PAGE =154=. SATYRE III.

PAGE =155=, l. 19. _leaders rage._ This phrase might tempt one to date

the poem after the Cadiz expedition and Islands voyage, in both of

which 'leaders' rage', i.e. the quarrels of Howard and Essex, and of

Essex and Raleigh, militated against success; but it is too little to

build upon. Donne may mean simply the arbitrary exercise of arbitrary

power on the part of leaders.

ll. 30-2. _who made thee to stand Sentinell, &c._ 'Souldier' is the

reading of what is perhaps the older version of the _Satyres_. It

would do as well: 'Quare et tibi, Publi, et piis omnibus retinendus

est animus in custodia corporis; nec iniussu eius a quo ille est

vobis datus ex hominum vita migrandum est, ne munus assignatum a Deo

defugisse videamini.' Cicero, _Somnium Scipionis_.

'Veteres quidem philosophiae principes, Pythagoras et Plotinus,

prohibitionis huius non tam creatores sunt quam praecones, omnino

illicitum esse dicentes _quempiam militiae servientem a praesidio et

commissa sibi statione discedere_ contra ducis vel principis iussum.

Plane eleganti exemplo usi sunt eo quod militia est vita hominis super

terram.' John of Salisbury, _Policrat._ ii. 27.

Donne considers the rashness of those whom he refers to as a degree

of, an approach to, suicide. To expose ourselves to these perils we

abandon the moral warfare to which we are appointed. In his own work

on suicide ([Greek: BIATHANATOS], &c.) Donne discusses the permissible

approaches to suicide. An unpublished _Problem_ shows his knowledge of

John of Salisbury.

ll. 33-4. _Know thy foes, &c._ I have followed the better MSS. here

against _1633_ and _L74_, _N_, _TCD_. The dropping of 's' after 'foe'

has probably led to the attempt to regularize the construction by

interjecting 'h'is'. Donne has three foes in view--the devil, the

world, and the flesh.

l. 35. _quit._ Whether we read 'quit' or 'rid' the construction

is difficult. The phrase seems to mean 'to be free of his whole

Realm'--an unparalleled use of either adjective.

l. 36. _The worlds all parts._ Here 'all' means 'every', but

Shakespeare would make 'parts' singular: 'All bond and privilege of

nature break,' _Cor._ V. iii. 25. Donne blends two constructions.

PAGE =156=, l. 49. _Crantz._ I have adopted the spelling of _W_, which

emphasizes the Dutch character of the name. The 'Crates' of _Q_ is

tempting as bringing the name into line with the other classical ones,

but all the other MSS. have an 'n' in the word. Donne has in view

the 'schismatics of Amsterdam' (_The Will_) and their followers.

The change to Grant or Grants shows a tendency in the copyists to

substitute a Scotch for a Dutch name.

PAGE =157=, ll. 69-71. _But unmoved thou, &c._ As punctuated in the

old editions these lines are certainly ambiguous. The semicolon after

'allow' has a little less value than that of a full stop; that

after 'right' a little more than a comma, or contrariwise. Grosart,

Chambers, and the Grolier Club editor all connect 'and the right' with

what precedes:

But unmoved thou

Of force must one, and forced but one allow;

And the right.

So Chambers,--Grosart and the Grolier Club editor place a comma after

'allow'. It seems to me that 'And the right' goes rather with what

follows:

But unmoved thou

Of force must one, and forced but one allow.

And the right, ask thy father which is she.

If the first arrangement be right, then 'And' seems awkward. The

second marks two stages in the argument: a stable judgement compels

us to acknowledge religion, and that there can be only one. This being

so, the next question is, Which is the true one? As to that, we cannot

do better than consult our fathers:

In doubtful questions 'tis the safest way

To learn what unsuspected ancients say;

For 'tis not likely we should higher soar

In search of Heaven than all the Church before;

Nor can we be deceived unless we see

The Scriptures and the Fathers disagree.

Dryden, _Religio Laici_.

'Remember the days of old, consider the years of many generations:

ask thy father, and he will shew thee; thy elders, and they will tell

thee.' Deut. xxxii. 7.

l. 76. _To adore, or scorne an image, &c._ Compare: 'I should violate

my own arm rather than a Church, nor willingly deface the name of

Saint or Martyr. At the sight of a Cross or Crucifix I can dispense

with my hat, but scarce with the thought or memory of my Saviour: I

cannot laugh at, but rather pity the fruitless journeys of Pilgrims,

or contemn the miserable condition of Friars; for though misplaced

in circumstances, there is something in it of Devotion. I could

never hear the _Ave-Mary_ Bell without an elevation, or think it a

sufficient warrant, because they erred in one circumstance, for me

to err in all, that is in silence and dumb contempt.... At a solemn

Procession I have wept abundantly, while my consorts blind with

opposition and prejudice, have fallen into an excess of scorn and

laughter.' Sir Thomas Browne, _Religio Medici_, sect. 3. Compare also

Donne's letter To Sir H. R. (probably to Goodyere), (_Letters_,

p. 29), 'You know I have never imprisoned the word Religion; not

straightning it Friarly _ad religiones factitias_, (as the Romans

call well their orders of Religion), nor immuring it in a Rome, or

a Geneva; they are all virtual beams of one Sun.... They are not so

contrary as the North and South Poles; and they are connaturall pieces

of one circle. Religion is Christianity, which being too spirituall to

be seen by us, doth therefore take an apparent body of good life and

works, so salvation requires an honest Christian.'

l. 80. _Cragged and steep._ The three epithets, 'cragged', 'ragged',

and 'rugged', found in the MSS., are all legitimate and appropriate.

The second has the support of the best MSS. and is used by Donne

elsewhere: 'He shall shine upon thee in all dark wayes, and rectifie

thee in all ragged ways.' _Sermons_ 80. 52. 526. Shakespeare uses it

repeatedly: 'A ragged, fearful, hanging rock,' _Gent. of Ver._ I.

ii. 121; 'My ragged prison walls,' _Rich. II_, V. v. 21; and

metaphorically, 'Winter's ragged hand,' _Sonn._ VI. i.

ll. 85-7. _To will implyes delay, &c._ I have changed the 'to' of

_1633_ to 'too'. It is a mere change of spelling and has the support

of both _H51_ and _W_. Grosart and Chambers take it as the preposition

following the noun it governs, 'hard knowledge to'--an unexampled

construction in the case of a monosyllabic preposition. Franz

(_Shak.-Gram._ § 544) gives cases of inversion for metrical purposes,

but only with 'mehrsilbigen Präpositionen', e.g. 'For fear lest day

should look their shapes upon.' _Mid. N. Dream_, III. ii. 385.

Grosart, the Grolier Club editor, and Chambers have all, I think, been

misled by the accidental omission in _1633_ of the full stop or colon

after 'doe', l. 85. Chambers prints:

To will implies delay, therefore now do

Hard deeds, the body's pains; hard knowledge to

The mind's endeavours reach.

The Grolier Club version is:

To will implies delay, therefore now do

Hard deeds, the body's pains; hard knowledge too

The mind's endeavours reach.

The latter is the better version, but in each 'the body's pains' is a

strange apposition to 'deeds' taken as object to 'do'. We do not 'do

pains'. The second clause also has no obvious relation to the first

which would justify the 'too'. If we close the first sentence at

'doe', we get both better sense and a better balance: 'Act _now_, for

the night cometh. Hard deeds are achieved by the body's pains (i.e.

toil, effort), and hard knowledge is attained by the mind's efforts.'

The order of the words, and the condensed force given to 'reach'

produce a somewhat harsh effect, but not more so than is usual in the

_Satyres_, and less so than the alternative versions of the editors.

The following lines continue the thought quite naturally: 'No

endeavours of the mind will enable us to _comprehend_ mysteries, but

all eyes can _apprehend_ them, dazzle as they may.' Compare: 'In all

Philosophy there is not so darke a thing as light; As the sunne which

is _fons lucis naturalis_, the beginning of naturall light, is the

most evident thing to be seen, and yet the hardest to be looked upon,

so is naturall light to our reason and understanding. Nothing clearer,

for it is _clearnesse_ it selfe, nothing darker, it is enwrapped in so

many scruples. Nothing nearer, for it is round about us, nothing more

remote, for wee know neither entrance, nor limits of it. Nothing

more _easie_, for a child discerns it, nothing more _hard_ for no man

understands it. It is apprehensible by _sense_, and not comprehensible

by _reason_. If wee winke, wee cannot chuse but see it, if wee stare,

wee know it never the better.' _Sermons_ 50. 36. 324.

PAGE =158=, ll. 96-7. _a Philip, or a Gregory, &c._ Grosart and Norton

conjecture that by Philip is meant Melanchthon, and for 'Gregory'

Norton conjectures Gregory VII; Grosart either Gregory the Great or

Gregory of Nazianzus. But surely Philip of Spain is balanced against

Harry of England, one defender of the faith against another, as

Gregory against Luther. What Gregory is meant we cannot say,

but probably Donne had in view Gregory XIII or Gregory XIV,

post-Reformation Popes, rather than either of those mentioned above.

Satire does not deal in Ancient History. The choice is between

Catholic and Protestant Princes and Popes.

The Poems of John Donne, Volume 2 (of 2) Edited from the Old Editions and Numerous Manuscripts · 第 190 / 290 题