V. PEN-PICTURE OF THE SCENE AT ST. PAUL’S CATHEDRAL.

JUNE 22nd, 1897.

Riding three-and-three, came a kaleidoscope of dazzling horsemen,

equerries, aides-de-camp, attaches, ambassadors and princes, all the

pomp of all the nations of the earth—scarlet and gold, azure and gold,

purple and gold, emerald and gold, white and gold—always a changing

tumult of colors that seemed to live and gleam with a light of their

own. It was enough. No eye could bear more gorgeousness. No more

gorgeousness could there be, unless princes are to clothe themselves in

rainbows and the very sun.

The prelude was played, and now the great moment was at hand. Already

carriages were rolling up full of the Queen’s kindred, full of her

children and children’s children, but we hardly looked at them. Down

there, through an avenue of eager faces, through a storm of white,

waving handkerchiefs, through roaring volleys of cheers, there was

approaching a carriage drawn by eight cream-colored horses. The roar

surged up the street, keeping pace with the eight horses. The carriage

passed the barrier; it entered the churchyard; it wheeled left and then

right. It drove up to the very steps of the Cathedral.

We all leaped up. Cheers broke into screams, and the enthusiasm swelled

to delirium. The sun, watery until now, shone out suddenly, clear and

dry, and there was a little, plain, flushed old lady, all in black, with

a silver streak under her black bonnet, and with a simple white

sunshade, sitting quite still, with the corners of her mouth drawn

tight, as if she was trying not to cry; but that old lady was the Queen

and you knew it. You did not want to look at the glittering uniforms

now, nor yet at the bright gowns and young faces in the carriages, nor

yet at the stately princes, though by now all these were ranged in a

half-circle round her. You could not look at anybody but the Queen, so

very quiet, so very grave, so very punctual, and so unmistakably every

inch a lady and a Queen.

It was almost pathetic, if you will, that small, black figure, in the

middle of these shining cavaliers, this great army, this roaring

multitude, but it was also very glorious. When other kings of the world

drive abroad, an escort rides close at the wheels of their carriages.

The Queen drove through her people quite plain and open, with just one

soldier at the curbstone between her and them. Why not? They are quite

free. They have no cause to fear her. They have much cause to love her.

Was it not all for her; gala trappings of the streets, men, horses, guns

and the living walls of British men and women? for the Queen summed up

all that had gone before—all the soldiers and sailors, the big-limbed

colonials, and the strange men from unheard-of islands over the sea. We

know now what that which had come before all stood for. We know as we

had never known before what the Queen stands for. The Empire had come

together to revere and bless the mother of the Empire; the mother of the

Empire had come to do homage to the one Being more majestic than she.

There were the archbishops, bishops and deans, in gold and crimson caps,

and white, orange and gold embroidered vestments, waiting on the steps.

There, through gaps in the pillars and scaffoldings, you could see all

her Ministers and great men, a strange glimpse of miniature faces, as in

some carefully labored picture, where each face stands for an honored

name.

All stood, and the choir sang the Te Deum. Next rose up a melodious

voice intoning prayers. The Queen bowed her head, and then the whole

choir and the company outside the Cathedral and the whole company in the

stands, at the windows, on the house tops, and away down the street, all

standing, all uncovered, began to sing the One Hundredth Psalm: “Come ye

before Him and rejoice.” The Queen’s lips were tight, and her eyes,

perhaps it was fancy, looked dim; but then, “Three cheers for the

Queen,” and the Dean, pious man, was wildly waving that wonderful

crimson cap, and the pillars and roofs were ringing as if they must come

down. Then “God Save the Queen,” a lusty peal, till you felt drowned in

sound.

The Queen looked up and smiled, and the Queen’s smile was the end of it

all—a smile that broke down the sad mouth—a smile that seemed

half-reluctant, so wistful, yet so kind, so sincere, so motherly.—_G.

W. Steevens in London Daily Mail._

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