the remarkable

figure was standing there fingering the books, pondering, deciding.

Her emotions thrilled through her, uplifted her, and she had a

sensation of being deliciously intimate with all things animate and

inanimate. She touched the desk by her side, and it seemed to her that

life tingled through her fingers into the wood. She smiled at the old

man, and his eyes twitched, and he gave her a little happy sidelong

nod. She wanted to tell him that the world was a very wonderful place,

but she could only keep on smiling, and as she left the shop, the

bookseller thrust his hat on the back of his head, scratched his beard,

and said,--

'Pegs! I said to Jenny she'll bring me luck. But she's wasted on yon

birkie ca'd a lord.'

Mummery: A Tale of Three Idealists · 第 39 / 85 题