Daphne was one of these women; but so far, unfortunately, she had

failed to fall in love. Her marriage had never really touched her. Her

husband had vibrated many strings in her responsive impulsive young

heart--gratitude, affection, admiration,--but the great harmonious

combination, the master-chord, had yet to be struck. Consequently she

saw nothing unusual in living apart from her husband, financing her

family with his money, and enjoying herself with friends whom he did

not know.

Early in the year, however, it occurred to her that it would be

pleasant to go home again for a time. Her elastic nature had entirely

recovered from the stress of last summer's crisis, and she was frankly

consumed with curiosity on the subject of the new house in Berkeley

Square--and said so. It was perhaps an unfortunate reason for a wife

to give for wishing to return to her husband, but this did not occur

to her at the time. She received a brief note in reply, saying that

the furnishing and decorating were now practically completed, and the

house was ready for her inspection any time she cared to come up to

town. Hence this joyous expedition.

Daphne had half expected to find her husband waiting for her at the

house, for the Parliamentary recess was over and she knew he was

almost certain to be in town. Instead, she was received by an

overwhelmingly polite individual named Hibbins, from the

house-furnishers. Mr Hibbins' appearance and deportment proved a sore

trial to the composure of Nicky, who exploded at frequent and

unexpected intervals throughout the afternoon, lamely alleging the

fantastic design of some very ordinary wallpaper or the shortness of

Stiffy's Sunday trousers in excuse.

It was essentially a masculine house, furnished in accordance with the

man's ideas of solidity and comfort. The high oak panelling and

dark-green frieze in the dining-room pleased Daphne, who recognised

that glass and silver, well-illuminated, would show up bravely in such

a setting. The drawing-room was perhaps a little too severe in its

scheme of decoration: Daphne would have preferred something more

feminine. "But that comes," she reflected characteristically, "of

leaving the declaration to your partner!" There was a billiard-room in

which Nicky declared it would be a sin to place a billiard-table, so

perfectly was it adapted for waltzing after dinner.

Opening out of the billiard-room was a plainly furnished but

attractive little set of apartments--"the bachelor suite" Mr Hibbins

designated it--consisting of a snug study with an apartment adjoining,

containing a small camp-bed and a large bath. Daphne's own rooms

consisted of a bedroom and boudoir on the first floor, with wide

bow-windows.

The nursery came last. It was a large irregular-shaped room at the top

of the house, full of unexpected corners and curious alcoves such as

children love, affording convenient caves for robbers and eligible

lairs for wild beasts, fabulous or authentic. In addition to the

regulation nursery furniture there was a miniature set, in

green-stained wood--a table barely eighteen inches high, a tiny

arm-chair, and a pigmy sofa upon which Master Brian's friends might

recline when they came to drink tea, or its equivalent. Round the

whole room ran a brightly coloured dado covered with life-size figures

of all the people we love when we are young--Jack the Giant-Killer,

Old King Cole, Cinderella, and the Three Bears. Even Peter Pan, with

residence and following, was there. The spectacle of Doctor Johnson

taking a walk down Fleet Street would pale to insignificance compared

with that of Master Brian Vereker Carr enjoying a constitutional along

his own dado, encountering a new friend round every corner.

Daphne suddenly realised that here was yet another aspect of this

strange, impenetrable husband of hers. The room in its way was a work

of genius--the genius that understands children.

As they departed to catch the afternoon train to Snayling the

obsequious Mr Hibbins produced a letter.

Sir John Carr, he explained, had called at the head office of their

firm that morning--in _person_, Mr Hibbins added with a gratified

smile--and requested that this letter should be handed to her ladyship

in the afternoon. Sir John had also instructed Mr Hibbins to inform

her ladyship that any improvements or alterations which she desired

had only to be mentioned to be carried out.

Mr Hibbins having handed them into a cab and bidden them an unctuous

farewell, they drove away to the station, Nicky atoning for previous

aloofness by hanging out of the window and waving her handkerchief

until they turned the corner.

III.

The journey from London to Snayling, involving as it does a run of

forty miles by main line, a wait of indefinite duration at a

junction furnished with no other facilities for recreation than a

weighing-machine and a printed and detailed record of the fate which

awaits persons who compass the awe-inspiring but cumbrous crime of

travelling-by-a-class-superior-to-that-to-which-the-ticket-in-their-

possession-entitles-them, and concluding with an interminable crawl

along a branch line, is not at first sight an enterprise that promises

much joyous adventure; but Nicky and Stiffy, who usually contrived to

keep _ennui_ at arm's-length, had a very tolerable time of it.

Their efforts at first were directed to securing an apartment to

themselves--an achievement which, when you come to think of it, fairly

epitomises the Englishman's outlook on life in general.

"Hang your face out of the window, Stiffy, my lad," commanded Nicky,

returning from an unsuccessful attempt to wheedle the guard into

labelling their carriage "engaged," "and play at Horatius Cocles till

the train starts. That ought to do the trick."

But no. At the last moment a crusty-looking old gentleman wrenched the

door open, nearly precipitating Horatius Cocles (and face) on to the

platform, and sat down with great determination in the corner seat. He

glared ferociously at the demure-looking pair before him, in a manner

which intimated plainly that he was too old a customer to be kept out

of his usual compartment by tricks of _that_ kind. After this he

produced _The Westminster Gazette_ from a handbag and began to read

it.

Nicky gave him five minutes. Then, turning to her brother and

scrutinising his freckled countenance, she observed in clear and

measured tones--

"I think they have let you out rather _soon_, John."

Stiffy, realising that he was the person addressed and that some fresh

game was afoot, looked as intelligent as possible, and waited. Daphne,

in the far corner of the carriage, hurriedly opened her husband's

letter and began to read it.

"The marks aren't all gone yet," continued Nicky, inspecting her

brother anxiously. "Are you still peeling?"

"Yes--I think so," said Stiffy, groping for his cue.

"Ah!" Nicky nodded her head judicially. "We must give you a carbolic

bath when we get you home."

_The Westminster Gazette_ emitted a perceptible crackle.

"It will never do," pursued Nicky, getting into her stride, "to have

you disfigured for life."

Stiffy, who was impervious to all reflections upon his personal

appearance, grinned faintly. Opposite, a scared and bulging eye slid

cautiously round the edge of _The Westminster Gazette_, and embarked

upon a minute and apprehensive inspection of the plague-stricken

youth. Nicky saw, and thrilled with gratification. She was on the

point of continuing when the train dived into a tunnel. Having no

desire that her schemes should go awry in the din, she waited.

The train came to a sudden and unexplained stop. Deathlike silence

reigned, broken only by murmurs of conversation from next door.

Presently in the gross darkness Nicky's voice was once more uplifted.

"By the way, is it infectious, or merely _contagious_? I meant to ask

when I called for you at the Institute"--she was rather proud of that

inspiration: an Institute sounded more terrifying and mysterious than

a Hospital--"but in the excitement of that last fainting-fit of yours

I forgot. Which is it?"

"Both, I think," said Stiffy, anxious to help.

"Ah! I feared as much. Still, things might be worse," commented Nicky

philosophically. "So many of these complaints are infectious in the

early stages, when no one suspects any trouble. Mumps, for instance,

or scarlet fever. But others, like yours, are only dangerous in the

convalescent stage, and then of course one knows exactly where one

is."

There was a crumpling of paper in the darkness, accompanied by a

shuffling of feet and a vibratory motion of the seat-cushions--all

indicative of the presence of one who knows exactly where _he_ is, and

regrets the fact exceedingly.

"The air is very close in here," resumed Nicky's voice. "I wonder----"

she whispered a sentence into Stiffy's ear, the only distinguishable

word in which was "germs." "Of course, I have _had_ it--slightly," she

added in a relieved tone.

Something moved again in the darkness opposite to them, and then came

a sound as of a window being cautiously slid open.

"Still, I _think_," replied Stiffy solicitously--as usual he was

warming up to the game slowly but surely--"that it would be wiser for

you to keep your mouth closed and breathe through your nose. One

cannot be too careful."

"All right," said Nicky.

Once again silence reigned. But presently there fell upon the ears of

the conspirators, rendered almost incredulous by joy, an unmistakable

and stertorous sound, as of some heavy and asthmatic body taking in

air through unaccustomed channels.

Five minutes later the train, groaning arthritically, resumed its way

and crawled out of the tunnel into a station. Nicky and Stiffy,

blinking in the sudden daylight, beheld the reward of their labours. A

corpulent and rapidly ageing citizen, shrinking apprehensively into a

corner of the compartment and holding a small handbag upon his knees

as if with a view to instant departure, sat glaring malignantly upon

them. His face was mottled, his mouth was firmly closed, and he

breathed perseveringly through his nostrils.

Next moment he had flung open the door and was out upon the platform,

inhaling great gulps of vernal air and looking for the station-master.

"Stiffy, you darling! I'll never call you a fat-head again!" declared

Nicky, enthusiastically embracing her complacent accomplice. "That

notion of yours was simply _It!_ Daph, wasn't it splen--Hallo! Bless

me, Stiffy, if Daph isn't breathing through her nose too! Look!"

Certainly Daphne's lips were tightly compressed, but she turned to her

companions and smiled faintly.

"It's all right, kids," she said; "I think this carriage is overheated

or something. I shall be all right in a minute. Keep that window open,

Stiffy dear."

She was very white, but on emphatically declining Nicky's offer of

first aid she was left to herself, while her brother and sister

discussed the course to be followed in the event of another invasion

of the carriage. Like true artists, they scorned to achieve the same

effect by the same means twice running.

Meanwhile Daphne re-read her husband's letter.

"... I have waited six months, and as you display no

inclination to look facts in the face, I am compelled to take

the initiative myself. As far as I can gather from your

attitude, you seem to consider that things are very well as

they are. On this point I beg to differ from you. The present

situation must _end_. We must either come together again or

part for good on some definitely arranged terms.

"... As you have exhibited no desire to reconcile yourself to

me--your letter indicates that your sole object in returning

home is to play with your latest toy, the new house--I conclude

that you wish to remain your own mistress. I therefore place

the new house entirely at your disposal. You can draw money as

you require it from Coutts', and I will see to it that there is

always an adequate balance. I think, if you have no objection,

that it would be as well if I occasionally came to the house,

and occupied the bachelor suite off the billiard-room; but I

shall come and go without troubling you. We ought to make this

concession to appearances.

"I should not like your father, for instance, to be made

unhappy by the knowledge that his daughter and her husband

found it better to go their several ways.

"... As for the custody of the boy----"

A long, slow shudder rippled down Daphne's spine. Custody! There was a

horrible legal, end-of-all-things, divorce-court flavour about the

word.

"I think it would be a good scheme, Stiffy dear," broke in Nicky's

cheerful voice, "for you to pretend this time that you have just been

discharged from an asylum. I will be taking you home, and ..." Her

voice faded.

"... You will naturally like to have him with you while he is

a mere child. I will therefore leave him in your hands for the

present. Later, when he goes to a public school and University,

I think I should like him to be with me during his holidays.

When he grows up altogether, he must please himself about----."

Public School! University! Daphne turned sick and faint. Were the

provisions of this merciless letter to cover all eternity? What had

she done to deserve this?

"It would be a bright thought," continued Nicky's voice, returning

from a great distance, "to roll up your handkerchief into a ball and

put it right into your mouth. Then do something to attract their

attention, and when they are all looking, pull it right out with a

jerk, and mop and mow. _Can_ you mop and mow, Stiffy? Mop, anyhow!

Just before a station, you know, so that they can get out. If that

doesn't work, roll about on the cushions, and----."

Daphne detached her gaze from the flying landscape, and finished the

letter.

"Forgive me if I appear to have resorted to extreme or harsh

measures. I suppose I am a hard man: at any rate, I am not

pliable. I dare say if I had been differently built I might

have played the part of the modern husband with fair success,

and you could have picked your companions at will.

Unfortunately, I would rather die than permit you to impose

such a _regime_ upon me, as you seem prepared to do. The thing

is degrading. To my mind there can be no compromise, no

half-measures, between man and wife. It must be all in all, or

not at all....

"Lastly, Daphne, let me say how sorry I am that things have come

to this pass. I realise that it is my fault. I should not have

asked a young and inexperienced girl to marry me. You could not

be expected to know better: I might and should. And it is

because I realise and admit that the fault is mine, that I

refrain from attaching any blame to you or uttering any

reproaches. All I can do is to say that I am sorry, and make it

possible for you to go your way, unhampered as far as may be by

the ties of a marriage which should never have taken place.

"If I can at any time be of service to you, command me. I can

never forget that we have had our happy hours together."

Daphne folded up the letter with mechanical deliberation. The first

numbness was over. Her brain was clear again, and thoughts were

crowding in upon her. But two things overtopped all the others for the

moment.

The first was the realisation of the truth of her husband's words. The

old situation _had_ been impossible--as impossible as the new one was

inevitable. She saw that--at last. "All in all, or not at all," he had

said, and he was right.

The second was a sudden awakening to the knowledge that we never begin

really to want a thing in this world until we find we cannot have it.

CHAPTER FOURTEEN.

INTERVENTION.

"Madame," announced the major-domo of the Hotel Magnifique with a

superb gesture, "the post from England!"

"Thank you, Themistocle," said Mrs Carfrae. "But you are

over-generous: one of these letters is not for me."

She handed back an envelope.

Themistocle, needless to remark, was desolated at his own

carelessness, and said so. But the old lady cut him short.

"Don't distress yourself unduly, Themistocle. It is a mistake even an

English body might have made. There is not much difference between

Carfrae and Carthew."

The punctilious Themistocle refused to be comforted.

"But no, madame," he persisted; "I should have observed that the

letter addressed itself to a monsieur, and not a madame. Doubtless it

is intended for one of the English party who arrive this afternoon."

"An English party? Is my seclusion to be disturbed by the disciples of

the good Monsieur Cook?"

"Assuredly no, madame. These are English milords from Marseilles. The

Riviera season has been a failure: the mistral blows eternally.

Therefore the party abandons Cannes and telegraphs for apartments at

the Hotel Magnifique."

"Are they from London? Possibly I may be acquainted with some of them.

What are their names?"

Themistocle would inquire. He departed amid a whirlwind of bows,

leaving Mrs Carfrae to continue her _dejeuner_ in the sunny verandah

of her sitting-room. She came to Algiers every spring, and she came

unattended save for a grim-faced Scottish maid of her own age. It was

Mrs Carfrae's habit to assume that she and her wheeled chair were a

drag upon the world; and she systematically declined invitations to

join friends upon the Riviera. People, she explained, who would

otherwise have been playing tennis at the Beau Site or roulette at the

Casino would feel bound to relinquish these pursuits and entertain

her. So she came to Algiers by herself, this proud, lonely old lady.

"Carthew?" she mused. "That is the name of Johnny Carr's familiar

spirit. And that letter was in Johnny's handwriting. Well,

Themistocle, who are--stand _still_, man!"

Themistocle reluctantly curtailed an elaborate obeisance, and came to

attention. The leader of the expedition, he announced, was Milord the

Right Hon. Sir Hilton Bart., with Milady Hilton Bart. The names of the

other guests were not known, but there were eleven of them.

They arrived on the steamer that afternoon, and drove in an imposing

procession up the long and dusty hill that leads to Mustapha

Superieur, leaving Algiers--that curious combination of Mauretanian

antiquity and second-rate French provincialism--baking peacefully in

the hot sunshine below. As Themistocle had predicted, they came

unshepherded by the good Mr Cook. They were of the breed and caste

that has always found its own way about the world.

There was Sir Arthur Hilton, a slow-moving Briton of few words, with a

pretty wife of complementary volubility. There were one or two

soldiers on leave; there was a Cambridge don; there were three grass

widows. There were two newly emancipated schoolgirls, gobbling life in

indigestible but heavenly lumps. There was a tall and beautiful

damosel, with a demeanour which her admirers--and they were

many--described as regal, and which her detractors--and their name was

legion--described as affected; and whom her chaperon, Lady Hilton,

addressed as "Nina, dearest." And there was a squarely built,

freckle-faced young man with whom we are already acquainted. His name

was Jim Carthew.

Altogether they were a clean-bred, self-contained, easy-going band,

unostentatious but quietly exclusive--thoroughly representative of the

sanest and most reputable section of that variegated cosmos which

represents what Gallic students of British sociology term "Le Higlif."

Very few of them possessed much money: theirs was a stratum of society

to which money was no passport. You could have money if you liked,

they conceded, but you must have a good many other things first. Hence

the absence from their midst of Hoggenheimer and Aspasia.

Jim Carthew had not meant to come. Juggernaut had given him six weeks'

leave, for there had been an Autumn Session in town and an industrial

upheaval in the country, and the squire had worked early and late by

his knight's side. Consequently when the spring came Carthew was

summarily bidden to go to Scotland and fish. Without quite knowing

why, he went to Cannes instead, where Nina Tallentyre, attended by a

zealous but mutually-distrustful guard-of-honour, was enjoying herself

after her fashion under the inadequate wing of Lady Hilton. When the

exodus to Algiers was mooted, Carthew labelled his portmanteau London.

But he ultimately crossed the Mediterranean with the rest. He had

never seen Africa, he explained to himself.

Daphne was of the party too. (Possibly the reader has already

identified her as one of the three grass widows.) She had despatched

Master Brian Vereker Carr to Belton for a season, and joined the

Hiltons' party four weeks ago. The great new house in town stood

empty. After her husband's bombshell in February, she had felt bound

to do something to show her spirit. Another strike was brewing in the

north, so doubtless her lord and master would soon be congenially

occupied in starving his dependents into submission. Meanwhile her

duty was to herself. Domestic ties were at an end. She would enjoy

life.

She experienced no difficulty in the execution of this project. Every

one seemed anxious to assist her. Despite precautions, the fact that

all was not well in the house of Juggernaut was public property; and

the usual distorted rumours on the subject had set out upon their

rounds, going from strength to strength in the process. Daphne was

soon made conscious that people were sorry for her. Frivolous but

warm-hearted women were openly sympathetic. Large, clumsy men

indicated by various awkward and furtive acts of kindness that they

too understood the situation, but were too tactful to betray the fact.

Altogether Daphne was in a fair way to becoming spoiled. With all her

faults no one had ever yet been able or inclined to call her anything

but unaffected and natural; but about this time she began to assume

the virtuous and long-suffering demeanour of a _femme incomprise_. She

was only twenty-four, and few of us are able to refuse a martyr's

crown when it is pressed upon us.

Only her monosyllabic host--"The Silent Knight," his friends called

him, denying him his baronetcy in their zest for the nickname--was

unable to appreciate the extreme delicacy of the situation. He was a

plain man, Arthur Hilton, and hated mysteries.

"Why isn't that girl at home, lookin' after her husband, Ethel?" he

inquired of his wife one morning.

"I think she is happier with us, dear," replied Lady Hilton with

immense solemnity.

The Silent Knight emitted a subdued rumble, indicative of a desire to

argue the point, and continued--

"Happier--eh? Hasn't she got a baby, or somethin', somewhere? What the

dev----"

"Yes, dear, she _has_ a baby," replied his wife, rolling up her

fine eyes to the ceiling; "but I fear she has not been very

fortunate in her marriage. She was the daughter of a country

clergyman--_dreadfully_ poor, I understand--and wanted to improve

the family fortunes. There were eight or nine of them, so she took

this old man."

The Silent Knight's engine fairly raced.

"Old man be damned!" he observed with sudden heat. "Sorry, my dear!

But Jack Carr can't be more than forty-six. I'm forty-eight. I'm an

old man, too, I suppose! Back number--eh? One foot in the grave! You

lookin' about for my successor, Ethel--what?"

It was useless to explain to this obtuse and uxorious critic that a

young and sensitive girl cannot be expected to dwell continuously

beneath the roof of a husband whose tastes are not her tastes, who has

merely married her to keep house for him, and who neglects her into

the bargain. Not that this prevented Lady Hilton from endeavouring to

do so. When she had finished, her husband knocked the ashes out of his

pipe, and remarked--

"Can't make you women out. Here's old Juggernaut--best man _I_ ever

came across, and as kind as they make 'em--marries this little fool

of a girl and gives her everything she wants; and she goes off and

leaves him slavin' at his work, while she comes trapesin' about

here with a collection of middle-aged baby-snatchers and

knock-kneed loafers. Next thing, she'll start flirting; then she'll

fall in love with some bounder, and then there'll be the devil of a

mess. Rotten, I call it! Don't know what wives are comin' to

nowadays. Have _you_ goin' off next, Ethel--leavin' me and the

kids, and becomin' a Suffragette--what?"

A Safety Match · 第 10 / 15 段