CHAPTER X

A FOUR-DIMENSIONAL FIGURE

The method used in the preceding chapter to illustrate the problem

of Kant’s critique, gives a singularly easy and direct mode of

constructing a series of important figures in any number of dimensions.

We have seen that to represent our space a plane being must give up one

of his axes, and similarly to represent the higher shapes we must give

up one amongst our three axes.

But there is another kind of giving up which reduces the construction

of higher shapes to a matter of the utmost simplicity.

Ordinarily we have on a straight line any number of positions. The

wealth of space in position is illimitable, while there are only three

dimensions.

I propose to give up this wealth of positions, and to consider the

figures obtained by taking just as many positions as dimensions.

In this way I consider dimensions and positions as two “kinds,” and

applying the simple rule of selecting every one of one kind with every

other of every other kind, get a series of figures which are noteworthy

because they exactly fill space of any number of dimensions (as the

hexagon fills a plane) by equal repetitions of themselves.

The rule will be made more evident by a simple application.

Let us consider one dimension and one position. I will call the axis

_i_, and the position _o_.

———————————————-_i_

_o_

Here the figure is the position _o_ on the line _i_. Take now two

dimensions and two positions on each.

[Illustration: Fig. 63.]

We have the two positions _o_; 1 on _i_, and the two positions _o_, 1

on _j_, fig. 63. These give rise to a certain complexity. I will let

the two lines _i_ and _j_ meet in the position I call _o_ on each, and

I will consider _i_ as a direction starting equally from every position

on _j_, and _j_ as starting equally from every position on _i_. We thus

obtain the following figure:—A is both _oi_ and _oj_, B is 1_i_ and

_oj_, and so on as shown in fig. 63_b_. The positions on AC are all

_oi_ positions. They are, if we like to consider it in that way, points

at no distance in the _i_ direction from the line AC. We can call the

line AC the _oi_ line. Similarly the points on AB are those no distance

from AB in the _j_ direction, and we can call them _oj_ points and the

line AB the _oj_ line. Again, the line CD can be called the 1_j_ line

because the points on it are at a distance, 1 in the _j_ direction.

[Illustration: Fig. 63_b_.]

We have then four positions or points named as shown, and, considering

directions and positions as “kinds,” we have the combination of two

kinds with two kinds. Now, selecting every one of one kind with every

other of every other kind will mean that we take 1 of the kind _i_ and

with it _o_ of the kind _j_; and then, that we take _o_ of the kind _i_

and with it 1 of the kind _j_.

Thus we get a pair of positions lying in the straight line BC, fig.

64. We can call this pair 10 and 01 if we adopt the plan of mentally,

adding an _i_ to the first and a _j_ to the second of the symbols

written thus—01 is a short expression for O_i_, 1_j_.

[Illustration: Fig. 64.]

Coming now to our space, we have three dimensions, so we take three

positions on each. These positions I will suppose to be at equal

distances along each axis. The three axes and the three positions on

each are shown in the accompanying diagrams, fig. 65, of which the

first represents a cube with the front faces visible, the second the

rear faces of the same cube; the positions I will call 0, 1, 2; the

axes, _i_, _j_, _k_. I take the base ABC as the starting place, from

which to determine distances in the _k_ direction, and hence every

point in the base ABC will be an _ok_ position, and the base ABC can be

called an _ok_ plane.

[Illustration: Fig. 65.]

In the same way, measuring the distances from the face ADC, we see

that every position in the face ADC is an _oi_ position, and the whole

plane of the face may be called an _oi_ plane. Thus we see that with

the introduction of a new dimension the signification of a compound

symbol, such as “_oi_,” alters. In the plane it meant the line AC. In

space it means the whole plane ACD.

Now, it is evident that we have twenty-seven positions, each of them

named. If the reader will follow this nomenclature in respect of the

positions marked in the figures he will have no difficulty in assigning

names to each one of the twenty-seven positions. A is _oi_, _oj_, _ok_.

It is at the distance 0 along _i_, 0 along _j_, 0 along _k_, and _io_

can be written in short 000, where the _ijk_ symbols are omitted.

The point immediately above is 001, for it is no distance in the _i_

direction, and a distance of 1 in the _k_ direction. Again, looking at

B, it is at a distance of 2 from A, or from the plane ADC, in the _i_

direction, 0 in the _j_ direction from the plane ABD, and 0 in the _k_

direction, measured from the plane ABC. Hence it is 200 written for

2_i_, 0_j_, 0_k_.

Now, out of these twenty-seven “things” or compounds of position and

dimension, select those which are given by the rule, every one of one

kind with every other of every other kind.

Take 2 of the _i_ kind. With this we must have a 1 of the _j_ kind, and

then by the rule we can only have a 0 of the _k_ kind, for if we had

any other of the _k_ kind we should repeat one of the kinds we already

had. In 2_i_, 1_j_, 1_k_, for instance, 1 is repeated. The point we

obtain is that marked 210, fig. 66.

[Illustration: Fig. 66.]

Proceeding in this way, we pick out the following cluster of points,

fig. 67. They are joined by lines, dotted where they are hidden by the

body of the cube, and we see that they form a figure—a hexagon which

could be taken out of the cube and placed on a plane. It is a figure

which will fill a plane by equal repetitions of itself. The plane being

representing this construction in his plane would take three squares to

represent the cube. Let us suppose that he takes the _ij_ axes in his

space and _k_ represents the axis running out of his space, fig. 68.

In each of the three squares shown here as drawn separately he could

select the points given by the rule, and he would then have to try to

discover the figure determined by the three lines drawn. The line from

210 to 120 is given in the figure, but the line from 201 to 102 or GK

is not given. He can determine GK by making another set of drawings and

discovering in them what the relation between these two extremities is.

[Illustration: Fig. 67.]

[Illustration: Fig. 68.]

[Illustration: Fig. 69.]

Let him draw the _i_ and _k_ axes in his plane, fig. 69. The _j_ axis

then runs out and he has the accompanying figure. In the first of these

three squares, fig. 69, he can pick out by the rule the two points

201, 102—G, and K. Here they occur in one plane and he can measure the

distance between them. In his first representation they occur at G and

K in separate figures.

Thus the plane being would find that the ends of each of the lines was

distant by the diagonal of a unit square from the corresponding end

of the last and he could then place the three lines in their right

relative position. Joining them he would have the figure of a hexagon.

[Illustration: Fig. 70.]

We may also notice that the plane being could make a representation of

the whole cube simultaneously. The three squares, shown in perspective

in fig. 70, all lie in one plane, and on these the plane being could

pick out any selection of points just as well as on three separate

squares. He would obtain a hexagon by joining the points marked. This

hexagon, as drawn, is of the right shape, but it would not be so if

actual squares were used instead of perspective, because the relation

between the separate squares as they lie in the plane figure is not

their real relation. The figure, however, as thus constructed, would

give him an idea of the correct figure, and he could determine it

accurately by remembering that distances in each square were correct,

but in passing from one square to another their distance in the third

dimension had to be taken into account.

Coming now to the figure made by selecting according to our rule from

the whole mass of points given by four axes and four positions in each,

we must first draw a catalogue figure in which the whole assemblage is

shown.

We can represent this assemblage of points by four solid figures. The

first giving all those positions which are at a distance O from our

space in the fourth dimension, the second showing all those that are at

a distance 1, and so on.

These figures will each be cubes. The first two are drawn showing the

front faces, the second two the rear faces. We will mark the points 0,

1, 2, 3, putting points at those distances along each of these axes,

and suppose all the points thus determined to be contained in solid

models of which our drawings in fig. 71 are representatives. Here we

notice that as on the plane 0_i_ meant the whole line from which the

distances in the _i_ direction was measured, and as in space 0_i_

means the whole plane from which distances in the _i_ direction are

measured, so now 0_h_ means the whole space in which the first cube

stands—measuring away from that space by a distance of one we come to

the second cube represented.

[Illustration: Fig. 71.]

Now selecting according to the rule every one of one kind with every

other of every other kind, we must take, for instance, 3_i_, 2_j_,

1_k_, 0_h_. This point is marked 3210 at the lower star in the figure.

It is 3 in the _i_ direction, 2 in the _j_ direction, 1 in the _k_

direction, 0 in the _h_ direction.

With 3_i_ we must also take 1_j_, 2_k_, 0_h_. This point is shown by

the second star in the cube 0_h_.

[Illustration: Fig. 72.]

In the first cube, since all the points are 0_h_ points, we can only

have varieties in which _i_, _j_, _k_, are accompanied by 3, 2, 1.

The points determined are marked off in the diagram fig. 72, and lines

are drawn joining the adjacent pairs in each figure, the lines being

dotted when they pass within the substance of the cube in the first two

diagrams.

Opposite each point, on one side or the other of each cube, is written

its name. It will be noticed that the figures are symmetrical right and

left; and right and left the first two numbers are simply interchanged.

Now this being our selection of points, what figure do they make when

all are put together in their proper relative positions?

To determine this we must find the distance between corresponding

corners of the separate hexagons.

[Illustration: Fig. 73.]

To do this let us keep the axes _i_, _j_, in our space, and draw _h_

instead of _k_, letting _k_ run out in the fourth dimension, fig. 73.

Here we have four cubes again, in the first of which all the points are

0_k_ points; that is, points at a distance zero in the _k_ direction

from the space of the three dimensions _ijh_. We have all the points

selected before, and some of the distances, which in the last diagram

led from figure to figure are shown here in the same figure, and so

capable of measurement. Take for instance the points 3120 to 3021,

which in the first diagram (fig. 72) lie in the first and second

figures. Their actual relation is shown in fig. 73 in the cube marked

2K, where the points in question are marked with a *. We see that the

distance in question is the diagonal of a unit square. In like manner

we find that the distance between corresponding points of any two

hexagonal figures is the diagonal of a unit square. The total figure

is now easily constructed. An idea of it may be gained by drawing all

the four cubes in the catalogue figure in one (fig. 74). These cubes

are exact repetitions of one another, so one drawing will serve as a

representation of the whole series, if we take care to remember where

we are, whether in a 0_h_, a 1_h_, a 2_h_, or a 3_h_ figure, when we

pick out the points required. Fig. 74 is a representation of all the

catalogue cubes put in one. For the sake of clearness the front faces

and the back faces of this cube are represented separately.

[Illustration: Fig. 74.]

The figure determined by the selected points is shown below.

In putting the sections together some of the outlines in them

disappear. The line TW for instance is not wanted.

We notice that PQTW and TWRS are each the half of a hexagon. Now QV and

VR lie in one straight line. Hence these two hexagons fit together,

forming one hexagon, and the line TW is only wanted when we consider a

section of the whole figure, we thus obtain the solid represented in

the lower part of fig. 74. Equal repetitions of this figure, called a

tetrakaidecagon, will fill up three-dimensional space.

To make the corresponding four-dimensional figure we have to take five

axes mutually at right angles with five points on each. A catalogue of

the positions determined in five-dimensional space can be found thus.

Take a cube with five points on each of its axes, the fifth point is

at a distance of four units of length from the first on any one of

the axes. And since the fourth dimension also stretches to a distance

of four we shall need to represent the successive sets of points at

distances 0, 1, 2, 3, 4, in the fourth dimensions, five cubes. Now

all of these extend to no distance at all in the fifth dimension. To

represent what lies in the fifth dimension we shall have to draw,

starting from each of our cubes, five similar cubes to represent the

four steps on in the fifth dimension. By this assemblage we get a

catalogue of all the points shown in fig. 75, in which _L_ represents

the fifth dimension.

[Illustration: Fig. 75.]

Now, as we saw before, there is nothing to prevent us from putting all

the cubes representing the different stages in the fourth dimension in

one figure, if we take note when we look at it, whether we consider

it as a 0_h_, a 1_h_, a 2_h_, etc., cube. Putting then the 0_h_, 1_h_,

2_h_, 3_h_, 4_h_ cubes of each row in one, we have five cubes with the

sides of each containing five positions, the first of these five cubes

represents the 0_l_ points, and has in it the _i_ points from 0 to 4,

the _j_ points from 0 to 4, the _k_ points from 0 to 4, while we have

to specify with regard to any selection we make from it, whether we

regard it as a 0_h_, a 1_h_, a 2_h_, a 3_h_, or a 4_h_ figure. In fig.

76 each cube is represented by two drawings, one of the front part, the

other of the rear part.

Let then our five cubes be arranged before us and our selection be made

according to the rule. Take the first figure in which all points are

0_l_ points. We cannot have 0 with any other letter. Then, keeping in

the first figure, which is that of the 0_l_ positions, take first of

all that selection which always contains 1_h_. We suppose, therefore,

that the cube is a 1_h_ cube, and in it we take _i_, _j_, _k_ in

combination with 4, 3, 2 according to the rule.

The figure we obtain is a hexagon, as shown, the one in front. The

points on the right hand have the same figures as those on the left,

with the first two numerals interchanged. Next keeping still to the

0_l_ figure let us suppose that the cube before us represents a section

at a distance of 2 in the _h_ direction. Let all the points in it be

considered as 2_h_ points. We then have a 0_l_, 2_h_ region, and have

the sets _ijk_ and 431 left over. We must then pick out in accordance

with our rule all such points as 4_i_, 3_j_, 1_k_.

These are shown in the figure and we find that we can draw them without

confusion, forming the second hexagon from the front. Going on in this

way it will be seen that in each of the five figures a set of hexagons

is picked out, which put together form a three-space figure something

like the tetrakaidecagon.

[Illustration: Fig. 76.]

These separate figures are the successive stages in which the whole

four-dimensional figure in which they cohere can be apprehended.

The first figure and the last are tetrakaidecagons. These are two

of the solid boundaries of the figure. The other solid boundaries

can be traced easily. Some of them are complete from one face in the

figure to the corresponding face in the next, as for instance the

solid which extends from the hexagonal base of the first figure to the

equal hexagonal base of the second figure. This kind of boundary is a

hexagonal prism. The hexagonal prism also occurs in another sectional

series, as for instance, in the square at the bottom of the first

figure, the oblong at the base of the second and the square at the base

of the third figure.

Other solid boundaries can be traced through four of the five sectional

figures. Thus taking the hexagon at the top of the first figure we

find in the next a hexagon also, of which some alternate sides are

elongated. The top of the third figure is also a hexagon with the other

set of alternate rules elongated, and finally we come in the fourth

figure to a regular hexagon.

These four sections are the sections of a tetrakaidecagon as can

be recognised from the sections of this figure which we have had

previously. Hence the boundaries are of two kinds, hexagonal prisms and

tetrakaidecagons.

These four-dimensional figures exactly fill four-dimensional space by

equal repetitions of themselves.

The Fourth Dimension · 第 10 / 14 章