Ezra had written a letter to the home folks, and in it he had

complained that never before had he spent such a weary, lonesome day

as this Thanksgiving Day had been. Having finished this letter, he sat

for a long time gazing idly into the open fire that snapped cinders

all over the hearthstone and sent its red forks dancing up the chimney

to join the winds that frolicked and gambolled across the Kansas

prairies that raw November night. It had rained hard all day, and was

cold; and although the open fire made every honest effort to be

cheerful, Ezra, as he sat in front of it in the wooden rocker and

looked down into the glowing embers, experienced a dreadful feeling of

loneliness and homesickness.

[Footnote 21: From "A Little Book of Profitable Tales," copyright,

1889, published by Charles Scribner's Sons.]

"I'm sick o' Kansas," said Ezra to himself. "Here I've been in this

plaguey country for goin' on a year, and--yes, I'm sick of it,

powerful sick of it. What a miser'ble Thanksgivin' this has been!

They don't know what Thanksgivin' is out this way. I wish I was back

in ol' Mass'chusetts--that's the country for _me_, and they hev the

kind o' Thanksgivin' I like!"

Musing in this strain, while the rain went patter-patter on the

windowpanes, Ezra saw a strange sight in the fireplace--yes, right

among the embers and the crackling flames Ezra saw a strange,

beautiful picture unfold and spread itself out like a panorama.

"How very wonderful!" murmured the young man. Yet he did not take his

eyes away, for the picture soothed him and he loved to look upon it.

"It is a pictur' of long ago," said Ezra softly. "I had like to forgot

it, but now it comes back to me as nat'ral-like as an ol' friend. An'

I seem to be a part of it, an' the feelin' of that time comes back

with the pictur', too."

Ezra did not stir. His head rested upon his hand, and his eyes were

fixed upon the shadows in the firelight.

"It is a pictur' of the ol' home," said Ezra to himself. "I am back

there in Belchertown, with the Holyoke hills up north an' the

Berkshire Mountains a-loomin' up gray an' misty-like in the western

horizon. Seems as if it wuz early mornin'; everything is still, and it

is so cold when we boys crawl out o' bed that, if it wuzn't

Thanksgivin' mornin', we'd crawl back again an' wait for Mother to

call us. But it _is_ Thanksgivin' mornin', and we're goin' skatin'

down on the pond. The squealin' o' the pigs has told us it is five

o'clock, and we must hurry; we're goin' to call by for the Dickerson

boys an' Hiram Peabody, an' we've got to hyper! Brother Amos gets on

about half o' my clothes, and I get on 'bout half o' his, but it's all

the same; they are stout, warm clo'es, and they're big enough to fit

any of us boys--Mother looked out for that when she made 'em. When we

go downstairs, we find the girls there, all bundled up nice an'

warm--Mary an' Helen an' Cousin Irene. They're going with us, an' we

all start out tiptoe and quiet-like so's not to wake up the ol' folks.

The ground is frozen hard; we stub our toes on the frozen ruts in the

road. When we come to the minister's house, Laura is standin' on the

front stoop a-waitin' for us. Laura is the minister's daughter. She's

a friend o' Sister Helen's--pretty as a dagerr'otype, an' gentle-like

and tender. Laura lets me carry her skates, an' I'm glad of it,

although I have my hands full already with the lantern, the hockies,

and the rest. Hiram Peabody keeps us waitin', for he has overslept

himself, an' when he comes trottin' out at last the girls make fun of

him--all except Sister Mary, an' she sort o' sticks up for Hiram, an'

we're all so 'cute we kind o' calc'late we know the reason why.

"And now," said Ezra softly, "the pictur' changes: seems as if I could

see the pond. The ice is like a black lookin'-glass, and Hiram Peabody

slips up the first thing, an' down he comes, lickety-split, an' we all

laugh--except Sister Mary, an' _she_ says it is very imp'lite to

laugh at other folks' misfortunes. Ough! how cold it is, and how my

fingers ache with the frost when I take off my mittens to strap on

Laura's skates! But, oh, how my cheeks burn! And how careful I am not

to hurt Laura, an' how I ask her if that's 'tight enough,' an' how she

tells me 'jist a little tighter' and how we two keep foolin' along

till the others hev gone an' we are left alone! An' how quick I get my

_own_ skates strapped on--none o' your new-fangled skates with springs

an' plates an' clamps an' such, but honest, ol'-fashioned wooden ones

with steel runners that curl up over my toes an' have a bright brass

button on the end! How I strap 'em and lash 'em and buckle 'em on! An'

Laura waits for me an' tells me to be sure to get 'em on tight

enough--why, bless me! after I once got 'em strapped on, if them

skates hed come off, the feet wud ha' come with 'em! An' now away we

go--Laura and me. Around the bend--near the medder where Si Barker's

dog killed a woodchuck last summer--we meet the rest. We forget all

about the cold. We run races an' play snap the whip, an' cut all sorts

o' didoes, an' we never mind the pick'rel weed that is froze in on the

ice an' trips us up every time we cut the outside edge; an' then we

boys jump over the air holes, an' the girls stan' by an' scream an'

tell us they know we're agoin' to drownd ourselves. So the hours go,

an' it is sun-up at last, an' Sister Helen says we must be gettin'

home. When we take our skates off, our feet feel as if they were wood.

Laura has lost her tippet; I lend her mine, and she kind o' blushes.

The old pond seems glad to have us go, and the fire-hangbird's nest

in the willer tree waves us good-bye. Laura promises to come over to

our house in the evenin', and so we break up.

"Seems now," continued Ezra musingly, "seems now as if I could see us

all at breakfast. The race on the pond has made us hungry, and Mother

says she never knew anybody else's boys that had such capac'ties as

hers. It is the Yankee Thanksgivin' breakfast--sausages an' fried

potatoes, an' buckwheat cakes, an' syrup--maple syrup, mind ye, for

Father has his own sugar bush, and there was a big run o' sap last

season. Mother says, 'Ezry an' Amos, won't you never get through

eatin'? We want to clear off the table, fer there's pies to make, and

nuts to crack, and laws sakes alive! The turkey's got to be stuffed

yet!' Then how we all fly around! Mother sends Helen up into the attic

to get a squash while Mary's makin' the pie crust. Amos an' I crack

the walnuts--they call 'em hickory nuts out in this pesky country of

sagebrush and pasture land. The walnuts are hard, and it's all we can

do to crack 'em. Ev'ry once'n a while one on 'em slips outer our

fingers and goes dancin' over the floor or flies into the pan Helen is

squeezin' pumpkin into through the col'nder. Helen says we're

shif'less an' good for nothin' but frivolin'; but Mother tells us how

to crack the walnuts so's not to let 'em fly all over the room, an'

so's not to be all jammed to pieces like the walnuts was down at the

party at the Peasleys' last winter. An' now here comes Tryphena

Foster, with her gingham gown an' muslin apron on; her folks have gone

up to Amherst for Thanksgivin', an' Tryphena has come over to help our

folks get dinner. She thinks a great deal o' Mother, 'cause Mother

teaches her Sunday-school class an' says Tryphena oughter marry a

missionary. There is bustle everywhere, the rattle uv pans an' the

clatter of dishes; an' the new kitchen stove begins to warm up an' git

red, till Helen loses her wits and is flustered, an' sez she never

could git the hang o' that stove's dampers.

"An' now," murmured Ezra gently, as a tone of deeper reverence crept

into his voice, "I can see Father sittin' all by himself in the

parlour. Father's hair is very gray, and there are wrinkles on his

honest old face. He is lookin' through the winder at the Holyoke hills

over yonder, and I can guess he's thinkin' of the time when he wuz a

boy like me an' Amos, an' uster climb over them hills an' kill

rattlesnakes an' hunt partridges. Or doesn't his eyes quite reach the

Holyoke hills? Do they fall kind o' lovingly but sadly on the little

buryin' ground jest beyond the village? Ah, Father knows that spot,

an' he loves it, too, for there are treasures there whose memory he

wouldn't swap for all the world could give. So, while there is a kind

o' mist in Father's eyes, I can see he is dreamin'-like of sweet an'

tender things, and a-communin' with memory--hearin' voices I never

heard, an' feelin' the tech of hands I never pressed; an' seein'

Father's peaceful face I find it hard to think of a Thanksgivin'

sweeter than Father's is.

"The pictur' in the firelight changes now," said Ezra, "an' seems as

if I wuz in the old frame meetin'-house. The meetin'-house is on the

hill, and meetin' begins at half-pas' ten. Our pew is well up in

front--seems as if I could see it now. It has a long red cushion on

the seat, and in the hymn-book rack there is a Bible an' a couple of

Psalmodies. We walk up the aisle slow, and Mother goes in first; then

comes Mary, then me, then Helen, then Amos, and then Father. Father

thinks it is jest as well to have one o' the girls set in between me

an' Amos. The meetin'-house is full, for everybody goes to meetin'

Thanksgivin' Day. The minister reads the proclamation an' makes a

prayer, an' then he gives out a psalm, an' we all stan' up an' turn

'round an' join the choir. Sam Merritt has come up from Palmer to

spend Thanksgivin' with the ol' folks, an' he is singin' tenor to-day

in his ol' place in the choir. Some folks say he sings wonderful well,

but _I_ don't like Sam's voice. Laura sings soprano in the choir, and

Sam stands next to her an' holds the book.

"Seems as if I could hear the minister's voice, full of earnestness

an' melody, comin' from way up in his little round pulpit. He is

tellin' us why we should be thankful, an', as he quotes Scriptur' an'

Dr. Watts, we boys wonder how anybody can remember so much of the

Bible. Then I get nervous and worried. Seems to me the minister was

never comin' to lastly, and I find myself wonderin' whether Laura is

listenin' to what the preachin' is about, or is writin' notes to Sam

Merritt in the back of the tune book. I get thirsty, too, and I

fidget about till Father looks at me, and Mother nudges Helen, and

Helen passes it along to me with interest.

"An' then," continues Ezra in his revery, "when the last hymn is given

out an' we stan' up agin an' join the choir, I am glad to see that

Laura is singin' outer the book with Miss Hubbard, the alto. An' goin'

out o' meetin' I kind of edge up to Laura and ask her if I kin have

the pleasure of seein' her home.

"An' now we boys all go out on the Common to play ball. The Enfield

boys have come over, and, as all the Hampshire county folks know, they

are tough fellers to beat. Gorham Polly keeps tally, because he has

got the newest jackknife--oh, how slick it whittles the old broom

handle Gorham picked up in Packard's store an' brought along jest to

keep tally on! It is a great game of ball; the bats are broad and

light, and the ball is small and soft. But the Enfield boys beat us at

last; leastwise they make 70 tallies to our 58, when Heman Fitts

knocks the ball over into Aunt Dorcas Eastman's yard, and Aunt Dorcas

comes out an' picks up the ball an' takes it into the house, an' we

have to stop playin'. Then Phineas Owen allows he can flop any boy in

Belchertown, an' Moses Baker takes him up, an' they wrassle like two

tartars, till at last Moses tuckers Phineas out an' downs him as slick

as a whistle.

"Then we all go home, for Thanksgivin' dinner is ready. Two long

tables have been made into one, and one of the big tablecloths Gran'ma

had when she set up housekeepin' is spread over 'em both. We all set

round--Father, Mother, Aunt Lydia Holbrook, Uncle Jason, Mary, Helen,

Tryphena Foster, Amos, and me. How big an' brown the turkey is, and

how good it smells! There are bounteous dishes of mashed potato,

turnip, an' squash, and the celery is very white and cold, the

biscuits are light and hot, and the stewed cranberries are red as

Laura's cheeks. Amos and I get the drumsticks; Mary wants the wishbone

to put over the door for Hiram, but Helen gets it. Poor Mary, she

always _did_ have to give up to 'rushin' Helen,' as we call her. The

pies--oh, what pies Mother makes; no dyspepsia in 'em, but good nature

an' good health an' hospitality! Pumpkin pies, mince, an' apple, too,

and then a big dish of pippins an' russets an' bellflowers, an', last

of all, walnuts with cider from the Zebrina Dickerson farm! I tell ye,

there's a Thanksgivin' dinner for ye! that's what we get in old

Belchertown; an' that's the kind of livin' that makes the Yankees so

all-fired good an' smart.

"But the best of all," said Ezra very softly to himself, "oh, yes, the

best scene in all the pictur' is when evenin' comes, when all the

lamps are lit in the parlour, when the neighbours come in, and when

there is music and singing an' games. An' it's this part o' the

pictur' that makes me homesick now and fills my heart with a longin' I

never had before; an' yet it sort o' mellows and comforts me, too.

Miss Serena Cadwell, whose beau was killed in the war, plays on the

melodeon, and we all sing--all on us: men, womenfolks, an' children.

Sam Merritt is there, and he sings a tenor song about love. The women

sort of whisper round that he's goin' to be married to a Palmer lady

nex' spring, an' I think to myself I never heard better singin' than

Sam's. Then we play games--proverbs, buzz, clap-in-clap-out,

copenhagen, fox-an'-geese, button-button-who's-got-the-button,

spin-the-platter, go-to-Jerusalem, my-ship's-come-in; and all the

rest. The ol' folks play with the young folks just as nat'ral as can

be; and we all laugh when Deacon Hosea Cowles hez to measure six yards

of love ribbon with Miss Hepsey Newton, and cut each yard with a kiss;

for the deacon hez been sort o' purrin' round Miss Hepsey for goin' on

two years. Then, aft'r a while, when Mary and Helen bring in the

cookies, nutcakes, cider, an' apples, Mother says: 'I don't believe

we're goin' to hev enough apples to go round; Ezry, I guess I'll have

to get you to go down cellar for some more.' Then I says: 'All right,

Mother, I'll go, providin' some one 'll go along an' hold the candle.'

An' when I say this I look right at Laura, an' she blushes. Then

Helen, jest for meanness, says: 'Ezry, I s'pose you ain't willin' to

have your fav'rite sister go down cellar with you and catch her death

o' cold?' But Mary, who hez been showin' Hiram Peabody the phot'graph

album for more'n an hour, comes to the rescue an' makes Laura take the

candle, and she shows Laura how to hold it so it won't go out.

"The cellar is warm an' dark. There are cobwebs all between the

rafters an' everywhere else except on the shelves where Mother keeps

the butter an' eggs an' other things that would freeze in the butt'ry

upstairs. The apples are in bar'ls up against the wall, near the

potater bin. How fresh an' sweet they smell! Laura thinks she sees a

mouse, an' she trembles an' wants to jump up on the pork bar'l, but I

tell her that there shan't no mouse hurt her while I'm around; and I

mean it, too, for the sight of Laura a-tremblin' makes me as strong as

one of Father's steers. 'What kind of apples do you like best, Ezry?'

asks Laura, 'russets or greenin's or crow-eggs or bellflowers or

Baldwins or pippins?' 'I like the Baldwins best,' says I, ''coz they

got red cheeks just like yours.' 'Why, Ezry Thompson! how you talk!'

says Laura. 'You oughter be ashamed of yourself!' But when I get the

dish filled up with apples there ain't a Baldwin in all the lot that

can compare with the bright red of Laura's cheeks. An' Laura knows it,

too, an' she sees the mouse again, an' screams, and then the candle

goes out, and we are in a dreadful stew. But I, bein' almost a man,

contrive to bear up under it, and knowin' she is an orph'n, I comfort

an' encourage Laura the best I know how, and we are almost upstairs

when Mother comes to the door and wants to know what has kep' us so

long. Jest as if Mother doesn't know! Of course she does; an' when

Mother kisses Laura good-bye that night there is in the act a

tenderness that speaks more sweetly than even Mother's words.

"It is so like Mother," mused Ezra; "so like her with her gentleness

an' clingin' love. Hers is the sweetest picture of all, and hers the

best love."

Dream on, Ezra; dream of the old home with its dear ones, its holy

influences, and its precious inspiration!--Mother. Dream on in the

faraway firelight; and as the angel hand of memory unfolds these

sacred visions, with thee and them shall abide, like a Divine

Comforter, the spirit of Thanksgiving.

CHIP'S THANKSGIVING[22]

BY ANNIE HAMILTON DONNELL.

Chip had plenty of nuts on Thanksgiving Day. The little lady

called Heart's Delight saw to that. Can you guess who Chip

was?

They had got "way through," as Terry said, to the nuts. It had been a

beautiful Thanksgiving dinner "so far." Grandmother's sweet face

beamed down the length of the great table, over all the little crinkly

grandheads, at grandfather's face. Everybody felt very thankful.

[Footnote 22: From the _Youth's Companion_, November 26, 1903.]

"I wish all the children this side o' the north pole had had some

turkey, too, and squash and cram'bry--and things," said Silence

quietly. Silence was always wishing beautiful things like that.

"An' some nuts," added Terry, setting his small white teeth into the

meat of a big fat walnut. "It wouldn't seem Thanksgivingy 'thout

nuts."

"I know somebody who would be thankful with just nuts," smiled

grandfather. "Indeed, I think he'd rather have them for all the

courses of his Thanksgiving dinner!"

"Just nuts! No turkey, nor puddin', nor anything?"

The crinkly grandheads all bobbed up from their plates and

nut-pickers in amazement. Just nuts!

"Yes. Guess who he is?" Grandfather's laughing eyes twinkled up the

long table at grandmother.

"I'll give you three guesses apiece, beginning with Heart's Delight.

Guess number one, Heart's Delight."

"Chip," gravely. Heart's Delight had guessed it the very first guess.

"Chip!" laughed all the little grand girls and boys. Why, of course!

Chip! He would rather have just nuts for Thanksgiving dinner!

"I wish he had some o' mine!" cried Silence.

"An' mine!" cried Terry; and all the others wished he had some of

theirs. What a Thanksgiving dinner little Chip would have had!

"He's got plenty, thank you." It was the shy little voice of Heart's

Delight. A soft pink colour had come into her round cheeks. Everybody

looked at her inquiringly, for how did Heart's Delight know Chip had

plenty of nuts? Then Terry remembered something.

"Oh, that's where her nuts went to!" he cried. "Heart's Delight gave

'em to Chip! We couldn't think what she'd done with 'em all."

The pink colour was growing pinker--very pink indeed.

"Yes, that's where," said Silence, leaning over to squeeze one of

Heart's Delight's little hands. And sure enough, it was. In the

beautiful nut month of October, when the children went after their

winter's supply of nuts, little Heart's Delight had left all her

little rounded heap just where bright-eyed, nut-loving squirrel Chip

would be sure to find them and hurry them away to his winter hole. And

Chip had found them, she was sure, for not one was left when she went

back to see, the next day.

"Why, maybe this very minute--right now--Chip's cracking his

Thanksgiving dinner!" Terry laughed.

"Same as we are! Maybe he's got to the nut cour--oh, they're all nut

courses! But maybe he's sittin' up to his table with the rest of the

folks, thanksgiving to Heart's Delight," Silence said.

Heart's Delight's little shy face nearly hid itself over her plate.

This was dreadful! It was necessary to change the subject at once, and

a dear little thought came to her aid.

"But I'm afraid he hasn't got any gran'father and gran'mother to his

Thanksgiving," she said softly. "I shouldn't think anybody could

thanksgive 'thout a gran'mother and gran'father."

THE MASTER OF THE HARVEST[23]

BY MRS. ALFRED GATTY.

A good old-fashioned story for the older boys and girls to

read on the Sunday before Thanksgiving Day.

The Master of the Harvest walked by the side of his cornfields in the

early year, and a cloud was over his face, for there had been no rain

for several weeks, and the earth was hard from the parching of the

cold east winds, and the young wheat had not been able to spring up.

[Footnote 23: From "Parables from Nature."]

So, as he looked over the long ridges that lay stretched in rows

before him, he was vexed, and began to grumble, and say, "The harvest

would be backward, and all things would go wrong." At the mere thought

of which he frowned more and more, and uttered words of complaint

against the heavens, because there was no rain; against the earth,

because it was so dry and unyielding; against the corn, because it had

not sprung up.

And the man's discontent was whispered all over the field, and all

along the long ridges where the corn seeds lay; and when it reached

them they murmured out, "How cruel to complain! Are we not doing our

best? Have we let one drop of moisture pass by unused, one moment of

warmth come to us in vain? Have we not seized on every chance, and

striven every day to be ready for the hour of breaking forth? Are we

idle? Are we obstinate? Are we indifferent? Shall we not be found

waiting and watching? How cruel to complain!"

Of all this, however, the Master of the Harvest heard nothing, so the

gloom did not pass away from his face. On the contrary, he took it

with him into his comfortable home, and repeated to his wife the dark

words that all things were going wrong; that the drought would ruin

the harvest, for the corn was not yet sprung.

And still thinking thus, he laid his head on his pillow, and presently

fell asleep.

But his wife sat up for a while by the bedside, and opened her Bible,

and read, "The harvest is the end of the world, and the reapers are

the angels."

Then she wrote this text in pencil on the flyleaf at the end of the

book, and after it the date of the day, and after the date the words,

"Lord, the husbandman, Thou waitest for the precious fruit Thou hast

sown, and hast long patience for it! Amen, O Lord, Amen!"

After which the good woman knelt down to pray, and as she prayed she

wept, for she knew that she was very ill.

But what she prayed that night was heard only in heaven.

And so a few days passed on as before, and the house was gloomy with

the discontent of its master; but at last one evening the wind

changed, the sky became heavy with clouds, and before midnight there

was rain all over the land; and when the Master of the Harvest came in

next morning, wet from his early walk by the cornfields, he said it

was well it had come at last, and that, at last, the corn had sprung

up.

On which his wife looked at him with a smile, and said, "How often

things came right, about which one had been anxious and disturbed." To

which her husband made no answer, but turned away and spoke of

something else.

Meantime, the corn seeds had been found ready and waiting when the

hour came, and the young sprouts burst out at once; and very soon all

along the long ridges were to be seen rows of tender blades, tinting

the whole field with a delicate green. And day by day the Master of

the Harvest saw them and was satisfied; but because he was satisfied,

and his anxiety was gone, he spoke of other things, and forgot to

rejoice.

And a murmur arose among them: "Should not the Master have welcomed us

to life? He was angry but lately, because the seed he had sown had not

yet brought forth; now that it has brought forth, why is he not glad?

What more does he want? Have we not done our best? Are we not doing it

minute by minute, hour by hour, day by day? From the morning and

evening dews, from the glow of the midday sun, from the juices of the

earth, from the breezes which freshen the air, even from clouds and

rain, are we not taking in food and strength, warmth and life,

refreshment and joy; so that one day the valleys may laugh and sing,

because the good seed hath brought forth abundantly? Why does he not

rejoice?"

As before, however, of all they said the Master of the Harvest heard

nothing; and it never struck him to think of the young corn blades'

struggling life. Nay, once, when his wife asked him if the wheat was

doing well, he answered, "Very fairly," and nothing more. But she

then, because the evening was fine and the fairer weather had revived

her failing powers, said she would walk out by the cornfields herself.

And so it came to pass that they went out together. And together they

looked all along the long green ridges of wheat, and watched the

blades as they quivered and glistened in the breeze which sprang up

with the setting sun. Together they walked, together they looked;

looking at the same things and with the same human eyes; even as they

had walked, and looked, and lived together for years, but with a world

dividing their hearts; and what was ever to unite them?

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