SEVENTY-FIRST CHAPTER

Within, two hours of Martin's departure I had regained complete

possession of myself and was feeling more happy than I had ever felt

before.

The tormenting compunctions of the past months were gone. It was just as

if I had obeyed some higher law of my being and had become a freer and

purer woman.

My heart leapt within me and to give free rein to the riot of my joy I

put on my hat and cloak to go into the glen.

Crossing the garden I came upon Tommy the Mate, who told me there had

been a terrific thunderstorm during the night, with torrential rain,

which had torn up all the foreign plants in his flower-beds.

"It will do good, though," said the old man. "Clane out some of their

dirty ould drains, I'm thinkin'."

Then he spoke of Martin, whom he had seen off, saying he would surely

come back.

"'Deed he will though. A boy like yander wasn't born to lave his bark in

the ice and snow . . . Not if his anchor's at home, anyway"--with a

"glime" in my direction.

How the glen sang to me that morning! The great cathedral of nature

seemed to ring with music--the rustling of the leaves overhead, the

ticking of the insects underfoot, the bleating of the sheep, the lowing

of the cattle, the light chanting of the stream, the deep organ-song of

the sea, and then the swelling and soaring Gloria in my own bosom, which

shot up out of my heart like a lark out of the grass in the morning.

I wanted to run, I wanted to shout, and when I came to the paths where

Martin and I had walked together I wanted--silly as it sounds to say

so--to go down on my knees and kiss the very turf which his feet had

trod.

I took lunch in the boudoir as before, but I did not feel as if I were

alone, for I had only to close my eyes and Martin, from the other side

of the table, seemed to be looking across at me. And neither did I feel

that the room was full of dead laughter, for our living voices seemed to

be ringing in it still.

After tea I read again my only love-letter, revelling in the dear

delightful errors in spelling which made it Martin's and nobody else's,

and then I observed for the first time what was said about "the boys of

Blackwater," and their intention of "getting up a spree."

This suggested that perhaps Martin had not yet left the island but was

remaining for the evening steamer, in order to be present at some sort

of celebrations to be given in his honour.

So at seven o'clock--it was dark by that time--I was down at the Quay,

sitting in our covered automobile, which had been drawn up in a

sheltered and hidden part of the pier, almost opposite the outgoing

steamer.

Shall I ever forget the scene that followed?

First, came a band of music playing one of our native songs, which was

about a lamb that had been lost in the snow, and how the Big Man of the

Farm went out in search of it, and found it and brought it home in his

arms.

Then came a double row of young men carrying flags and banners--fine,

clean-limbed lads such as make a woman's heart leap to look at them.

Then came Martin in a jaunting car with a cheering crowd alongside of

him, trying to look cheerful but finding it fearfully hard to do so.

And then--and this touched me most of all--a double line of girls in

knitted woollen caps (such as men wear in frozen regions) over their

heads and down the sides of their comely faces.

I was crying like a child at the sight of it all, but none the less I

was supremely happy.

When the procession reached the gangway Martin disappeared into the

steamer, and then the bandsmen ranged themselves in front of it, and

struck up another song:

"_Come back to Erin, mavourneen, mavourneen,

Come back, aroon, to the land of your birth_."

In another moment every voice in the crowd seemed to take up the

refrain.

That brought Martin on to the captain's bridge, where he stood

bareheaded, struggling to smile.

By this time the last of the ship's bells had rung, the funnels were

belching, and the captain's voice was calling on the piermen to clear

away.

At last the hawsers were thrown off and the steamer started, but, with

Martin still standing bareheaded on the bridge, the people rushed to the

end of the pier to see the last of him.

There they sang again, louder than ever, the girls' clear voices above

all the rest, as the ship sailed out into the dark sea.

_"Come back to Erin, mavourneen, mavourneen,

Come back, aroon, to the land of your birth."_

As well as I could, for the mist in my eyes was blinding me, I watched

the steamer until she slid behind the headland of the bay, round, the

revolving light that stands on the point of it--stretching my neck

through the window of the car, while the fresh wind from the sea smote

my hot face and the salt air licked my parched lips. And then I fell

back in my seat and cried for sheer joy of the love that was shown to

Martin.

The crowd was returning down the pier by this time, like a black river

running in the darkness and rumbling over rugged stones, and I heard

their voices as they passed the car.

One voice--a female voice--said:

"Well, what do you think of _our_ Martin Conrad?"

And then another voice--a male voice--answered:

"By God he's a Man!"

Within a few minutes the pier was deserted, and the chauffeur was

saying:

"Home, my lady?"

"Home," I answered.

Seeing Martin off had been too much like watching the lifeboat on a dark

and stormy night, when the lights dip behind a monstrous wave and for

some breathless moments you fear they will never rise.

But as we drove up the head I caught the lights of the steamer again now

far out at sea, and well I knew that as surely as my Martin was there he

was thinking of me and looking back towards the house in which he had

left me behind him.

When we reached the Castle I found to my surprise that every window was

ablaze.

The thrum of the automobile brought Price into the hall. She told me

that the yachting party had come back, and were now in their bedrooms

dressing for dinner.

As I went upstairs to my own apartments I heard trills of laughter from

behind several of the closed doors, mingled with the muffled humming of

various music-hall ditties.

And then suddenly a new spirit seemed to take possession of me, and I

knew that I had become another woman.

The Woman Thou Gavest Me; Being the Story of Mary O'Neill · 第 163 / 284 题