Nettie appeared reflective. "It strikes me he wouldn't want to."

"Tony is a very good fellow," said Hester. "He has never done an

ungraceful thing."

"Well," said Nettie, "I expect that is just what is wrong with him. It

seems to me that the men who do what is worth doing can't always be

graceful. The knight in the chancel had his helmet beaten in, while I

fancy his mail was battered and dusty, and if the great glittering angel

waited for the Palliser who was shot in Africa it wasn't because he

carried tea trays prettily."

"And yet Violet, who expects a good deal, is content with him."

"Well," said Nettie gravely, "I'm almost afraid she's giving herself

away. I have seen the man who would have suited her--and he was a ragged

leader of the Sin Verguenza."

"Had that man no taste?" asked Hester with a little laugh.

Nettie glanced down at the white hand she moved a little so that there

was a flash from the ring. "That was there already. It was a man of the

same kind who put it on."

Tony and Violet Wayne came up just then, and when they sat down Hester

turned to the man. "We are getting up a concert in the Darsley assembly

rooms for the sewing guild," she said. "We are, as usual, short of

money. You will bring your banjo, and sing a coon song."

"It's too hot," said Tony. "Besides, folks expect a decorum I haven't

been quite accustomed to from me now, and I'm not going to black my face

for anybody. I would a good deal sooner give you the money."

"That's very like you, Tony, but it's too easy, though we will take the

money too. It's a good cause, or it would not be in difficulties. You

will come and sing."

Tony made a gesture of resignation. "Well," he said "it would take too

much trouble to convince you that you had better get somebody else, and,

anyway, I can have a cold."

Then the conversation turned on other topics until Tony and Violet took

their leave, but when she shook hands with him Hester reminded Tony of

his promise. It was, however, almost a month later when he was called

upon to keep it and finding no excuse available drove into the

neighboring town one evening. He was welcomed somewhat effusively when

he entered an ante-room of the assembly hall, and then taken to a place

that had been kept for him beside Violet and her mother. The concert

very much resembled others of the kind, and neither Tony nor his

companions paid much attention to the music until Mrs. Wayne looked up

from her programme.

"Therese Clavier. Costume dance!" she said. "No doubt they called it

that to pacify the vicar. Well, she is pretty, if somewhat elaborately

got up. Doesn't she remind you of somebody, Violet?"

Tony glanced at the stage, and gasped. A girl with dark hair in

voluminous flimsy draperies came on with a curtsey and a smile, and a

little chill ran through him before he heard Violet's answer.

"Lucy Davidson. But of course it can't be she," she said. "This woman is

older and has darker hair, though that, perhaps, does not count for very

much, while Lucy could never have acquired her confidence."

Tony said nothing. He was staring across the rows of heads and watching

the girl. She appeared older, bolder, and harder than Lucy Davidson had

done, but the likeness was still unpleasantly suggestive. She danced

well, but it was not the graceful posing or the swift folding and

flowing of light draperies that held Tony's attention. His eyes were

fixed upon the smiling face, and he scarcely heard the thunder of

applause or Mrs. Wayne's voice in the silence that followed it.

"Effective, and yet nobody could take exception to it," she said. "But

don't you come on next, Tony?"

Tony, who had not remembered it, stood up suddenly, knocking down the

hat of a man beside him, and trod upon the girl's dress as he passed.

She glanced up at him sharply, for he was seldom awkward in his

movements, but he was looking another way. The audience was also getting

impatient, and there was a clapping of hands and stamping of feet before

he appeared upon the stage. Then he sat down fingering his banjo pegs,

and twice asked the accompanist for a note on the piano.

"Any other man would have done that before," said Mrs. Wayne. "Still, I

suppose Tony cannot help it, and he seems contented now."

There was a tinkle from the banjo followed by a chord on the piano, but

Tony did not face the audience until the introduction had dragged

through. Then Violet noticed that his voice, which was a sweet tenor,

was not so clear as usual, and the silence of the piano emphasized his

feebler touch on the strings. Still, Tony sang such songs as usually go

with the banjo well, for the mingling of faint pathos and mild burlesque

was within his grasp, which was, perhaps, not without its significance,

and nobody appeared to find any fault with the performance. There was,

in fact, enthusiastic applause, though Violet was glad when Tony

persisted in leaving the stage, and her mother glanced at her.

"I have heard Tony put much more spirit into that song," she said.

Tony in the meanwhile was endeavoring to make his way quietly through

the green-room when one of the committee touched his shoulder.

"Can't you spare us a few minutes?" he said. "Miss Clavier seemed to

like your singing, and I think she would be pleased if you noticed her.

When she heard it was a charity she came down for half her usual fee."

Tony was not grateful to the man who had detained him, and could it have

been done without exciting comment would have shaken off his grasp. As

it was, however, there was no avoiding the introduction, and he suffered

himself to be led forward with unpleasant misgivings. Miss Clavier made

him a somewhat dignified bow, but she also made room for him beside her,

while something in her dark eyes warned Tony that it would be wise of

him to accept the unspoken invitation. He sat down, wondering what she

wanted, until she smiled at him.

"There are coffee and ices in the other room, Tony," she said. "Will you

take me there?"

The man realized that this mode of address had its significance, for it

had been Mr. Palliser in the old days; but he rose gravely and held out

his arm, knowing that what he did would not pass without comment. The

feeling was also warranted, for one of the men who watched them pass out

into the corridor smiled as he turned to his companion.

"Tony seems bent on doing rather more than was expected of him," he

said. "No doubt she knows his standing in the neighborhood, and intends

this as a delicate compliment to one or two of our lady amateurs who

were not exactly pleasant to her. It's quite certain she can't be

hungry."

As it happened, there was nobody but the attendant in the buffet when

they reached it, and Lucy Davidson flung herself down with a curious,

lithe gracefulness in a big chair in a corner.

"Bring me some coffee for the look of the thing," she said.

Tony did it, and then stood beside her while she toyed with her cup.

Lucy Davidson was distinctly pretty in spite of her get up, but it was

unpleasantly evident to her companion that she was not the girl he had

flirted with. She seemed to have changed into a capable, determined

woman, and there was something that suggested imperiousness in her dark

eyes when she looked up at him.

"I want to know why you brought me here," he said.

The girl laughed. "That wasn't civil, Tony. You should have let me think

you came because you wanted to."

"I didn't," said Tony doggedly. "Nor can I stay here long. Don't you

know that some of these people might recognize you?"

"I don't see why that should worry me, though I don't think they will.

They are Darsley folk, and I fancy I have changed. You are going to be

married I hear!"

Tony set his lips as he saw the mocking smile in his companion's face.

"Yes," he said. "We may as well talk plainly. You know of no reason why

I shouldn't."

Lucy Davidson made a little reproachful gesture. "Tony," she said, "have

I objected?"

"No. The question is, do you mean to?"

"That depends. I really don't want to cause you trouble. You see, I was

fond of you once, Tony--and would you like me to tell you that I am

still?"

Tony stood rigidly still with the blood in his forehead until the girl

laughed.

"You needn't meet trouble before it comes," she said. "I only wanted to

see you."

Again there was silence, until Tony, who felt he must say something,

broke it.

"Where have you been since you left Northrop?" he asked.

"In London. Music-hall stage. I took there, and was in Melbourne, too.

Just now I'm resting a little, and only came down here out of

curiosity."

"Still," and Tony's voice trembled a little, "you will have heard--"

"Sit down," said the girl almost sharply. "I want to talk to you. Yes, I

heard in Melbourne. I read it all in a Darsley paper, and thought what

fools the folks were to blame Mr. Appleby."

Tony gasped. "It is a painful thing to talk about, and I don't want to

distress you, but--"

Lucy Davidson looked at him steadily. "What I felt about it doesn't

concern anybody but myself. I told you they were fools, Tony. You and I

know who it was that circumstances really pointed to."

Tony's cheeks turned a trifle gray, but this time he met her gaze.

"Listen to me, Lucy. On my word of honor I had no hand in what

happened," he said. "The solemn truth is that your father had an

altercation with Appleby, and afterwards fell over the bridge."

The girl's eyes flashed, and she slowly straightened herself. "It is

fortunate for you that I can take your word, because I had formed my own

conclusions," she said. "Don't suppose I should sit here talking to you

if I had thought you were guilty. This, however, is quite between

ourselves."

There was a significance in the last words which was not lost upon the

man. "Well," he said slowly, "we come back to the point again. What do

you want from me?"

"Just a little kindness. I was, I don't mind telling you again, fond of

you, perhaps because--but we don't always give reasons, Tony. There is

nothing I want to ask you for in the meanwhile."

"I am to be married soon," the man said in desperation.

Lucy Davidson rose with a curious mocking smile. "Well," she said, "I

wish her joy of you. You are, you know, very poor stuff, Tony, and

haven't nerve enough to make either a good man or a rascal. The last, at

least now and then, gets something for his pains. Now, you may take me

back again."

The Dust of Conflict · 第 33 / 64 题