THE BLACK CUPID[11]

There was a small picture hanging in the room; and I took the light to

examine it. I do not know why I could not sleep. Perhaps it was the

excitement of travel.

The gilded frame, massive and richly moulded, inclosed one of the

strangest paintings I had ever seen, a woman's head lying on a velvet

pillow, one arm raised and one bare shoulder with part of a beautiful

bosom relieved against a dark background. As I said, the painting was

small. The young woman was evidently reclining upon her right side; but

only her head, elevated upon the velvet pillow, her white throat, one

beautiful arm and part of the bosom was visible.

With consummate art the painter had contrived that the spectator should

feel as though leaning over the edge of the couch--not visible in

the picture--so as to bring his face close to the beautiful face on

the pillow. It was one of the most charming heads a human being ever

dreamed of; such a delicate bloom on the cheeks;--such a soft, humid

light in the half-closed eyes;--such sun-bright hair;--such carnation

lips;--such an oval outline! And all this relieved against a deep black

background. In the lobe of the left ear I noticed a curious earring--a

tiny Cupid wrought in black jet, suspending himself by his bow, which

he held by each end, as if trying to pull it away from the tiny gold

chain which fettered it to the beautiful ear, delicate and faintly rosy

as a seashell. What a strange earring it was! I wondered if the black

Cupid presided over unlawful loves, unblest amours!

But the most curious thing about the picture was the attitude and

aspect of the beautiful woman. Her head, partly thrown back, with

half-closed eyes and tender smile, seemed to be asking a kiss. The

lips pouted expectantly. I almost fancied I could feel her perfumed

breath. Under the rounded arm I noticed a silky floss of bright hair in

tiny curls. The arm was raised as if to be flung about the neck of the

person from whom the kiss was expected. I was astonished by the art of

the painter. No photograph could have rendered such effects, however

delicately colored; no photograph could have reproduced the gloss of

the smooth shoulder, the veins, the smallest details! But the picture

had a curious fascination. It produced an effect upon me as if I were

looking at living beauty, a rosy and palpitating reality. Under the

unsteady light of the lamp I once fancied that I saw the lips move, the

eyes glisten! The head seemed to advance itself out of the canvas as

though to be kissed. Perhaps it was very foolish; but I could not help

kissing it--not once but a hundred times; and then I suddenly became

frightened. Stories of bleeding statues and mysterious pictures and

haunted tapestry came to my mind; and alone in a strange house and a

strange city I felt oddly nervous. I placed the light on the table and

went to bed.

But it was impossible to sleep. Whenever I began to doze a little, I

saw the beautiful head on the pillow close beside me--the same smile,

the same lips, the golden hair, the silky floss under the caressing

arm. I rose, dressed myself, lit a pipe, blew out the light, and smoked

in the dark, until the faint blue tints of day stole in through the

windows. Afar off I saw the white teeth of the Sierra flush rosily, and

heard the rumbling of awakening traffic.

"Las cinco menos quarto, señor," cried the servant as he knocked upon

my door--"tiempo para levantarse."

Before leaving I asked the landlord about the picture.

Stray leaves from strange literature; and, Fantastics and other fancies · 第 88 / 120 题