FOOTNOTES:

[1] Sidonius Apollinaris.

[2] An ingenious literary antiquary has given us a copious

vocabulary, as complete evidence of Latin words merely abbreviated by

omitting their terminations, whence originated those numerous

monosyllables which impoverish the French language. In the following

instances the Gauls only used the first syllable for the entire word,

damnum--_damn_; aureum--_or_; malum--_mal_; nudum--_nud_;

amicus--_ami_: vinum--_vin_; homo--_hom_, as anciently written;

curtus--_court_; sonus--_son_; bonus--_bon_: and thus made many

others.

The nasal sound of our neighbours still prevails; thus Gracchus sinks

into _Gracque_; Titus Livius is but _Tite Live_; and the historian of

Alexander the Great, the dignified Quintus Curtius, is the ludicrous

_Quinte Curce_!--Auguis, "Du Genie de la Langue Francoise."

[3] Turner's "History of England."

[4] See "Curiosities of Literature," article Recovery of Manuscripts.

[5] ERASMUS composed a satirical dialogue between two vindictive

Ciceronians; it is said that a duel has been occasioned by the

intrepidity of maintaining the purity of a writer's latinity. The

pedantry of mixing Greek and Latin terms in the vernacular language

is ridiculed by RABELAIS in his encounter with the Limousin student,

whom he terrified till the youngster ended in delivering himself in

plain French, and left off "Pindarising" all the rest of his

days.--"Pantagruel," lib. ii. c. 6.

[6] Collier's "History of Dramatic Poetry," ii. 463.

[7] We now possess this valued literary history, which none, perhaps,

but Anthony a Wood could have so fervently pursued: "The History and

Antiquities of the University of Oxford," in five volumes, quarto.

Edited by John Gutch. It is a distinct work from the far-known

"Athenae Oxonienses." Why did this great work, as well as some others,

come forth with a Latin title? This absurdity was a remaining taint

of the ancient prejudice. But an English work was not the more

classical for bearing a Latin title.

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