CHAPTER I.

[Illustration: DOGARESSA TEODORA SELVO

(as Cleopatra with Venetian Zilve).

PARIS BORDONE.]

THE DOGARESSAS

OF VENICE

(_THE WIVES OF THE DOGES_)

BY EDGCUMBE STALEY

AUTHOR OF “THE TRAGEDIES OF THE MEDICI” ETC.

_ILLUSTRATED_

[Illustration: THE DOGARESSA]

NEW YORK

CHARLES SCRIBNER’S SONS

TO THE MEMORY OF MY

MOTHER

FINETTA STALEY

PREFACE

The Story of the Dogaressas of Venice,--the Wives of the Doges,--has

not hitherto been told in English; but when my many appreciative

readers have finished this volume, I am confident they will agree

with me that there is much that is very interesting and unique in my

narrative.

The influence of good women upon the well-being of Society is

undeniable: that eloquent French _mot_:--“_Cherchez la Femme_,” has a

subtle and impressive meaning. In the election of a Doge of the Most

Serene Republic of Venice the personality of his spouse had often as

not considerable weight in the decision of the Lords of the Council.

My long list of the Ducal wearers of the lesser _Corno_ contains the

name of not one who failed to play her magnificent _rôle_ with infinite

credit to herself and with conspicuous benefit to the State.

In the compilation of my “_Libro d’Oro delle Dogaresse di Venezia_,”

I have found “_La Storia di Venezia_” and “_La Dogaressa di

Venezia_,”--the remarkably able works of Signore Pompeo Giovanni

Molmenti,--of the greatest service, and I now beg to offer that erudite

writer, if he is still alive, my heartiest acknowledgments. Mr W. C.

Hazlett’s “Venetian Republic,”--out and away the best English history

of Venice,--has been invaluable.

The “Roll” of the Most Serene Dogaressas is unique,--such a complete

list has never been published,--it will therefore be exceedingly useful

to students of history and lovers of romance.

With respect to illustrations it will be at once remarked how few

portraits of Dogaressas I offer. The fact is that Venetian painters,

great or small, painted fewer than a dozen of the noble First Ladies

of Venice. This is perhaps what might have been expected. Venetian

painters excelled all others in the delineation of youthful female

beauty,--they were the first to paint “_Venus Calva_,”--but the

middle-aged and the aged did not appeal to them. No, the Dogaressas

have nothing for which to thank painters, sculptors, or engravers: such

artists were directly under the patronage of the Doges not of their

Consorts.

Women of every age and clime care very little about the Fine Arts, so

called, they are themselves the finest of the Fine Arts, and their

sympathy goes out rather to the artistic Crafts, in search of objects

to add, if may be, to their own charms and attractiveness. In Venice

the “_Fragilie_,” or Trade-Guilds, were directly under the patronage

of the Dogaressas, and we shall find their personal attributes in the

beautiful and fragile glass of Murano, and the delicate and chaste

point-lace of Burano, in the lovely and costly ornaments of the

goldsmiths, in the superb brocades of silk and velvet and the splendid

tissues of gold and silver of the costumiers, and in the endless

fascinating adjuncts of the toilet and the table.

Many of my illustrations are characteristic scenes of Venetian life and

special features of Venetian fashion, and I think they prove the truth

of what Mr G. Howell in his “Familiar Letters” says of Venice:--“A

place where is nothing wanting that heart can wish.”

EDGCUMBE STALEY.

CONTENTS

PAGE

PREFACE v

INTRODUCTION--

I. VENICE--“The City of Venus” xiii

II. VENICE--“The City of Saints” xvi

III. VENICE--“The City of ‘Fair’ Women” xxiv

CHAPTER I.

“To the Lagunes!”--The dreaded Huns--Aquileia la

Bella--Adriana the Heroine--La Maga Irene--Degna

D’Aquileia--Viragoes--Hawsers of Women’s

Hair--_Venezia Seconda_--Longobards--Altino and the

Storks--The first Doge of Eraclea--Early Dress and

Manners--Charlemagne--The first Dogaressa--Rivo-Alto

Parent of Venice--Agnello and Elena Badoero--First Makers

of Venice--Houses--Customs--Love of Flowers--First

Ducal Palace--Translation of St Mark’s Body--Basilica

of San Marco Built--Doges and Dogaresses enter

Religion--Position of Women--Lovers--The _Pegne_--Marriage

Ceremonies--_Arcelle_--Legend of “La Boccola”--Festa

delle Marie--A Slave Dogaressa--The Rape of the

Brides--A low-born Mistress--Proud Valdrada da

Toscana--A Rich Dowry--Slaves--Athletic Sports--Fire

at the Palace--Assassination of Doge Pietro Candiano

IV.--Valdrada’s Vengeance--The Love-story of Gerardo Guoro

and Elena Candiano 1–41

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