FOOTNOTES:

[1] Bp. Nicholson's Eng. Lib.

[2] It is pleasing to record a noble instance of the enthusiasm of

learned research. "The leisure hours of sixteen years" furnished a

comprehensive history of which "two-thirds had not yet

appeared."--_Mr. Turner's Preface._

[3] A sufferer, moreover, fully assures us that some remain, which

"must baffle all conjecture;" and another critic has judicially

decreed that, in every translation from the Anglo-Saxon that has

fallen under his notice, "there are blunders enough to satisfy the

most unfriendly critic." "The Song of the Traveller," in "The Exeter

Book," was translated by CONYBEARE; a more accurate transcript was

given by Mr. KEMBLE in his edition of Beowulf; and now Mr. GUEST has

furnished a third, varying from both. We cannot be certain that a

fourth may not correct the three.

[4] "Without exception!" is the energetic cry of the translator of

Beowulf.

[5] The first line contains two words commencing with the same

letter, and the second line has its first word also beginning with

that letter. This difficulty seems insurmountable to a modern reader,

for our authority confesses that, "In the Saxon poetry; as it is

preserved in manuscripts, the first line often contains but one

alliterating word, and, from the negligence of the scribes, the

alliteration is in many instances entirely lost."--_Dissertation on

Anglo-Saxon Poetry, Fraser's Magazine_, xii. 81.

[6] A striking instance how long a universal error can last, arising

from one of these obscure conceits, is noticed by Mr. GRENVILLE

PIGOTT in his "Manual of Scandinavian Mythology."

These warlike barbarians were long reproached that even their

religion fomented an implacable hatred of their enemies; for in the

future state of their paradisiacal Valhalla, their deceased heroes

rejoiced at their celestial compotations, _to drink out of the skulls

of their enemies_.

A passage in the death-song of Regner Lodbrog, literally translated,

is, "Soon shall we _drink_ out of the _curved trees of the head_;"

which Bishop Percy translates, "Soon, in the splendid hall of Odin,

we shall drink beer out of the skulls of our enemies." And thus also

have the Danes themselves, the Germans, and the French.

The original and extraordinary blunder lies with Olaus Wormius, the

great Danish antiquary, to whose authority poets and historians bowed

without looking further. Our grave Olaus was bewildered by this

monstrous style of the Scalds, and translated this drinking bout at

Valhalla according to his own fancy,--"Ex concavis crateribus

craniorum;"--thus turning the "trees of the head" into a "skull," and

the skull into a hollow cup. The Scald, however, was innocent of this

barbarous invention; and, in his violent figures and disordered

fancy, merely alluded to the branching horns, growing as trees, from

the heads of animals--that is, the curved horns which formed their

drinking cups. If Olaus here, like Homer, nodded, something might be

urged for his defence; for who is bound to understand such remote, if

not absurd conceits? but I do not know that we could plead as fairly

for his own interpolating fancy of "drinking out of the skulls of

their enemies."

This grave blunder became universal, and a century passed away

without its being detected. It was so familiar, that Peter Pindar

once said that the booksellers, like the heroes of Valhalla, drank

their wine out of the skulls of authors.

[7] HICKES and WANLEY mistook the "Ormulum," a paraphrase of Gospel

history, as mere prose; when in fact it is composed in long lines of

fifteen syllables without rhyme.

[8] See "A Manual of Scandinavian Mythology," by Mr. Grenville

Pigott. 1839. "The Northern Mythology" will be found here not only

skilfully arranged, but its wondrous myths and fables elucidated by

modern antiquaries. It is further illustrated by the translation of

the poem of Oehlenschlaeger, on "The Gods of the North;" whose genius

has been transfused in the nervous simplicity of the present version.

[9] Such is the critical decision of CONYBEARE, a glorious

enthusiast. "Illustrations of Anglo-Saxon Poetry," by John Josiah

Conybeare. 1826.

The late Mr. Price, the editor of Warton's History, announced an

elaborate work on the Anglo-Saxon poetry. The verse of CONYBEARE and

the disquisitions of PRICE would have completed this cycle of our

ancient poetry. But a fatal coincidence marked the destiny of these

eminent votaries of our poetic antiquity--both prematurely ceasing to

exist while occupied on their works. CONYBEARE has survived in his

brother, whose congenial tastes collected his remains; PRICE, who had

long resided abroad, and there had silently stored up the whole

wealth of Northern literature, on his return home remained little

known till his valued edition of Warton announced to the literary

world the acquisitions they were about to receive. He has left a name

behind him, but not a work, for Price had no fraternal friend.

Since this chapter was written, Mr. Thos. Wright has published "An

Essay on the State of Literature and Learning under the

Anglo-Saxons." It displays a comprehensive view taken by one to whose

zealous labours the lovers of our ancient literature are so deeply

indebted.

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