CHAPTER I

Transcriber’s Notes

Obvious typographical errors have been silently corrected. All other

spelling and punctuation remains unchanged.

Italics are represented thus _italic_, bold thus =bold= and

superscripts thus y^{en}.

It should be noted that much of the text is a discussion centred on the

many illustrations which have not been included.

THE FOURTH DIMENSION

SOME OPINIONS OF THE PRESS

“_Mr. C. H. Hinton discusses the subject of the higher dimensionality

of space, his aim being to avoid mathematical subtleties and

technicalities, and thus enable his argument to be followed by readers

who are not sufficiently conversant with mathematics to follow these

processes of reasoning._”—NOTTS GUARDIAN.

“_The fourth dimension is a subject which has had a great fascination

for many teachers, and though one cannot pretend to have quite grasped

Mr. Hinton’s conceptions and arguments, yet it must be admitted that

he reveals the elusive idea in quite a fascinating light. Quite

apart from the main thesis of the book many chapters are of great

independent interest. Altogether an interesting, clever and ingenious

book._”—DUNDEE COURIER.

“_The book will well repay the study of men who like to exercise their

wits upon the problems of abstract thought._”—SCOTSMAN.

“_Professor Hinton has done well to attempt a treatise of moderate

size, which shall at once be clear in method and free from

technicalities of the schools._”—PALL MALL GAZETTE.

“_A very interesting book he has made of it._”—PUBLISHERS’ CIRCULAR.

“_Mr. Hinton tries to explain the theory of the fourth dimension so

that the ordinary reasoning mind can get a grasp of what metaphysical

mathematicians mean by it. If he is not altogether successful it is not

from want of clearness on his part, but because the whole theory comes

as such an absolute shock to all one’s preconceived ideas._”—BRISTOL

TIMES.

“_Mr. Hinton’s enthusiasm is only the result of an exhaustive study,

which has enabled him to set his subject before the reader with far

more than the amount of lucidity to which it is accustomed._”—PALL MALL

GAZETTE.

“_The book throughout is a very solid piece of reasoning in the domain

of higher mathematics._”—GLASGOW HERALD.

“_Those who wish to grasp the meaning of this somewhat difficult

subject would do well to read_ The Fourth Dimension. _No mathematical

knowledge is demanded of the reader, and any one, who is not afraid of

a little hard thinking, should be able to follow the argument._”—LIGHT.

“_A splendidly clear re-statement of the old problem of the fourth

dimension. All who are interested in this subject will find the

work not only fascinating, but lucid, it being written in a style

easily understandable. The illustrations make still more clear

the letterpress, and the whole is most admirably adapted to the

requirements of the novice or the student._”—TWO WORLDS.

“_Those in search of mental gymnastics will find abundance of exercise

in Mr. C. H. Hinton’s_ Fourth Dimension.”—WESTMINSTER REVIEW.

FIRST EDITION, _April 1904_; SECOND EDITION, _May 1906_.

Views of the Tessaract.

No. 1. No. 2. No. 3.

No. 4. No. 5. No. 6.

No. 7. No. 8. No. 9.

No. 10. No. 11. No. 12.

THE

FOURTH DIMENSION

BY

C. HOWARD HINTON, M.A.

AUTHOR OF “SCIENTIFIC ROMANCES”

“A NEW ERA OF THOUGHT,” ETC., ETC.

[Illustration: Colophon]

LONDON

SWAN SONNENSCHEIN & CO., LIMITED

25 HIGH STREET, BLOOMSBURY

1906

PRINTED BY

HAZELL, WATSON AND VINEY, LD.,

LONDON AND AYLESBURY.

PREFACE

I have endeavoured to present the subject of the higher dimensionality

of space in a clear manner, devoid of mathematical subtleties and

technicalities. In order to engage the interest of the reader, I have

in the earlier chapters dwelt on the perspective the hypothesis of a

fourth dimension opens, and have treated of the many connections there

are between this hypothesis and the ordinary topics of our thoughts.

A lack of mathematical knowledge will prove of no disadvantage to the

reader, for I have used no mathematical processes of reasoning. I have

taken the view that the space which we ordinarily think of, the space

of real things (which I would call permeable matter), is different from

the space treated of by mathematics. Mathematics will tell us a great

deal about space, just as the atomic theory will tell us a great deal

about the chemical combinations of bodies. But after all, a theory is

not precisely equivalent to the subject with regard to which it is

held. There is an opening, therefore, from the side of our ordinary

space perceptions for a simple, altogether rational, mechanical, and

observational way of treating this subject of higher space, and of

this opportunity I have availed myself.

The details introduced in the earlier chapters, especially in

Chapters VIII., IX., X., may perhaps be found wearisome. They are of

no essential importance in the main line of argument, and if left

till Chapters XI. and XII. have been read, will be found to afford

interesting and obvious illustrations of the properties discussed in

the later chapters.

My thanks are due to the friends who have assisted me in designing and

preparing the modifications of my previous models, and in no small

degree to the publisher of this volume, Mr. Sonnenschein, to whose

unique appreciation of the line of thought of this, as of my former

essays, their publication is owing. By the provision of a coloured

plate, in addition to the other illustrations, he has added greatly to

the convenience of the reader.

C. HOWARD HINTON.

CONTENTS

CHAP. PAGE

I. FOUR-DIMENSIONAL SPACE 1

II. THE ANALOGY OF A PLANE WORLD 6

III. THE SIGNIFICANCE OF A FOUR-DIMENSIONAL

EXISTENCE 15

IV. THE FIRST CHAPTER IN THE HISTORY OF FOUR

SPACE 23

V. THE SECOND CHAPTER IN THE HISTORY OF

FOUR SPACE 41

Lobatchewsky, Bolyai, and Gauss

Metageometry

VI. THE HIGHER WORLD 61

VII. THE EVIDENCE FOR A FOURTH DIMENSION 76

VIII. THE USE OF FOUR DIMENSIONS IN THOUGHT 85

IX. APPLICATION TO KANT’S THEORY OF EXPERIENCE 107

X. A FOUR-DIMENSIONAL FIGURE 122

XI. NOMENCLATURE AND ANALOGIES 136

XII. THE SIMPLEST FOUR-DIMENSIONAL SOLID 157

XIII. REMARKS ON THE FIGURES 178

XIV. A RECAPITULATION AND EXTENSION OF THE

PHYSICAL ARGUMENT 203

APPENDIX I.—THE MODELS 231

" II.—A LANGUAGE OF SPACE 248

THE FOURTH DIMENSION

CHAPTER I

FOUR-DIMENSIONAL SPACE

There is nothing more indefinite, and at the same time more real, than

that which we indicate when we speak of the “higher.” In our social

life we see it evidenced in a greater complexity of relations. But this

complexity is not all. There is, at the same time, a contact with, an

apprehension of, something more fundamental, more real.

With the greater development of man there comes a consciousness of

something more than all the forms in which it shows itself. There is

a readiness to give up all the visible and tangible for the sake of

those principles and values of which the visible and tangible are the

representation. The physical life of civilised man and of a mere savage

are practically the same, but the civilised man has discovered a depth

in his existence, which makes him feel that that which appears all to

the savage is a mere externality and appurtenage to his true being.

Now, this higher—how shall we apprehend it? It is generally embraced

by our religious faculties, by our idealising tendency. But the higher

existence has two sides. It has a being as well as qualities. And in

trying to realise it through our emotions we are always taking the

subjective view. Our attention is always fixed on what we feel, what

we think. Is there any way of apprehending the higher after the purely

objective method of a natural science? I think that there is.

Plato, in a wonderful allegory, speaks of some men living in such a

condition that they were practically reduced to be the denizens of

a shadow world. They were chained, and perceived but the shadows of

themselves and all real objects projected on a wall, towards which

their faces were turned. All movements to them were but movements

on the surface, all shapes but the shapes of outlines with no

substantiality.

Plato uses this illustration to portray the relation between true

being and the illusions of the sense world. He says that just as a man

liberated from his chains could learn and discover that the world was

solid and real, and could go back and tell his bound companions of this

greater higher reality, so the philosopher who has been liberated, who

has gone into the thought of the ideal world, into the world of ideas

greater and more real than the things of sense, can come and tell his

fellow men of that which is more true than the visible sun—more noble

than Athens, the visible state.

Now, I take Plato’s suggestion; but literally, not metaphorically.

He imagines a world which is lower than this world, in that shadow

figures and shadow motions are its constituents; and to it he contrasts

the real world. As the real world is to this shadow world, so is the

higher world to our world. I accept his analogy. As our world in three

dimensions is to a shadow or plane world, so is the higher world to our

three-dimensional world. That is, the higher world is four-dimensional;

the higher being is, so far as its existence is concerned apart from

its qualities, to be sought through the conception of an actual

existence spatially higher than that which we realise with our senses.

Here you will observe I necessarily leave out all that gives its

charm and interest to Plato’s writings. All those conceptions of the

beautiful and good which live immortally in his pages.

All that I keep from his great storehouse of wealth is this one thing

simply—a world spatially higher than this world, a world which can only

be approached through the stocks and stones of it, a world which must

be apprehended laboriously, patiently, through the material things of

it, the shapes, the movements, the figures of it.

We must learn to realise the shapes of objects in this world of the

higher man; we must become familiar with the movements that objects

make in his world, so that we can learn something about his daily

experience, his thoughts of material objects, his machinery.

The means for the prosecution of this enquiry are given in the

conception of space itself.

It often happens that that which we consider to be unique and unrelated

gives us, within itself, those relations by means of which we are able

to see it as related to others, determining and determined by them.

Thus, on the earth is given that phenomenon of weight by means of which

Newton brought the earth into its true relation to the sun and other

planets. Our terrestrial globe was determined in regard to other bodies

of the solar system by means of a relation which subsisted on the earth

itself.

And so space itself bears within it relations of which we can

determine it as related to other space. For within space are given the

conceptions of point and line, line and plane, which really involve the

relation of space to a higher space.

Where one segment of a straight line leaves off and another begins is

a point, and the straight line itself can be generated by the motion of

the point.

One portion of a plane is bounded from another by a straight line, and

the plane itself can be generated by the straight line moving in a

direction not contained in itself.

Again, two portions of solid space are limited with regard to each

other by a plane; and the plane, moving in a direction not contained in

itself, can generate solid space.

Thus, going on, we may say that space is that which limits two portions

of higher space from each other, and that our space will generate the

higher space by moving in a direction not contained in itself.

Another indication of the nature of four-dimensional space can be

gained by considering the problem of the arrangement of objects.

If I have a number of swords of varying degrees of brightness, I can

represent them in respect of this quality by points arranged along a

straight line.

If I place a sword at A, fig. 1, and regard it as having a certain

brightness, then the other swords can be arranged in a series along the

line, as at A, B, C, etc., according to their degrees of brightness.

[Illustration: Fig. 1.]

If now I take account of another quality, say length, they can be

arranged in a plane. Starting from A, B, C, I can find points to

represent different degrees of length along such lines as AF, BD, CE,

drawn from A and B and C. Points on these lines represent different

degrees of length with the same degree of brightness. Thus the whole

plane is occupied by points representing all conceivable varieties of

brightness and length.

[Illustration: Fig. 2.]

Bringing in a third quality, say sharpness, I can draw, as in fig. 3,

any number of upright lines. Let distances along these upright lines

represent degrees of sharpness, thus the points F and G will represent

swords of certain definite degrees of the three qualities mentioned,

and the whole of space will serve to represent all conceivable degrees

of these three qualities.

[Illustration: Fig. 3.]

If now I bring in a fourth quality, such as weight, and try to find a

means of representing it as I did the other three qualities, I find

a difficulty. Every point in space is taken up by some conceivable

combination of the three qualities already taken.

To represent four qualities in the same way as that in which I have

represented three, I should need another dimension of space.

Thus we may indicate the nature of four-dimensional space by saying

that it is a kind of space which would give positions representative

of four qualities, as three-dimensional space gives positions

representative of three qualities.

The Fourth Dimension · 第 1 / 14 章