Mrs. Yorba was so ill when her daughter came that the child struggled
miserably into existence, and, failing to cry, was put away as dead, and
forgotten for a time. It was discovered to be breathing by Mrs. Polk,
who coaxed it through several months of puny existence with all a native
Californian woman's resource. During this time it never cried, only
whimpered miserably at rare intervals. It was finally discovered to be
tongue-tied, and as soon as it was old enough an operation was
performed. After that the child's health mended, although she seemed in
no hurry to use her tongue. As she progressed in years she still spoke
but seldom, only mildly remonstrating when Helena Belmont pulled her
hair or vented her exuberant vitality upon Magdaléna's inferior person.
Once only did she lose her temper,--when Helena hung up all her dolls in
a row and slit them that she might have the pleasure of seeing the
sawdust pour out,--and then she leaped upon her tormentor with a hoarse
growl of rage, and the two pommelled each other black and blue. But as a
rule she was gentle and much-enduring, and Helena was very kind and
clamoured constantly for her society. As the girls grew older they
studied together, and the friendship, born of propinquity, was
strengthened by mutual tastes and sympathy. Helena was probably the only
person who ever understood the reticent, proud, apparently cold and
impassive temperament of the girl who was an unhappy and incongruous
mixture of Spanish and New England traits; and Magdaléna was Helena's
most enthusiastic admirer and attentive audience.
Magdaléna had one other friend, her aunt, Mrs. Polk, for whom she was
named. That lady was enormously stout and something of an invalid, but
carried the tokens of early beauty in a skin of brilliant fairness and a
pair of magnificent dark eyes fringed with lashes so long and thick that
Magdaléna, when a child, found it her greatest pleasure to count them.
Mrs. Polk knew little of her husband and liked him less. She had obeyed
her brother's orders and married him, loving a dazzling caballero--who
had since gambled away his acres--the while. But Polk ministered to the
luxury that she loved; and though his high-pitched voice never ceased to
shake her nerves, and his hard cold face to inspire active dislike, as
the years went on and she saw how it was with her people, she accepted
her lot with philosophy, and finally--as youth fled--with gratitude.
Mrs. Yorba she detested, but she loved the child she had saved to a life
of doubtful happiness, and--she had no children of her own--would gladly
have adopted her. She lived a life of retirement, and had a scanty
though kindly brain: therefore she never understood Magdaléna as well as
Helena did at the age of six; but she could love warmly, and that meant
much to her niece.
The three large and aristocratically ugly mansions of Don Roberto Yorba,
Hiram Polk, and Colonel "Jack" Belmont stood side by side on Nob Hill.
Belmont was not as wealthy as the others, but a "palatial residence"
does not mean illimitable riches even yet in San Francisco. Belmont had
married a Boston girl of far greater family pretensions than Mrs.
Yorba's, but of no more stately appearance nor correct demeanour. The
two women were intimate friends until her husband's notorious
infidelities and erraticisms when under the periodical influence of
alcohol killed Mrs. Belmont. Neither Don Roberto nor Polk drank to
excess, and they kept their mistresses in more decent seclusion than is
the habit of the average San Franciscan. It would never occur to Mrs.
Yorba to suspect her husband or any other man of infidelity, did she
live in California an hundred years, and Mrs. Polk was too indifferent
to give the matter a thought.
Although she lived in retirement, rarely venturing out into the winds
and fogs of San Francisco, Mrs. Polk surrounded herself with all the
luxuries of a pampered woman of wealth and fashion. Her house was
magnificent, her private apartments almost stifling in their
sumptuousness. Polk squeezed every dollar before he parted with it, but
his wife had long since accomplished the judicious exercise of a violent
Spanish temper, and her bills were seldom disputed.
Magdaléna and Helena loved these scented gorgeous apartments, and ran
through the connecting gardens daily to see her. Their delight was to
sit at her feet and listen to the tales of California when the grandee
owned the land, when the caballero, in gorgeous attire, sang at the
gratings of the beauties of Monterey. Mrs. Polk would sing these old
love-songs of Spain to the accompaniment of the guitar which had
entranced her caballeros in the _sala_ of her girlhood; and Helena, who
had a charming voice, learned them all--to the undoing of her own
admirers later on. It was she who asked a thousand questions of that
Arcadian time, and Mrs. Polk responded with enthusiasm. Doubtless she
exaggerated the splendours, the brilliancy, the unleavened pleasure; but
it was a time far behind her, and she was happy again in the
rememoration. As for Magdaléna, she seldom spoke. She listened with
fixed eyes and bated breath to those descriptions of the beautiful women
of her race, seeing for the time her soul's face as beautiful, gazing at
her reflected image aghast when she turned suddenly upon one of the long
mirrors. Her soul sang in accompaniment to her aunt's rich voice, and
her hands moved unconsciously as those listless Spanish fingers swept
the guitar. When Helena imperiously demanded to be taught, and quickly
became as proficient as her teacher, Magdaléna kept her eyes on the
floor lest the others should see the dismay in them. Had it occurred to
Mrs. Polk to ask her niece if she would like to learn these old songs of
her race, Magdaléna would have shaken her head shyly, realising even
sooner than she did that there was no medium for the music in her soul,
as there was none for the thoughts in her mind. Although her aunt loved
her, she did not scruple to tell her that she was not to be either a
beautiful or a brilliant woman; but although Magdaléna made no reply,
she had a profound belief that the Virgin would in time grant her
passionate nightly prayers for a beautiful face and an agile tongue.
Beauty was her right; no woman of her father's house had ever been
plain, and she had convinced herself that if she were a good girl the
Virgin would acknowledge her rights by her eighteenth birthday. As her
intellect developed, she was haunted by an uneasy scepticism of
miracles, particularly after she learned to draw, but she still prayed;
it was a dream she could not relinquish. Nor was this all she prayed
for. She had all the Californian's indolence, which was ever at war with
the intellect she had inherited from her New England ancestors. Her most
delectable instinct was to lie in the sun or on the rug by the fire all
day and dream; and she was thoroughly convinced that the Virgin aided
her in the fight for mental energy, and was the prime factor in the long
periods of victory of mind over temperament.
And only her deathless ambition enabled her to keep pace with Helena.
She sat up late into the night poring over lessons that her brilliant
friend danced through while dressing in the morning. Her memory was bad,
and she never mastered spelling; even after her schooldays were over,
she always carried a little dictionary in her pocket. She laboured for
years at the piano, not only under her father's orders, but because she
passionately loved music, but she had neither ear nor facility, and to
her importunities for both the Virgin gave no heed.
And the bitterness of it all lay in the fact that she was not stupid;
she was fully aware that her intellect was something more than
commonplace; but the machinery was heavy, and, so far as she could see,
there was not a drop of cleverness with which to oil the wheels. She had
read extensively even before she was sixteen,--letters, essays,
biographies, histories, and a number of novels by classic authors; and
although she was obliged to read each book three times in order to write
it on her memory, she slowly assimilated it and developed her brain
cells. Up to this age she was seldom actively unhappy, for she had the
hopes of youth and religion, her aunt, Helena, and, above all, her sweet
inner life, which was an almost constant dwelling upon the poetical
past, linked to a future of exalted ideals: not only should she be more
beautiful than Helena or Tiny Montgomery or Ila Brannan, but she should
hold rooms spell-bound with her eloquence, or the music in her
finger-tips; and when in solitude her soul would rise to such heights as
her fettered mind hinted at vaguely but insistently. Wild imaginings for
a plain tongue-tied little hybrid, but what man's inner life is like
unto the husk to whose making he gave no hand?