FOOTNOTE:

[1] In practice this means every one receiving such a patent,

commission or appointment.

ESQUIROL, JEAN ETIENNE DOMINIQUE (1772-1840), French alienist, was born

at Toulouse on the 3rd of February 1772. In 1794 he became a pupil of

the military hospital of Narbonne, and subsequently studied in Paris at

the Salpetriere under P. Pinel, whose assistant he became. In 1811 he

was chosen physician to the Salpetriere, and in 1817 he began a course

of lectures on the treatment of the insane, in which he made such

revelations of the abuses existing in the lunatic asylums of France that

the government appointed a commission to inquire into the subject.

Esquirol in this and other ways greatly assisted Pinel's efforts for the

introduction of humaner methods. The asylums of Rouen, Nantes and

Montpellier were built in accordance with his plans. In 1823 he became

inspector-general of the university of Paris for the faculties of

medicine, and in 1826 chief physician of the asylum at Charenton. He

died at Paris on the 13th of December 1840. Besides contributing to the

_Dictionnaire des sciences medicales_ and the _Encyclopedie des gens du

monde_, Esquirol wrote _Des maladies mentales, considerees sous les

rapports medical, hygienique, et medico-legal_ (2 vols., Paris, 1838).

ESQUIROS, HENRI FRANCOIS ALPHONSE (1812-1876), French writer, was born

in Paris on the 23rd of May 1812. After some minor publications he

produced _L'Evangile du peuple_ (1840), an exposition of the life and

character of Jesus as a social reformer. This work was considered an

offence against religion and decency, and Esquiros was fined and

imprisoned. He was elected in 1850 as a social democrat to the

Legislative Assembly, but was exiled in 1851 for his opposition to the

Empire. Returning to France in 1869 he was again a member of the

Legislative Assembly, and in 1876 was elected to the senate. He died at

Versailles on the 12th of May 1876. He turned to account his residence

in England in _L'Angleterre et la vie anglaise_ (5 vols., 1859-1869).

Among his numerous works on social subjects may be noted:--_Histoire des

Montagnards_ (2 vols., 1847); _Paris, ou les sciences, les institutions

et les moeurs au XIX^e siecle_ (2 vols., 1847); and _Histoire des

martyrs de la liberte_ (1851).

ESS, JOHANN HEINRICH VAN (1772-1847), German Catholic theologian, was

born at Warburg, Westphalia, on the 15th of February 1772. He was

educated at the Dominican gymnasium of his native town, and in 1790

entered, as a novice, the Benedictine abbey of Marienmunster, in the

bishopric of Paderborn. His Benedictine name was Leander. He was priest

at Schwalenberg from 1799 to 1812, after which he became extraordinary

professor of theology and joint-director of the teachers' seminary at

Marburg. In 1818 he received the doctorate of theology and of canonical

law. In 1807, in conjunction with his cousin Karl van Ess, he had

published a German translation of the New Testament, and, as its

circulation was discountenanced by his superiors, he published in 1808 a

defence of his views, entitled _Auszuge aus den heiligen Vatern und

anderen Lehrern der katholischen Kirche uber das nothwendige und

nutzliche Bibellesen_. An improved edition of this tractate was

published in 1816, under the title _Gedanken uber Bibel und Bibellehre_,

and in the same year appeared _Was war die Bibel den ersten Christen?_

In 1822 he published the first part of a German translation of the Old

Testament, which was completed in 1836. In 1822 he resigned his offices

at Marburg in order to devote his whole time to the defence of his views

regarding Bible reading by the people, and to endeavour to promote the

circulation of the scriptures. He was associated first with the Catholic

Bible Society of Regensburg, and then with the British and Foreign Bible

Society. He died at Affolderbach in the Odenwald on the 13th of October

1847.

ESSAY, ESSAYIST (Fr. _essai_, Late Lat. _exagium_, a weighing or

balance; _exigere_, to examine; the term in general meaning any trial or

effort). As a form of literature, the essay is a composition of moderate

length, usually in prose, which deals in an easy, cursory way with the

external conditions of a subject, and, in strictness, with that subject,

only as it affects the writer. Dr Johnson, himself an eminent essayist,

defines an essay as "an irregular, undigested piece"; the irregularity

may perhaps be admitted, but want of thought, that is to say lack of

proper mental digestion, is certainly not characteristic of a fine

example. It should, on the contrary, always be the brief and light

result of experience and profound meditation, while "undigested" is the

last epithet to be applied to the essays of Montaigne, Addison or Lamb.

Bacon said that the Epistles of Seneca were "essays," but this can

hardly be allowed. Bacon himself goes on to admit that "the word is

late, though the thing is ancient." The word, in fact, was invented for

this species of writing by Montaigne, who merely meant that these were

experiments in a new kind of literature. This original meaning, namely

that these pieces were attempts or endeavours, feeling their way towards

the expression of what would need a far wider space to exhaust, was lost

in England in the course of the eighteenth century. This is seen by the

various attempts made in the nineteenth century to coin a word which

should express a still smaller work, as distinctive in comparison with

the essay as the essay is by the side of the monograph; none of these

linguistic experiments, such as _essayette_, _essaykin_ (Thackeray) and

_essaylet_ (Helps) have taken hold of the language. As a matter of fact,

the journalistic word _article_ covers the lesser form of essay,

although not exhaustively, since the essays in the monthly and quarterly

reviews, which are fully as extended as an essay should ever be, are

frequently termed "articles," while many "articles" in newspapers,

dictionaries and encyclopaedias are in no sense essays. It may be said

that the idea of a detached work is combined with the word "essay,"

which should be neither a section of a disquisition nor a chapter in a

book which aims at the systematic development of a story. Locke's _Essay

on the Human Understanding_ is not an essay at all, or cluster of

essays, in this technical sense, but refers to the experimental and

tentative nature of the inquiry which the philosopher was undertaking.

Of the curious use of the word so repeatedly made by Pope mention will

be made below.

The essay, as a species of literature, was invented by Montaigne, who

had probably little suspicion of the far-reaching importance of what he

had created. In his dejected moments, he turned to rail at what he had

written, and to call his essays "inepties" and "sottises." But in his

own heart he must have been well satisfied with the new and beautiful

form which he had added to literary tradition. He was perfectly aware

that he had devised a new thing; that he had invented a way of

communicating himself to the world as a type of human nature. He

designed it to carry out his peculiar object, which was to produce an

accurate portrait of his own soul, not as it was yesterday or will be

to-morrow, but as it is to-day. It is not often that we can date with

any approach to accuracy the arrival of a new class of literature into

the world, but it was in the month of March 1571 that the essay was

invented. It was started in the second story of the old tower of the

castle of Montaigne, in a study to which the philosopher withdrew for

that purpose, surrounded by his books, close to his chapel, sheltered

from the excesses of a fatiguing world. He wrote slowly, not

systematically; it took nine years to finish the two first books of the

essays. In 1574 the manuscript of the work, so far as it was then

completed, was nearly lost, for it was confiscated by the pontifical

police in Rome, where Montaigne was residing, and was not returned to

the author for four months. The earliest imprint saw the light in 1580,

at Bordeaux, and the Paris edition of 1588, which is the fifth, contains

the final text of the great author. These dates are not negligible in

the briefest history of the essay, for they are those of its revelation

to the world of readers. It was in the delightful chapters of his new,

strange book that Montaigne introduced the fashion of writing briefly,

irregularly, with constant digressions and interruptions, about the

world as it appears to the individual who writes. The _Essais_ were

instantly welcomed, and few writers of the Renaissance had so instant

and so vast a popularity as Montaigne. But while the philosophy, and

above all the graceful stoicism, of the great master were admired and

copied in France, the exact shape in which he had put down his thoughts,

in the exquisite negligence of a series of essays, was too delicate to

tempt an imitator. It is to be noted that neither Charron, nor Mlle de

Gournay, his most immediate disciples, tried to write essays. But

Montaigne, who liked to fancy that the Eyquem family was of English

extraction, had spoken affably of the English people as his "cousins,"

and it has always been admitted that his genius has an affinity with the

English. He was early read in England, and certainly by Bacon, whose is

the second great name connected with this form of literature. It was in

1597, only five years after the death of Montaigne, that Bacon published

in a small octavo the first ten of his essays. These he increased to 38

in 1612 and to 58 in 1625. In their first form, the essays of Bacon had

nothing of the fulness or grace of Montaigne's; they are meagre notes,

scarcely more than the headings for discourses. It is possible that when

he wrote them he was not yet familiar with the style of his predecessor,

which was first made popular in England, in 1603, when Florio published

that translation of the _Essais_ which Shakespeare unquestionably read.

In the later editions Bacon greatly expanded his theme, but he never

reached, or but seldom, the freedom and ease, the seeming formlessness

held in by an invisible chain, which are the glory of Montaigne, and

distinguish the typical essayist. It would seem that at first, in

England, as in France, no lesser writer was willing to adopt a title

which belonged to so great a presence as that of Bacon or Montaigne. The

one exception was Sir William Cornwallis (d. 1631), who published essays

in 1600 and 1617, of slight merit, but popular in their day. No other

English essayist of any importance appeared until the Restoration, when

Abraham Cowley wrote eleven "Several Discourses by way of Essays," which

did not see the light until 1668. He interspersed with his prose,

translations and original pieces in verse, but in other respects Cowley

keeps much nearer than Bacon to the form of Montaigne. Cowley's essay

"Of Myself" is a model of what these little compositions should be. The

name of Bacon inspires awe, but it is really not he, but Cowley, who is

the father of the English essay; and it is remarkable that he has had no

warmer panegyrists than his great successors, Charles Lamb and Macaulay.

Towards the end of the century, Sir George Mackenzie (1636-1691) wrote

witty moral discourses, which were, however, essays rather in name than

form. Whenever, however, we reach the eighteenth century, we find the

essay suddenly became a dominant force in English literature. It made

its appearance almost as a new thing, and in combination with the

earliest developments of journalism. On the 12th of April 1709 appeared

the first number of a penny newspaper, entitled the _Tatler_, a main

feature of which was to amuse and instruct fashionable readers by a

series of short papers dealing with the manifold occurrences of life,

_quicquid agunt homines_. But it was not until Steele, the founder of

the _Tatler_, was joined by Addison that the eighteenth-century essay

really started upon its course. It displayed at first, and indeed it

long retained, a mixture of the manner of Montaigne with that of La

Bruyere, combining the form of the pure essay with that of the

character-study, as modelled on Theophrastus, which had been so popular

in England throughout the seventeenth century. Addison's early _Tatler_

portraits, in particular such as those of "Tom Folio" and "Ned Softly,"

are hardly essays. But Steele's "Recollections of Childhood" is, and

here we may observe the type on which Goldsmith, Lamb and R.L. Stevenson

afterwards worked. In January 1711 the _Tatler_ came to an end, and was

almost immediately followed by the _Spectator_, and in 1713 by the

_Guardian_. These three newspapers are storehouses of admirable and

typical essays, the majority of them written by Steele and Addison, who

are the most celebrated eighteenth-century essayists in England. Later

in the century, after the publication of other less successful

experiments, appeared Fielding's essays in the _Covent Garden Journal_

(1752) and Johnson's in the _Rambler_ (1750), the _Adventurer_ (1752)

and the _Idler_ (1759). There followed a great number of polite

journals, in which the essay was treated as "the bow of Ulysses in which

it was the fashion for men of rank and genius to try their strength."

Goldsmith reached a higher level than the Chesterfields and Bonnel

Thorntons had dreamed of, in the delicious sections of his _Citizen of

the World_ (1760). After Goldsmith, the eighteenth-century essay

declined into tamer hands, and passed into final feebleness with the

pedantic Richard Cumberland and the sentimental Henry Mackenzie. The

_corpus_ of eighteenth-century essayists is extremely voluminous, and

their reprinted works fill some fifty volumes. There is, however, a

great sameness about all but the very best of them, and in no case do

they surpass Addison in freshness, or have they ventured to modify the

form he adopted for his lucubrations. What has survived of them all is

the lightest portion, but it should not be forgotten that a very large

section of the essays of that age were deliberately didactic and

"moral." A great revival of the essay took place during the first

quarter of the nineteenth century, and foremost in the history of this

movement must always be placed the name of Charles Lamb. He perceived

that the real business of the essay, as Montaigne had conceived it, was

to be largely personal. The famous _Essays of Elia_ began to appear in

the _London Magazine_ for August 1820, and proceeded at fairly regular

intervals until December 1822; early in 1823 the first series of them

were collected in a volume. The peculiarity of Lamb's style as an

essayist was that he threw off the Addisonian and still more the

Johnsonian tradition, which had become a burden that crushed the life

out of each conventional essay, and that he boldly went back to the rich

verbiage and brilliant imagery of the seventeenth century for his

inspiration. It is true that Lamb had great ductility of style, and

that, when he pleases, he can write so like Steele that Steele himself

might scarcely know the difference, yet in his freer flights we are

conscious of more exalted masters, of Milton, Thomas Browne and Jeremy

Taylor. He succeeded, moreover, in reaching a poignant note of personal

feeling, such as none of his predecessors had ever aimed at; the essays

called "Dream Children" and "Blakesmoor" are examples of this, and they

display a degree of harmony and perfection in the writing of the pure

essay such as had never been attempted before, and has never since been

reached. Leigh Hunt, clearing away all the didactic and pompous elements

which had overgrown the essay, restored it to its old _Spectator_ grace,

and was the most easy nondescript writer of his generation in

periodicals such as the _Indicator_ (1819) and the _Companion_ (1828).

The sermons, letters and pamphlets of Sydney Smith were really essays of

an extended order. In Hazlitt and Francis Jeffrey we see the form and

method of the essay beginning to be applied to literary criticism. The

writings of De Quincey are almost exclusively essays, although many of

the most notable of them, under his vehement pen, have far outgrown the

limits of the length laid down by the most indulgent formalist. His

biographical and critical essays are interesting, but they are far from

being trustworthy models in form or substance. In a sketch, however

rapid, of the essay in the nineteenth century, prominence must be given

to the name of Macaulay. His earliest essay, that on Milton, appeared in

the _Edinburgh Review_ in 1825, very shortly after the revelation of

Lamb's genius in "Elia." No two products cast in the same mould could,

however, be more unlike in substance. In the hands of Macaulay the essay

ceases to be a confession or an autobiography; it is strictly

impersonal, it is literary, historical or controversial, vigorous,

trenchant and full of party prejudice. The periodical publication of

Macaulay's Essays in the _Edinburgh Review_ went on until 1844; when we

cast our eyes over this mass of brilliant writing we observe with

surprise that it is almost wholly contentious. Nothing can be more

remarkable than the difference in this respect between Lamb and

Macaulay, the former for ever demanding, even cajoling, the sympathy of

the reader, the latter scanning the horizon for an enemy to controvert.

In later times the essay in England has been cultivated in each of these

ways, by a thousand journalists and authors. The "leaders" of a daily

newspaper are examples of the popularization of the essay, and they

point to the danger which now attacks it, that of producing a purely

ephemeral or even momentary species of effect. The essay, in its best

days, was intended to be as lasting as a poem or a historical monograph;

it aimed at being one of the most durable and precious departments of

literature. We still occasionally see the production of essays which

have this more ambitious aim; within the last quarter of the nineteenth

century the essays of R.L. Stevenson achieved it. His _Familiar Studies_

are of the same class as those of Montaigne and Lamb, and he approached

far more closely than any other contemporary to their high level of

excellence. We have seen that the tone of the essay should be personal

and confidential; in Stevenson's case it was characteristically so. But

the voices which please the public in a strain of pure self-study are

few at all times, and with the cultivation of the analytic habit they

tend to become less original and attractive. It is possible that the

essay may die of exhaustion of interest, or may survive only in the

modified form of accidental journalism.

The essay, although invented by a great French writer, was very late in

making itself at home in France. The so-called _Essais_ of Leibnitz,

Nicole, Yves Marie Andre and so many others were really treatises.

Voltaire's famous _Essai sur les moeurs des nations_ is an elaborate

historical disquisition in nearly two hundred chapters. Later, the

voluminous essays of Joseph de Maistre and of Lamennais were not essays

at all in the literary sense. On the other hand, the admirable

_Causeries du lundi_ of Sainte-Beuve (1804-1869) are literary essays in

the fulness of the term, and have been the forerunners of a great army

of brilliant essay-writing in France. Among those who have specially

distinguished themselves as French essayists may be mentioned Theophile

Gautier, Paul de Saint-Victor, Anatole France, Jules Lemaitre, Ferdinand

Brunetiere and Emile Faguet. All these are literary critics, and it is

in the form of the analysis of manifestations of intellectual energy

that the essay has been most successfully illustrated in France. All the

countries of Europe, since the middle of the 19th century, have adopted

this form of writing; such monographs or reviews, however, are not

perfectly identical with the essay as it was conceived by Addison and

Lamb. This last, it may be supposed, is a definitely English thing, and

this view is confirmed by the fact that in several European languages

the word "essayist" has been adopted without modification.

In the above remarks it has been taken for granted that the essay is

always in prose. Pope, however, conceived an essay in heroic verse. Of

this his _Essay on Criticism_ (1711) and his _Essay on Man_ (1732-1734)

are not good examples, for they are really treatises. The so-called

_Moral Essays_ (1720-1735), on the contrary, might have been

contributed, if in prose, either to the _Spectator_ or the _Guardian_.

The idea of pure essays, in verse, however, did not take any root in

English literature. (E. G.)

ESSEG, ESSEGG or ESSEK (Hung. _Esszek_; Croatian _Osjek_), a royal free

town, municipality, and capital of the county of Virovitica (_Verocze_),

in Croatia-Slavonia, on the right bank of the Drave, 9 m. W. of its

confluence with the Danube, and 185 m. S. of Buda-Pest by rail. Pop.

(1900) 24,930; chiefly Magyars and Croats, with a few Germans and Jews.

At Esseg the Drave is crossed by two bridges, and below these it is

navigable by small steamers. The upper town, with the fortress, is under

military authority; the new town and the lower town, which is the

headquarters of commerce, are under civil authority. The only buildings

of note are the Roman Catholic and Orthodox churches, Franciscan and

Capuchin monasteries, synagogue, gymnasium, modern school, hospital,

chamber of commerce, and law-courts. Esseg has a thriving trade in

grain, fruit, live-stock, plum-brandy and timber. Tanning, silk-weaving

and glass-blowing are also carried on.

Esseg owes its origin to its fortress, which existed as early as the

time of the Romans under the name of _Mursia_; though the present

structure dates only from 1720. At the beginning of the Hungarian

revolution of 1848 the town was held by the Hungarians, but on the 4th

of February 1849 it was taken by the Austrians under General Baron

Trebersberg.

ESSEN, a manufacturing town of Germany, in the Prussian Rhine province,

22 m. N.E. from Dusseldorf, on the main line of railway to Berlin, in an

undulating and densely populated district. Pop. (1849) 8813; (1875)

54,790; (1905) 229,270. It lies at the centre of a network of railways

giving it access to all the principal towns of the Westphalian iron and

coal fields. Its general aspect is gloomy; it possesses few streets of

any pretensions, though those in the old part, which are mostly narrow,

present, with their grey slate roofs and green shutters, a picturesque

appearance. Of its religious edifices (twelve Roman Catholic, one Old

Catholic, six Protestant churches, and a synagogue) the minster, dating

from the 10th century, with fine pictures, relics and wall frescoes, is

alone especially remarkable. This building is very similar to the

Pfalz-Kapelle (_capella in palatio_) at Aix-la-Chapelle. Among the

town's principal secular buildings are the new Gothic town-hall, the

post office and the railway station. There are several high-grade

(classical and modern) schools, technical, mining and commercial

schools, a theatre, a permanent art exhibition, and hospitals. Essen

also has a beautiful public park in the immediate vicinity. The town

originally owed its prosperity to the large iron and coal fields

underlying the basin in which it is situated. Chief among its industrial

establishments are the famous iron and steel works of Krupp (q.v.), and

the whole of Essen may be said to depend for its livelihood upon this

firm, which annually expends vast sums in building and supporting

churches, schools, clubs, hospitals and philanthropic institutions, and

in other ways providing for the welfare of its employees. There are also

manufactories of woollen goods and cigars, dyeworks and breweries.

Essen was originally the seat of a Benedictine nunnery, and was formed

into a town about the middle of the 10th century by the abbess Hedwig.

The abbess of the nunnery, who held from 1275 the rank of a princess of

the Empire, was assisted by a chapter of ten princesses and countesses;

she governed the town until 1803, when it was secularized and

incorporated with Prussia. In 1807 it came into the possession of the

grand dukes of Berg, but was transferred to Prussia in 1814.

See Funcke, _Geschichte des Furstenthums und der Stadt Essen_

(Elberfeld, 1851); Kellen, _Die Industriestadt Essen in Wort und Bild_

(Essen, 1902); and A. Shadwell, _Industrial Efficiency_ (London,

1906).

ESSENES, a monastic order among the Jews prior to Christianity. Their

first appearance in history is in the time of Jonathan the Maccabee

(161-144 B.C.). How much older they may have been we have no means of

determining, but our authorities agree in assigning to them a dateless

antiquity. The name occurs in Greek, in the two forms [Greek: Essenoi]

and [Greek: Essaioi]. [Greek: Essenoi] is used by Josephus fourteen

times, [Greek: Essaioi] six, but the latter is the only form used by

Philo (ii. 457, 471, 632). [Greek: Essenoi] is also used by Synesius and

Hippolytus, and its Latin equivalent by Pliny and Solinus; [Greek:

Essaioi] by Hegesippus and Porphyry. In Epiphanius we find the forms

[Greek: Ossaioi, Ossenoi], and [Greek: Iessaioi]. There is a place named

Essa mentioned by Josephus (Ant. xiii. 15, S 3), from which the name may

have been formed, just as the Christians were originally called [Greek:

Nazarenoi] or [Greek: Nazoraioi], from Nazara. This etymology, however,

is not much in favour now. Lightfoot explains the name as meaning "the

silent ones," others as meaning "physicians." Perhaps there is most

authority in favour of deriving it from the Syriac [Hebrew: chseich],

which in the emphatic state becomes [Hebrew: chaseia], so that we have a

Semitic correspondence to both the Greek forms [Greek: Essenoi] and

[Greek: Essaioi]. This etymology makes the word mean "pious." It has

also been urged in excuse for Philo's absurd derivation from [Greek:

hosios].

The original accounts we have of them are confined to three

authors--Philo, Pliny the Elder, and Josephus. Philo describes them in

his treatise known as _Quod omnis probus liber_ (SS 12, 13; ii.

457-460), and also in his "Apology for the Jews," a fragment of which

has been preserved by Eusebius (_Praep. Ev._ viii. 11, 12). Pliny

(_N.H._ v. 17) has a short but striking sketch of them, derived in all

probability from Alexander Polyhistor, who is mentioned among the

authorities for the fifth book of his _Natural History_. This historian,

of whom Eusebius had a very high opinion (_Praep. Ev._ ix. 17, S 1),

lived in the time of Sulla. Josephus treats of them at length in his

_Jewish War_ (ii. 8), and more briefly in two passages of his

_Antiquities_ (xiii. 5, S 9; xviii. 1, S 5). He has also interesting

accounts of the prophetic powers possessed by three individual members

of the sect--Judas (_B.J._ i. 3, S 5; _Ant._ xiii. 11, S 2), Menahem

(_Ant._ xv. 10, S 5), and Simon (_B.J._ ii. 7, S 3; _Ant._ xvii. 13, S

3). Besides this he mentions an Essene Gate in Jerusalem (_B.J._ v. 4, S

2) and a person called John the Essene, one of the bravest and most

capable leaders in the war against the Romans (_B.J._ ii. 20, S 4; iii.

2, S 1). Josephus himself made trial of the sect of Essenes in his

youth; but from his own statement it appears that he must have been a

very short time with them, and therefore could not have been initiated

into the inner mysteries of the society (_De vita sua_, 2). After this

the notices that we have of the Essenes from antiquity are mere

reproductions, except in the case of Epiphanius (died A.D. 402), who,

however, is so confused a writer as to be of little value. Solinus, who

was known as "Pliny's Ape," echoed the words of his master about a

century after that writer's death, which took place in A.D. 79.

Similarly Hippolytus, who lived in the reign of Commodus (A.D. 180-192),

reproduced the account of Josephus, adding a few touches of his own.

Porphyry (A.D. 233-306) afterwards did the same, but had the grace to

mention Josephus in the context. Eusebius quoted the account as from

Porphyry, though he must have known that _he_ had derived it from

Josephus (_Praep. Ev._ ix. 3, SS 1, 13). But Porphyry's name would

impress pagan readers. There is also a mention of the Essenes by

Hegesippus (Eus. _H.E._ iv. 22) and by Synesius in his life of Dio

Chrysostom. It has been conjectured that the Clementine literature

emanated from Essenes who had turned Christian. (See EBIONITES.)

The Essenes were an exclusive society, distinguished from the rest of

the Jewish nation in Palestine by an organization peculiar to

themselves, and by a theory of life in which a severe asceticism and a

rare benevolence to one another and to mankind in general were the most

striking characteristics. They had fixed rules for initiation, a

succession of strictly separate grades within the limits of the society,

and regulations for the conduct of their daily life even in its minutest

details. Their membership could be recruited only from the outside

world, as marriage and all intercourse with women were absolutely

renounced. They were the first society in the world to condemn slavery

both in theory and practice; they enforced and practised the most

complete community of goods. They chose their own priests and public

office-bearers, and even their own judges. Though their prevailing

tendency was practical, and the tenets of the society were kept a

profound secret, it is perfectly clear from the concurrent testimony of

Philo and Josephus that they cultivated a kind of speculation, which not

only accounts for their spiritual asceticism, but indicates a great

deviation from the normal development of Judaism, and a profound

sympathy with Greek philosophy, and probably also with Oriental ideas.

At the same time we do our Jewish authorities no injustice in imputing

to them the patriotic tendency to idealize the society, and thus offer

to their readers something in Jewish life that would bear comparison at

least with similar manifestations of Gentile life.

There is some difficulty in determining how far the Essenes separated

themselves locally from their fellow-countrymen. Josephus informs us

that they had no single city of their own, but that many of them dwelt

in every city. While in his treatise _Quod omnis_, &c., Philo speaks of

their avoiding towns and preferring to live in villages, in his "Apology

for the Jews" we find them living in many cities, villages, and in great

and prosperous towns. In Pliny they are a perennial colony settled on

the western shore of the Dead Sea. On the whole, as Philo and Josephus

agree in estimating their number at 4000 (Philo, _Q.O.P.L._ S 12; Jos.

_Ant._ xviii. 1, S 5), we are justified in suspecting some exaggeration

as to the many cities, towns and villages where they were said to be

found. As agriculture was their favourite occupation, and as their

tendency was to withdraw from the haunts and ordinary interests of

mankind, we may assume that with the growing confusion and corruption of

Jewish society they felt themselves attracted from the mass of the

population to the sparsely peopled districts, till they found a

congenial settlement and free scope for their peculiar view of life by

the shore of the Dead Sea. While their principles were consistent with

the neighbourhood of men, they were better adapted to a state of

seclusion.

The Essenes did not renounce marriage because they denied the validity

of the institution or the necessity of it as providing for the

continuance of the human race, but because they had a low opinion of the

character of women (Jos. _B.J._ ii. 8, S 2; Philo, "Apol. for the Jews"

in Eus. _Praep. Ev._ viii. 11, S 8). They adopted children when very

young, and brought them up on their own principles. Pleasure generally

they rejected as evil. They despised riches not less than pleasure;

neither poverty nor wealth was observable among them; at initiation

every one gave his property into the common stock; every member in

receipt of wages handed them over to the funds of the society. In

matters of dress the asceticism of the society was very pronounced. They

regarded oil as a defilement, even washing it off if anointed with it

against their will. They did not change their clothes or their shoes

till they were torn in pieces or worn completely away. The colour of

their garments was always white. Their daily routine was prescribed for

them in the strictest manner. Before the rising of the sun they were to

speak of nothing profane, but offered to it certain traditional forms of

prayer as if beseeching it to rise. Thereafter they went about their

daily tasks, working continuously at whatever trade they knew till the

fifth hour, when they assembled, and, girding on a garment of linen,

bathed in cold water. They next seated themselves quietly in the dining

hall, where the baker set bread in order, and the cook brought each a

single dish of one kind of food. Before meat and after it grace was said

by a priest. After dinner they resumed work till sunset. In the evening

they had supper, at which guests of the order joined them, if there

happened to be any such present. Withal there was no noise or confusion

to mar the tranquillity of their intercourse; no one usurped more than

his share of the conversation; the stillness of the place oppressed a

stranger with a feeling of mysterious awe. This composure of spirit was

owing to their perfect temperance in eating and drinking. Not only in

the daily routine of the society, but generally, the activity of the

members was controlled by their presidents. In only two things could

they take the initiative, helpfulness and mercy; the deserving poor and

the destitute were to receive instant relief; but no member could give

anything to his relatives without consulting the heads of the society.

Their office-bearers were elected. They had also their special courts of

justice, which were composed of not less than a hundred members, and

their decisions, which were arrived at with extreme care, were

irreversible. Oaths were strictly forbidden; their word was stronger

than an oath. They were just and temperate in anger, the guardians of

good faith, and the ministers of peace, obedient to their elders and to

the majority. But the moral characteristics which they most earnestly

cultivated and enjoined will best appear in their rules of initiation.

There was a novitiate of three years, during which the intending member

was tested as to his fitness for entering the society. If the result was

satisfactory, he was admitted, but before partaking of the common meal

he was required to swear awful oaths, that he would reverence the deity,

do justice to men, hurt no man voluntarily or at the command of another,

hate the unjust and assist the just, and that he would render fidelity

to all men, but especially to the rulers, seeing that no one rules but

of God. He also vowed, if he should bear rule himself, to make no

violent use of his power, nor outshine those set under him by superior

display, to make it his aim to cherish the truth and unmask liars, to be

pure from theft and unjust gain, to conceal nothing from his

fellow-members, nor to divulge any of their affairs to other men, even

at the risk of death, to transmit their doctrines unchanged, and to keep

secret the books of the society and the names of the angels.

Within the limits of the society there were four grades so distinct that

if any one touched a member of an inferior grade he required to cleanse

himself by bathing in water; members who had been found guilty of

serious crimes were expelled from the society, and could not be received

again till reduced to the very last extremity of want or sickness. As

the result of the ascetic training of the Essenes, and of their

temperate diet, it is said that they lived to a great age, and were

superior to pain and fear. During the Roman war they cheerfully

underwent the most grievous tortures rather than break any of the

principles of their faith. In fact, they had in many respects reached

the very highest moral elevation attained by the ancient world; they

were just, humane, benevolent, and spiritually-minded; the sick and

aged were the objects of a special affectionate regard; and they

condemned slavery, not only as an injustice, but as an impious violation

of the natural brotherhood of men (Philo ii. 457). There were some of

the Essenes who permitted marriage, but strictly with a view to the

preservation of the race; in other respects they agreed with the main

body of the society.

It will be apparent that the predominant tendency of the society was

practical. Philo tells us expressly that they rejected logic as

unnecessary to the acquisition of virtue, and speculation on nature as

too lofty for the human intellect. Yet they had views of their own as to

God, Providence, the soul, and a future state, which, while they had a

practical use, were yet essentially speculative. On the one hand,

indeed, they held tenaciously by the traditional Judaism: blasphemy

against their lawgiver was punished with death, the sacred books were

preserved and read with great reverence, though not without an

allegorical interpretation, and the Sabbath was most scrupulously

observed. But in many important points their deviation from the strait

path of Judaic development was complete. They rejected animal sacrifice

as well as marriage; the oil with which priests and kings were anointed

they accounted unclean; and the condemnation of oaths and the community

of goods were unmistakable innovations for which they found no hint or

warrant in the old Hebrew writings. Their most singular feature,

perhaps, was their reverence for the sun. In their speculative hints

respecting the soul and a future state, we find another important

deviation from Judaism, and the explanation of their asceticism. They

held that the body is mortal, and its substance transitory; that the

soul is immortal, but, coming from the subtlest ether, is lured as by a

sorcery of nature into the prison-house of the body. At death it is

released from its bonds, as from long slavery, and joyously soars aloft.

To the souls of the good there is reserved a life beyond the ocean, and

a country oppressed by neither rain, nor snow, nor heat, but refreshed

by a gentle west wind blowing continually from the sea (cf. Hom. _Od._

iv. 566-568), but to the wicked a region of wintry darkness and of

unceasing torment. Josephus tells us too that the Essenes believed in

fate; but in what sense, and what relation it bore to Divine Providence,

does not appear.

The above evidence has left students in doubt as to whether Essenism is

to be regarded as a pure product of the Jewish mind or as due in part to

some foreign influence. On the one hand it might be maintained that the

Essenes out-Pharisee'd the Pharisees. They had in common with that sect

their veneration for Moses and the Law, their Sabbatarianism, their

striving after ceremonial purity, and their tendency towards fatalism.

But if the Pharisees abstained from good works on the Sabbath, the

Essenes abstained even from natural necessities (Jos. _B.J._ ii. 8, S

9); if the Pharisees washed, the Essenes bathed before dinner; if the

Pharisees ascribed some things to Fate, the Essenes ascribed all (Jos.

_Ant._ xiii. 5, S 9). But on the other hand the Essenes avoided

marriage, which the Pharisees held in honour; they offered no

animal-sacrifices in the Temple; they refrained from the use of oil,

which was customary among the Pharisees (Luke vii. 46); above all, they

offered prayers to the sun, after the manner denounced in Ezekiel (viii.

16). These and other points of divergences are not explained by

Ritschl's interesting theory that Essenism was an organized attempt to

carry out the idea of "a kingdom of priests and an holy nation" (Ex.

xix. 6).

Granting then that some foreign influence was at work in Essenism, we

have four theories offered to us--that this influence was Persian,

Buddhist, Pythagorean, or lastly, as maintained by Lipsius, that of the

surrounding Syrian heathenism. Each of these views has had able

advocates, but it must not be supposed that they are mutually exclusive.

If we consider how Philo, while remaining a devout Jew in religion, yet

managed to assimilate the whole Stoic philosophy, we can well believe

that the Essenes might have been influenced, as Zeller maintained that

they were, by Neo-Pythagoreanism. But as Pythagoras himself came from

Samos, and his doctrines have a decidedly Oriental tinge, it may very

well be that both he and the Essenes drew from a common source; for

there is no need to reject, as is so commonly done, the statements of

our authorities as to the antiquity of the Essenes. This common source

we may believe with Lightfoot to have been the Persian religion, which

we know to have profoundly influenced that of Israel, independently of

the Essenes.

The fact that the Pharisees and Sadducees so often figure in the pages

of the New Testament, while the Essenes are never mentioned, might

plausibly be interpreted to show that the New Testament emanated from

the side of the Essenes. So far as concerns the Epistle of St James this

interpretation would probably be correct. That work contains the

doctrine common to the Essenes with Plato, and suggestive of Persian

Dualism, that God is the author of good only. There are also certain

obvious points of resemblance between the Essenes and the early

Christians. Both held property in common; both had scattered communities

which received guests one from the other; both avoided a light use of

oaths; both taught passive obedience to political authority. The list

might be enlarged, but it would not necessarily prove more than that the

early Christians shared in the ideas of their age. Christianity was to

some extent a popularization of Essenism, but there is little reason for

believing that Jesus himself was an Essene. De Quincey's contention that

there were no Essenes but the early Christians is now a literary

curiosity.

The original sources of our knowledge of the Essenes have been

mentioned at the beginning of this paper; the best modern discussions

of them are to be found in such works as Zeller's _Philosophie der

Griechen_, vol. iii.; Ewald, _Geschichte d. V. Israel_, iii. 419-428;

Reuss, _La Theologie chretienne au siecle apostolique_, i. 122-131;

Keim, _Life of Jesus of Nazara_, vol. i.; Lightfoot on the Colossians;

Lucius, _Der Essenismus in seinem Verhaltniss zum Judenthum_;

Wellhausen, _Israelitische und judische Geschichte_; Ed. Schurer, _The

Jewish People in the Time of Jesus Christ_, div. ii. vol. ii. S 30.

The copious bibliography in Conybeare's edition of Philo's _De vita

contemplativa_ bears upon the Essenes as well as upon the Therapeutes.

For a specially Jewish view of the Essenes see Kohler's article in the

_Jewish Encyclopaedia_. They are there regarded as being "simply the

rigorists among the Pharisees." But we are also told that "the

Pharisees characterized the Essene as 'a fool who destroyed the

world.'" (T. K.; St G. S.)

ESSENTUKI, a watering-place of south Russia, in the government of Terek,

11 m. by rail W. from Pyatigorsk; altitude, 2096 ft. Its alkaline and

sulphur-alkaline mineral waters, similar to those of Ems, Selters and

Vichy, are much visited in summer. The climate shows great variations in

temperature. Pop. (1897) 9974.

ESSEQUIBO, or ESSEQUEBO, one of the three settlements of British Guiana,

taking its name from the river Essequibo. (See GUIANA.)

ESSEX, EARLS OF. The first earl of Essex was probably Geoffrey de

Mandeville (q.v.), who became earl about 1139, the earldom being

subsequently held by his two sons, Geoffrey and William, until the death

of the latter in 1189. In 1199 Geoffrey Fitzpeter or Fitzpiers (d.

1213), who was related to the Mandevilles through his wife Beatrice,

became earl of Essex, and on the death of Geoffrey's son William in 1227

the earldom reverted for the second time to the crown. Then the title to

the earldom passed by marriage to the Bohuns, earls of Hereford, and

before 1239 Humphrey de Bohun (d. 1275) had been recognized as earl of

Essex. With the earldom of Hereford the earldom of Essex became extinct

in 1373; afterwards it was held by Thomas of Woodstock, duke of

Gloucester, a son of Edward III. and the husband of Eleanor de Bohun;

and from Gloucester it passed to the Bourchiers, Henry Bourchier (d.

1483), who secured the earldom in 1461, being one of Gloucester's

grandsons. The second and last Bourchier earl was Henry's grandson

Henry, who died early in 1540. A few weeks before his execution in 1540

Thomas Cromwell (q.v.) was created earl of Essex; then in 1543 William

Parr, afterwards marquess of Northampton, obtained the earldom by right

of his wife Anne, a daughter of the last Bourchier earl. Northampton

lost the earldom when he was attainted in 1553; and afterwards it passed

to the famous family of Devereux, Walter Devereux, who was created earl

of Essex in 1572, being related to the Bourchiers. Robert, the 3rd and

last Devereux earl, died in 1646. In 1661 Arthur Capel was created earl

of Essex, and the earldom is still held by his descendants.

ESSEX, ARTHUR CAPEL, 1ST[1] EARL OF (1632-1683), English statesman, son

of Arthur, 1st Baron Capel of Hadham (c. 1641), executed in 1649, and

of Elizabeth, daughter and heir of Sir Charles Morrison of Cashiobury in

Hertfordshire, was baptized on the 28th of January 1632. In June 1648,

then a sickly boy of sixteen, he was taken by Fairfax's soldiers from

Hadham to Colchester, which his father was defending, and carried every

day round the works with the hope of inducing Lord Capel to surrender

the place. At the restoration he was created Viscount Malden and earl of

Essex (20th of April 1661), with special remainder to the male issue of

his father, and was made lord-lieutenant of Hertfordshire and a few

years later of Wiltshire.[2]

He early showed himself antagonistic to the court, to Roman Catholicism,

and to the extension of the royal prerogative, and was coupled by

Charles II. with Holles as "stiff and sullen men," who would not yield

against their convictions to his solicitations. In 1669 he was sent as

ambassador to King Christian V. of Denmark, in which capacity he gained

credit by refusing to strike his flag to the governor of Kronborg. In

1672 he was made a privy councillor and lord-lieutenant of Ireland. He

remained in office till 1677, and his administration was greatly

commended by Burnet and Ormonde,[3] the former describing it "as a

pattern to all that come after him." He identified himself with Irish

interests, and took immense pains to understand the constitution and the

political necessities of the country, appointing men of real merit to

office, and maintaining an exceptional independence from solicitation

and influence. He held a just balance between the Roman Catholics, the

English Church and the Presbyterians, protecting the former as far as

public opinion in England would permit, and governing the native Irish

with firmness and moderation. The purity and patriotism of his

administration were in strong contrast to the hopeless corruption

prevalent in that at home and naturally aroused bitter opposition, as an

obstacle to the unscrupulous employment of Irish revenues for the

satisfaction of the court and the king's expenses. In particular he came

into conflict with Lord Ranelagh, to whom had been assigned the Irish

revenues on condition of his supplying the requirements of the crown,

and whose accounts Essex refused to pass. He opposed strongly the lavish

gifts of forfeited estates to court favourites and mistresses, prevented

the grant of Phoenix Park to the duchess of Cleveland, and refused to

encumber the administration by granting reversions. Finally the

intrigues of his enemies at home, and Charles's continual demands for

money, which Ranelagh undertook to satisfy, brought about his recall in

April 1677. He immediately joined the country party and the opposition

to Danby's government, and on the latter's fall in 1679 was appointed a

commissioner of the treasury, and the same year a member of Sir William

Temple's new-modelled council. He followed the lead of Halifax, who

advocated not the exclusion of James, but the limitation of his

sovereign powers, and looked to the prince of Orange rather than to

Monmouth as the leader of Protestantism, incurring thereby the hostility

of Shaftesbury, but at the same time gaining the confidence of Charles.

He was appointed by Charles together with Halifax to hear the charges

against Lauderdale. In July he wrote a wise and statesmanlike letter to

the king, advising him to renounce his project of raising a new company

of guards. Together with Halifax he urged Charles to summon the

parliament, and after his refusal resigned the treasury in November, the

real cause being, according to one account,[4] a demand upon the

treasury by the duchess of Cleveland for L25,000, according to another

"the niceness of touching French money," "that makes my Lord Essex's

squeasy stomach that it can no longer digest his employment."[5]

Subsequently his political attitude underwent a change, the exact cause

of which is not clear--probably a growing conviction of the dangers

threatened by a Roman Catholic sovereign of the character of James. He

now, in 1680, joined Shaftesbury's party and supported the Exclusion

Bill, and on its rejection by the Lords carried a motion for an

association to execute the scheme of expedients promoted by Halifax. On

the 25th of January 1681 at the head of fifteen peers he presented a

petition to the king, couched in exaggerated language, requesting the

abandonment of the session of parliament at Oxford. He was a jealous

prosecutor of the Roman Catholics in the popish plot, and voted for

Stafford's attainder, on the other hand interceding for Archbishop

Plunket, implicated in the pretended Irish plot. He, however, refused to

follow Shaftesbury in his extreme courses, declined participation in the

latter's design to seize the Tower in 1682, and on Shaftesbury's

consequent departure from England became the leader of Monmouth's

faction, in which were now included Lord Russell, Algernon Sidney, and

Lord Howard of Escrick. Essex took no part in the wilder schemes of the

party, but after the discovery of the Rye House Plot in June 1683, and

the capture of the leaders, he was arrested at Cashiobury and imprisoned

in the Tower. His spirits and fortitude appear immediately to have

abandoned him, and on the 13th of July he was discovered in his chamber

with his throat cut. His death was attributed, quite groundlessly, to

Charles and James, and the evidence points clearly if not conclusively

to suicide, his motive being possibly to prevent an attainder and

preserve his estate for his family. He was, however, undoubtedly a

victim of the Stuart administration, and the antagonism and tragic end

of men like Essex, deserving men, naturally devoted to the throne,

constitutes a severe indictment of the Stuart rule.

He was a statesman of strong and sincere patriotism, just and unselfish,

conscientious and laborious in the fulfilment of public duties,

blameless in his official and private life. Evelyn describes him as "a

sober, wise, judicious and pondering person, not illiterate beyond the

rule of most noblemen in this age, very well versed in English history

and affairs, industrious, frugal, methodical and every way

accomplished"; and declares he was much deplored, few believing he had

ever harboured any seditious designs.[6] He married Lady Elizabeth

Percy, daughter of Algernon, 10th earl of Northumberland, by whom,

besides a daughter, he had an only son Algernon (1670-1710), who

succeeded him as 2nd earl of Essex.

BIBLIOGRAPHY.--See the Lives in the _Dict. of Nat. Biography_ and in

_Biographia Britannica_ (Kippis), with authorities there collected;

Essex's Irish correspondence is in the _Stow Collection_ in the

British Museum, Nos. 200-217, and selections have been published in

_Letters written by Arthur Capel, Earl of Essex_ (1770) and in the

_Essex Papers_ (Camden Society, 1890), to which can now be added the

_Calendars of State Papers, Domestic_, which contain a large number of

his letters and which strongly support the opinion of his

contemporaries concerning his unselfish patriotism and industry; see

also _Somers Tracts_ (1813), x., and for other pamphlets relating to

his death the catalogue of the British Museum.

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