CLAUDE. "Now, lady, 'ear me."

PAULINE. "Hear thee? Her son! Do fiends usually indulge in the luxury of

parents? Speak!"

CLAUDE. "Gurse me. Thy gurse would plast me less than thy forgifeness."

(_He rants in broken English with unintelligible rapidity for next

half-hour, until his mother puts an end to the universal misery by

carrying Pauline off to bed. Curtain_.)

_Young Lady, who reads Dickens_. "Oh, how sweetly pretty!"

_Accompanying Young Man_. "Yes. He is even a better actor than MCKEAN

BUCHANAN."

_Voices from all Parts of the House. "Let's go home. I can't stand two

more acts of this sort of thing."_

One of these voices was the soft, silvery and modest voice of MATADOR,

who went out, and sitting upon a convenient hydrant, (not one of the

infamous cast-iron abortions with an unpleasant knob on the cover,)

contemplated the midnight stars, and seriously meditated upon Mr.

FECHTER. And in spite of a previous unhesitating belief in Mr. DICKENS'

critical judgment, and in spite of a desire to find in Mr. FECHTER the

greatest actor of the age, he could not perceive in what respect that

distinguished gentleman deserves his world-wide reputation. Is his

manner natural? Is his elocution even tolerably good? Is his

pronunciation of English words any thing but barely intelligible? To

these questions a mental echo answered with a melancholy negative. And

when the occupant of the meditative hydrant demanded to know what single

merit could be found in Mr. FECHTER'S acting, his only answer was a

suggestion from a prosaic policeman that he cease to put idiotic

questions to the unoffending lamp-post.

There are those--and enough of them to fill any theatre--who sincerely

admire Mr. FECHTER; but it is impossible to resist the conviction that

their admiration is only a dutiful acquiescence in the judgment of Mr.

DICKENS. With the utmost desire to do no injustice to a genial

gentleman, who conscientiously strives to carry out his theories of what

acting should be, the undersigned is forced to confess that Mr. FECHTER

in an English play is a spectacle so hopelessly and earnestly absurd, as

to call for commiseration rather than for the laughter which it would

deserve were it professedly a burlesque entertainment.

Punchinello, Volume 1, No. 07, May 14, 1870 · 第 11 / 65 题