CHAPTER XIV.

"I am afraid that their names will not convey much idea to your minds,

as you do not know our part of the world, but you may have met some of

them in London: Sir Charles and Lady Bolton; Mr. and Mrs. Tredegar;

Mr., Mrs., and Miss Annesley; the Misses Denzil (by-the-by, you saw

them at the bazaar yesterday); and two or three stray men."

This remark is addressed by Miss Blessington to her two friends on

the afternoon following the bazaar, and contains a list of the guests

expected at dinner at Felton that evening.

"So there's to be a party?" says Esther, from a window recess, where,

hidden by a drooped curtain, she has been lying _perdue_ up to the

present moment, deeply buried in the unwonted luxury of a French novel.

Constance gives a little start. "I did not know that you were there!

Yes; there are a few people coming to dine!"

"Don't you like parties?" asks Miss De Grey, half turning round her

head, and a coquettish little lace morning cap, in the direction whence

Esther's voice proceeds.

"I--I--think so; I hardly know."

"I suppose that you have only just left the schoolroom?"

Esther laughs. "I can hardly be said to have left it, for I was never

in it."

"Did you never have a governess, do you mean? What a fortunate person!"

"Never."

"I am not sure that the other alternative, going to school, is not

worse."

"I never went to school."

"Is it possible? Do you mean (raising herself, and opening her eyes)

that you have never had any education at all?"

"I suppose not," answers Esther, reluctantly; regretting having made an

admission which evidently tells so much against her.

"How very odd!"

"What's very odd?" asks her brother, who, with St. John, lounges in

from the billiard-room, where they have been knocking the balls about

and getting tired of one another.

"Miss Craven has just been telling us that she has had no education,"

answers Constance, in her even voice--perhaps not sorry of an

opportunity to let Gerard know his _protégée's_ deficiencies. "I am

sure (civilly) that we should never have found it out if she had not

told us."

The _protégée_ droops her black eyes in mortification over her book, in

which she has already found several things that amuse, several things

that startle, and several other things that profoundly puzzle her

innocent mind.

How unnecessary to make the admission of her own illiterateness,

and how needless for Constance to be in such a hurry to repeat the

confession!

"What an awful sensation it must be being such an ignoramus!" says

Gerard's voice, low and laughing, as he sits down on the window-seat

beside her. "What does it feel like?"

She looks up with a re-assured smile.

"At all events," continues he, glancing at her book, "you are doing

your best to supply your deficiencies, _however late in life_."

She colours a little, and involuntarily puts her hand over the title.

"What is it? May I see?"

She hesitates, and her other hand goes hastily to its fellow's help;

then, changing her mind, she offers the book boldly to him.

He looks at the title, and a slightly shocked expression dawns on his

features: men are always shocked that women should _read about_ the

things that _they do_.

"Where did you get this?" (quickly).

"I climbed up the ladder in the library; pleasant books always rise to

top shelves, as the cream rises to the top of the milk."

"Will you oblige me by putting it back where you took it from?"

"When I have read it? Of course."

"_Before_ you have read it."

"Why should I?" (rather snappishly).

"Why should you," he repeats, impatiently--not much fonder of

opposition than are most of his masterful sex. "Why, because it is not

a fit book for a--a _child_ like you to read."

"A _child_ like me!" (sitting bolt up and reddening). "Do you know what

age I am?"

"I have not an idea; forty, perhaps."

She laughs.

"Don't you know that all women are children till they are twenty-one;

and you are particularly childish for your age."

"I am, am I?"

"Child or no child, this is a book that no modest woman ought to read."

"But that all modest _men_ may, with pleasure and profit for

themselves," rejoins she, ironically. "Well, when I have finished it I

shall be better able to tell you whether I agree with you or not."

"Do you mean to say that, after what I have told you, you are still

bent on reading it?" he asks, astonishment and displeasure fighting

together for the mastery in his voice.

"Certainly!" (looking rather frightened, but speaking with a sort of

timid bravado). "Do you suppose that Eve would have cared to taste

the apple if it had been specially recommended to her notice as a

particularly good, juicy Ribstone pippin? Give it me, please!"

"Take it!" he says, throwing it with hasty impoliteness into her lap.

"Read, mark, learn, and inwardly digest every word of it; and since you

have a taste for such literature, I can lend you a dozen more like it."

So speaking, he rises abruptly, and leaves her side and the room at

almost the same moment.

When he is gone, finding that the rest of the company have likewise

slipped away in different directions, Esther relieves her feelings by

flinging the disputed volume on the floor; sits for a quarter of an

hour staring uncertainly at it; then, pocketing her pride, picks it

up, sneaks off with it to the library, and, climbing the high, steep

ladder, deposits it in the hole whence she had ravished it, between two

of its fellows, as agreeably lax and delicately indelicate as itself.

Half an hour later, passing through the hall, she sees the door of

Gerard's sanctum ajar, and hears some one walking to and fro within.

To one so praise-loving, the temptation to trumpet forth her own

excellence is irresistible. She knocks timidly.

"Come in!"

"I don't want to come in," she answers, standing in beautiful, bashful

awkwardness in the aperture.

"Is there anything that I can do for you?" he asks, advancing towards

her, looking slightly surprised.

"No, nothing; I--I--only came to tell you that I had put--_it_ back."

At the end of her sentence her eyes, downcast at first, raise

themselves to his with the innocent, eager expectancy of a child that

waits for approbation of some infantile good action.

"You have, have you?" he cries, joyfully, catching both her hands; "and

was it because I asked you?"

"I don't know for what other reason," she answers, unwillingly.

"And have not read a word more of it?"

"Not a word."

"Not even looked at the end?"

"No."

"Well, you _are_ a good child!"

"_Child! child!_--always _child!_" she cries, puckering up her low

forehead into the semblance of a frown. "I have a good mind to go and

fetch it down again!"

"A good old woman, then! a good old lady!--which is best? which is most

respectful? Don't go!" (seeing that she is about to withdraw.)

"It is dressing-time!"

"Not for half an hour yet," pulling her gently in, and closing the

door.

"See!" she says, half embarrassed by this _tête-à-tête_ that she has

herself invited, holding up a bunch of scarlet geraniums that she has

lately reft from one of the garden's dazzling squares--"I have been

stealing! I hope Sir Thomas won't prosecute me; but as a new dress is

with me a biennial occurrence, these are the only contributions I can

make to the evening's festivity."

"_Red_, of course!" he answers, smiling. "I never saw you that you had

not something red or yellow about you. But why scarlet geraniums? Don't

you know that the least imaginable shake (suiting the action to the

word, and gently jogging the hand that holds the flowers)--there!" as a

little scarlet shower confirms his prognostications.

She stoops to pick up the scattered blossoms.

"If I had some gum, I would drop a little into the centre of each

flower; _that_ keeps the petals quite firm; I have often done it at

home," she says, kneeling on one knee, and looking up gravely for

advice and assistance into his friendly, dark face: "but I have no gum."

"Haven't you? I have--somebody has" (ringing the bell). "Please sit

down" (drawing an armchair forwards for her). "This is Constance's

chair: and don't look as if you were racking your brains for a decent

excuse to get away from the only comfortable room in the house."

She obeys, and her eyes wander curiously round. Pipes, whips, saloon

pistols, prints of Derby winners; photographs of Nilsson tricked out

in water-weeds as "Ophelia;" of Patti gazing up, as "Marguerite,"

into Mario's fortunate eyes; a table strewn with books--two or three

yellow-paper backed, with enticing Gallic titles, similar to the one

she has just so heroically foregone. Looking up from these latter, she

involuntarily catches his eye.

"You are thinking that what is sauce for the goose is sauce for the

gander," he says, laughing rather consciously; "but I assure you that

it is not so. The gander is not nearly such a delicate bird, and takes

much stronger seasoning."

The gum arrives. She holds the flowers, while he with a paint-brush

delicately insinuates one drop into the scarlet heart of each. Their

heads are bent so close together that his crisp brown locks brush

against the silk-smooth sweep of hers.

"Gently, gently!" cries Esther, pleasantly excited by the consciousness

of doing something rather _hors de règle_ in that prim household, in

having this impromptu _tête-à-tête_ with its heir--"not so much! the

least _soupçon_ imaginable--there! does not it look like a sticky

dewdrop?"

"These people that are coming ought to be very much flattered by the

efforts you are making in their honour," says Gerard, half jealously.

"Are they worth making efforts for?"

"_You_ must tell _me_ that to-morrow."

"Who will take me in to dinner, do you think?" she asks,

confidentially, looking up at him with childish inquisitiveness.

"I have not an idea; but make your mind easy; it won't be Sir Thomas or

me."

"Hardly; but I am sorry that you do not know who it will be, as you

might have told me what to talk about."

"Do you always get up your subject beforehand, like Belinda Denzil, out

of the _Saturday_ or _Echoes of the Clubs_?"

"Oh no! but--"

"St. John! St. John!" shouts Sir Thomas, banging a swing-door, behind

him, and coming heavy-footed through the hall.

"It's Sir Thomas!" says Esther growing suddenly pale: and if she had

said, and had had reason to say, "It's the Devil!" she could not have

made the communication in a more tragic whisper: then, not waiting for

any advice as to her conduct, snatching up her bouquet, she flies as if

shot from a crossbow, out of the window and into the garden.

* * * * *

Was not it Lord Chesterfield who said that the guests at a dinner party

should never be less than the Graces or more than the Muses? Kant

preferred the Grace number, and had daily two friends, never more, to

dine with him. The guests at the Felton banquet greatly exceed the

Chesterfieldian limits. Those who have come only to dinner have been

bemoaning themselves heavily, as they came along, on the hardship

of being forced away from garden and croquet-ground, and obliged to

drive three, four, five miles bare-necked and bare-backed--and a

woman nowadays in full dress is verily and indeed bare-necked and

bare-backed--through the mellow crimson evening.

To even these grumblers, however, destiny now appears kinder--now,

I say, that the too candid daylight is shut out, that the amber

champagne--

"With beaded bubbles winking at the brim--"

is creaming gently in every glass, and the _entrées_ are making their

savoury rounds.

Esther has fallen to the lot of one of the stray men of whom Miss

Blessington spoke--a man who, when bidden to dinner, complies with the

letter of his invitation, and _dines_ chiefly and firstly; looks upon

the lady whom he escorts to the social board as a mere adjunct--an

agreeable or disagreeable one, as the case may be, but as merely an

adjunct, as the flowers in the vases, or the silver Cupids that uphold

the fruit baskets. In the intervals of the courses he has no objection

to being amused: it is too much exertion to be very amusing himself,

but he is not unwilling to smile and lend an indulgent ear to his

companion's prattle, so as that prattle does not infringe upon the

succulent programme that he has, by diligent study of the _menu_, laid

out for himself.

Baffled on her left hand, Miss Craven turns to her right, to be

baffled there also. Not that this right-hand neighbour labours under

any excessive _gourmandise_--he is willing, on the contrary, that

the unknown, black-eyed innocent and the turtle cutlet should share

and share alike in his regards; but ere a quarter of an hour their

conversation has come to a shipwreck. In it he takes too much for

granted: as, for example, that she has been to London this season; that

she has seen Faed's last picture; that she has been at Lady ----'s

ball; that, by having seen both, she is in a position to judge of the

comparative merits of Mademoiselle Nilsson's and Madame Carvalho's

rendering of "Marguerite." Tired at length of saying, "I was not

there," "I have not seen it," "I never heard of her," she relapses

into a mortified silence; thinking, what an impostor must I be to have

thrust myself in among all these fine people--I, who cannot even catch

their jargon for five minutes!

Foiled in her own little conversational ventures, she tries to listen

to other people's. In vain: if, above the general hum, she catches

the beginning of one sentence, it is immediately joined on to the

end of another. As well, listening to the sultry buzz of a swarm of

bees, might one try to distinguish each separate voice. But the dumb

show, at least, is left her: the waggling heads, the moving jaws--poor

jaws, that have to talk and eat both at once! To put a history to

each of these heads--to pick out characters by watching the delicate

shades of difference with which each person sits; says, "No, thank

you;" laughs--this is not unamusing. Yes, to study the faces, and

find similitudes for them: one nut-cracker; several flowers; one

plum-pudding; one horse, one vulture, one door-knocker. She is puzzled

to find a resemblance for all; for Belinda Denzil, for instance,

who, virginally clad in white muslin, that seems to mock her thirty

celibate years, is apparently forcing the suave yet weary De Grey into

an up-hill, one-sided flirtation. No man has hired Belinda, and it

is, with her, the eleventh hour. What fowl, or fish, or quadruped, or

article of furniture is she most like? Before Esther can decide this

point quite to her mind, the signal of retirement is given, and each

maid and wife rises obedient and vanishes.

* * * * *

It is the general complaint in the Felton neighbourhood that at that

house the men sit unfashionably, wearisomely long over their wine. Sir

Thomas belongs to that excellent school that in their hearts regret

the good old days, when a man never rejoined the ladies without seeing

double their real number. Half an hour, three-quarters of an hour, an

hour and a quarter have passed. Several girls are beginning to yawn

behind their fans; the Misses De Grey are driving heavily through a

long duet, with never a squire to turn over the leaves (in the wrong

place) for them. The door opens, and a fat, bald head appears; the

most uninteresting always come first, but, like Noah's dove, he is the

harbinger of better things. Five minutes more, and the room is as full

of broadcloth as of silk and satin. The younger men are still hovering

about uncertainly, unfixed as yet in their minds as to which elaborate

fair one they shall come to final anchor by.

The epicure, now that there is nothing to eat, casts his eyes round

in search of the finest woman and the comfortablest chair to be

found in the great gilded room. Both requisites he finds united in

Esther's neighbourhood. Accordingly he is moving towards her, when

his attention is happily arrested by a remark that he overhears as to

the best method of dressing _beccaficos_. Instantly Miss Craven's

white, silky shoulders and red-pouted lips go out of his head. White

shoulders and red lips are good things in their way, but what are they

to _beccaficos!_ Esther draws a long breath of relief. What an escape!

In a minute more suspense is ended, and the low armchair beside her is

occupied by the person for whom it was intended--for whom, indeed, she

has been slyly keeping it half-covered by her dress.

"Well! and how are you getting on?" says Gerard, asking a silly

question for want of a wiser one occurring to him, and looking rather

affectionate.

St. John is not in the very least degree elevated; but it is useless

to deny that the best and fondest of men are still fonder after dinner

than before: it must be a very, _very_ deep love that cannot be a

little deepened by champagne.

"Better than I thought I should be a few seconds ago, when that odious

gourmand seemed to be steering this way," she answers, not taking any

great trouble to hide her pleasure in his neighbourhood.

"Poor devil! he must not come to you for a character, I see."

"I could forgive a man _most_ sins," she says, rather viciously, "but I

_never_ could forgive him the making me feel in his estimation I stood

on a lower level than red mullet and ortolans."

"Well, you know, they _are_ very good things," answers Gerard, chiefly

to tease her, but partly also because he really thinks so. "Don't look

so disgusted," he continues, laughing. "I was afraid you were bored at

dinner: you looked absent; I tried to catch your eye once or twice, but

you would not let me."

"I was not bored," she answers, simply; "I was quite happy. You see I

did not know who was who, and I amused myself pairing the people: I

find that I paired them all wrong, though."

"Gave every man his neighbour's wife, did you? I dare say that some of

them would not have objected to the arrangement."

"I married _that_ old man" (indicating with the slightest possible

motion of her head the persons alluded to) "to _that_ old woman; I wish

it was not ill-manners to point. They both looked so red and pursy and

consequential, as if they had been telling each other for the last

thirty years what swells they were!"

"_Which_ old man to _which_ old woman? Oh! I see."

"They are rather like one another, too," she continues, gravely; "and

you know people say that, however unlike they may be at starting,

merely by dint of living together, man and wife grow alike."

"Do they?" he says, a transient thought flashing through his mind as to

whether, after twenty years of wedlock, that blooming peach face would

have gained any likeness to his hard, mahogany one. "But how did you

find out your mistake?"

"He put down her cup for her so politely just now, that I knew he could

not be her husband."

He looks amused. "You are rather young to be so severe upon wedded

bliss."

"Was I severe?" she asks, naïvely; "I did not know it; but, you know, a

man may be fond of his wife, may be kind to her, but can hardly be said

to be _polite_: politeness implies distance."

"Does it?" he says, involuntarily drawing his chair closer to hers, and

leaning forward under pretence of looking at the flowers that make a

scarlet fire in her hair. "By-the-by, how does the gum answer?"

She forgets to reply to his harmless question, while her eyes fall

troubled, half-frightened: the eyes that cannot, without a theft upon a

third person, give him back his tender looks--the eyes in whose pupils

Brandon is to see himself reflected for the next forty, fifty, sixty

years.

There is a little stir and flutter among the company: Belinda Denzil

moving to the piano; a music-stool screwed up and down; gloves taken

off; then a polite hush, infringed only by a country gentleman in

the distance saying something rather loud about guano, while Belinda

informs her assembled friends in a faint soprano that "He will return;

she knows he will." She has made the same asseveration any time the

last ten years; but he has not returned yet, and her relatives begin to

be afraid that he never will.

During the song Gerard falls into a reverie. At the end, coming out of

it, he asks with an abrupt change of subject: "What did you say the

name of your place was?"

"Glan-yr-Afon."

"Glan Ravvon?" (following her pronunciation.)

"Yes; you would never guess that it was sounded _Glan Ravvon_ if you

were to see it written: it is spelt quite differently."

"What does it mean? or does it mean anything?"

"It means 'Bank of the River;' so called, because it is not near the

bank of any river."

"What part of the world is it in?--Europe, Asia, Africa, America, or

the Polynesian Islands?"

"It is three miles from Naullan, if you are any the wiser."

"Naullan! Naullan!" he repeats, as if trying to overtake a recollection

that eludes him. "Of course it does: why I was _at_ Naullan once."

"Were you?" (eagerly.) "When?"

"Two years ago; no, three. I was staying in the neighbourhood with

some people for fishing. No doubt you know them--the Fitz-Maurices?"

Esther's countenance falls a little. "I--I--have heard of them," she

says, uncertainly.

"Why, they must be neighbours of yours."

"They are rather beyond a drive, I think," she replies, doubtfully.

"If you are three miles from Naullan, and they are only four, I don't

see how that can be."

She does not answer for a moment, but only furls and unfurls her

fan uneasily; then, looking up with a sudden, honest impulse,

speaks, colouring up to the eyes the while. "Why should I be ashamed

of what there is no reason to be ashamed of? They _are_ within

calling distance, and I do know them in a way; that is to say, Lady

Fitz-Maurice bows to me whenever she recollects that she knows me; but,

you see, they are great people, and we are small ones."

He looks thoroughly annoyed. The idea that the woman of his choice is

by her own confession not _exactly_ on his own level, grates upon his

pride.

"Nonsense!" he says, brusquely, "one gentleman is as good as another,

all the world over; and it must be the same with ladies."

"St. John, you are wanted to make up a rubber," interrupts Constance,

sweeping up to them, resplendent but severe, in green satin and

seaweed, like a nineteenth century Nereid, if such an anachronism could

exist.

"Am I?" looking rather sulky, and not offering to move.

"We have got one already, but Sir Charles and Mrs. Annesley wish for

another.'

"Let them play double-dummy!" settling himself resolutely in his chair,

and looking defiantly at her out of his quick, cross eyes.

"Absurd!"

"If you are so anxious to oblige them, why cannot you take a hand

yourself?"

"You know how I detest cards!"

"And you know how I detest Mrs. Annesley." (Mrs. Annesley is the

vulture of Esther's lively imagination.)

Too dignified to descend to wrangling, Miss Blessington desists, and

moves away, casting only one small glance of suppressed resentment at

the innocent cause of Mr. Gerard's contumacy.

"How _could_ you be so disobliging?" cries Esther, reproachfully,

in childish irritation with him at having drawn her into undeserved

disgrace.

"Why shouldn't I?" he asks, placidly. "Believe me, it is the worst plan

possible to encourage the idea that you are good-natured among your own

people; it subjects you to endless impositions. For the last thirty

years I have been struggling to establish a character for never doing

what I am asked; would you have me undo all my work at one blow?"

"St. John is impracticable," says Constance, returning from her

fruitless quest, and stooping over the card-table her golden head and

the sea-tang twisted with careless care about it. "You must accept of

me as his substitute, please; he is good-naturedly devoting himself to

my little friend. Did you happen to notice her, Lady Bolton? She is

really looking quite pretty to-night. She does not know anybody, poor

child! and he was afraid she might feel neglected."

Red as a Rose is She: A Novel · 第 14 / 42 章