This poem is quoted by Walton after his account of the vision which
Donne had of his wife in France, in 1612: 'I forbear the readers
farther trouble as to the relation and what concerns it, and will
conclude mine with commending to his view a copy of verses given by
Mr. Donne to his wife at the time that he then parted from her: and
I beg leave to tell, that I have heard some critics, learned both in
languages and poetry, say, that none of the Greek or Latin poets did
ever equal them.' The critics probably included Wotton,--perhaps also
Hales, whose criticism of Shakespeare shows the same readiness to find
our own poets as good as the Ancients.
The song, 'Sweetest love I do not go,' was probably written at the
same time. It is almost identical in tone. They are certainly the
tenderest of Donne's love poems, perhaps the only ones to which the
epithet 'tender' can be applied. The _Valediction: of weeping_ is more
passionate.
An early translation of this poem into Greek verse is found in a
volume in the Bodleian Library.
ll. 9-12. _Moving of th'earth, &c._ 'The "trepidation" was the
precession of the equinoxes, supposed, according to the Ptolemaic
astronomy, to be caused by the movements of the Ninth or Crystalline
Sphere.' Chambers.
First you see fixt in this huge mirrour blew,
Of trembling lights, a number numberlesse:
Fixt they are nam'd, but with a name untrue,
For they all moove and in a Daunce expresse
That great long yeare, that doth contain no lesse
Then threescore hundreds of those yeares in all,
Which the sunne makes with his course naturall.
What if to you those sparks disordered seem
As if by chaunce they had beene scattered there?
The gods a solemne measure doe it deeme,
And see a iust proportion every where,
And know the points whence first their movings were;
To which first points when all returne againe,
The axel-tree of Heav'n shall breake in twain.
Sir John Davies, _Orchestra_, 35-6.
l. 16. _Those things which elemented it._ Chambers follows _1669_ and
reads 'The thing'--wrongly, I think. 'Elemented' is just 'composed',
and the things are enumerated later, 20. 'eyes, lips, hands.' Compare:
But neither chance nor compliment
Did element our love.
Katharine Phillips (Orinda), _To Mrs. M. A. at parting_.
This and the fellow poem _Upon Absence_ may be compared with Donne's
poems on the same theme. See Saintsbury's _Caroline Poets_, i, pp.
548, 550.
l. 20. _and hands_: 'and' has the support of _all_ the MSS. The want
of it is no great loss, for though without it the line moves a little
irregularly, 'and hands' is not a pleasant concatenation.
ll. 25-36. _If they be two, &c._ Donne's famous simile has a close
parallel in Omar Khayyam. Whether Donne's 'hydroptic immoderate thirst
of humane learning and languages' extended to Persian I do not know.
Captain Harris has supplied me with translations and reference:
In these twin compasses, O Love, you see
One body with two heads, like you and me,
Which wander round one centre, circle wise,
But at the last in one same point agree.
Whinfield's edition of _Omar Khayyam_ (Kegan Paul,
Trübner, 1901, Oriental Series, p. 216).
'Oh my soul, you and I are like a compass. We form but one body having
two points. Truly one point moves from the other point, and makes the
round of the circle; but the day draws near when the two points must
re-unite.' J. H. M^{c}Carthy (D. Nutt, 1898).