ULRICH VON HUTTEN AND THE "EPISTOLÆ OBSCURORUM VIRONUM."

(Vol. ii., p. 55.)

I have never seen the article in the _Quarterly Review_ to which your

correspondent H.B.C. alludes: he will probably find it by reference to

the index, which is not just now within my reach. The neat London

edition, 1710, of the _Epistolæ_ was given by Michael Mattaire. There

are several subsequent reimpressions, but none worth notice except that

by Henr. Guil. Rotermund, Hanover, 1827, 8vo.; and again, with

improvements, "cum nova præfatione, nec non illustratione historica

circa originem earum, atque notitia de vita et scriptis virorum in

Epistolis occurentium aucta," 1830, both in 8vo.

The best edition, however, is that given by Dr. Ernst Münch, Leipsic,

1827, 8vo., with the following title:

"Epistolæ Obscurorum Virorum aliaque Ævi Decimi sexti Monimenta

Rarissima. Die Briefe der Finsterlinge an Magister Ortuinus von

Deventer, nebst andern sehr seltenen Beiträgen zur

Literatur-Sitten-und-Kirchengeschichte des xvi'n Jahrhunderts."

This contains many important additions, and a copious historical

introduction. Both the editors write in German.

That this admirable satire produced an immense effect at the period of

its publication, there can be no doubt; but that it has ever been

thoroughly understood and relished among us may be doubted. Mr. Hallam,

in his _Literature of Europe_, vol. i., seems to have been disgusted

with the monkish dog-Latin and bald jokes, not recollecting that this

was a necessary and essential part of the design. Nor is it strange that

Steele, who was perhaps not very well acquainted with the history of

literature, should have misconceived the nature of the publication, when

we learn from an epistle of Sir Thomas More to Erasmus, that some of the

stupid theologasters themselves, who were held up to ridicule, received

it with approbation as a serious work:

"_Epist. Obs. Viror_. operæ pretium est videre quantopere

placeant omnibus, et doctis joco, et indoctis serio, qui dum

ridemus, putant rideri stylum tantum, quem illi non defendunt,

sed gravitate sententiarum dicunt compensatum, et latere sub

rudi vagina pulcherrimum gladium. Utinam fuisset inditus libello

alius titulus! Profecto intra centum annos homines studio

stupidi non sensissent nasum, quamquam rhinocerotico

longiorem."[8]

Erasmus evidently enjoyed the witty contrivance, though he affects to

disapprove it as an anonymous libel. Simler, in his life of Bullinger,

relates that on the first reading Erasmus fell into such a fit of

laughter as to burst an abscess in his face with which he was at that

time troubled, and which prevented the necessity of a surgical

operation.

The literary history of the _Epistolæ_ and the _Dialogue_ is involved in

obscurity. That Ulrich von Hutten had a large share in their concoction

there can be no doubt; and that he was assisted by Crotus Rubianus and

Hermann von Busch, if not by others, seems highly probable. The

authorship of _Lamentationes Obscurorum Virorum_ is a paradox which has

not yet been solved. They are a parody, but a poor one, of the

_Epistolæ_, and in the second edition are attributed to Ortuinus

Gratius. If they are by him, he must have been a dull dog indeed; but by

some it has been thought that they are the work of a Reuchlinist, to

mystify the monks of Cologne, and render them still more ridiculous;

yet, as the Pope's bull against the _Epistolæ_, and Erasmus's

disapproving letter, find a prominent place, and some other

well-grounded inculpations occur, it appears to me that some

slender-witted advocate of the enemies of learning has here shown his

want of skill in handling the weapons of the adversary.

How much Sir Thomas More was pleased with the writings of Hutten we may

gather from the opening of a letter which Erasmus addressed to Hutten,

giving an interesting account of his illustrious friend, in August,

1519:

"Quod Thomæ Mori ingenium sic deamas, ac penè dixerim deperis,

nimirum scriptis illius inflammatus, quibus (ut verè scribis)

nihil esse potest neque doctius neque festivius; istue mibi

crede, clarissime Huttene tibi cum multis commune est, cum Moro

mutuum etiam. Nam is vicissim adeò scriptorum tuorum genio

delectatur, ut ipse tibi plopemodum invideam."

The Dialogue (Mire Festivus), which in the edition of 1710 occurs

between the first and second parts of the _Epistolæ_, bears especial

marks of Hutten's manner, and is doubtless by him. The interlocutors are

three of the illustrious obscure, Magisters Ortuinus, Lupoldus, and

Gingolphus, and the first act of the comedy consists in their

observations upon the promoters of learning, Reuchlin, Erasmus, and

Faber Stapulensis, who afterwards make their appearance, and the

discussion becomes general, but no impression can be made upon the

stupid and prejudiced monks. The theme is, of course, the inutility of

the new learning, Hebrew and Greek and correct Latinity. One short

passage seems to me admirable:{122}

"_M. Ging_. Et Sanctus Ambrosius, Sanctus Augustinus, et alii

omnes zelossimi doctores non sciebant ipsi bene tot, sicut iste

Ribaldi? _M. Ort_. Ipsi deberent interponere suis. _M. Lup_. Non

bene indigemus de suo Græco. _M. Ging_. Videtur eis, qui sciunt

dicere _tou, tou, logos, monsotiros, legoim, taff, hagiotatos_,

quod ipse sciunt plus quam Deus. _M. Ort_. Magister noster

Lupolde, creditis, quod Deus curat multum de iste Græco? _M.

Lup_. Certe non, Magister noster Ortuine, ego credo, quod Deus

non curat multum."

Ranke, in his _History of the Reformation_, has very justly estimated

the merits and character of these remarkable productions:

"We must not look for the delicate apprehension and tact, which

can only be formed in a highly polished state of society, nor

for the indignation of insulted morality expressed by the

ancients: it is altogether a caricature, not of finished

individual portraits, but of a single type;--a clownish sensual

German priest, his intellect narrowed by stupid wonder and

fanatical hatred, who relates with silly _naïveté_ and gossiping

confidence the various absurd and scandalous situations into

which he falls. These letters are not the work of a high

poetical genius, but they have truth, coarse strong features of

resemblance, and vivid colouring."

Ranke mentions another satire, which appeared in March, 1520, directed

against John Eck, the opponent of Luther, the latter being regarded in

the light of a successor of Reuchlin, under the title of _Abgehobelte

Eck_, or _Eccius dedolatus_, "which, for fantastic invention, striking

and crushing truth, and Aristophanic wit, far exceeded the _Literæ Obsc.

V._, which it somewhat resembled." I have not yet been able to meet with

this; but such high praise, from so judicious a critic, makes me very

desirous to see and peruse it.

S.W. Singer.

Mickleham, July 3. 1850.

[Footnote 8: "Ubi primum exissent _Ep. Ob. V._ miro Monachorum applausu

exceptæ sunt apud Britannos a Franciscanis ac Dominicanis, qui sibi

persuadebant, eas in Reuchlini contumeliam, et Monachorum favorem, serio

proditus: quamque quidam egregie doctus, sed nasutissimus, fingeret se

nonnihil offendi stylo, consulati sunt hominem."--_Erasm. Epist._ 979.]

_Epistolæ Obscurorum Virorum_.--Your Querist H.B.C. (Vol. ii., pp.

55-57.) will find, in the 53rd vol. _Edinb. Rev._ p. 180., a long

article on these celebrated letters, containing much of the information

required. It is worthy of remark, that in page 195. we are told

"In 1710 there was printed in London the _most elegant_ edition

that has ever appeared of these letters, which the editor, Mich.

Mattaire, gravely represents as the productions of their

ostensible authors."

Now this edition, though neat, has no claim to be termed most elegant,

which is hardly to be reconciled with what the reviewer says in a note,

p. 210., "that the text of this ed. of 1710 is of no authority, and

swarms with typographical blunders."

The work on its first appearance produced great excitement, and was

condemned by Pope Leo X. See _Dict. des Livres Condamnés, &c._, par

Peignot, tom. ii. p. 218.

Many amusing anecdotes and notices are to be found in Bayle's _Dict_.

See particularly sub nomine Erasmus. Burton, in his _Anatomy of Mel._

pt. i. sec. 2. Mem 3 sub 6. citing Jovius in Elogiis, says,

"Hostratus cucullatus adeo graviter ob Reuchlini librum qui

inscribitur, Epistolæ Obscurorum Virorum dolore simul et pudore

sauciatus, et scipsum interfecerit."

See also _Nouv. Diction. Historique_ in the account of Gratius, O.

There is also a good article on these letters in a very excellent work

entitled _Analectabiblion_, or _Extraits Critique de divers Livres

rares, &c., tiréz du Cabinet du Marq. D. R. (oure)_. Paris, 1836. 2

tomes 8vo.

Notes and Queries, Number 38, July 20, 1850 · 第 46 / 71 题