When I went to her boudoir this morning to execute a quick touch for

the price of some long-coveted green tourmaline pendants, Féo was

reclining on the sofa, like the gentleman who sat down "unbeknownst"

on the box of fusees, face downwards, and sobbing her very heart out.

A torn blue envelope, inscribed in the familiar hand of our hired

Sherlock, which lay upon the floor, told me instantly that the

dreadful Contango had once again been weighed in the balances and

found several hundredweight against the purchaser; but with the

"Festina lente" of the Onslows ever before me, I contented myself by

inquiring the interesting nature of the poor wretch's vapours--and

that in the most frigidly cucumberish fashion.

It appeared that on a not very remote evening she was being driven

across Piccadilly Circus towards the Strand, when a block in the

traffic caused the carriage to pull up almost directly in front of

the Criterion Bar. At first Féo scarcely noticed the stoppage, the

pleasant tide of her thoughts running on the recent, self-instituted

moral reformation of Mr Contango, he having begun, according to his

own account, to make "great gobs of the wherewith" by following

financial journalism in the City. Than this nothing in the world

could be likelier, since he really has a most persuasive literary

style and, indeed, once wrote a letter of condolence to the widow of

a bookmaker (killed in a sort of paper-chase by a blow from a bottle)

which was so convincing that no sooner had the anguished relict read

it than she put off her mourning, took a couple of phenacetin

tabloids, and went out to a music-hall. Mr Contango's further

assurances that he had absolutely renounced the use of hot and

rebellious liquors, Féo more readily believed, she told me, since she

had only that very morning poured him out seven tumblers of cold

water before rising. As the period of her detention in the middle of

the Circus by the rozzer in the rubber overalls became unreasonably

prolonged, however, she lowered the carriage window and--did so just

in time to behold a most sickening spectacle. The glazed doors of

the American Bar were suddenly thrown open by an unseen force, and Mr

Contango was projected violently into the road! So vigorous was the

propelling power behind him, said Féo, that he cleared the pavement

as if he had been dynamited horizontally, and he would have bitten

the dust but that his nose seemed to be in the way. As he arose with

bleeding proboscis and hurled at his projector a string of sunset

adjectives, which it was quite impossible for her to hear in the

presence of servants, Féo saw clearly that Mr Contango had vineleaves

in his hair, so, sinking back upon the cushions of the carriage, she

was borne to her destination in the collapsed condition so

graphically described by Dr Harris Ruddock as "the engine with the

fly-wheel gone."

Not until the following afternoon did Mr Contango return to Eaton

Square, when (although Féo has since ascertained that he ate a

soothing, if vulgar, supper of tripe and onions in a kitchen in

Pimlico) the explanation he gave of his damaged family feature was

that he had been trying a bicycle in the street and got a flat

wheel--fortunately just outside the hospital into which the

bystanders carried him. With unusual wisdom Féo expressed no

comment, but instituted the inquiries to which the torn blue envelope

had brought the sequel. Crystallised, it was as follows:

There is, so say Féo's sleuth-hounds, no art known to moderns (save

that of the subdolous Somerset Street _passé_ face-fakirs who remove

crow's feet, beetling eyebrows, and double chins, and restore and

preserve youthfulness in ten successive ninety-minute "treatments" at

one-guinea-and-a-half per) which is netting more money for its

artificers than the art of "telling the tale," and in a branch of

this industry which he has made peculiarly his own, has Mr Contango

been reaping the golden results erroneously attributed by Féo to

honest literary labour. In the buffet-bars, the music-halls, and

"other places where they sing" in the wide world of cheap flutter, Mr

Contango (in whose family, Féo now remembers having been told by a

palmist, poverty has predominated over honesty from pre-historic

times) has been in the habit of encountering the young gentlemen best

adapted to his purpose. Féo's inquiry-agents describe these

individuals as "the juvenile jays of convivial commercialdom," but I

prefer to preserve an impartial lukewarmth in the matter. In their

proper sphere they are, I feel convinced, quite genuine persons

though of the unfortunate kind that cannot get away in the afternoon,

and are therefore the more likely to be entrapped when dolled up and

out for the evening. It is a lamentable but incontrovertible

solecism, I am told, that many young men who are highly moral--almost

German-Reed--at heart, are inwardly never happier than when suspected

of disreputable tendencies.

Entering any bar or public place where one of these odd creatures,

attired in an evening suit of eccentric cut and showing a scarlet

silk handkerchief protruding from the waistcoat, chances to be

lounging, deeply cogitating whether the obviously interested

onlookers take him for the latest turf plunger or the French Embassy,

Mr Contango immediately gives an elaborate exhibition of surprise and

delight.

"Why, my dear old lad!" cries he, rushing up and taking the poseur by

both fists, "this is indeed red and yellow wine for me! To think

that I haven't set eyes on you since Lincoln, and last week was the

Two Thousand! And you, above all others, who never by any chance

missed a Newmarket? Too bad, too bad; we were a melancholy crowd

without you; no little menus, no cards; to bed with the chickens, and

the Rooms at midnight as soundless as a Libyan desert! Now what

prevented you: something fresh in petticoats, I'll wager?"

Flattered and confused by all this, the simpleton hesitates. His

sense of rectitude prompts some such reply as "You have the advantage

of me," or, alternatively, "I think you are mistaken"--(see Mixitt's

"Art of Polite Conversation." One Shilling. At all

book-stalls)--but his vanity forbids it. To be mistaken for anybody

rather than plain Tom Cobley is, in fact, the very keynote to the

assumption of the funny evening kit, the ludicrous red hanky; that

the conversation happens to be so much above his head is very

regrettable, but still no fault of his--indeed he has not as yet

uttered one single word. And if, after all, he sufficiently

resembles this racing celebrity, this young blood so gifted and

accomplished that his mere absence from a "First Spring" causes the

whole of Newmarket to be plunged in melancholy, why should _he_,

plain Tom Cobley, be under the obligation of making, in front of a

score of strangers--for an audience soon gathers--the humiliating

admission that, far from being "dear old lad," he is not a turfite at

all but a--well, private individual from the hindquarters of Oxford

Street? So, seeing no great harm in winging a little, he replies,

with absolute truth:

"No, it was nothing in petticoats"--(quite probably he is in the

"Ribbon and Lace," and not the "Underclothing" at all)--"but

something quite different that detained me. But I must be going now."

"Lucky dog! lucky dog!" then cries Mr Contango. "For ever hammering

on the anvil of passion, and drinking only, as did your illustrious

forebears, out of the satin shoes of their mistresses. But--er--I

really _must_ have _one_ word with you before you go: you can guess

what about, eh?"

"Indeed, I can't."

"Aye, there comes your patrician breeding again, lad! A noble

nature, inherited from a long line of exalted sires, confers on you

the privilege of forgetting your benefices to your friends! Mean to

say you have forgotten the fiver which you generously pressed upon me

as we came off the course at Lincoln?"

"Absolutely," replies the youth, utterly out of his depth, but

discerning no danger.

"Then let me try and recall the circumstances to your mind. I had

had a dash on Merry Andrew for the last race--with what result you

know: Ariosto chopped him at the start and was never headed. I was

absolutely stranded for ready cash--positively without my railway

fare on to Liverpool--when you--may heav'n bless you for your

generous act--leapt into the breach. I have fortunately a blank

cheque here----"

At this he would draw from a quilted-satin note case a green cheque

form, and continue: "--and, for once, I may discharge my debt, though

never my obligation. Meantime, old college-companion, pray

condescend to take one parting drink with me--nay, be pleased to let

me pay: 't may seem like Lazarus entertaining Dives, but no matter.

Barkeeper, two special liqueurs of the Imperial O.V.H., a large

'polly divided, and--the pen and the inkhorn, quick!"

By now, Cobley's entanglement is greater than his brain can compass.

He has allowed his ineptitude to sink him to the level of a common

swindler; yet the hard-shelled fact that the position is none of his

seeking is being shouted through an unseen megaphone into his ear by

an invisible Adversary of Souls. Were it not for the accursed,

gaping mob, he would chance making a clean breast of it; but the

truth will not bear all lights. At worst he must accept the draft

and contrive to return it privately, later on.

"Here we are, dear lad," cries Mr Contango, finishing the writing

(and poor Cobley's reflections) and flourishing the cheque, "I have

made it for a tenner because I find that I have just run out of

silver, but if you will let me have a couple or three sovereigns just

to carry me home, you can send your man round to Coutts's in the

morning and slip me the remainder to-morrow night, or to-morrow

twelvemonth, or--well, whenever I ask you for it. Aha! I'm about as

fond of asking a fellow for money as you are, dear boy!"

It is then that Mr Cobley falls slap into the net and sinks just as

deeply as he has cash available--for I presume that even you, dear,

are not so innocent in this "sordid and merciless age of

industrialism" as to suppose that the cheque is of any more service

to anybody than a stomach-ache. It is a very real lesson in the art

of banking that Mr Cobley receives as the bank cashier returns him

the stumer with the additional inscription of "N.E."--"No Earthly"

upon it. He sees at a glance precisely how much smaller his

expenditure for the year will be since his little envelope for the

month of May has been put through the wringer. And what if he

subsequently lies in wait for Mr Contango with a view to

readjustments, I think I hear you ask? Why, frankly, that would

afford him about as much real joy as secretly pinching the cork leg

of a lady stranger in a crowded omnibus. Mr Contango would instantly

fetch him a crack across the mazzard with a bar towel, or some

similarly offensive weapon, and accuse him aloud of every sin both in

and out of the decalogue, not omitting the mysterious and only

unforgivable one which is barely outlined in the Book of Revelations;

he would, in short, do every objectionable thing within human

knowledge--short of personally summoning the police. Estimating

(Féo's scouts conclude) the number of convivial commercialists put

through the hoop at three per night, and averaging the sum

contributed by each at fifty-seven-and-sixpence, Mr Contango has been

drawing an income of close upon three thousand a year from a source

previously exploited only by cheap tobacconists and abandoned

barmaids!

Is not it appalling? But perhaps you do not know that the first

stone of the quite considerable pile left by the late Mr Sam Lewis

was laid by youthful ignorance of banking methods--not Samuel's

ignorance, dear; _he_ knew all about banks, from his youth up, and

quite frequently he took one. He was originally, you must know, a

travelling jeweller, though upon a certain Monday morning when,

instead of continuing to travel, he sent word to his firm that his

liver was not acting--for all the world as though he expected that

indispensable organ to go on at the Gaiety in tights and trunks, and

a flaxen wig!--also that he was detained by an urgent matter of a

lucrative character, likewise he was bidden to the funeral ceremonies

of a very dear friend, not to mention his doctor's imperative orders

about staying in the house with so serious a suppressed cold; many a

conjecturing ear took a more forward inclination in the vain hope of

learning something a little more definite. In reality, Samuel was

occupied in raising twenty thousand spangles for a young gentleman

who, after interviewing his pass-book, had come to the sickening

conclusion that he had overdrawn his banking account to about that

tune. The poor boy had, in a lucid interval between drinks, sent for

the little parchment wallet and compared its totals in order to see

how much more money, if any, he had got to spend before he died, and

from even the most careless analysis of the figures there existed

between the right-hand columns and the left-hand columns a

discrepancy of £19,776, 11s. 7d. The very natural conclusion to

which these figures, as well as a colossal ache in the back of his

head (By Christmas! how it did throb, throb, throb!) resigned him,

was that he must have had an even better time than it had seemed--a

distinct chunk of consolation in a way, but one that dug no subway

for the man who had got to find "a hundred" somehow for a real little

topweight, quite the very best that the dear old "Guv'nor" had ever

put on any stage.

It was, however, when dear old Sam (as those who paid up as well as

those who only renewed, alike addressed him) called in with the cash

and spread the bonnie crisp notes of the Bank of England all over the

blessed table that the sun took on new brightness. For a single

glance at the inside of the pass-book disclosed to the genial Hebrew

the fact that, far from being overdrawn, the high-mettled lad, whose

magnificent ignorance of ledger-accounts only increased his nobility,

simply didn't know which side of the book was the other, and actually

had at that moment £19,776, 11s. 7d. standing to his credit.

"Anyhow," he remarked apologetically, after telling his man to fly

down to the bank and get four more cheque-books immediately, "there

must be thunder in the air, or something, for I'll take my oath I had

less to drink last night than I did all the rest of last week put

together."

Fancy you, dear kid, not knowing that, unlike the big drapery houses

of London, which think nothing of lending an overstrung divinity of

the footlights who may be expecting a bed-and-breakfast visit from an

old Girton chum, a silk nightie; of sending it home to the

_recherché_ little flat at the top of the two-hundred-and-sixty-two

stone steps, and of taking it back next morning after all the creases

and crow's feet, bar its warehouse ones, have been pressed out by the

great weight of some large literary work--Bunyan is about the

heaviest in our language--and its pink ribbons have made their first

rapid pass under a warm flat iron; the proprietors of les Grands

Magasins do not cordially endorse the system of sending out their

stock "on appro." Ample facilities for "appro rapide" are afforded

on the premises to princesses of the blood and other noble damsels,

who do not object to discrown themselves and slip into some lawn or

batiste article of the _intime_ toilette at 9 f. 50 in the shadow of

a festoon of organdi muslins, or a bunch of shop-soiled ostrich

stoles, but the girl who cannot make up her unsettled mind until she

has got into the things in her own bedroom and, with her biggest

picture hat on and a chrysanthemum in her hair, has marched up and

down in front of her cheval glass singing "Won't you come home now,

Bill Bailey?" is invariably discouraged. The hierophants of the

Louvre, who in their pudacity request even married men who are not

accompanied by their own wives to be good enough to conceal their

identity as far as possible, claim that the "appro Anglais" system

demoralises both the goods and the customers, but especially the

goods.

And, somehow, this vagrant mention of married men and their wives

reminds me to tell you that the impossible Invernairnes have quite

recently made it up and sworn eternal friendship again. It came

about all unrehearsed and unexpectedly--at least so she told some two

or three hundred women at her club, in strict confidence and on the

distinct understanding that it went no further. They have lately

been vegetating--in separate beds--in a sweetly rural spot called

Hampstead, where the liver-pad and the footpad derive mutual benefit

on Bank Holidays, and where all that one need do when one is hungry

is to pull up a carrot and milk the cow. From a luxurious

sleeping-saloon on the first floor, Lady Invernairne could gaze

across miles and miles of the western heath; though the eastern view

from the palleted box-room on a higher floor, where his lordship lay

like a case of suspended animation, was less imposing, and, indeed,

consisted principally of whitewashed walls punctuated by a green door

with a small ace-of-diamonds window and a latch string in it.

One night a brilliant thunderstorm swept o'er the Heath, the thunder

rolling noisily down the very roofs of rainwashed slate, the heavens

parting to take flashlight pictures of the fertile valleys of North

Middlesex. A forked blue flame played in the sky above the

crematorium at Golder's Hill, a ball of living fire dropped into the

lake at Hendon, and--the craven Lady Invernairne crept from her bed

to stand by her window and shake with terror, her eyes half closed

and her firm, fair bosom--in adaged phrase they used to "lay the

table" on her--turned temporarily to gooseflesh. It is at such

times, when Nature scolds, that woman needs someone to comfort her

and hold her hand till daylight happens or the storm abates. Never

dreaming of consequences, Lady Invernairne weakly called down from

the box-room the case of "suspended animation," and manlike, he

presumed----

But Féo, still a bunch of nerves, has just burst in to say that if a

fiver is sufficient recompense for two hours in the Turkish and three

plain dishes for dinner, I can be on.

It is.

Toujours a toi,

VIOLA.

THE END

Mop Fair · 第 11 / 11 段