CHAPTER I.

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The Complete Works of F. Marion Crawford

TO LEEWARD

by

F. MARION CRAWFORD

With Frontispiece

P. F. Collier & Son

New York

Copyright 1883 And 1892

By F. Marion Crawford

All Rights Reserved

TO

My Uncle

SAMUEL WARD

OF NEW YORK

THIS NOVEL IS AFFECTIONATELY DEDICATED

[Illustration: THE LAST RAYS OF THE SUN SHONE HORIZONTALLY ACROSS THE

TERRACE.]

TO LEEWARD.

CHAPTER I.

There are two Romes. There is the Rome of the intelligent foreigner,

consisting of excavations, monuments, tramways, hotels, typhoid fever,

incense, and wax candles; and there is the Rome within, a city of

antique customs, good and bad, a town full of aristocratic prejudices,

of intrigues, of religion, of old-fashioned honour and new-fashioned

scandal, of happiness and unhappiness, of just people and unjust.

Besides all this, there is a very modern court and a government of the

future, which may almost be said to make up together a third city.

Moreover, these several coexistent cities, and their corresponding

inhabitants, are subdivided to an infinity of gradations, in order to

contain all and make room for all. The foreigner who hunts excavations

does not cross the path of the foreigner who sniffs after incense, any

more than the primeval aristocrat sits down to dinner with the

representative of fashionable scandal; any more than the just man would

ever allow the unjust to be introduced to him. They all enjoy so

thoroughly the freedom to ignore each other that they would not for

worlds endanger the safety of the barrier that separates them. Of

course, as they all say, this state of things cannot last. There must

ultimately be an amalgamation, a deluge, a unity, fraternity and

equality; a state of things in which we shall say, "Sois mon frère, ou

je te tue,"--a future glorious, disgusting, or dull, according as you

look at it. But, meanwhile, it is all very charming, and there is plenty

for every one to enjoy, and an abundance for every one to abuse.

When Marcantonio Carantoni saw his sister married to a Frenchman, he was

exceedingly glad that she had not married an Englishman, a Turk, a Jew,

or an infidel. The Vicomte de Charleroi was, and is, a gentleman; rather

easy-going, perhaps, and inclined to look upon republics in general, and

the French republic in particular, with the lenient eye of the man who

owns land and desires peace first--and a monarchy afterwards, whenever

convenient. But in these days it is not altogether worthy of blame that

a man should look after his worldly interests and goods; for how else

can the aristocracy expect to make any headway against the stream of

grimy bourgeois, who sell everything at a profit, while the nobles buy

everything at a loss? So Marcantonio is satisfied with his

brother-in-law, and just now is particularly delighted because Charleroi

has got himself appointed to a post in Rome; and he goes to see his

sister every day, for he is very fond of her.

In truth, it is not surprising that Marcantonio should like his sister,

for she is a very charming woman. She is beautiful, too, in a grand way,

with her auburn hair, and grey eyes, and fair skin; but no one can help

feeling that she might be quite as beautiful, and yet be anything but

charming; so many beautiful people are vain, or shy, or utterly idiotic.

Madame de Charleroi is something of a paragon, and has as many enemies

as most paragons have, but they can find nothing to feed their envy. She

was very unhappy years ago, but time has closed the wounds, or has

hidden them from sight, and her dearest friends can only say that she

was cold and showed very little heart. When the world says that a woman

is a piece of ice, you may generally be sure that she is both beautiful

and good, so that it can find nothing worse to say. Marcantonio

Carantoni's sister is a paragon, and there are only two things to be

said against her,--she did not marry Charleroi for love, and she has not

done half the things in the world that she might have done.

On the January afternoon which marks the opening of this story, the

brother and sister sat together in a small boudoir in the Carantoni

palace; there was room for all in the great house, and as Marcantonio

was not married, it was natural that his sister and her husband, with

their children, governesses, servants, and horses should occupy the

untenanted part of the ancestral mansion. Up in the second story there

is a room such as you would not expect to find within those grey and

ancient walls, where the lower windows are heavily grated, and huge

stone coats of arms frown forbiddingly from above. It is a room all sun

and flowers and modern furniture, though not of the more hideous type of

newness,--modern in the sense of comfortable, well padded and well

aired. The afternoon sun was pouring in through the closed windows, and

there was a small wood fire in the narrow fireplace. The Vicomtesse de

Charleroi sat warming her toes, and her brother was rolling a cigarette

as he looked at her. A short silence had succeeded a somewhat animated

discussion. She looked at the fire, and he looked at her.

"My dear Diana," said Marcantonio at last, rising to get himself a

match, "what in the world can you have against her? We are not Hindoos,

you know, to talk about caste in these days; and even if that were the

objection, she comes of very proper people, I am sure, though they are

foreigners."

Madame moved her feet impatiently.

"Oh, you know it is not that!" she said petulantly. "As if I had not

married a foreigner myself! But then, if you had felt about it as I feel

about this, I would have thought twice"--

"Have I not thought twice--and three times?"

"Of course, yes--while your head is hot with this fancy. Yes, you have

probably thought a hundred times, at least, this very day. Listen to me,

my dear boy, and do what I tell you. Go away to Paris, or London, or

Vienna, for a fortnight, and then come back and tell me what you think

about it. Will you not do that--to please me?"

"But why?" objected Marcantonio, looking very uncomfortable, for he

hated to refuse his sister anything. "Seriously, why should I not marry

her? Is there anything against her? If there is, tell me."

Donna Diana rose rather wearily and went to the window.

"I wish you would abandon the whole idea," she said. "I am quite sure

you will repent when it is too late. I do not believe in these young

girls who occupy themselves with philosophy and the good of the human

race. Politics--well, we all have a finger in politics; but this

dreadful progressive thought--it is turning the world upside down."

"Oh--it is the philosophy that you do not like about her? Well, my dear

sister, that is exactly what I think so interesting. This young English

Hypatia"--

"Hypatia, indeed!" cried Donna Diana rather scornfully.

"Yes. Is she not learned?"

"Perhaps."

"And beautiful?"

"No,--certainly not. She is simply a little pretty."

Marcantonio shrugged his shoulders.

"Of course," he said, "you will not allow it." His sister looked round

quickly.

"That is rude," she said. In a moment her brother was by her side.

"Forgive me, Diana mia; you know I did not mean it. But you see I think

she is beautiful, and that is everything, after all."

"Yes," answered she, "I suppose it is everything, now. But philosophy is

not everything. Put her out of your head, dear boy, and do not say any

more rude things."

Marcantonio had the power to avoid being rude, but he was not able to

follow the other piece of advice. He could not put her out of his head.

On the contrary, he went out and shut himself up in his own rooms and

thought of her for a whole hour.

He was not at all like his sister in appearance, though he resembled her

somewhat in character. He was of middle height, sparely built, dark of

skin, and aquiline of feature; neither handsome nor ugly, but very

decidedly refined,--gentle of speech and kind of face. Without any more

vanity than most people, he was yet always a little more carefully

dressed than other men, and consequently passed for a dandy. Altogether,

he was a pleasant person to look at, but not especially remarkable at

first sight.

As regards his position, he bore an ancient name, dignified with the

title of marquis; he was an only son, and his parents were dead; he

owned the fine old palace in Rome and a good deal of land elsewhere; he

never gambled, and was generally considered to be rich, as fortunes go

in modern Italy. Of course, he was a good match, and many were the hints

he received, from time to time, to the effect that he would be very

acceptable as a son-in-law. Nevertheless he was not married, and he did

not particularly care for the society of women. In truth, women did not

find him very amenable, for he would not marry, and could not play

adoration well enough to please them. So they left him alone. Grave old

gentlemen nodded approvingly when they spoke of him, and his uncle the

cardinal regarded him as one of the mainstays of the clerical party. As

a matter of fact, he did not aspire to anything of the kind, and was

merely a very honest young nobleman of good education, who had not made

for himself any interest in life, but who nevertheless found life very

agreeable. Possessing many good qualities, he yet knew very well that he

had never been put to the test, nor required to show much strength of

character; and he did not wish to be put into any such position. His

sister was very fond of him, but she sometimes caught herself wishing he

would do something a little out of the everlasting common round of

social respectability. He was twenty-nine years old, and she was a year

younger.

Of late, however, it had become apparent that Marcantonio, Marchese

Carantoni, had not only found an interest in life, but had also

discovered in himself the strength of will necessary to its

prosecution. The dull regularity of his existence was shaken to its

foundations, and out of the vast social sea a figure had risen which was

destined to destroy the old order of things with him, and to create a

new one. There was no doubt about it; not so much because he himself

said so, as because his whole manner and being proclaimed the fact. He

was seriously in love. Worse than that, he was in love with a lady of

whom his sister did not approve, and he evidently meant to marry,

whether she liked it or not.

He was seriously in love; and, indeed, love ought always to be a serious

thing, or else it should be called by another name. There is a great

deal of very poor nonsense talked and written about love by persons only

vicariously acquainted with it; and it is a great pity, because there is

absolutely no subject so permanently interesting to humanity as love,

whether in life or in fiction. And there is no subject which deserves

more tenderness and delicacy, or which requires more strength in the

handling.

The relation of brother and sister is unlike any other. It represents

the only possible absolutely permanent and platonic affection between

young men and young women. Its foundation is in identity of blood

instead of in the spontaneous sympathy of the heart, and even when

brother and sister quarrel they understand each other. Lovers frequently

do not understand each other when they are on the best of terms, and

the small difference of opinion grows by that misunderstanding until it

makes an impassable gulf. Brothers and sisters may be estranged,

separated, divided by family quarrels or by the bloody exigencies of

civil war, but if once they are thrown together again the mysterious

attraction of consanguinity shows itself, and their life begins again

where it had been broken off by untoward fate.

Madame de Charleroi was inclined to be angry with Marcantonio, and when

he was gone she sat by the fire, wondering what he would be like when he

should be married. Somehow she had never thought of him as married,

certainly not as married to a pernicious young English girl, with all

sorts of queer ideas in her brain, and a tendency to sympathise with the

dynamite party. He might surely have chosen better than that. Donna

Diana was not a woman of narrow prejudices, but she really could not be

expected to be pleased at seeing her brother, a Catholic gentleman, bent

on uniting himself to a foreign girl with no fortune, no beauty--well,

not much--and a taste for explosives. He might surely have chosen

better.

Donna Diana thought of her father, and fancied what he would have said

to such a match, the strict old nobleman. And so, between her thoughts

and her memories the afternoon wore on, and she bethought herself that

it was time to go out.

The horses spun along the streets through the crisp golden air, and now

and then a ray of the lowering sun caught them as they dashed through

some open place on the way, making them look like burnished metal. And

the light touched Madame de Charleroi's beautiful face and auburn hair,

so that the people stood still to look at her as she passed,--for every

Roman knew Donna Diana Carantoni by sight, just as every Roman knows

every other Roman, man, woman and child, distinguishing lovingly between

the Romans of Rome and the Romans of the north. By and by the carriage

rolled through the iron gates of the Pincio, and along the drive to the

open terrace where the band plays, till it stood still behind the row of

stone posts, within hearing of the music. The place has been absolutely

described to death, and everybody knows exactly how it looks. There are

flowers, and a band-stand, and babies, and a view of St. Peter's.

The first person Donna Diana saw was her brother, standing

disconsolately by one of the short pillars and looking at each carriage

as it drove up. He was evidently waiting for some one who did not come.

His black moustache drooped sadly, and his face was so melancholy that

his sister smiled as she watched him.

Marcantonio was soon aware of her presence, but he had no intention of

showing it, and studiously kept his head turned towards the drive,

watching the line of carriages. Madame de Charleroi was quickly

surrounded by a crowd of men, all dressed precisely alike, and all

anxious to say something that might attract the attention of the famous

beauty. Presently they bored her, and her carriage moved on; whereupon

they pulled their hats off and began to chatter scandal amongst

themselves, after the manner of their kind. They nodded to Marcantonio

as they passed him in a body, and he was left alone. The sun was

setting, and there was a purple light over the flats behind the Vatican,

recently flooded by a rise in the Tiber. There was no longer any object

in waiting, and the young man sauntered slowly down the steps and the

steep drive to the Piazza del Popolo, and entered the Corso.

To tell the truth, he was disappointed, bored, annoyed, and angry, all

at once. He had fully expected to see her, and to find consolation in

some sweet words for the hard things his sister had said to him. Perhaps

also he had enjoyed the prospect of exhibiting himself to his sister in

the society of the lady in question,--for Marcantonio was obstinate, and

had just discovered the fact, so that he was anxious to show it. Men who

are new in fighting are sure to press every advantage, not having yet

learned their strength; but in the course of time they become more

generous. Marcantonio was therefore grievously chagrined at being

cheated of his small demonstration of independence, besides being a

little wounded in his pride, and honestly disappointed at not meeting

the young lady he meant to marry. In this state of mind he strolled down

the Corso, looked up at her windows, passed and repassed before the

house, and ultimately inquired of the confidential porter, who knew him,

whether she were at home. The porter said he had not seen the signorina,

but that one of the servants had told him she was indisposed. The

marchese bit his black moustache and went away in a sad mood.

To Leeward · 第 1 / 24 章