ALL IN WHITE[1]

"No," he said, "I did not stay long in Havana. I should think it would

be a terrible place to live in. Somehow, in spite of all the tropical

brightness, the city gave me the idea of a huge sepulchre at times.

One feels in those narrow streets as though entombed. Pretty women?--I

suppose so, yes; but I saw only one. It was in one of the quaint

streets which make you think that the Spaniards learned to build their

cities from the Moors--a chasm between lofty buildings, and balconies

jutting out above to break the view of the narrow strip of blue sky.

Nobody was in the street except myself; and the murmur of the city's

life seemed to come from afar, like a ghostly whisper. The silence was

so strange that I felt as if walking on the pavement of a church, and

disturbing the religious quiet with my footsteps. I stopped before a

great window--no glass, but iron bars only;--and behind the iron bars

lay the only beautiful woman I saw in Havana by daylight. She could not

have been more than eighteen--a real Spanish beauty--dark, bewitching,

an oval face with noble features, and long eyelashes resting on the

cheek. She was dead! All in white--like the phantom bride of the German

tradition--white robes, white satin shoes, and one white tropical

flower in her black hair, shining like a star. I do not know what it

was; but its perfume came to me through the window, sweet and strange.

The young woman, sleeping there all in white, against the darkness of

the silent chamber within, fascinated me. I felt as if it was not right

to look at her so long; yet I could not help it. Candles were burning

at her head and feet; and in the stillness of the hot air their yellow

flames did not even tremble. Suddenly I heard a heavy tramping at the

end of the street. A battalion of Spanish soldiers were coming towards

me. There was no means of proceeding; and I had no time to retreat. The

street was so narrow that I was obliged to put my back to the wall in

order to let them pass. They passed in dead silence--I only heard the

tread of the men, mechanically regular and heavily echoing. They were

all in white. Every man looked at me as he passed by; and every look

was dark, sinister, suspicious. I was anxious to escape those thousands

of Spanish eyes; but I could not have done it without turning my face

to the wall. I do not think one of them looked at the dead girl at

all; but each one looked at me, and forced me to look at him. I dared

not smile,--not one of the swarthy faces smiled. The situation became

really unpleasant. It was like one of those nightmares in which you

are obliged to witness an endless procession of phantoms, each one of

whom compels you to look at it. If I had even heard a single "Carajo

Americano," I should have felt relieved; but all passed me in dead

silence. I was transpierced by the black steel of at least two thousand

Spanish eyes, and every eye looked at me as if I had been detected in

some awful crime. Yet why they did not look at that window instead

of looking at me, I cannot tell. After they had passed, I looked an

instant at the dead girl again; and it seemed to me that I saw the

ghost of a smile--a cynical, mocking smile about her lips. She was

well avenged--if her consecrated rest had been disturbed by my heretic

eyes. I can still smell the white flower; and I can see even the silk

stitches in the white satin shoes--the motionless yellow tongues of

the candles--the thin dead face that seemed to smile, and the thousand

sinister faces that smiled not, and dared me to smile."

Stray leaves from strange literature; and, Fantastics and other fancies · 第 77 / 120 题